Thoughts We Cannot Say

A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

photo by Harry Rodenberger

Birds afloat in air’s current,
sacred breath? No, not breath of God,
it seems, but God
the air enveloping the whole
globe of being.
It’s we who breathe, in, out, in, the sacred,
leaves astir, our wings
rising, ruffled—but only saints
take flight…
But storm or still,
numb or poised in attention,
we inhale, exhale, inhale,
encompassed, encompassed.

~Denise Levertov from “In Whom We Live and Move and Have Our Being” from The Stream and the Sapphire

As if reluctant to let go the setting sun last night,
one lone bird still sang a twilight song,
long after the others fell asleep,
their heads tucked neatly under their wings.

This lone bird had not yet finished with the day,
breathing in and out its plaintive melody,
articulating my thoughts I could not say.

And before a hint of light this May morning,
I am swept from my dreams
by a full chorus singing from the same perch,
no longer a lone voice, but hundreds.

My day is launched by the warbling songs,
but I cannot forget twilight’s one reluctant bird
who fought the impending darkness using only its voice.

I too fight back the darkness with what I write here,
if I can keep it at bay:
inhaling, exhaling, encompassed in Breath.
I want to sing out light to Light and live light in Light.

No darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He doesn’t know the world at all
Who stays in his nest and doesn’t go out.
He doesn’t know what birds know best
Nor what I sing about, Nor what I sing about, Nor what sing about:
That the world is full of loveliness.

When dew-drops sparkle in the grass
And earth is aflood with morning light. light
A blackbird sings upon a bush
To greet the dawning after night,
the dawning after night,
the dawning after night.
Then I know how fine it is to live.

Hey, try to open your heart to beauty;
Go to the woods someday
And weave a wreath of memory there.
Then if tears obscure your way
You’ll know how wonderful it is
To be alive.

~Paul Read

The Magical Frontier

Between the March and April line —
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.


The saddest noise, the sweetest noise,
The maddest noise that grows, —
The birds, they make it in the spring,
At night’s delicious close.


It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.


It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and sing no more.


An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
~Emily Dickinson
“The Saddest Noise”

Every spring
I hear the thrush singing
in the glowing woods
he is only passing through.
His voice is deep,
then he lifts it until it seems
to fall from the sky.
I am thrilled.
I am grateful.
Then, by the end of morning,
he’s gone, nothing but silence
out of the tree
where he rested for a night.
And this I find acceptable.
Not enough is a poor life.
But too much is, well, too much.
Imagine Verdi or Mahler
every day, all day.
It would exhaust anyone.
~Mary Oliver “In Our Woods, Sometimes a Rare Music ” from “A Thousand Mornings”

What does it say about me that a only a few months ago, in the inky darkness of December mornings, I was yearning for the earlier sunrises of spring. Once we’re well into April, the birdsong symphony alarm clock each morning is no longer so compelling. 

This confirms my suspicion that I’m incapable of reveling in the moment at hand, something that would likely take years of therapy to undo. I’m sure there is some deep seated issue here, but I’m too sleep deprived to pursue it.

My eyes pop open earlier than I wish, aided and abetted by vigorous birdsong in the trees surrounding our farm house. Daylight sneaks through the venetian blinds. Once the bird chorus starts, with one lone chirpy voice in the apple tree by our bedroom window, it rapidly becomes a full frontal onslaught orchestra from all manner of avian life-forms, singing from the plum, cherry, walnut, fir and chestnut. Sleep is irretrievable.

Yet it would be such a poor life without the birdsong.
Even so, too much is … a bit too much.

I already need a nap.

photo by Harry Rodenberger

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For a Moment of Time

The tree, and its haunting bird,
Are the loves of my heart;
But where is the word, the word,
Oh where is the art,
To say, or even to see,
For a moment of time,
What the Tree and the Bird must be
In the true sublime?


They shine, listening to the soul,
And the soul replies;
But the inner love is not whole, 
and the moment dies.

Oh give me before I die
The grace to see
With eternal, ultimate eye,
The Bird and the Tree.
The song in the living Green,
The Tree and the Bird –
Oh have they ever been seen,
Ever been heard?

