These Things We Depend On

This is the moment when you see again
the red berries of the mountain ash
and in the dark sky
the birds’ night migrations.

It grieves me to think
the dead won’t see them—
these things we depend on,
they disappear.

What will the soul do for solace then?
I tell myself maybe it won’t need
these pleasures anymore;
maybe just not being is simply enough,
hard as that is to imagine.
~Louise Glück “The Night Migrations”


(Louise Glück died yesterday at age 80; she was both a Nobel and Pulitzer Prize winner for poetry)

All through August and September
            thousands, maybe
tens of thousands, of feathered
            creatures pass through
this place and I almost never see
            a single one. The fall
wood warbler migration goes by here
            every year, all of them,
myriad species, all looking sort of like
            each other, yellow, brown, gray,
all muted versions of their summer selves,
            almost indistinguishable
from each other, at least to me, although
            definitely not to each other,
all flying by, mostly at night, calling to each
            other as they go to keep
the flock together, saying: chip, zeet,
            buzz, smack, zip, squeak—
            those
sounds reassuring that we are
            all here together and
heading south, all of us just passing
            through, just passing
through, just passing through, just
            passing through.

~David Budbill “Invisible Visitors” from Tumbling Toward the End

Some feathered travelers slip past us unseen and unheard. 
They may stop for a drink in the pond
or a bite to eat in the field and woods,
but we never know they are there – simply passing through.

Others are compelled to announce their journey
with great fanfare, usually heard before seen. 
The drama of migration becomes bantering conversation
from bird to bird, bird to earth, bird to sun, moon and stars,
with unseen magnetic forces pointing the way.

When not using voices, their wings sing the air
with rhythmic beat and whoosh.

We’re all together here — altogether —
even when our voices are raised sharply,
our silences brooding, our hurts magnified, our sorrows deep.
Our route and mode of travel become a matter of intense debate.

The ultimate destination is not in dispute however. 
It isn’t simply enough to just be,
but to be heading to where we belong,
to that which we depend upon.
We are migrating souls finding a way back home
where all is solace, all is meaning,
all is grace, all is peace.

We’re just passing through,
just passing through, just passing through.

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Out of Imagination

Sometimes the mind

is taken by surprise
as it speaks, are you
sure this is the right street?
for example—or just

cowpath—no more: a blurb,
a bleep, really, out of
the imagination, and then
once again everything is

perfectly still, save, perhaps,
a cow or two on the horizon,—

and the sound of cowbirds
in sudden excellence, where

formerly there were none.
~Jane Mead “Sometimes the Mind” From The Usable Field

photo by Bette Vander Haak
photo by Bette Vander Haak
photo by Bette Vander Haak

Many current roads started out as cowpaths decades ago. These meandering trails made sense to cows at the time. Subsequently, because people lack imagination, we tend to also follow those original twist and turns as we navigate life’s byways. Now paved with asphalt and good intentions, our roads accommodate more than a herd of cows giving hitchhiking cowbirds a free meal.

Cowbirds don’t lack imagination though; they are ready-made opportunists. They occupy any furry back that happens to attract tasty insects. The (horse?)birds happily set sail on a dinner cruise while doing their host a favor by gobbling irritating flies.

Imagine meandering through countryside pastures all day, unconcerned where the next meal will come from because it always comes to you.

Its easy if you try. You can say I’m a dreamer, but I’m not the only one. I hope someday you’ll join us and the world (horses, cows, birds) will live as one…

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They All Know…

The squirrel sticks its head from the tree’s knot,
shrieking directions, a village gossip with a huge
plumed tail. It moves down the scalloped bark, swaying
on tiny nails, and stops, eye-level with my swollen belly.
A black blur of bird swoops, the velvet of its wing
against my cheek. It nests among a ruckus of robins,
less interested in being fed than being heard. Around
the curve of the road, I near the farmer’s fence. His
mare lowers her fan of lashes. In the pond, a fish flips,
exposing its silver stomach.

~Tina Barry, “The Animals Know” from Beautiful Raft

photo by Harry Rodenberger
video by Harry Rodenberger

It has been over thirty years since I carried a child in my belly. Each time, I remember having the feeling our farm animals knew I was “expecting” even before it became obvious. Maybe it was because I was so overjoyed, I carried myself differently. After experiencing a miscarriage and two years of infertility workups, it felt almost magical being pregnant. It seemed as if our invisibly growing baby was already welcomed by all the creatures on our farm and were celebrating the anticipation along with us.

