The Singers of Life, Not Death

The rain falls and falls
cool, bottomless, and prehistoric
falls like night —
not an ablution
not a baptism
just a small reason
to remember
all we know of Heaven
to remember
we are still here

with our love songs and our wars…

Here too
in the wet grass
half a shell
of a robin’s egg
shimmers
blue as a newborn star
fragile as a world.

~Maria Popova from “Spell Against Indifference”

…I had sat down to rest with my back against a stump. Through accident I was concealed from the glade, although I could see into it perfectly.

The sun was warm there, and the murmurs of forest life blurred softly away into my sleep. When I awoke, dimly aware of some commotion and outcry in the clearing, the light was slanting down through the pines in such a way that the glade was lit like some vast cathedral. I could see the dust motes of wood pollen in the long shaft of light, and there on the extended branch sat an enormous raven with a red and squirming nestling in his beak.

The sound that awoke me was the outraged cries of the nestling’s parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment, and sat still. Up to that point the little tragedy had followed the usual pattern.

But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents.

No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death.

And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable.

The sighing died. It was then I saw the judgment. It was the judgment of life against death. I will never see it again so forcefully presented. I will never hear it again in notes so tragically prolonged.

For in the midst of protest, they forgot the violence.

There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing.

They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death.
~Loren Eiseley from The Star Thrower

Each of us at times are as vulnerable as a nestling, just hatched.
The world is full of those who would eat us for lunch and do.

The world is also full of those who grieve and lament the violence that surrounds us, the tragedy of lives lost, the unending wars, the bullies and the bullied.

But the bird of death does not have the final word. He will soon be forgotten, forever sidelined as we reject what he and others like him represent.

Our cries of lament, our protests of violence transform into a celebration of life – we do not abandon all we have lost, but no longer allow any more to be stolen from us.

Only then may grief’s shadow be overwhelmed by joy.

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A Peculiarly Genial Light

I cannot endure to waste anything so precious as autumnal sunshine by staying in the house.
There is no season when such pleasant
and sunny spots may be lighted on,
and produce so pleasant an effect on the feelings,

as now in October.
The sunshine is peculiarly genial;
and in sheltered places,

as on the side of a bank, or of a barn or house,
one becomes acquainted and friendly with the sunshine.
It seems to be of a kindly and homely nature.
And the green grass strewn with a few withered leaves looks the more green and beautiful for them.

~Nathaniel Hawthorne
 from The American Notebooks

After the keen still days of September,
the October sun filled the world with mellow warmth…
The maple tree in front of the doorstep

burned like a gigantic red torch.
The oaks along the roadway glowed yellow and bronze.
The fields stretched like a carpet of jewels,

emerald and topaz and garnet.
Everywhere she walked the color shouted and sang around her…
In October any wonderful unexpected thing might be possible.
~Elizabeth George Speare from The Witch of Blackbird Pond 

If I were a month,
I would choose to be October:
bathed in a “peculiarly genial” and friendly light.
A kindly and homely nature,
slowly withering, yet still crisp,
with mild temperature and modest temperament
despite a drenching rain and wind storm or two,
once in a while foggy.

Most of all,
I would cherish my flashes of burnt umber
as I reluctantly relinquish the light.

text by Mechthild of Magdeburg
Effortlessly, Love flows from God into man,
Like a bird who rivers the air without moving her wings.
Thus we move in His world one in body and soul,
Though outwardly separate in form.
As the Source strikes the note, humanity sings —
The Holy Spirit is our harpist, and all strings
Which are touched in love must sound.

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What I’ll Remember

old milk barn

The partly open hay barn door, white frame around the darkness,
the broken board, small enough for a child
to slip through.


Walking in the cornfields in late July, green tassels overhead,
the slap of flat leaves as we pass, silent
and invisible from any road.


Hollyhocks leaning against the stucco house, peonies heavy
as fruit, drooping their deep heads
on the dog house roof.


Lilac bushes between the lawn and the woods,
a tractor shifting from one gear into
the next, the throttle opened,


the smell of cut hay, rain coming across the river,
the drone of the hammer mill,
milk machines at dawn.

~Joyce Sutphen “The Last Things I’ll Remember” from First Words

I turn this seasonal corner, facing deep into autumn,
summer fading in the rear view mirror.

Even as the air bares chill, and the clouds sopping soak,
the riches of summer remain vivid.

Let me remember:
even if I too fade away, readying for the next turn.

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An Unshadowed Light

Within the ongoing havoc
the woods this morning is
almost unnaturally still.
Through stalled air, unshadowed
light, a few leaves fall
of their own weight.

