Becoming a Skeleton of Its Summer Self

Toward the end of August I begin to dream about fall, how
this place will empty of people, the air will get cold and
leaves begin to turn. Everything will quiet down, everything
will become a skeleton of its summer self. Toward

the end of August I get nostalgic for what’s to come, for
that quiet time, time alone, peace and stillness, calm, all
those things the summer doesn’t have. The woodshed is
already full, the kindling’s in, the last of the garden soon

will be harvested, and then there will be nothing left to do
but watch fall play itself out, the earth freeze, winter come.

~David Budbill, “Toward the End of August” from Tumbling Toward the End.

As the calendar page flipped to September this past week, I felt nostalgic for what is coming, especially for our grandchildren who are starting new classes tomorrow.

Summer is filled with so much overwhelming activity due to ~18 hours of daylight accompanying weeks of unending sunny weather resulting in never-enough-sleep.  Waking on a summer morning feels so brim full with possibilities: there are places to go, people to see, new things to explore and of course, a garden and orchard always bearing and fruiting out of control.

As early September days usher us toward autumn, we long for the more predictable routine of school days, so ripe with new learning opportunities. One early September a few years ago, my teacher friend Bonnie orchestrated an innovative introduction to fifth grade by asking her students, with some parental assistance, to make (from scratch) their own personalized school desks that went home with them at the end of the year. These students created their own learning center with their brains and hands, with wood-burned and painted designs, pictures and quotes for daily encouragement.

For those students, their desks will always represent a solid reminder of what has been and what is to come.

So too, I welcome September’s quieting times ushering in a new cool freshness in the air as breezes pluck and toss a few drying leaves from the trees.  I will watch the days play themselves out rather than feeling I must direct each moment.  I can be a sponge, ready to take in what the world is trying to teach me.

And so I am whispering hush … to myself.

Goodnight August, goodnight summer, goodnight leaves,
goodnight garden, goodnight moon, goodnight air,
goodnight noises everywhere.

Bonnie’s student-made desks

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Each Thing Noticed

The Old Testament book of Micah answers the question
of why we are here with another:
“What doth the Lord require of thee but to do justly,
and to love mercy, and to walk humbly with thy God?”
We are here to abet creation and to witness it,
to notice each thing so each thing gets noticed.
Together we notice not only each mountain shadow
and each stone on the beach
but we notice each other’s beautiful face
and complex nature so that creation need not play

to an empty house.
~Annie Dillard from Life Magazine’s “The Meaning of Life”

I started out a noticer,
a child who crawled on the ground
to follow winding ant trails from their hills,
then watched nests bloom with birds,
sitting still as a lizard sunning himself on a rock.

Next I was a student researcher of great apes,
following wild chimpanzees deep into an exotic forest
to observe their life in a community so much like our own.

Then came a profession and parenting and daughtering,
with mounting responsibilities and worries and cares,
and I stopped noticing any more,
too much inside the drama
to witness it from outside.

Creation played to an empty house
and the empty house was me.

Slowly now,
I’ve returned to noticing again~
buying my ticket, finding my seat,
smiling and nodding
applauding
hooting and hollering
begging for an encore.

It’s a non-stop show of the miraculous
where I’m an appreciative audience
preparing to write a great review.

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The Secrets of September

The golden-rod is yellow;
The corn is turning brown;
The trees in apple orchards
With fruit are bending down.

The gentian’s bluest fringes
Are curling in the sun;
In dusty pods the milkweed
Its hidden silk has spun.

The sedges flaunt their harvest,
In every meadow nook;
And asters by the brook-side
Make asters in the brook.

From dewy lanes at morning
The grapes’ sweet odors rise;
At noon the roads all flutter
With yellow butterflies.

By all these lovely tokens
September days are here,
With summer’s best of weather,
And autumn’s best of cheer.

But none of all this beauty
Which floods the earth and air
Is unto me the secret
Which makes September fair.

‘Tis a thing which I remember;
To name it thrills me yet:
One day of one September
I never can forget.

~Helen Hunt Jackson “September

I can choose to fight the inevitable march of time with sighs and sorrows, thus arm myself with sour bitterness for what is no more,

or I can flow unmoved for as long as I can stay afloat,
only passively aware of the passage of all around me,

or I can smile in secret at awakening each morning,
whether to sun or wind or rain,
grateful I’ve been given one more day to get it right,

or at least to care enough to try.

