Settling Even Deeper

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my other grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota.

One of our first conversations together – the one that told me I needed to get to know this man better – was about wanting to move back to work on the land. We were descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.

Now 46 years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our souls.

Each in our own time, we will settle even deeper.

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Something Is Calling…

Something is calling to me
from the corners of fields,
where the leftover fence wire
suns its loose coils, and stones
thrown out of the furrow
sleep in warm litters;
where the gray faces
of old No Hunting signs
mutter into the wind,
and dry horse tanks
spout fountains of sunflowers;
where a moth
flutters in from the pasture,
harried by sparrows,
and alights on a post,
so sure of its life
that it peacefully opens its wings.

~Ted Kooser “In the Corners of Fields” from Flying at Night.


I am a visitor here,
even though we’ve lived here
for more than 30 years.

There is something to be discovered in the field
each day if I make an effort to look and listen.

My Merlin app on my phone tells me
the birds I hear around me.
A photo of a wildflower or weed
is identified by Google.
The jet flight tracks overhead
are pinpointed by another app
saying who is flying where.

Yet I’m placed right here by my Maker.
He knows where I am at all times,
the words I write,
the thoughts I pray.

I try to be at peace in these turbulent times:
to be sure of this life I’m given,
to be sure to Whom I belong,
to simply open my wings to the light,
to be ready to fly when my time comes.

AI image created for this post

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Best of Barnstorming Photos: Winter/Spring 2025

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Fits Like a Glove

It can be a gift or a private kind of distress,
depending on if you’ve found your purpose.
My friend, a physician and farmer, blends
her two passions into a life of caring.

Leaving her surgical gloves in the treatment room,
she dons leather work gloves when she returns
to the farm. This evening the old work gloves
are nestled together on a bench by the back door

as if one couldn’t function without the other.
They hold the form of her hands. The gloves
are dirty, the leather wrinkled, a hole worn
through the tip of the index finger, right hand.

Over years of service, gloves have protected
her hands as she treated deep wounds
in the clinic and in the barn. This gift!
Dare I say, her work fits her like a glove?
~Lois Edstrom “Gift of Work” from A Fragile Light

Nothing much to look at
lying on the shelf, one on
top of the other, an old man
resting his hands on a cane.
Dried-out yellow cowhide,
lines cut deep into the palms
from stones, weeds pulled.
Fingers crumpled, swollen
like grub worms shoveled
up in planting. An extra pair
of hands helping with lawn
work, flower beds, shrubs,
whatever else comes along.
A grief pulled on to bury
the old cat some kid in a
speeding pickup knocked
out of the street like he’d
kick a can. Or kneeling last
fall to unearth the blooming
rose suddenly plucked by
an ice storm, then shaking
rich compost loose from its
twisted fingers still clenched,
holding on for dear life.

~Ron Stottlemyer “Work Gloves”

My farm work gloves tend to look ragged at the end of a year of service. I always depend on being gifted a new pair at Christmas to start afresh. It can take awhile to break them in to the point where they feel like a “second skin.”

These gloves keep me from blistering while forking innumerable loads of smelly manure into wheelbarrows, but also help me unkink frozen hoses, tear away blackberry vines from fencing, pull thistle from the field and heavy hay bales from the haymow.

Over the years, I’ve gone through a few dozen work gloves which have protected my hands as I’ve cleaned and bandaged deep wounds on legs and hooves, pulled on foals during the hard contractions of difficult births, held the head of dying animals as they fall asleep one final time.

Without wearing my protective farm gloves over the years, my hands would be looking very much scarred up like my tired gloves do, full of rips and holes from the thorns and barbs of the world, sustaining scratches, callouses and blisters from the hard work of life.

But they don’t.

Thanks to these gloves, before I retired, I was presentable for my “day” work as a doctor where I would don a different set of gloves many times a day as I tended to my patients’ wounds and worry.

But my work gloves don’t tell my whole story of gratitude.

I’m thankful to a Creator God who doesn’t wear gloves when He goes to work in our world:
-He gathers us up even when we are dirty, smelly, and unworthy.
-He eases us into this life when we are vulnerable and weak,
and carries us gently home as we leave this world, weak and vulnerable.
-He holds us as we bleed from self and other-inflicted wounds.
-He won’t let us go, even when we fight back, or try not to pay attention, or care who He is.

He hangs on to us for dear life.