While I was pregnant with our first son, after such a long wait for parenthood, we bought a new dog, Tango and moved to a farm from the city. She was a year old and had never been around babies, so we weren’t sure how she would adapt to both new surroundings and new owners. As we drove six hours to her bring her to her new home, she happily settled in for the trip lying on my bulging tummy, pummeled by kicks from a baby she would soon meet face to face.

She loved him as soon as she saw him.
She had known him and understood him as he grew inside.

Now, decades later, our family’s next generation is fulfilling their own hopes for the future: we have four cherished grandchildren in addition to the two we are now waiting to meet — one will be any day now.

The expectation of new life is so sweet. All that lives and breathes anticipates this new soul budding and about to bloom.

Somehow, they just know…

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For All Things Frail and Imperiled

Here, I place
a blue glazed cup
where the wood
is slightly whitened.
Here, I lay down
two bright spoons,
our breakfast saucers, napkins
white and smooth as milk.

I am stirring at the sink,
I am stirring
the amount of dew
you can gather in two hands,
folding it into the fragile
quiet of the house.
Before the eggs,
before the coffee
heaving like a warm cat,
I step out to the feeder—
one foot, then the other,
alive on wet blades.
Air lifts my gown—I might fly—

This thistle seed I pour
is for the tiny birds.
This ritual,
for all things frail
and imperiled.
Wings surround me, frothing
the air. I am struck
by what becomes holy.

A woman
who lost her teenage child
to an illness without mercy,
said that at the end, her daughter
sat up in her hospital bed
and asked:

What should I do?
What should I do?

Into a white enamel bath
I lower four brown eggs.
You fill the door frame,
warm and rumpled, kiss
the crown of my head.
I know how the topmost leaves
of dusty trees
feel at the advent
of the monsoon rains.

I carry the woman with the lost child
in my pocket, where she murmurs
her love song without end:
Just this, each day:
Bear yourself up on small wings
to receive what is given.

Feed one another
with such tenderness,
it could almost be an answer.
~Marcia F. Brown “Morning Song”

I am comforted by rituals, as most of us are.
The feeding, the cleaning,
the washing, the nurture,
smoothing of the wrinkled and ruffled,
noticing who or what is near me,
the sacred time of soothing rest.

It is those small things that get us through the day,
that create holiness in each breath, each moment.

What should we do next? What might we do?

No need to wonder.
With loving tenderness, we shall feed the hungry all our days.

photo by Josh Scholten
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Remembering My Most Unusual Job Interview

photo by Larry Goldman

May 1974:

Standing outside a non-descript door in a long dark windowless hallway of offices at the Stanford Medical Center, I took a deep breath and swallowed several times to clear my dry throat. I hoped I had found the correct office, as there was only a number– no nameplate to confirm who was inside.

I was about to meet a childhood hero, someone whose every book I’d read and every TV documentary I had watched. I knocked with what I hoped was the right combination of assertiveness (“I want to be here to talk with you and prove my interest”) and humility (“I hope this is convenient for you as I don’t want to intrude”). I heard a soft voice on the other side say “Come in” so I slowly opened the door.

It was a bit like going through the wardrobe to enter Narnia. Bright sunlight streamed into the dark hallway as I stepped over the threshold. Squinting, I stepped inside and quickly shut the door behind me as I realized there were at least four birds flying about the room. They were taking off and landing, hopping about feeding on bird seed on the office floor and on the window sill. The windows were flung wide open with a spring breeze rustling papers on the desk. The birds were very happy occupying the sparsely furnished room, which contained only one desk, two chairs and Dr. Jane Goodall.

She stood up and extended her hand to me, saying, quite unnecessarily, “Hello, I’m Jane” and offered me the other chair when I told her my name. She was slighter than she appeared when speaking up at a lectern, or on film. Sitting back down at her desk, she busied herself reading and marking her papers, seemingly occupied and not to be disturbed. It was as if I was not there at all.

It was disorienting. In the middle of a bustling urban office complex containing nothing resembling plants or a natural environment, I had unexpectedly stepped into a bird sanctuary instead of sitting down for a job interview. I wasn’t sure what I was supposed to do or say. Jane didn’t really ever look directly at me, yet I was clearly being observed. So I waited, watching the birds making themselves at home in her office, and slowly feeling at home myself. I felt my tight muscles start to relax and I loosened my grip on the arms of the chair.

There was silence except for the twittering of the finches as they flew about our heads.

After awhile she spoke, her eyes still perusing papers: “It is the only way I can tolerate being here for any length of time. They keep me company. But don’t tell anyone; the people here would think this is rather unsanitary.”

I said the only thing I could think of: “I think it is magical. It reminds me of home.”