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A Wondrous and Terrible Turning

When, in the science museum, I arrive at the overview of our galaxy, with its tiny arrow pointing to You are here (which really ought to be We are here), and see that the two to four hundred billion stars of our local cluster are drifting or chasing or dreaming after each other in circles within milky circles, I can’t help but think of those ancient paintings and rock engravings, discovered all over our celestial body, of that one line which begins at whatever point it can, then curls outward, or inward, toward nothing anyone can define—the oldest shape revered by Aborigine and Celt, by mathematician and engineer and Burning Man reveler alike, and even accorded a place of honor among the mess of thoughts on my desk, as a nifty paper clip of copper.

But it’s already there in the florets of the sunflower crisscrossing with the precision of a logarithm, and in the pin-wheel shape of the Nautilus shell, and in the coiling neurons of the cochlea that let us tell Art Tatum from a three year old’s improvisation.

Call it what you will—“God’s fingerprint,” “the soul unfolding through time,” “the passageway into the Self”— I can’t help but admire, even fear, something as mundane as a flush of the toilet, when its swirling is a variation on our sidereal drift, our existential pain.

And then there’s that famous falcon, “turning and turning in a widening gyre,” a portentous symbol of our own circling into some dread, some pernicious chaos we thought we had just escaped, one town burning a decade behind us, a millennium before that, and into next week, next year, next whenever.

And when the two of us took that winding road an infinity of others had wound down before us and would wind down again, our spirits hushed by the crosses and bouquets at each dead man’s curve and just burning in the dry heat to touch each other, wasn’t that a wondrous and terrible turning?
~Thomas Centolella “Why I’m in Awe of the Spiral”

photo by Kate Steensma
Photo by Kate Steensma

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
~William Butler Yeats “The Second Coming”

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper, though
that, too, but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.

~A. R. Ammons, “Poetics” from A Coast of Trees

Our very origin as a unique organism is a process of unfolding and spiraling: from our very first doubling after conception expanding to a complexity of trillions of cells powering our every thought and movement.

Now I look everywhere in my backyard world for beginnings and endings, wanting to understand where I fit and where I am in the unfolding process of this spiraling life. As I grow older, I find myself more peripheral than central, just as I am meant to be – I have more perspective now having spun out from the vortex.

I can see where I came from, and have a sense of where I am headed.

We unfurl slowly, surely, gently, in the Hands of our Creator God. He knows how each of us began as He was there from the beginning, forming the very center of us. He remains at the core of our being, as our unfolding lasts forever.

An Awe-filled Quiet

A dark mist lay over the Black Hills, and the land was like iron. At the top of ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun. There are things in nature that engender an awful quiet in the heart of man; Devil’s Tower is one of them.
~N.Scott Momaday in The Way to Rainy Mountain

Over the years we have made many cross-country road trips, passing by the turn-off to Devil’s Tower in eastern Wyoming because there was urgency to get where we needed to go. Occasionally we would see it hazy in the far distance, so I could say I had “seen it” but I really had not seen it, according to my Stanford professor N. Scott Momaday.

Scott is from the Kiowa tribe. In his language, this rock formation is named Tso-i-e or “standing on a rock.” For him and his people, it is sacred ground. The Cheyenne, Crow, Lakota, Shoshone, and Arapahoe all revere this rock monolith although most tribal members did not live near enough to see it themselves, but the legends traveled many miles through the generations through oral tradition.

Scott taught an unforgettable class on Native American Mythology and Lore I took 50 years ago as a 19 year old sophomore. He has a commanding presence, a booming resonant voice for story telling, a predilection for the poetry of Emily Dickinson and a hankering since childhood to be a character in the stories of Billy the Kid. The first day of class, he introduced us to Tso-i-e first and foremost. He told us his grandmother’s story passed to her from her grandparents:

“Eight children were there at play, seven sisters and their brother. Suddenly the boy was struck dumb; he trembled and began to run upon his hands and feet. His fingers became claws, and his body was covered with fur. Directly there was a bear where the boy had been. The sisters were terrified.; they ran and the bear after them. They came to the stump of a great tree, and the tree spoke to them. It bade them climb upon it, and as they did so it began to rise into the air. The bear came to kill them, but they were just beyond its reach. It reared against the tree and scored the bark all around with its claws. The seven sisters were borne into the sky, and they became the stars of the Big Dipper.”

A few years ago, we finally made time to see the Tower up close. For me, this “close encounter” was meant to connect the dots from my class and to understand more fully the spiritual background of the Plains people as our son had lived and taught on the Pine Ridge Reservation in South Dakota for two years.