And this God came to live beside us
with hands just like ours~
tender, beautiful, easy-to-wound hands
that bled
because He didn’t need or want to wear gloves
for what He came to do~

His hands bear evidence of His love…

photo of a plowman teamster’s hand by Joel De Waard
AI image created for this post

contains these lyrics by Kim Andre Arnesen:
Moving like the rise and fall of wings
Hands that shape our calling voice
On the edge of answers
You’ve heard our cry, you’ve known our cry

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The Dangerous Business of Going Out Your Door

Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.

Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.

The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.

The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.

Still ’round the corner there may wait
A new road or secret gate;
And though I oft have passed them by,
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
~J.R.R. Tolkien “Bilbo’s Walking Song”

It’s a dangerous business, Frodo, going out of your door. You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off too.
~J.R.R. Tolkien – Bilbo to Frodo in Fellowship of the Rings

I love these country roads in June, at dawn or dusk,
the light and shadow playing over the path,
promising summer breezes and simple joys.

When we walk these roads,
we pass by deep ditches,
hop the potholes and avoid the bumps.

Still it’s a dangerous business,
walking out the front door into life,
not knowing just where we may be swept off to.

Passing by secret gates and overgrown paths,
I take the familiar route that leads me home,
following the Master Guide so I don’t lose my way.

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June Trembling Like a Butterfly

Green was the silence, wet was the light
the month of June trembled like a butterfly
~Pablo Neruda from “Sonnet XL”

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?

This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
maybe a splash of water on the face,
a palmful of vitamins—

but mostly buzzing around the house on espresso,
dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins “Morning”

We are now four days into summer but aside from the date on the calendar, it would be difficult to prove otherwise.  After a dry stretch of warm late spring weather, it is now unseasonably cool, the skies stony gray, the rivers running full and fast, the ground peppered with puddles. Rain has fallen at night, hiding behind the cover of darkness as if ashamed of itself.  

As it should be.

What all this moisture will yield is acres and acres of towering grass growth, more grass than imaginable, more grass than we can keep mowed,  burying the horses up to their backs as they dive head long into the pasture. The Haflingers don’t need to lower their necks to graze,  choosing instead to simply strip off the ripe tops of the grasses as they forge paths through five foot forage. It is like children at a birthday party swiping the frosting off cupcake after cupcake, licking their fingers as they go. Instead of icing, the horses’ muzzles are smeared with dandelion fluff,  grass seed and buttercup petals.

In the northwest, June can tend to shroud its promise of longer days under clouds. Outdoor weddings brace for rain and wind with a supply of umbrellas, graduation potlucks are served in the garage and Fourth of July picnics stay safely under cover. There is a wary anticipation of solstice as it signals the slow inexorable return of darkness from which we have barely recovered.

So I tremble as I too splash through the squishiness of late June,  quivering like a wet butterfly emerging from its cocoon ready to unfurl its wings to dry, but unsure how to fly and uncertain of the new world that awaits.  In fact the dark empty cocoon can look mighty inviting on a rainy June night. If I could manage to squeeze myself back in, it might be worth a try.

After all, there is no place like home.

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The Seasons, They Go Round and Round



It’s deep time here, this barrow grave five thousand years old,
where we follow like sheep behind the guide to the heart
of its cruciform center.


I’ve never been in a space so dark.
What was it like to fear that the sun would not return,
that crops would wither, deer flee,

that night’s dark cloak was all there was?

But miraculously, on the lip of the solstice,
the light returned, liquid and golden,

ran down the narrow corridor,
hit the back wall, splashed in the stone basin,

and they knew summer would come back, run to fruit.
Light, dark, freeze, thaw, seedtime,
harvest, wheel of the year, the spiral dance.

What would they make of our device-laden lives,
fossil-fueled cars, over-stocked larders?
Who stands in the dark and listens now, gaping at the stars?
— Barbara Crooker, “Newgrange” from The Book of Kells

Finnis Soutterain underground

Finnis Soutterain underground

There is nothing so dark as centuries-old underground tunnels and portal tombs, some positioned with an opening to capture a beam of light exactly at either the winter or summer solstice, illuminating what dwells in blackness the rest of the year.

The more recent ninth century soutterain tunnels were refuge for Christians hiding from invaders, keeping whole villages safe from capture.

The dolmens and portal graves are Neolithic structures built before the pyramids. They still exist today as they were constructed to last by people serious about their beliefs.Though those people are long dust, the stones and tunnels remain as they were, to protect the spirits of the departed.

What would they think now of our extravagance,
our plethora of goods and foods,
our ways of crippling others remotely
using weapons dropped from the sky,
but also the weapons of internet disinformation and hacking,
hallucinations and lies from artificial intelligence?

