Out of Imagination

Sometimes the mind

is taken by surprise
as it speaks, are you
sure this is the right street?
for example—or just

cowpath—no more: a blurb,
a bleep, really, out of
the imagination, and then
once again everything is

perfectly still, save, perhaps,
a cow or two on the horizon,—

and the sound of cowbirds
in sudden excellence, where

formerly there were none.
~Jane Mead “Sometimes the Mind” From The Usable Field

photo by Bette Vander Haak
photo by Bette Vander Haak
photo by Bette Vander Haak

Many current roads started out as cowpaths decades ago. These meandering trails made sense to cows at the time. Subsequently, because people lack imagination, we tend to also follow those original twist and turns as we navigate life’s byways. Now paved with asphalt and good intentions, our roads accommodate more than a herd of cows giving hitchhiking cowbirds a free meal.

Cowbirds don’t lack imagination though; they are ready-made opportunists. They occupy any furry back that happens to attract tasty insects. The (horse?)birds happily set sail on a dinner cruise while doing their host a favor by gobbling irritating flies.

Imagine meandering through countryside pastures all day, unconcerned where the next meal will come from because it always comes to you.

Its easy if you try. You can say I’m a dreamer, but I’m not the only one. I hope someday you’ll join us and the world (horses, cows, birds) will live as one…

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The Moon-Pale Promise

from Claude Debussy’s Suite Bergamasque in memory of my mother

There’s D-flat major at the first and last,
but in between, a haze of harmonies
yearns lightward, though the light has long since passed.

I played the notes; she heard the light. The keys
were mine to coax and animate; their sound
was hers to claim: a shimmer of heart’s ease.

And while my fingers stretched and danced and found
their way through black and white, her ear would find
a prism—her own light parsed and unbound.

She had a knack for joy and was inclined
to wonder. Clair de lune had mesmerized
her, in a spell that left me far behind.

After my mother’s death, I was surprised
I still played it so often; I suppose
the effort occupied and organized

my sorrow-scattered mind. So in the throes
of grief, I practiced, as if I’d impress
a ghost with my devotion. And in those

half-haunted hours, I mastered more, I guess,
than just the notes. I hadn’t thought I’d learn
to hear what she did—but through some finesse

of time and skill and need, I now discern
the half-lit murmurings that no midnight
can mute, the moon-pale promise that can turn

unrest to peace, a star-sung appetite
for breath. At last I share my mother’s light.
~Jean Kreiling “Claire de Lune

photo by Lea Lozano

I never practiced as much as I could have. Since the old piano sat in the living room right next to the kitchen, my mother endured my wrong notes and mis-timed rhythms, but never said a word of criticism. She was not an avid music listener, preferring radio talk and news, but committed to taking me to piano lessons over eight long years, sitting in the car reading a book while she waited for me.

Though not someone who listened to classical music for pleasure, she did love Clair de Lune, saying she could “see” the moon rise when I played it. Thus encouraged, I chose it as a recital piece so I could play it often for her, flowing my fingers across the keyboard smoothly, steadily, faithfully, like the rise of the moon in the night sky.

I want to feel a connection to a piece of music that so grips my heart and waters my eyes. It happens only rarely when I play – as an average pianist, I never truly progressed beyond technique – hitting the right notes and being true to the timing. But this piece comes close. When I hear it, I am no longer the youngster practicing it over and over, trying to somehow bring light to our dark living room. With age, I can now lose myself in the beauty of what Debussy was trying to convey in his choice of progression of notes, his resolution of harmony and key change, his slowing and flowing illumination of the piano keys.

I begin to hear what my mother must have heard, although I made so many mistakes, over and over.

Even so, the moon still rose for her.

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Moonlight Looming in Memory

No Ansel Adams
but the snapshots we captured
through the open car window
on our eight megapixel cell phones

on the side of the road off an exit ramp
as truck taillights streaked eastbound
opposite the earth’s rotation
in startling calm that evening
a mere dot-glow above dun fields

Look, life is like this, filled
with moments of meaning
paid attention to or not
but we tried we lingered

and sure enough it is here
looming in memory-mind
the fat orange ball above horizon
inching up into blank navy air
the full moon in early spring

we drove toward in silence
~Twyla M. Hansen “Moonrise, Aurora, Nebraska” from Rock. Tree. Bird. 

photo of supermoon by Harry Rodenberger

I now take photos of a cherished moment; before owning a camera, I only took brain snapshots. In my memory, I tend to embroider and edit what I see to make things stick. Usually, photos tell the real story.

