How did I come to be this particular version of me, and not some other, this morning of purple delphiniums blooming like royalty, destined to meet these three dogs asleep at my feet, and not others— this soft summer morning, sitting on her screened porch become ours, our wind chime singing of wind and time, yellow-white digitalis feeding bees and filling me— and more abundance to come: basil, tomatoes, zucchini. What luck or fate, instinct, or grace brought me here— in shade, beneath hidden stars, a soft, summer morning, seeing with my whole being, love made visible. ~Laura Foley “The Once Invisible Garden” from Sledding in the Valley of the Shadow
Suddenly it is August again, so hot, breathless heat. I sit on the ground in the garden of Carmel, picking ripe cherry tomatoes and eating them. They are so ripe that the skin is split, so warm and sweet from the attentions of the sun, the juice bursts in my mouth, an ecstatic taste, and I feel that I am in the mouth of summer, sloshing in the saliva of August. Hummingbirds halo me there, in the great green silence, and my own bursting heart splits me with life. ~Anne Higgins “Cherry Tomatoes” from At the Year’s Elbow
Such still air. Soon the mid-morning breeze will float in like tepid water, then hot.
How do I start this day, I who am unsure of how my life has happened or how to proceed amid this warm and steady sweetness? ~Albert Garcia from “August Morning” from Skunk Talk
Write it in your heart that every day is the best day of the year. Live in the sunshine, swim in the sea, breathe the wild air. Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense. ~Ralph Waldo Emerson from Collected Poems and Translations
She has done what she could… ~Mark 14:8
How do I start this gift of a new August summer day?
When sleep is elusive, the air too still and warm at midnight When even a cloud-strewn sky looks dry When wildfire smoke drifts in on waves from north and east, obscuring, rounding out the sharp edges
Yet I taste the sweetness offered this tepid summer morning, unencumbered by my old over-thinking nonsense.
I’m here, present and accounted for, blessed by all I see. I am doing what I can. Let the day begin.
Even After All this time The sun never says to the earth,
“You owe Me.”
Look What happens With a love like that, It lights the Whole Sky. ~Daniel Ladinsky, from “The Gift”
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How easily happiness begins by dicing onions. A lump of sweet butter slithers and swirls across the floor of the sauté pan, especially if its errant path crosses a tiny slick of olive oil. Then a tumble of onions.
This could mean soup or risotto or chutney (from the Sanskrit chatni, to lick). Slowly the onions go limp and then nacreous and then what cookbooks call clear, though if they were eyes you could see
clearly the cataracts in them. It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent, like the nuggets of nightmare
and rage and murmury animal comfort that infant humans secrete. This is the best domestic perfume. You sit down to eat with a rumor of onions still on your twice-washed hands and lift to your mouth a hint
of a story about loam and usual endurance. It’s there when you clean up and rinse the wine glasses and make a joke, and you leave the minutest whiff of it on the light switch, later, when you climb the stairs. ~William Matthews “Onions”
I don’t mean to make you cry. I mean nothing, but this has not kept you From peeling away my body, layer by layer,
The tears clouding your eyes as the table fills With husks, cut flesh, all the debris of pursuit. Poor deluded human: you seek my heart.
Hunt all you want. Beneath each skin of mine Lies another skin: I am pure onion–pure union Of outside and in, surface and secret core.
…It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent… ~William Matthews from “Onions”
…I would never scold the onion for causing tears. It is right that tears fall for something small and forgotten. How at meal, we sit to eat, commenting on texture of meat or herbal aroma but never on the translucence of onion, now limp, now divided, or its traditionally honorable career: For the sake of others, disappear. ~Naomi Shihab Nye from “The Traveling Onion” from Words Under the Words: Selected Poems.
Onion, luminous flask, your beauty formed petal by petal, crystal scales expanded you and in the secrecy of the dark earth your belly grew round with dew. Under the earth the miracle happened and when your clumsy green stem appeared, and your leaves were born like swords in the garden, the earth heaped up her power showing your naked transparency…
…You make us cry without hurting us. I have praised everything that exists, but to me, onion, you are more beautiful than a bird of dazzling feathers, heavenly globe, platinum goblet, unmoving dance of the snowy anemone
and the fragrance of the earth lives in your crystalline nature. ~Pablo Neruda from “Ode to the Onion”
Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.
This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.
It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:
I weep over the headlines.
I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.
I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.
We tend to hide our hearts out of fear of being hurt, crying out in pain.
Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.
We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.
So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.
