Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. ~Oscar Wilde from The Picture of Dorian Gray
Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne’er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! ~William Wordsworth from “Composed Upon Westminster Bridge, September 3, 1802”
Dawn is the time when nothing breathes, the hour of silence. Everything is transfixed, only the light moves. ~Leonora Carrington
Looking for God is the first thing and the last, but in between so much trouble, so much pain. ~Jane Kenyon from “With the Dog at Sunrise”
In the moments before dawn when glow gently tints the inside of horizon’s eyelids, the black of midnight wanes to mere shadow, the fear of night forgotten.
Gloaming dusk transposed to gleaming dawn, its backlit silhouettes stark as a dark hurting earth slowly opens her eyes to greet a new and glorious morn.
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A hundred thousand birds salute the day:– One solitary bird salutes the night: Its mellow grieving wiles our grief away, And tunes our weary watches to delight; It seems to sing the thoughts we cannot say, To know and sing them, and to set them right; Until we feel once more that May is May, And hope some buds may bloom without a blight. This solitary bird outweighs, outvies, The hundred thousand merry-making birds Whose innocent warblings yet might make us wise Would we but follow when they bid us rise, Would we but set their notes of praise to words And launch our hearts up with them to the skies. ~Christina Rossetti “A Hundred Thousand Birds”
photo by Harry Rodenberger
Birds afloat in air’s current, sacred breath? No, not breath of God, it seems, but God the air enveloping the whole globe of being. It’s we who breathe, in, out, in, the sacred, leaves astir, our wings rising, ruffled—but only saints take flight… But storm or still, numb or poised in attention, we inhale, exhale, inhale, encompassed, encompassed. ~Denise Levertov from “In Whom We Live and Move and Have Our Being”from The Stream and the Sapphire
As if reluctant to let go the setting sun last night, one lone bird still sang a twilight song, long after the others fell asleep, their heads tucked neatly under their wings.
This lone bird had not yet finished with the day, breathing in and out its plaintive melody, articulating my thoughts I could not say.
And before a hint of light this May morning, I am swept from my dreams by a full chorus singing from the same perch, no longer a lone voice, but hundreds.
My day is launched by the warbling songs, but I cannot forget twilight’s one reluctant bird who fought the impending darkness using only its voice.
I too fight back the darkness with what I write here, if I can keep it at bay: inhaling, exhaling, encompassed in Breath. I want to sing out light to Light and live light in Light.
No darkness here.
I hear a bird chirping, up in the sky I’d like to be free like that spread my wings so high I see the river flowing water running by I’d like to be that river, see what I might find
I feel the wind a blowin’, slowly changing time I’d like to be that wind, I’d swirl and the shape sky I smell the flowers blooming, opening for spring I’d like to be those flowers, open to everything
I feel the seasons change, the leaves, the snow and sun I’d like to be those seasons, made up and undone I taste the living earth, the seeds that grow within I’d like to be that earth, a home where life begins
I see the moon a risin’, reaching into night I’d like to be that moon, a knowing glowing light I know the silence as the world begins to wake I’d like to be that silence as the morning breaks
He doesn’t know the world at all Who stays in his nest and doesn’t go out. He doesn’t know what birds know best Nor what I sing about, Nor what I sing about, Nor what sing about: That the world is full of loveliness.
When dew-drops sparkle in the grass And earth is aflood with morning light. light A blackbird sings upon a bush To greet the dawning after night, the dawning after night, the dawning after night. Then I know how fine it is to live.
Hey, try to open your heart to beauty; Go to the woods someday And weave a wreath of memory there. Then if tears obscure your way You’ll know how wonderful it is To be alive. ~Paul Read
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers
and they open — pools of lace, white and pink —
and all day under the shifty wind, as in a dance to the great wedding,
the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding
all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary,
blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever? ~Mary Oliver fromNew And Selected Poems
The peonies, too heavy with their beauty, slump to the ground. I had hoped they would live forever but ever so slowly day by day they’re becoming the soil of their birth with a faint tang of deliquescence around them. Next June they’ll somehow remember to come alive again, a little trick we have or have not learned. ~Jim Harrison “Peonies” from In Search of Small Gods
Later this month, I will bring our peonies to the graves of those from whom I came, to lay one after another exuberant floral head upon each headstone, a moment of connection between those in the ground and me standing above, acknowledging its thin space when one more humble and silky life shatters, its petals slowly scatter, lush and trembling, to the wind.