~Ruth Pitter “The Bird in the Tree”

Then came a sound even more delicious than the sound of water. Close beside the path they were following a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off.

And then, as if that had been signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, the Witch and the Wardrobe

Every day now we hear hunters firing in the woods and the wetlands around our farm, most likely aiming for the few ducks that have decided to stay in the marshes through the winter, or possibly a Canadian goose or a deer to bring home for the freezer. Our usual day-long serenade of birdsong from the forest is replaced by shotguns popping, hawks and eagles chittering from the treetops, with Stellar jays and squirrels arguing over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth. 

During these chilly months, there are no longer birdsong arias in the trees;  I’m left bereft of the musical tapestry of chirps and trills and twitters.

So it is too quiet, a time of bereavement. The frosty silence of darkened days, interrupted by gunshot percussion, is like a baton raised in anticipation after rapping the podium to bring us all to attention. I wait and listen for the downbeat to come — the return of birds and peeper frogs tuning their throats, rehearsing their spring symphony.

May their eternal and ultimate concert never end.

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885
letter to Miss Eugenia Hall

Bird in a tree, bird in a tree
What you doin’ way up there?
Why do you sing, why do you sing?
Are you looking for your lady fair?
Did she fly away to another tree?
Do you know not where she hides?
All day you sing the same old song
She must be hard to find

[Verse 2]
Bird in a tree, bird in a tree
What’s it like to be able to fly?
I figure if I had wings like you
Not a wasted day’d go by
I’d fly above the mountaintops
I’d do barrel-rolls and dives
I’d snack upon the wiggly worms
And be happy all my life

[Verse 3]
Bird in a tree, bird in a tree
What you doin’ way up there?
Why do you sing, why do you sing?
Are you looking for your lady fair?
Did she leave you late in the summertime
After such a lovely spring?
Are afraid that come the winter
You’ll be left in the cold and lonely?

[Verse 4]
Bird in a tree, bird in a tree
Who taught you to sing so well?
Do you know that I am listening?
Brother bird, can you even tell?
And though your love might be far away
Even another town
You sing your song all through the day
In case she comes around

[Verse 5]
Bird in a tree, bird in a tree
Oh, the sun is getting wide
Soon the night will come
And the morning won’t be for a while
So fare thee well, dear friend of mine
What a pleasure, I must say
We both should prob’ly get some sleep
Tomorrow’s another day

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Raw Moist Dawn

I love these raw moist dawns with
a thousand birds you hear but can’t
quite see in the mist.

~Jim Harrison “Another Country”

The heart of a woman goes forth with the dawn,
As a lone bird, soft winging, so restlessly on,
Afar o’er life’s turrets and vales does it roam
In the wake of those echoes the heart calls home.
~Georgia Douglas Johnson from 
The Heart of a Woman and Other Poems

In those raw moments before dawn
when a glow gently tints
the inside of the horizon’s eyelids,
the black of midnight waxes to merely shadow,
the worries of nighttime forgotten
amid a joyful chorus of unseen singers.

A gloaming dusk
fades into a gleaming dawn,
backlit silhouettes stark and still
as a drowsing world
slowly opens her eyes
and greets this new and glorious morn.

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Morning Unfurls

I know this sound, first birds of morning.
As a child, I waited for hours for the drape
of night to roll up again. Leaning into the first
hint of the fresh day, the fragile lace of hesitant
light, the receding darkness dappled with bird song,
able at last to close my eyes.
I know this sound, some kind of redemption,
waking me from scattered sleep, a healing fragment
even as the work of the previous day marks my bones
in notches. Night leaves its small fur as the dawn
pushes, as the birds persist, and morning unfurls
like a promise you hoped someone would keep.
~Susan Moorhead “First Light” from Carry Darkness, Carry Light

Our February farm sunrises have always been full of promise over the three decades we’ve been here. The birds are waking earlier each day and when mornings are soaked, dripping with light and color, the air itself is alive.

Nothing though quite matches the phenomenon in February 2015 (top photo) when a fall streak hole or “key hole” cloud formed over nearby foothills. It looked to me as if angels were bursting through an unfurling break in heaven’s moving veil. Though it didn’t last long, it was seen for miles around us.