No, I don’t mean to make you cry as you peel my layers away, gently, one by one, each more tender until you reach my heart. Chop away at me if you must but weep the good tears, the ones that mean we weep for the sake of our meal together: you eating and drinking, and me – consumed.
Lyrics: When the dark wood fell before me And all the paths were overgrown When the priests of pride say there is no other way I tilled the sorrows of stone
I did not believe because I could not see Though you came to me in the night When the dawn seemed forever lost You showed me your love in the light of the stars
Chorus: Cast your eyes on the ocean Cast your soul to the sea When the dark night seems endless Please remember me
Then the mountain rose before me By the deep well of desire From the fountain of forgiveness Beyond the ice and fire
Though we share this humble path, alone How fragile is the heart Oh, give these clay feet wings to fly To touch the face of the stars
Breathe life into this feeble heart Lift this mortal veil of fear Take these crumbled hopes, etched with tears We’ll rise above these earthly cares
Lyrics: Light after darkness, gain after loss Strength after weakness, crown after cross; Sweet after bitter, hope after fears Home after wandering, praise after tears
Alpha and Omega Beginning and the end He is making all things new Springs of living water Shall wash away each tear He is making all things new Sight after mystery, sun after rain Joy after sorrow, peace after pain; Near after distant, gleam after gloom Love aftеr wandering, life after tomb
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of the gladiola open all down the long aisle of the stem
like a choral procession or the woody notes
of a flute opening one stop at a time. ~Linda Pastan “Gladiola”
Most flowers tempt our senses: vibrant colors to the eye, softness of the petals to the touch, delicate fragrances wafting to the nose – even some have a piquant perfumed taste for the palate.
Yet how many blooms sound like an orchestra tuning in the wind?
A long gladiola stalk rises boldly, swaying in the breeze, each key blossom unfolding one by one in flowing overture, a kaleidoscope symphone planted in a row.
When each is done with its own ruffled note, the next one opens to play its part, in harmony with its neighbor.
The notes progress up the stem until the final chord is held ~fermata-like~ until performances commence again next summer.
I’ll be sure to reserve a front row seat.
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Light splashed this morning on the shell-pink anemones swaying on their tall stems; down blue-spiked veronica light flowed in rivulets over the humps of the honeybees; this morning I saw light kiss the silk of the roses in their second flowering, my late bloomers flushed with their brandy. A curious gladness shook me. So I have shut the doors of my house, so I have trudged downstairs to my cell, so I am sitting in semi-dark hunched over my desk with nothing for a view to tempt me but a bloated compost heap, steamy old stinkpile, under my window; and I pick my notebook up and I start to read aloud and still-wet words I scribbled on the blotted page: “Light splashed…”
It is too easy to be ground to a pulp by the various irritations of the day – aggravations are too easily expressed, worries never seem to wane – all of it sucks gladness out of me.
When my feelings become four-dimensional and surround and drown me, I lose all perspective on what got me out of bed to begin the day.
God is in these intricate details, whether the splash of light on a petal or the smell of rotting compost; it is my job to notice this. It is tempting to look past His ubiquitous presence in all things, to seek out only the elegant grandeur of creation and bypass the plain and smelly and homely.
Yet even what lacks beauty from my limited perspective is worthy of His divine attention. He knows the value and purpose of each thing He created, including me and the things that aggravate me no end – like mosquitos.
The time has come to be refreshed and renewed even when surrounded by decay. His care is revealed in the tiniest way. He is worthy of my attention because I am constantly worthy of His.
If I rise early enough, I can see each new day’s light splash everything awake. By the time I come in to sit down to record my words and photos, I’m thoroughly washed by a fresh dawn. I can scarcely wait to take on what this day will bring.
I can scarcely wait till tomorrow when a new life begins for me, as it does each day, as it does each day.
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There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound;
And frogs in the pools singing at night, And wild plum trees in tremulous white,
Robins will wear their feathery fire Whistling their whims on a low fence-wire;
And not one will know of the war, not one Will care at last when it is done.
Not one would mind, neither bird nor tree If mankind perished utterly;
And Spring herself, when she woke at dawn, Would scarcely know that we were gone. ~Sara Teasdale “There Will Come Soft Rains”
…one of man’s purposes is to assist God in the work of “hallowing” the things of Creation. By a tremendous heave of the spirit, the devout man frees the divine sparks trapped in the mute things of time; he uplifts the forms and moments of creation, bearing them aloft into the rare air and hallowing fire in which all clays must shatter and burst. ~Annie Dillard from Pilgrim at Tinker Creek
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
The crash. The attic smashing into kitchen and parlour. The parlour into cellar, cellar into sub-cellar. Smoke and silence. A great quantity of smoke. Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam: “Today is August 5, 2026, today is August 5, 2026, today is…”
Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time, the roads ragged with meadowsweet and mallow, with splays of seedheads, slubbed and coarse, rough linen. The fields above the house, clotted with sheep all spring, are empty now and froth with flowering grasses, still in the morning light. Birds move around the leafy fields, the leafy garden.