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The year Dylan’s mother died I picked sprays of apple blossom, wound its pink, off-white shades in raffia for you to take to him.
Every year it’s out I think of us, the children, how apples bring the tree so low, until they thud to the lawn, drumming the end
of summer. The blossom was heavy when Dylan’s mother was dying – old wood doing its best again – and he, like you, was so young. ~Jackie Wills “Apple Blossom”
I can see, through the rifts of the apple-boughs, The delicate blue of the sky, And the changing clouds with their marvellous tints That drift so lazily by. And strange, sweet thoughts sing through my brain, And Heaven, it seemeth near; Oh, is it not a rare, sweet time, The blossoming time of the year? ~Horatio Alger, Jr. from “Apple Blossoms”
Is there anything in Spring so fair As apple blossoms falling through the air?
When from a hill there comes a sudden breeze That blows freshly through all the orchard trees.
The petals drop in clouds of pink and white, Noiseless like snow and shining in the light.
Making beautiful an old stone wall, Scattering a rich fragrance as they fall.
There is nothing I know of to compare With apple blossoms falling through the air. ~Henry Adams Parker “Apple Blossoms”
The rain eases long enough to allow blades of grass to stand back up expectant, refreshed yet unsuspecting, primed for the mower’s next cutting swath.
Clusters of pink tinged blossoms sway in response to my mower’s pass. Apple buds bulge on ancient branches in promise of fruit caressed by honeybees’ tickling legs.
Though I bow low beneath the swollen blooms, I’m still caught by snagging branches; showers from hidden raindrop reservoirs collected within blushing petal cups.
My face is anointed by perfumed apple tears.
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And with sighs soaring, soaring síghs deliver Them; beauty-in-the-ghost, deliver it, early now, long before death Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver. See; not a hair is, not an eyelash, not the least lash lost; every hair Is, hair of the head, numbered. ~Gerard Manley Hopkins from “The Golden Echo”
…writing was one way to let something of lasting value emerge from the pains and fears of my little, quickly passing life. Each time life required me to take a new step into unknown spiritual territory, I felt a deep, inner urge to tell my story to others– Perhaps as a need for companionship but maybe, too, out of an awareness that my deepest vocation is to be a witness to the glimpses of God I have been allowed to catch. ~Henri Nouwenfrom Reaching Out: The Three Movements of the Spiritual Life
“Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying. ~Annie Dillard from Pilgrim at Tinker Creek
For too much of my life I have focused on my foreshortening future, bypassing the present in my headlong rush to what lies ahead. There is always a goal to achieve, a conclusion becoming commencement of the next phase, a sunset turning right around in a few hours to become sunrise.
Yet the most precious times occur when the present is so over-whelming, so riveting, so tenderly full of beauty that I believe I can see a brief glimpse of God. I must grab hold with all my strength to try and secret it away and keep it forever. Of course the present still slips away from me, elusive and evasive, torn to bits by the unrelenting movement of time.
Even when I’m able to take a photo to lock it to a page or screen, it is not enough. No matter how I choose to preserve the essence of this moment, it is already passed, ebbing away, never to return.
So I write to harvest those times to make them last a little bit longer although they will inevitably be lost downstream into the ether of unread words.
Where have all the words, all the flowers, all those moments gone?
Even if unread, I am learning that words, which had power in the Beginning to create life itself, still can bring tenderness and meaning back to my life. How blessed to live the gift twice: not just in the moment itself but in recording in words that preserve and treasure it all up, if only for that ephemeral blooming moment.