When morning breaks the night, it is like the first morning which came into being with His Words:

“Let there be light” and there continues to be the most amazing light…

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Antidote to Bitterness

Keep a green tree in your heart and perhaps a singing bird will come–
~Chinese Proverb

photo by Harry Rodenberger

I heard a wood thrush in the dusk
Twirl three notes and make a star—
My heart that walked with bitterness
Came back from very far.


Three shining notes were all he had,
And yet they made a starry call—
I caught life back against my breast
And kissed it, scars and all.
~Sara Teasdale, featured in “The Wood” in Earth Song

…then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, The Witch and the Wardrobe

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

I need reminding that what I offer up from my heart predicts what I will receive there.

If I’m grumbling and falling apart like a dying vine
instead of a vibrant green tree~~~
coming up empty and hollow with discouragement,
entangled in the cobwebs and mildew of worry,
only grumbling and grousing~~~
then no singing bird will come.

It is so much better to nurture the singers of joy and gladness with a heart budding green with grace and gratitude, anticipatory and expectant.

My welcome mat is out and waiting.

The symphony can begin any time now…

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here

Too Much is Too Much

Every spring
I hear the thrush singing
in the glowing woods
he is only passing through.
His voice is deep,
then he lifts it until it seems
to fall from the sky.
I am thrilled.
I am grateful.
Then, by the end of morning,
he’s gone, nothing but silence
out of the tree
where he rested for a night.
And this I find acceptable.
Not enough is a poor life.
But too much is, well, too much.
Imagine Verdi or Mahler
every day, all day.
It would exhaust anyone.
~Mary Oliver “In Our Woods, Sometimes a Rare Music ” from “A Thousand Mornings”

What does it say about me that six months ago, in the darkness of December mornings, I was yearning for the early sunrises of June but once I’m well into the June calendar, these early mornings are no longer so compelling?  It confirms my suspicion that I’m incapable of reveling in the moment at hand, something that would likely take years of therapy to undo.  I’m sure there is some deep seated issue here, but I’m too sleep deprived to pursue it.

My eyes popped open this morning at 4:17 AM, aided and abetted by vigorous birdsong in the trees surrounding our farm house.  There was daylight sneaking through the venetian blinds at that unseemly hour as well.  Once the bird chorus started, with one lone chirpy voice in the apple tree by our bedroom window, it rapidly became a full frontal onslaught symphony orchestra from all manner of avian life-forms, singing from the plum, cherry, walnut, fir and chestnut.   Sleep became irretrievable.

It would be such a poor life without the birdsong.

I remember wishing for early morning birdsong last December when it seemed the sun would never rise and the oppressive silence would never lift.  I had conveniently forgotten those mornings a few years ago when we had a flock of over a dozen young roosters who magically found their crows very early in the morning a mere 10 weeks after hatching.  Nothing before or since could match their alarm clock expertise after 4 AM.  No barbecue before or since has tasted as sweet (apologies to my vegan/vegetarian readers, but too much was too much).

So I remind myself how bad it can really be; this morning’s backyard birdsong was a veritable symphony in comparison.

I already need a nap.

Faith is the bird that feels the light and sings when the dawn is still dark.
~Rabindranath Tagore

photo by Harry Rodenberger

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In This Twittering World

photo by Harry Rodenberger

Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning

Not here
Not here the darkness, in this twittering world.
..

After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

~T.S. Eliot – excerpts from Burnt Norton, first of the Four Quartets

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

Eliot didn’t have in mind future tweets on 21st century Twitter when he wrote Burnt Norton in 1935.  He was far more concerned about the concept of Time and redeeming our distraction from connecting to God Himself, the “still point” source of the natural and creative order of all things. He uses the analogies of a garden of flowers and singing birds, a graveyard, and most disturbingly, a subway train of empty-souled people traveling in the Tube under London in the dark. 

Eliot was predicting an unknowable future. Great Britain was facing a second war with Germany, but nearly a century later, we live 24/7 in a “twittering world” war of empty words and darkness through devices we carry with us at all times. Eliot, critical of the dehumanizing technology of his time, was prescient enough to foresee how modern technology might facilitate our continued fall from grace and distract us from the source of our redemption.