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun.
And later, when the light is drowsed and heavy go find the burdened fruit trees where the shade lies splashed and opened-out across the ground. Spread over it a quilt worn soft by other bodies, then curl and fall down into sleep at light.
Awaken to a world of long, loose grass-stems, and leaves above, and birds, breaking out of the leaves. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July last week meant admitting summer is already half-baked and so are we–
we who are still doughy, not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days, fall asleep in the grasses, endure sweaty nights for just a little while longer…
Please, oh please grant us unending light and steady us for the task of getting ready for letting go.
A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here
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Under the harvest moon, When the soft silver Drips shimmering Over the garden nights, Death, the gray mocker, Comes and whispers to you As a beautiful friend Who remembers.
Under the summer roses When the flagrant crimson Lurks in the dusk Of the wild red leaves, Love, with little hands, Comes and touches you With a thousand memories, And asks you Beautiful, unanswerable questions. ~Carl Sandburg “Under the Harvest Moon”
I mistake the sound of a recycling cart hitting the curb
for the latch of our gate and picture him instantly:
my father stumbling into the light of the backyard
to shoot himself.
I’d been looking at the fruit trees and the fire pit,
the loose board of the old fence in the wind.
I’d been thinking of how lost you’d have to be
to believe you knew everything there was to know
about yourself. And now this sound
I mistake for my father going through with it: one
I might hear or see or smell something completely benign and insignificant, but my brain processes it differently, its similarity to past memory or experience bringing it front and center and real again.
Often it is a song, or a smell, or a date on the calendar. It can be an unexpected, sudden sound, like a slammed door or a recorded voice or photo from long ago.
This can lead to time travel back to that previous moment in time, with the feeling of being right there again.
It can be a lovely memory, warm and comforting, or it can be a total nightmare I never want to remember or reexperience.
When it happens to me, to distract from the distress it can cause, I instead admire the stickiness of my stored memories, how powerful chemical connections are between my body and my feelings.
There is poignancy in how I relive those moments of past joy and struggles, trying to capture in words what just happened, all the while knowing, for the rest of my days, some questions will forever remain unanswered.
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Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don’t patch the cup. Don’t patch anything. Don’t mend. Buy safety pins. Don’t even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don’t keep all the pieces of the puzzles or the doll’s tiny shoes in pairs, don’t worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic—decide first what is authentic, then go after it with all your heart. Your heart, that place you don’t even think of cleaning out. That closet stuffed with savage mementos. Don’t sort the paper clips from screws from saved baby teeth or worry if we’re all eating cereal for dinner again. Don’t answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in through the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don’t read it, don’t read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity ~Louise Erdrich “Advice to Myself”
I am a messy person, coming from a long line of messy people. My paternal grandmother never had a clear kitchen counter, or a dining room table without piles of books and papers, spilling over with knickknacks and half-completed craft projects everywhere. I loved the chaos of her house since the messes left behind by her grandchildren weren’t as noticeable. I always felt at home, as if I was not being constantly monitored as a potential mess about to happen.
The other morning, I noticed a good-sized dust bunny on the kitchen floor and bent down to pick it up to toss in the trash can. To my surprise, it leaped away from my fingers!
It kept jumping away and as my eyes finally focused in the early morning light, I realized it wasn’t an escaping dust bunny, but a tree frog covered in dust fuzz from my less than tidy floor. It must have come in the house from the perpetually open front door and hidden under a piece of furniture, being transformed into a furry froggy Frankenstein.
I caught it and carried it outside into the morning dawn, setting it free into the chaos of the world outside, rather than coping inside with my insufficient housekeeping. No, I didn’t think to get a photo. Oh, well. Some things you just have to take on faith.
After all, my heart leaps and rejoices anytime we have multi-generational family under one roof and whether the house is clean is simply a secondary concern.
It actually is not a concern at all.
This mama’s heart carries love with each heartbeat. My worth is not in what I own or how pristine I keep things, but in the depth of my commitment to those who I am given the privilege to know and love.