Only then did she look at me. “Now tell me why you’d like to come work at Gombe…”

The next day I received a note from her letting me know I was accepted for the research assistantship to begin a year later. I had proven I could sit silently and expectantly, waiting for something, or perhaps nothing at all, to happen. For a farm girl who never before traveled outside the United States, I was about to embark on an adventure far beyond the barnyard.

(This essay was published in The Jane Effect in 2015 in honor of Jane’s 80th birthday)

I had no idea when I applied for this position in 1974 that a little more than a year later, on May 19, 1975, I would be hiding in a Tanzanian jungle alongside Jane and her eight year old son Grub – that story is found here.

photo of Jane Goodall, smiling at me as I came up to give her a hug, courtesy of WWU University Communications
giving Jane a hug, courtesy of WWU Communications
45 years since we met in her Stanford office full of wild birds

True to Jane’s tradition of impeccable graciousness, she sent me a hand-written note after her last visit in 2018 when she came to speak at Western Washington University in Bellingham.

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Filling the Empty Spaces

If I could peer far enough down
a robin’s pulsing throat, would I see
notes piled there waiting to be flung
into freshness of morning?

 
If I close my eyes and burrow
my face into peony’s petals,
would I discover the source 
of its scent, a sacred offering?

 
Can I plunge inside 
and find a lifetime of words
spooled tightly inside my heart
ready for a tug?

 
If I dig beneath the bedrock 
will I find love there, 
solid like iron or does it flow like magma
filling in all of the empty spaces?

~Christine Valters Paintner “Origins”

photo by Harry Rodenberger

I do not know what gorgeous thing
the bluebird keeps saying,
his voice easing out of his throat,
beak, body into the pink air
of the early morning. I like it
whatever it is. Sometimes
it seems the only thing in the world
that is without dark thoughts.
Sometimes it seems the only thing
in the world that is without
questions that can’t and probably
never will be answered, the
only thing that is entirely content
with the pink, then clear white
morning and, gratefully, says so.
~Mary Oliver “What Gorgeous Thing” from Blue Horses 

Slowly the west reaches for clothes of new colors
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you
one part climbs toward heaven, one sinks to earth.

leaving you, not really belonging to either,
not so hopelessly dark as that house that is silent,
not so unswervingly given to the eternal as that thing
that turns to a star each night and climbs–leaving you

(it is impossible to untangle the threads)
your own life, timid and standing high and growing,
so that, sometimes blocked in, sometimes reaching out,
one moment your life is a stone in you, and the next, a star.
~Rainer Maria Rilke  “Sunset” (Trans. by Robert Bly) from The Soul is Here for Its Own Joy

We are born with one hand still grasping tight to the star-studded heaven from which we came, still dusty from creation.  The other hand grabs hold of whatever it finds here on earth and won’t let go, whether the symphony of birds, the scents from the garden, the richness of relationship or the coldness of stone.

It can take decades, but our firm hold on heaven loosens so that we forget the dusty origins of our miraculous being.  We tend to forget Who made us and why.

We can’t decide, tangled up in the threads of this life:  dust of earth, stone heart?  Or dust of stars, child of Heaven?

We are daily reminded by the Light which clothes us in new colors – early in the morning as it crests the eastern hills and late as it descends in the west.  Heaven will still reach down once again to grasp our hand, making sure we know the way home.

photo by Josh Scholten
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Fixing Eyes on the Unseen – Living in a Prayer

Here in the time between snow
and the bud of the rhododendron,
we watch the robins, look into

the gray, and narrow our view
to the patches of wild grasses
coming green. The pile of ashes

in the fireplace, haphazard sticks
on the paths and gardens, leaves
tangled in the ivy and periwinkle

lie in wait against our will. This
drawing near of renewal, of stems
and blossoms, the hesitant return

of the anarchy of mud and seed
says not yet to the blood’s crawl.
When the deer along the stream

look back at us, we know again
we have left them. We pull
a blanket over us when we sleep.

As if living in a prayer, we say
amen to the late arrival of red,
the stun of green, the muted yellow

at the end of every twig. We will
lift up our eyes unto the trees hoping
to discover a gnarled nest within

the branches’ negative space. And
we will watch for a fox sparrow
rustling in the dead leaves underneath.
~Jack Ridl, “Here in Time Between” from Practicing to Walk Like a Heron.