Perhaps Rossetti understands best. When birdsong begins on our farm in June at 4 AM in the apple, cherry, chestnut, and walnut trees outside our bedroom windows, I am swept away from my dreams by the distraction of wakening to music of the created order among the branches surrounding me, immersed in the beauty of dew-laden blooms and cool morning air.

Once a hundred thousand birds settle into routine conversation after twenty minutes of their loudly tweeted greetings of the day, I settle too, sitting bleary-eyed at my computer to navigate the twittering world of technology which is too often filled with fancies, or meanness, or, most often, completely empty of meaning altogether.

Yet, each morning as my heart is launched by the warbling songs outside my window, I’m determined to dismiss the distraction of the tweets and twitters on my screen. 

Not here will darkness be found on this page, if I can keep it at bay. I want to answer light to light and light with light.

No darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He does-n’t know the world at all
Who stays in his nest and does-n’t go out.
He does-n’t know what birds know best
Nor what I sing a-bout, Nor what I sing a-bout, Nor what sing a-bout:
That the world is full of love-li-ness.

When dew-drops spar-kle in the grass
And earth is a-flood with mor-ning light. light
A black-bird sings up-on a bush
To greet the dawn-ing af-ter night,
the dawn-ing af-ter night,
the dawn-ing af-ter night.
Then I know how fine it is to live.

Hey, try to o-pen your heart to beau-ty;
Go to the woods some-day
And weave a wreath of me-mory there.
Then if tears ob-scure your way
You’ll know how won-der-ful it is
To be a-live.

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Starved for Hope

I know what you planned, what you meant to do, teaching me
to love the world, making it impossible
to turn away completely, to shut it out completely ever again –
it is everywhere; when I close my eyes,
birdsong, scent of lilac in early spring, scent of summer roses:
you mean to take it away, each flower, each connection with earth –
why would you wound me, why would you want me
desolate in the end, unless you wanted me so starved for hope
I would refuse to see that finally
nothing was left to me, and would believe instead
in the end you were left to me.
~Louise Glück “Vespers”
(one of ten Vespers poems)

I wait for the Lord, my soul waits,
    and in his word I hope;
~Psalm 130:5

Mid-spring days like this:
bright, so promising with potential, birdsong constantly in the air, scent of orchard blossoms, lilacs, early roses and a flush of color everywhere…

how can I not love the world so much I never want to leave it?

Yet I must hold this loosely. It is but a tiny show of the glories to come, of what You have waiting for me next.

I am wounded with the realization that I must eventually let this go.

I hold onto the hope that won’t be found in all this beauty and lushness, the fulfilling hope that can only be found in my relationship with You as my Father and Creator.

You provide only a taste here so that I know what I starve for, starved with hope for what You have in store.

I will wait for you
I will wait for you
in the end You were left for me.

Amen and Amen.

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Things Unknown But Longed For

I know why the caged bird sings, ah me,
    When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
    But a prayer that he sends from his heart’s deep core,   
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!

~Paul Dunbar from “Sympathy”

…the goldfinch comes, with a twitching chirrup
A suddenness, a startlement,at a branch end
Then sleek as a lizard, and alert and abrupt,
She enters the thickness,and a machine starts up
Of chitterings, and of tremor of wings, and trillings –
The whole tree trembles and thrills
It is the engine of her family.
She stokes it full, then flirts out to a branch-end
Showing her barred face identity mask

Then with eerie delicate whistle-chirrup whisperings
She launches away, towards the infinite

~Ted Hughes from “The Laburnum Top”

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

~Maya Angelou from “Caged bird”

The 4 AM moment of this waning night
before the first bird awakes to sing –
a solemn silence holds its breath
till broken by chitters and tweets.

Like a full breast tingles
with readiness to flow until emptied –
this wave of quiet builds before toppling forward
in barely contained abundance, saturating our ears.

The Conductor’s baton rises to ready
the multi-voiced chorus –
awaking voices, pleading, spill from
a thousand thousand perches.

My anticipation rises for
for such a prayer uncaged and free –
cascading from overnight stillness
into an explosive unmistakeable dawn.

photo by Harry Rodenberger