However, moon glow is always better in my memory than it is in my photos. The lucent light is something I can feel more than see. Last night, moonbeams woke me by touching my sleeping face. That glow in the shadow of our bedroom was at once ethereal and palpable, something a photo simply can’t capture.

Still, I attempt to preserve these moments to share with others. I linger longingly whenever my eyes are drawn to such a heavenly light, hoping it might touch and illuminate us all.

photo by Josh Scholten
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Glimpsing Gold Beneath the Rags

April is like the raggedy, wandering gypsy lad of the fairy tale.
When he moves, streaks of gold show beneath his torn garments
and you suspect that this elfin creature is actually a prince in disguise.

April is just that.

There are raggedy, cold days, dark black ones,
but all through the month for a second, for an hour, or for three days at a stretch you glimpse pure gold.


The weeks pass and the rags slip away, a shred at a time.
Toward the end of the month his royal highness stands before you.
~Jean Hersey from The Shape of a Year

I avoid spending much time in front of mirrors now as I age. Clothed in rags, I’m thinning here, thickening there, sagging and stretching, wrinkled and patched up.

Still, if I look closely past the rags and sags, I see the same eyes as my younger self peering back at me. There are some things that age does not disguise.

The lightness and freshness of youth might be covered up with the trappings of aging, but I’m still delighted to be here, just as I am. Every once in awhile, I believe I glimpse a little gold under the surface. This farm girl isn’t a queen or a princess in disguise, but breathing in the scents of certain golden days of April can make me feel like one.

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Driving at Night

I want to be a passenger
in your car again
and shut my eyes
while you sit at the wheel,


awake and assured
in your own private world,
seeing all the lines
on the road ahead,


down a long stretch
of empty highway
without any other
faces in sight.

I want to be a passenger
in your car again
and put my life back
in your hands.
~Michael Miller “December”

Up north, the dashboard lights of the family car
gleam in memory, the radio
plays to itself as I drive
my father plied the highways
while my mother talked, she tried to hide
that low lilt, that Finnish brogue,
in the back seat, my sisters and I
our eyes always tied to the Big Dipper
I watch it still
on summer evenings, as the fireflies stream
above the ditches and moths smack
into the windshield and the wildlife’s
red eyes bore out from the dark forests
we flew by, then scattered like the last bit of star
light years before.
It’s like a different country, the past
we made wishes on unnamed falling stars
that I’ve forgotten, that maybe were granted
because I wished for love.

~Sheila Packa “Driving At Night” from The Mother Tongue

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
the brown road through the mist

of mountain-dark, among farms
so quiet
, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

~Hayden Carruth from “The Cows at Night”

Some of my most comfortable childhood memories come from the long ride home in the car at night from holiday gatherings. My father always drove, my mother humming “I See the Moon” in the front passenger seat, and we three kids sat in the back seat, drowsy and full of feasting. The night world hypnotically passed by outside the car window. I wondered whether the rest of the world was as safe and content as I felt at that moment.

On clear nights, the moon followed us down the highway, shining a light on the road.

Now as a driver at night, transporting grandchildren from a family gathering, I want them to feel the same peaceful contentment that I did as a child. As an older driver, I don’t enjoy driving at night, especially dark rural roads in pouring rain. I understand the enormous responsibility I bear, transporting those whom I dearly love and want to keep safe.

In truth, I long to be a passenger again, with no worries or pressures – just along for the ride, watching the moon and the world drift by, knowing I’m well-cared for.

Despite my fretting about the immense burden I feel to make things right in a troubled world, I do realize:
I am a passenger on a planet that has a driver Who feels great responsibility and care for all He transports through the black night of the universe. He loves me and I can rest content in the knowledge that I am safe in His vigilant hands. I am not the driver – He knows how to safely bring me` home.

I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the start above cast down their light, Still the moon is all that I see
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
The moon approaches my window pane, stretching itself to the ground.
The moon sings softly and laughs and smiles, and yet never makes a sound!
I see the moon! I see the moon!
Part A
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
Part B
I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the stars above cast down their light, Still the moon is all that I see
~Douglas Beam

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Ah, What If?

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?
~Samuel Coleridge  “What if you slept”

This mountain, this strange and beautiful Shuksan flower that appears suddenly as we round a corner on the hour drive up the Mt. Baker Highway:  this mountain has one foot on earth and one foot in heaven – a thin place if there ever was one.

The only way to approach is in awed silence, as if entering the door of a grand cathedral.  Those who are there speak in hushed tones if they speak at all.