“Do you remember the Shire, Mr. Frodo? It’ll be spring soon. And the orchards will be in blossom. And the birds will be nesting in the hazel thicket. And they’ll be sowing the summer barley in the lower fields… and eating the first of the strawberries with cream. Do you remember the taste of strawberries?”
―  J.R.R. Tolkien

In our despairing and wintery moments,
we recollect and hold on to memories most precious to us, like a prayer,
recalling what makes each moment, indeed life itself, special and worthwhile. 

Something so seemingly simple becomes most cherished and retrievable:
the aroma of cinnamon in a warm kitchen,
the splash of new buds forming on orchard branches,
the cooing of mourning doves as spring light begins to dawn,
the velvety softness of a newborn foal’s fur,
the taste of sweet berries in late spring.

Renewal is happening around us –
and if we dig deep in our longing hearts,
renewal happens within as well.

Death will not have the final word.

Amen and again, Amen.

Do you remember the Shire, Mr. Frodo?  Do you remember?

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

Watching the Birds Watching Me

I have been trying to think of the word to say to you that would never fail to lift you up when you are too tired or too sad not [to] be downcast. When you are so sad that you ‘cannot work’ there is always a danger fear will enter in and begin withering around.

A good way to remain on guard is to go to the window and watch the birds for an hour or two or three. It is very comforting to see their beaks opening and shutting.
~Maeve Brennan in a letter to writer Tillie Olsen

My window is a book of birds.
I draw back the curtains
and there they all are,
scribbling their lives in the trees.

Bird in the holly tree,
invisible mentor,
your cheerful philosophy
is a glittering chain of light
slung between us,
drawing me ever closer
to the source of your joy.

The silver thread of your song
guides me through the dark
as surely as the night
I first heard you,
improvising on a theme
of beauty and truth
in the holly tree out there.

~Hugo Williams from “Birdwatching”

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

The windows are dressed in feathers where the birds have flown against them,
then fallen below into the flowers where their bodies lie grounded, still,
slowly disappearing each day until all that is left are their narrow, prehensile bones.

I have sat at my window now for years and watched a hundred birds
mistake the glass for air and break their necks, wondering what to do,
how else to live among them and keep my view.
Not to mention the sight of them at the feeder in the morning,
especially the cardinal in snow.

What sign to post on the sill that says, “Warning, large glass window.
Fatal if struck. Fly around or above but not away.
There are seeds in the feeder and water in the bath.
I need you, which is to say, I’m sorry for my genius as the creature inside
who attracts you with seeds and watches you die against the window
I’ve built with the knowledge of its danger to you. 
With a heart that rejects its reasons in favor of keeping what it wants:
the sight of you, the sight of you.”

~Chard deNiord, “Confession of a Bird Watcher” from Interstate

I made the terrible faux pas of running out of suet and bird seed this week. My little feathered buddies fly up to the feeders by our kitchen window and poke around the empty trays, glance disparagingly in my direction, then fly away disheartened. There is no free lunch today.

I am no birder; I don’t go out looking for birds like the serious people of the birding community who keep a careful list of all they seen or hear. I don’t even track every species that comes to visit my humble offerings here on the farm nor do I recognize the frequent visitors as individuals. I just enjoy watching so many diverse sizes, colors and types coming together in one place to feast in relative peace and cooperation and I’m the hostess.

Birds are my visual and tangible reminder that the good Lord provides, buoyed by the help of hospitable humans who set out irresistible treats next to big windows. These delightful creatures have such autonomy and genuine glee in their daily existence until they forget their boundaries and slam headlong into invisible glass, too often falling to the ground for good. Then the farm cats are gleeful.

I know all about the warnings to stop doing communal bird feeding: spreading bird diseases too easily among multiple species who come together to feast, attracting vermin and assisting their burgeoning population growth, assisting predators like my aforementioned farm cats in their decimation of the wild bird population, encouraging wild birds to ignore their usual migration urge to seek better feeding/breeding climates so they often die prematurely.

As a trained scientist in animal behavior, I understand it all. As a human observer seeking to enjoy feathered friends during long gray winter days, I ignore it all.

Pardon me now, as I better head to the farm store to replenish my bird feasting stash. See you all later.

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An Eternal Ultimate Eye

Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods.  Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death.  Even the sun has gone off somewhere…

Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.  
~Jane Kenyon
from “Season of Change and Loss” in Winter: A Spiritual Biography

The tree, and its haunting bird,
Are the loves of my heart;
But where is the word, the word,
Oh where is the art,

To say, or even to see,
For a moment of time,
What the Tree and the Bird must be
In the true sublime?

They shine, listening to the soul,
And the soul replies;
But the inner love is not whole,
and the moment dies.

Oh give me before I die
The grace to see
With eternal, ultimate eye,
The Bird and the Tree.