                                       The sky
is gray. It begins in mist
almost at the ground
and rises forever. The trees
rise in silence almost
natural, but not quite,
almost eternal, but
not quite.


                      What more did I
think I wanted? Here is
what has always been.
Here is what will always
be. Even in me,
the Maker of all this
returns in rest, even
to the slightest of His works,
a yellow leaf slowly
falling, and is pleased.

~Wendell Berry “VII” from This Day

What more did I think I wanted?

What always has been and always will be:

Until I’m not able to hold on in the wind and rain,
may I be a spot of unshadowed light
in this dark and bleak world.

I’ll let go like a yellow leaf in autumn,
when the time comes,
if it pleases my Maker.

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Horses Without Headlights

… The Amish have maintained what I like to think is a proper scale, largely by staying with the horse. The horse has restricted unlimited expansion.
Not only does working with horses limit farm size, but horses are ideally suited to family life.
With horses you unhitch at noon to water and feed the teams and then the family eats what we still call dinner. While the teams rest there is usually time for a short nap.
And because God didn’t create the horse with headlights,
we don’t work nights.
~Amish farmer David Kline in Great Possessions

photo by Joel De Waard
photo by Joel De Waard
photo by Joel De Waard
photo by Joel De Waard

You can’t have the family farm without the family.
~G.K. Chesterton from “The Unprecedented Architecture of Commander Blair,” Tales of the Long Bow

Photo of Aaron Janicki haying with his Oberlander team in Skagit County courtesy of Tayler Rae
Benjamin Janicki of Sedro Woolley raking hay with his team of Oberlanders

I’m 71 years old ~ old enough to have parents who grew up on farms worked by horses, one raising wheat and lentils in the Palouse country of eastern Washington and the other logging in the woodlands of Fidalgo Island of western Washington. The horses were crucial to my grandfathers’ success in caring for and tilling the land, seeding and harvesting the crops and bringing supplies from town miles away.  Theirs was a hardscrabble life in the early 20th century with few conveniences. Work was year round from dawn to dusk; caring for the animals came before any human comforts. Once night fell, work ceased and sleep was welcome respite for man and beast.

In the rural NW Washington countryside where we live, we’ve been fortunate enough to live near farmers who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past. They still gather together in the spring to have a well-attended and friendly competition plowing match.

Watching a good team work with no diesel motor running means hearing bird calls from the field, the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission. No ear protection is needed. There is no clock needed to pace the day.  

There is a rhythm of nurture when animals instead of engines are part of the work day. The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing. 
It is time to stop and take a breather,
it is time to start back up to do a few more rows,
it is time to water,
it is time for a meal,
it is time for a nap,
it is time for a rest in a shady spot. 
This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before.

Our modern fossil-fuel-powered approach to food production has bypassed the small family farm which was so dependent on the muscle power of humans and animals. In our move away from horses worked by skilled teamsters, what has been gained in high production values has meant loss of self-sufficiency and dedicated stewardship of a smaller acreage. Draft breeds, including the Haflinger horses we raised for forty years, now are bred for higher energy with lighter refined bone structure meant more for eye appeal and floating movement, rather than the sturdy conformation and unflappable low maintenance mindset needed for pulling work.

Modern children grow up with a different set of values as well, no longer raised to work together with other family members, as well as the animals on the farm for a common purpose of daily survival.

Still fascinated by the The Small Farmer’s Journal, I am encouraged when the next generation reaches for horse collars and bridles, hitches up their horses to do the work as it used to be done.  Although the modern world will never go back to the days of horse-drawn farming and transportation, we can acknowledge there were some benefits to the old ways of doing things, when progress meant being harnessed together as a team with our horses, tilling for truth and harvesting hope.

photo by Tayler Rae



I like farming. I like the work.

I like the livestock and the pastures and the woods. 
It’s not necessarily a good living, but it’s a good life. 
I now suspect that if we work with machines
the world will seem to us to be a machine,
but if we work with living creatures
the world will appear to us as a living creature. 
That’s what I’ve spent my life doing,
trying to create an authentic grounds for hope.
~Wendell Berry, horse farmer, essayist, poet, professor

photo by Tayler Rae
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Call Nothing Common

Begin the song exactly where you are,
Remain within the world of which you’re made.
Call nothing common in the earth or air,
Accept it all and let it be for good.

Start with the very breath you breathe in now,
This moment’s pulse, this rhythm in your blood
And listen to it, ringing soft and low.
Stay with the music, words will come in time.

Slow down your breathing. Keep it deep and slow.
Become an open singing-bowl, whose chime
Is richness rising out of emptiness,
And timelessness resounding into time.