Mt. Shuksan wears autumn lightly about its shoulders as a multi-faceted cloak, barely anticipating the heavy snow coat to descend in the next few weeks.

I hold this mountain tight in my fist, wanting to turn it this way and that, breathe in its fragrance, bring it home with me and never let go.

Ah, what then?

Home is not nearly big enough for heaven to dwell.  I must content myself with this visit to the thin edge, peering through the open door, waiting until invited to come inside.

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here
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A Rapturous Morning


My father, when he was surprised
or suddenly impressed, would blurt
“Great day in the morning,” as though
a revelation had struck him.
The figure of his speech would seem
to claim some large event appeared
at hand, if not already here;
a mighty day or luminous age
was flinging wide its doors as world
on world revealed their wonders in
the rapturous morning, always new,
beginning as the now took hold.

~Robert Morgan “Great Day in the Morning” from Terroir.

All this he saw,
for one moment breathless and intense,
vivid on the morning sky;
and still, as he looked, he lived;
and still, as he lived, he wondered.
~Kenneth Grahame, The Wind in the Willows

Every time I open my eyes
as dawn streams through the window,
listening for the voice of yet another morning –
I am reminded how precious is this moment
~this “great day in the morning” ~
how intensely grateful I am
for each breath and each heartbeat
gifted to me.

We are created to experience this realization:
we are, everyone of us, beloved.

We are meant to wonder breathless at this,
to keep watch each new dawn, waiting to see what will happen next.

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As Much Serenity As Yearning

Last night I walked the woods
lit by the final moon of the month.
Days don’t count here
beneath the centuries-old pines
where my grandmother took her solace
on hard farm days, passing up
the washboard or jam-making
for the eternal whooshing
of the forest as much serenity
as yearning.
~Dave Malone, “Walk in the Woods” from Tornado Drill

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black.

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us when the moon ascends.

We are blessed by the land’s generosity when it is well cared for. Each new day promises another chance to treat it with the love it warrants.

Now forty-some years after that first conversation together about returning to farming, my husband and I hope we never have to leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA.

Each in our own time, we will settle even deeper.

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A Deep Breath Over and Over

You can
die for it-
an idea,
or the world. People
have done so,
brilliantly,
letting
their small bodies be bound
to the stake,
creating
an unforgettable
fury of light. But
this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought
of China,
and India
and Europe, and I thought
how the sun
blazes
for everyone just
so joyfully
as it rises
under the lashes
of my own eyes, and I thought
I am so many!
What is my name?
What is the name
of the deep breath I would take
over and over
for all of us? Call it
whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

~Mary Oliver “Sunrise”

I woke at 5:10 AM bathed in rose-light. When I looked out the window, I could tell something extraordinary was happening in the sky.

Here is what I saw: a turmoil of clouds to the northeast reflecting the fire of the sun, sunrise rays over our barn, and remarkably to the south west, a bright rainbow at dawn pouring glory onto our hill pasture.

But most remarkable of all is the deer standing in our pasture witnessing it all with me. She looked at me, then looked at the rainbow and wandered off to be drenched in its color, her thirst quenched.

So my thirsty soul longs to enter the fire of God’s promise to us. I breathe deeply of this.

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Watching Ensanguining Skies

Ensanguining the skies
How heavily it dies
  Into the west away;
Past touch and sight and sound
Not further to be found,
How hopeless under ground
  Falls the remorseful day.
~A.E. Houseman from “How Clear, How Lovely Bright”

O’er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold…

~John Greenleaf Whittier from “The Barefoot Boy”

Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.
~Adriaan Krotlandt, Dutch ethologist in Scientific American (1962)

It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God there was made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In a movement of the wind over grass.
There were no prayers said. But stillness
Of the heart’s passions — that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.
R.S. Thomas “The Moor”

How can I feel so warm   
Here in the dead center of January? I can   
Scarcely believe it, and yet I have to, this is   
The only life I have. 
~James Wright from “A Winter Daybreak Above Vence”

Last night was a once a year sunset experience in the dead center of January, following a full day of pouring-rain gray-skies monochrome nothingness.

For twenty minutes our region was blissed to witness an evolving array of crimson and purple color and patterns, streaks and swirls, gradation and gradual decline.

It all took place in silence.  No bird song, no wind, no spoken prayer.
Yet a communion took place – the air broke and fed us like manna from heaven. And so filled to the brim…

May I squander my life no more and instead treasure each moment.

May I vow to cherish God, church, family, friends, and those in my community who are strangers to me.

May I never forget my witness this winter day of the bleeding of the last light of day.

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