The song in the living Green,
The Tree and the Bird –
Oh have they ever been seen,
Ever been heard?
~Ruth Pitter “The Bird in the Tree”

Every day now we hear hunters firing in the woods and the wetlands around our farm, most likely aiming for the few ducks that have stayed in the marshes through the winter, or possibly a Canadian goose or a deer to bring home for the freezer.   The usual day-long serenade of birdsong is replaced by shotguns popping, hawks and eagle screams and chittering from the treetops, the occasional dog barking, woodpeckers hammering at tree bark with the bluejays and squirrels arguing over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth. Our horses, confined to their stalls in the barns, snort and blow as they bury their noses in flakes of summer-bound hay.

But there are no longer birdsong arias; I’m left bereft of their blending musical tapestry that wakes me at 4 AM in the spring.

And no peeper orchestra tuning up in the swamps in the evenings, rising and falling on the breeze.

It is way too quiet – clearly a time of bereavement. The chilly silence of the darkened days, interrupted by gunshot percussion, is like a baton raised in anticipation after rapping the podium to bring us all to attention. I wait and listen for the downbeat of spring — the return of birds and frogs tuning their throats, preparing their symphony.

Oh, give me the grace to see and hear the Bird in the Tree with an eternal ultimate eye and ear.

Like a bird on a tree
I’m just sitting here
I get time
It’s clear to see
From up here
The world seems small
We can seat together
It’s so beautiful
You and me
We meant to be
In the great outdoors
Forever free
Sometimes you need to go
And take a step back
To see the truth around you
From a distance you can tell
You and me
We meant to be
In the great outdoors
Forever free
~Eldar Kedem

Between the March and April line—
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.
The saddest noise, the sweetest noise,
The maddest noise that grows and grows,—
The birds, they make it in the spring,
At night’s delicious close.
The saddest noise I know.
It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.
It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and sing no more.
An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
~Lyrics adapted from an Emily Dickinson poem

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Passing Through

Wild geese fly south, creaking like anguished hinges; along the riverbank the candles of the sumacs burn dull red.
It’s the first week of October.
Season of woolen garments taken out of mothballs;
of nocturnal mists and dew
and slippery front steps, and late-blooming slugs;
of snapdragons having one last fling;
of those frilly ornamental pink-and-purple cabbages that never used to exist, but are all over everywhere now.
~Margaret Atwood
from The Blind Assassin

But it was no good trying to tell about the beauty. It was just that life was beautiful beyond belief, and that is a kind of joy which has to be lived.

Sometimes, when they came down from the cirrus levels to catch a better wind, they would find themselves among the flocks of cumulus: huge towers of modeled vapor, looking as white as Monday’s washing and as solid as meringues. Perhaps one of these piled-up blossoms of the sky, these snow-white droppings of a gigantic Pegasus, would lie before them several miles away. They would set their course toward it, seeing it grow bigger silently and imperceptibly, a motionless growth; and then, when they were at it, when they were about to bang their noses with a shock against its seeming solid mass, the sun would dim. Wraiths of mist suddenly moving like serpents of the air would coil about them for a second. Grey damp would be around them, and the sun, a copper penny, would fade away. The wings next to their own wings would shade into vacancy, until each bird was a lonely sound in cold annihilation, a presence after uncreation. And there they would hang in chartless nothing, seemingly without speed or left or right or top or bottom, until as suddenly as ever the copper penny glowed and the serpents writhed. Then, in a moment of time, they would be in the jeweled world once more: a sea under them like turquoise and all the gorgeous palaces of heaven new created, with the dew of Eden not yet dry.
~T.H. White from The Once and Future King

Each day this first week of October, feathered travelers have slipped past us unseen and unheard.  They may stop for a drink in the pond or a bite to eat in the field and woods, but we never know they are there – they are simply passing through.

Others are compelled to announce their journey with great fanfare, usually heard before seen.  The drama of migration becomes bantering conversation from bird to bird, bird to earth, bird to sun, moon and stars, with unseen magnetic forces pointing the way.

When not using voices, their wings sing the air with rhythmic beat and whoosh, like the creaking of rusty hinges.

It reminds me how we are all together here — altogether — even when our voices are raised sharply, our silences brooding, our hurts magnified, our sorrows deep. How we spend our days becomes a matter of debate.

Our destination is not in dispute however.  We’re all heading to the same end to the human story of creation/fall/redemption, no matter how we manage to get there.

It is just that life is beautiful beyond belief, and that is a kind of joy which has to be lived.

So let’s unite our wings and voices in joy: we are just passing through, just passing through, just passing through.

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