The Tower surely is holy ground for us all – we are diminished in its presence. It disquiets the heart with its awful grandeur and sheer other-worldliness. In its own way, it is as resonant as Scott’s captivating stories about its origins, yet remains a reminder of the ever-changing impermanence of geologic formations.

We need more holy places in our lives even as they (and we) change with the sands and winds of time. We need more awe-filled awful quiet in our hearts.

So we continue to tell the sacred stories, generation to generation, never forgetting Who set the world in motion.

A Purple Blemish

Her body is not so white as
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.

Each flower is a hand’s span
of her whiteness.  Wherever
his hand has lain there is
a tiny purple blemish.  Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over —
or nothing.
~William Carlos Williams — “Queen Anne’s Lace” (1919)

We all arise from a single stem, branching off in countless directions, a thousand million hues and shapes and types.

We reflect the sun’s light and the Light of the Son.

There can be no question of whiteness nor a pious wish for purity – we are all purple-blemished right at the heart.

We bleed together, my friends, as He did for us.

We bleed together.

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A Telling So Soft

Now I understand that there are two melodies playing,
one below the other, one easier to hear, the other


lower, steady, perhaps more faithful for being less heard
yet always present.


When all other things seem lively and real,
this one fades. Yet the notes of it


touch as gently as fingertips, as the sound
of the names laid over each child at birth.


I want to stay in that music without striving or cover.
If the truth of our lives is what it is playing,


the telling is so soft
that this mortal time, this irrevocable change,


becomes beautiful. I stop and stop again
to hear the second music.


I hear the children in the yard, a train, then birds.
All this is in it and will be gone. I set my ear to it as I would to a heart.
~ Annie Lighthart, “The Second Music” – author of Pax

So many themes run through our daily existence. Usually we can only attend to one thing at a time, most often the loudest. Yet if we listen and look closely, there is a softer telling just discernible under all the noise. Sometimes, like a fugue or canon, the themes trade places, one softer which becomes more apparent and insistent, then fading to soft again.

I want to hear the heart beat of the river of life that flows through me. May I never forget what is underneath all the noise.

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Whose Beauty is Past Change

Glory be to God for dappled things –
   For skies of couple-colour as a brinded cow;
      For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
   Landscape plotted and pieced – fold, fallow, and plough;
      And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
   Whatever is fickle, freckled (who knows how?)
      With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
                                Praise him.

~Gerard Manley Hopkins “Pied Beauty”

The unconventional and unnoticed beauty,
freckled, spare and strange–
helps me feel beautiful too. 
The interplay of light and shadow
within every moment of our existence,
some moments darker than others,
some brilliant and dazzling.

I try to find the sweet and sour,
knowing I’m capturing my own dappled essence – 
a reflection of the Fathering that loves us
even in our fickleness,
who possibly could know how?

There is no perfection outside of Him;
His reflected beauty, His transfigured face
has no uniformity yet is past changing.

We give Him glory in our imperfection,
through defects and blemishes which
only He can make whole.

Who knows why He does this?
Yet He does.

Glory be.

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Longing for More

I prefer to sit all day
like a sack in a chair
and to lie all night
like a stone in my bed.

When food comes
I open my mouth.
When sleep comes
I close my eyes.

My body sings
only one song;
the wind turns
gray in my arms.

Flowers bloom.
Flowers die.
More is less.
I long for more.

~Mark Strand “The One Song” from Collected Poems

“fly-by feeding” video taken by Harry Rodenberger
windy day photo by Nate Lovegren

Sometimes, I feel I have been asleep for years. My eyes close easily, my ears turn off rather than listen to what is too hard to bear. Even then, my mouth opens, waiting to be fed more.

More and more and more…

We always want more than we have. In fact, we’re served “more” on a huge platter every day – such extravagant blessings placed right before us, even if we don’t recognize them as such.

It’s in every one of us to open up both our eyes, to listen closely and then open our mouths to sing one song together
– in peace, in harmony, in love –
and only then we’ll see what more tomorrow will bring…

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Walking Through the Littered Layers of History

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo by Joel DeWaard

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?


Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.

In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:

“Live in the layers,
not on the litter.”

Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.

I am not done with my changes.
~Stanley Kunitz from “The Layers”

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite photos or paintings are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. The earth is wonderfully multi-faceted and multi-layered and that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of darkness:

Imaginatively composed like a fugue of recurring themes,
filled with the complexity of both harmony and discord,
and ultimately transformed into layers upon layers of beauty.

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