Our ways make stealing, pillaging, raping and enslaving strangers
seem so… messy.

We mustn’t fool ourselves. We are still messy.

We moderns are lost in our over-abundance of light year round, scarcely noting the calendar or the passing of the longest and shortest days.

I bow my head to the remarkable people of strength who have preceded us, who sought mightily to preserve the significance of a Light returning to penetrate their darkness.

Legananny Dolmen, Northern Ireland
Legananny dolmen
Kilfeaghan Dolmen
AI image created for this post

Lyrics:
Daylight comes and nighttime goes, nighttime falls, day flies
Round and round the cycle goes,
we live and then we die and then we live and then we die.
The seasons of my life go round, the sunshine and the rain
The fallow and the fruitful days,
the joy and then the pain and then the joy and then the pain.
As light below, so light above, so light in all we see

The light is in the act of love, the light that sets us free,
yes, it’s the light that sets free.
Daylight comes…

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An Updated Survey for Barnstorming Readers

As an email subscriber or a regular visitor to this Barnstorming blog, your opinion and feedback matters greatly to me!

Please go to https://barnstorming.blog/barnstormingreviews/ to fill out a new feedback survey to let me know what I’m doing that keeps you coming back, and what I could be doing better. I’m particularly finding your written comments very helpful, so if you have a moment, please send me your thoughts!

You can opt to be anonymous, or share contact information with me so I can respond personally to you.

Thank you, with deep appreciation from Barnstorming and me!
Emily Gibson

A Soft Landscape

Now have come the shining days
When field and wood are robed anew,
And o’er the world a silver haze
Mingles the emerald with the blue.

Summer now doth clothe the land
In garments free from spot or stain—
The lustrous leaves, the hills untanned,
The vivid meads, the glaucous grain.

The day looks new, a coin unworn,
Freshly stamped in heavenly mint;
The sky keeps on its look of morn;
Of age and death there is no hint.

How soft the landscape near and far!
A shining veil the trees infold;
The day remembers moon and star;
A silver lining hath its
gold.

Again I see the clover bloom,
And wade in grasses lush and sweet;
Again has vanished all my gloom
With daisies smiling at my feet.

Again from out the garden hives
The exodus of frenzied bees;
The humming cyclone onward drives,
Or finds repose amid the trees.

At dawn the river seems a shade—
A liquid shadow deep as space;
But when the sun the mist has laid,
A diamond shower smites its face.

The season’s tide now nears its height,
And gives to earth an aspect new;
Now every shoal is hid from sight,
With current fresh as morning dew.
~John Burroughs “June’s Coming”

Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of day:
One whose breath is a fragrance,
One whose eyes reveal the road to stars,
The wind in his countenance,
The glory of heaven upon his back.
He steps like a vision hung in air,
Diffusing the passion of eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.

~Yone Noguchi The Poet”

Each month is special in its own way:  I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been, with a hint of what lies ahead.

Then there is June.  Dear, gentle, abundant and overwhelming June.  Nothing is dried up, there is such a rich feeling of ascension into lushness of summer with an “out of school” attitude, even if someone like me has graduated long ago.

And the light, and the birdsong and the dew and the greens — such vivid verdant greens. The stir of the day stirs my heart…

As lovely as June is, 30 days is more than plenty or I would become helplessly saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.

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No Reason to Fear

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

José was our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

On our last visit, when Lucy was fifteen
And getting creaky herself,
One of the nurses said to me,
“Why don’t you take the cat to Mrs. Harris’ room
— poor thing lost her leg to diabetes last fall —
she’s ninety, and blind, and no one comes to see her.”

The door was open. I asked the tiny woman in the bed
if she would like me to bring Lucy in, and she turned her head
toward us. “Oh, yes, I want to touch her.”

“I had a cat called Lily — she was so pretty, all white.
She was with me for twenty years, after my husband died too.
She slept with me every night — I loved her very much.
It’s hard, in here, since I can’t get around.”

Lucy was settling in on the bed.
“You won’t believe it, but I used to love to dance.
I was a fool for it! I even won contests.
I wish I had danced more.
It’s funny, what you miss when everything…..is gone.”

This last was a murmur. She’d fallen asleep.
I lifted the cat
from the bed, tiptoed out, and drove home.
I tried to do some desk work
but couldn’t focus.

I went downstairs, pulled the shades,
put on Tina Turner
and cranked it up loud
and I danced.

I danced.
~Alice N. Persons
Meadowbrook Nursing Home From Don’t Be A Stranger  (Sheltering Pines Press, 2007)

photo by Lea
AI image created for this post
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