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I have never been fishing on the Susquehanna or on any river for that matter to be perfectly honest.
Not in July or any month have I had the pleasure — if it is a pleasure — of fishing on the Susquehanna.
I am more likely to be found in a quiet room like this one — a painting of a woman on the wall, a bowl of tangerines on the table — trying to manufacture the sensation of fishing on the Susquehanna.
There is little doubt that others have been fishing on the Susquehanna,
rowing upstream in a wooden boat, sliding the oars under the water then raising them to drip in the light. But the nearest I have ever come to fishing on the Susquehanna was one afternoon in a museum in Philadelphia,
when I balanced a little egg of time in front of a painting in which that river curled around a bend
under a blue cloud-ruffled sky, dense trees along the banks, and a fellow with a red bandana
sitting in a small, green flat-bottom boat holding the thin whip of a pole.
That is something I am unlikely ever to do, I remember saying to myself and the person next to me.
Then I blinked and moved on to other American scenes of haystacks, water whitening over rocks,
even one of a brown hare who seemed so wired with alertness I imagined him springing right out of the frame. ~Billy Collins Fishing On The Susquehanna In July
The difficulty to think at the end of day, When the shapeless shadow covers the sun And nothing is left except light on your fur—
….and August the most peaceful month.
To be, in the grass, in the peacefullest time, And to feel that the light is a rabbit-light In which everything is meant for you And nothing need be explained;
I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m simply content to just imagine others doing.
I’m not a rock climber or a zip liner nor willing to jump out of an airplane. I won’t ride a horse over a four foot jump nor race one around a track. Not for me waterskis or unicycles or motorcycles.
I’m grateful there are adventurers who seek out the extremes of life so the rest of us can admire their courage and applaud their explorations.
My imagination is powerful enough, thanks to the words and pictures of others – sometimes too vivid.
I contentedly explore the corners of my quiet places, both inside and outside, to see what I can build from what’s here.
When the light is just right, what I see in my mind seems ready to spring right out of the frame.
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At dusk, everything blurs and softens. From here out over the long valley, the fields and hills pull up the first slight sheets of evening, as, over the next hour, heavier, darker ones will follow.
Quieted roads, predictable deer browsing in a neighbor’s field, another’s herd of heifers, the kitchen lights starting in many windows. On horseback I take it in, neither visitor nor intruder, but kin passing, closer and closer to night, its cold streams rising in the sugarbush and hollow.
Half-aloud, I say to the horse, or myself, or whoever: let fire not come to this house, nor that barn, nor lightning strike the cattle. Let dogs not gain the gravid doe, let the lights of the rooms convey what they seem to.
And who is to say it is useless or foolish to ride out in the falling light alone, wishing, or praying, for particular good to particular beings, on one small road in a huge world?
The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. For up, out of the inscrutable earth, have come my body and the separate body of the mare: flawed and aching and wronged. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~ Linda McCarriston, “Riding Out at Evening” fromTalking Soft Dutch
photo by Emily Vander Haak
On this, my 72nd birthday, I pray for this troubled world, reminding myself: be well, be glad…
I’m still here by the grace of God who carries not just me on His back through each day, but all earthly burdens.
I pray like a bird embracing the air which lifts its wings, tenderly holding to its breast a soaring freedom to transcend the weeping world.
I have seen so much goodness over 72 years, sometimes through tears of sorrow. I know there will be more joy and sadness before I’m done.
I am grateful, so very grateful to have lived all these years seeing tears shed, then dried, learning how love heals, knowing the only thing to last forever is God’s covenant promise to always carry us home.
photo by Brandon Dielemanphoto by Brandon Dieleman
video by Peter Tamminga
Whilst the world is weeping, let us do our bit. We have the time to sympathise, to listen and to sit. No needless thoughts, of the things we cannot do. But appreciate all the good bits and look at them anew.
The warmth and comfort of our homes, the food we have to eat. The family and friends we have, although we cannot meet. The village that we live in, and the community we share. So precious to us right now, so sit and think and care.
Whilst the world is full of sadness, anxiety and pain, It’s hard to imagine our lives ever carefree again. But nothing lasts forever, the clouds will always clear. Let’s heal the world with love, so the sunshine can appear. ~Sandra Rickman
Lyrics: Drop, drop, slow tears, and bathe those beauteous feet, which brought from heaven the news and Prince of Peace. Cease not, wet eyes, his mercies to entreat; to cry for vengeance sin doth never cease. In your deep floods drown all my faults and fears; nor let his eye see sin, but through my tears.
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