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Let us not with one stone kill one bird, much less two. Let us never put a cat in a bag nor skin them, regardless of how many ways there are to do so. And let us never take the bull, especially by his gorgeous horns. What I mean is
we could watch our tongues or keep silent. What I mean is we could scrub the violence from our speech. And if we find truth in a horse’s mouth, let us bless her
ground-down molars, no matter how old she is, especially if she was given as a gift. Again, let’s open her mouth——that of the horse, I mean——let us touch that interdental space where no teeth grow, where the cold bit was made to grip. Touch her there, gently now, touch that gentle
empty between her incisors and molars, rub her aching, vulnerable gums. Don’t worry: doing so calms her. Besides, she’s old now; she’s what we call broken; she won’t bite. She’s lived through two thirteen-year emergences of cicadas
and thought their rising a god infestation, thought each insect roiling up an iteration of the many names of god, because god to her is the grasses so what comes up from grass is god. She would not say it that way. Nor would she
say the word cicada——words are hindrances to what can be spoken through the body, are what she tolerates when straddled, giddy-up on one side then whoa on the other. After, it’s all good girl, Mable, good girl, before the saddle sweat is rinsed cool with water from the hose and a carrot is offered flat from the palm. Yes, words being
generally useless she listens instead to the confused rooster stuttering when the sun burns overhead, when it’s warm enough for those time-keepers to tunnel up from the dark and fill their wings to make them stiff and capable of flight. To her, it is the sound
of winter-coming in her mane or the sound of winter-leaving in her mane—— yes, that sound——a liquid shushing like the blood-fill of stallion desire she knew once but crisper, a dry crinkle of fall leaves. Yes, that sound, as they fill their new wings then lumber to the canopy to demand come here, come here, come here, now come.
If this is a parable you don’t understand, then, dear human, stop listening for words. Listen instead for mane, wind, wings, wind, mane, wings, wings, wings. The lesson here is of the mare and of the insects, even of the rooster puffed and strutting past. Because now, now there is only one thing worth hearing, and it is the plea of every living being in that field we call ours, is the two-word commandment trilling from the trees: let live, let live, let live. Can you hear it? Please, they say. Please. Let us live. ~Nickole Brown “Parable”
When a governor writes about her decision to shoot her wayward dog and stinky goat, our reaction is about the injustice perpetrated on the dog more than her decision to play god with any animal she has responsibility for. I feel a twinge of guilt at the accusation. Who among us can throw stones?
God is clear we are meant to be caretakers of His Creation. Yet I still swat flies and trap mice – there is no pleasure in doing so, so I still ask for forgiveness for my lack of charity and decision to make my own existence more comfortable at the expense of another living thing.
I admit I fail Creation in myriad ways.
I have owned animals whose behavior brought me to my knees, sometimes literally with my face in the muck. I have wept over the loss of a deformed stillbirth foal and a pond of koi frozen in a bitter winter storm. The stories abound of my helplessness in the face of sadness and loss and frustration but I never wanted to become executioner.
I don’t live with cycles of cicada population booms but have experienced their overwhelming din and understood we are mere witnesses and not in control. We are not “little g” gods on this earth. We are its stewards.
More like a vault — you pull the handle out and on the shelves: not a lot, And what there is (a boiled potato in a bag, a chicken carcass under foil) looking dispirited, drained, mugged. This is not a place to go in hope or hunger. But, just to the right of the middle of the middle door shelf, on fire, a lit-from-within red, heart red, sexual red, wet neon red, shining red in their liquid, exotic, aloof, slumming in such company: a jar of maraschino cherries. Three-quarters full, fiery globes, like strippers at a church social. Maraschino cherries, maraschino, the only foreign word I knew. Not once did I see these cherries employed: not in a drink, nor on top of a glob of ice cream, or just pop one in your mouth. Not once. The same jar there through an entire childhood of dull dinners — bald meat, pocked peas and, see above, boiled potatoes. Maybe they came over from the old country, family heirlooms, or were status symbols bought with a piece of the first paycheck from a sweatshop, which beat the pig farm in Bohemia, handed down from my grandparents to my parents to be someday mine, then my child’s? They were beautiful and, if I never ate one, it was because I knew it might be missed or because I knew it would not be replaced and because you do not eat that which rips your heart with joy. ~Thomas Lux “Refrigerator, 1957”
My childhood refrigerator also contained a jar of maraschino cherries. They were used only once a year, at Thanksgiving, when my mother would pull the jar out from the depths of the fridge, twist open the top and pull out four bright red cherries.
A sweet potato dish would be warming in the oven, covered by large melting marshmallows placed in the center of a ring of canned pineapple. Mom arranged the cherries, cut in half, on top of each marshmallow and replaced the dish in the oven, until the meal was ready to serve.