And when the heart is full of quietness
Begin the song exactly where you are.

~Malcolm Guite “The Singing Bowl” from The Singing Bowl

In the center of my chest,
a kindling there in the hollow,
as if a match had just been struck,
or the blinds snapped up on a sealed room,
gold suffusing the air,
and through the wide windows,
a solstice unfolding,
mine for the lengthening days.
~Andrea Potts “On Reading John Donne for the First Time” from Her Joy Becomes

I will not forget, dear harvest moon,
to keep you as my singing bowl
where I can find your song months from now,
even when your reflected light leaks out
to tangle up in the weary trees of autumn.

Once the leaves fall, you illuminate
even the most humble branches
in their embarrassed nakedness.

Call nothing common in the earth or air,
Accept it all and let it be for good.

When I too need your warm light
in the center of my hollowed chest,
I’ll know exactly where to find you,
as you sing lullabies, waiting for me to empty.

I’ll not forget you,
because you never forget to
keep looking for me.

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Unharvested

A scent of ripeness from over a wall.
And come to leave the routine road
And look for what had made me stall,
There sure enough was an apple tree
That had eased itself of its summer load,
And of all but its trivial foliage free,
Now breathed as light as a lady’s fan.
For there had been an apple fall
As complete as the apple had given man.
The ground was one circle of solid red.


May something go always unharvested!
May much stay out of our stated plan,
Apples or something forgotten and left,
So smelling their sweetness would be no theft.

~Robert Frost “Unharvested” from The Collected Poems

Our trees are heavy-laden until the wind comes — the dropping fruit thuds to the ground with such finality, it wakes me in the night and reminds me how far I too have fallen.

“Fall” is just that: nothing remains as it was.

Autumn replays our desire for an apple which
smells so sweet,
tempts with shiny sheen
lures with such color –
we fell hard and fast for just one taste.

We ignored the worm hole.

And ended up in a hole ourselves, unharvested,
hoping one day for sweetness to return.

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Love Without Hesitation

Every morning I walk through folds of fields
searching.

Slants of sun
sink through triangled bones of leaves:
bold cold refuted.

Sparrows flutter warm in given nests,
ungriefed,
caught,
sustained by common grace.

Faith is the tenderness of banked coals in a grate,
Braeburn apples on a windowsill,
winding crisp with possibility.
The steadiness of conversations embered over decades;
a fire that has never left off crackling –
on this my soul has warmed her hands.


Divine ardor:
too strong and sweet
for the many years I’ve walked on earth.

Love without hesitation has swept my floorboards for seasons.
Deep and longing in and out of time the soul reaches out –
and He, grasps entire.
Hold – and tender.
Incandescent.
~Claire Hellar “A Search in Autumn”

photo by Josh Scholten

This time of year a chill is in the air,
urging us to feed the embers still throwing heat.

Warmed while eating a meal
together with decades-long friends,
everything grown from our own farms and gardens,
prepared with care and gratitude.

A shared gathering of words and food
in the waning softness of autumn;
we grow older round the table,
incandescent with grace,
a blessed communion.

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Dropping Leaves on Time

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

What signal from the stars? What senses took it in?
What in those wooden motives so decided
To strike their leaves, to down their leaves,
Rebellion or surrender? and if this
Can happen thus, what race shall be exempt?
What use to learn the lessons taught by time,
If a star at any time may tell us: Now.

~Howard Nemerov “The Consent” from The Collected Poems of Howard Nemerov

So many reasons these days to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope,
for calm and peace in this stormy world.

When asleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before they tumble, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, I am meant to be
anchored within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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The Reason for October


I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows
and the wren laughs in the early shade now
come again shining glance in your good time
naked air late morning
my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun

~W.S. Merwin from “The Love of October” from Migration: New & Selected Poems, 2005

Each leaf is beautifully unique,
one of a kind, each shaped and hued differently —
except those more tattered than others,
bespeaking the harshness of
their short existence when
all life surrounding them
seems at risk of being destroyed.

At the end of their allotted life span
they return to the earth from which they came.
And the Creator-God is pleased.
His creations have served the purpose

for which He created them.
Now, they will enrich the soil,
each leaving its own special contribution
toward the next generation

where differences no longer matter.
The unseen birthing and dying mystery continues….
~Alice La Chapelle, in a comment

The wind gusts through shedding branches
stripping them bare,
carrying the leaves
far away, piling up a diverse gathering
they have never known before –
chestnut, cherry, birch, walnut, apple, katsura,
maple, parrotia, pear, oak, poplar, dogwood –
suddenly all sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

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