That was it. We never saw the cherries again for another year.
Sweet potatoes taste wonderful, all on their own, without a dressing of marshmallows and pineapples. But the special holiday tradition was set. In some magical way, the cherries dressed the dish up to help make a tense family gathering a bit jollier.
I do still have my own jar of maraschino cherries in my refrigerator. I forget why. It doesn’t have anything to do with sweet potatoes which I like to serve up plain for Sunday dinners. I possibly bought the jar out of nostalgia, or perhaps because I think every refrigerator needs a jar of maraschino cherries — kind of like the open box of baking soda that sits in most fridges to keep the odors under control.
Regardless, when I spy the jar every once in a while when rummaging in the fridge for something else, it stops time for a moment of remembrance and sadness. After all, I don’t replicate my mom’s mid-century cooking efforts of many-colored jello salads, bread-crumb-topped casseroles and… maraschino marshmallow sweet potatoes.
Even so, a daughter’s love for her mama remains irreplaceable.
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We are surrounded by acres of farmland, blessed by neighbors hard at work cherishing the land and buildings and animals they own. They don’t take anything for granted and strive to preserve a heritage of good stewardship. Even so, they know when to sit back to appreciate the rhythms of the seasons.
There is joy in simply watching time pass by.
The land continues to teach us all, through the sweet springs, the sweaty summers, the colorful autumns and harsh winter winds. We need each other when the snow drifts high on our driveways, the power goes out, the well runs dry, or the garden produces far more than we can just use ourselves.
And when the sun sets — well, we watch it with awe.
Another day of letting it go, grateful for what our gentle neighbors share with us – those who are next door, those just down the road, and I’m daily reminded of the generosity of those of you who take the time to stop by to read these words and say howdy.
To live in this world
you must be able to do three things: to love what is mortal; to hold it
against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go. ~Mary Oliver, “In Blackwater Woods”
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An empty day without events. And that is why it grew immense as space. And suddenly happiness of being entered me.
I heard in my heartbeat the birth of time and each instant of life one after the other came rushing in like priceless gifts. ~Anna Swir “Priceless Gifts” from Talking To My Body
It may be that when we no longer know what to do we have come to our real work and that when we no longer know which way to go we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings. The world, the truth, is more abounding, more delightful, more demanding than we thought. What appeared for a time perhaps to be mere dutifulness … suddenly breaks open in sweetness — and we are not where we thought we were, nowhere that we could have expected to be. ~Wendell Berry from “Poetry and Marriage: The Use of Old Forms,” in Standing By Words
Who among us knows with certainty each morning what we are meant to do this day or where we might be asked to go?
Or do we make our best guess by putting one foot ahead of the other until the day is done and it is time to rest?
For me, over five decades of work, I woke humbled by commitment and duty and kept going, even when baffled and impeded.
While doctoring, I tried so hard to keep my eyes open for beauty within the painful times.
These days now overflow with uncertainty of what comes next: each heartbeat a new birth. My real work remains a search for life’s priceless beauty.
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Here in the time between snow and the bud of the rhododendron, we watch the robins, look into
the gray, and narrow our view to the patches of wild grasses coming green. The pile of ashes
in the fireplace, haphazard sticks on the paths and gardens, leaves tangled in the ivy and periwinkle
lie in wait against our will. This drawing near of renewal, of stems and blossoms, the hesitant return
of the anarchy of mud and seed says not yet to the blood’s crawl. When the deer along the stream
look back at us, we know again we have left them. We pull a blanket over us when we sleep.
As if living in a prayer, we say amen to the late arrival of red, the stun of green, the muted yellow
at the end of every twig. We will lift up our eyes unto the trees hoping to discover a gnarled nest within
the branches’ negative space. And we will watch for a fox sparrow rustling in the dead leaves underneath. ~Jack Ridl “Here in the Time Between” from Practicing to Walk Like a Heron
We live in an in-between time: we see the coming glory of spring and rebirth yet winter’s mud and ice still grasps at us.
We want to crawl back under the blankets, hoping to wake again on a brighter day.
Praying to emerge from the mud of in-between and not-yet, we are ready to bud and blossom and wholly bloom.
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