A Marshy Cacophony

Cold, wet leaves
Floating on moss-coloured water   
And the croaking of frogs—
Cracked bell-notes in the twilight.

~Amy Lowell “The Pond”

Poets who know no better
rhapsodize about the peace of nature,
but a well-populated marsh is a cacophony.
~Bern Keating

O, I love to hear the frogs
When they first begin to sing;
How they vocalize the bogs,
And vociferate the Spring.
How they carol as they croak,
How they mingle jest and joke
With their solemn chant and dirge
On the river’s slimy verge.

O, I love to hear the frogs,
For their monotone uncouth
Is the music of the cogs
Of the mill wheel of my youth.
And I listen half asleep,
And the eyes of mem’ry peep
Through the bars that hold me fast,
From the pleasures of the past.

O, I love to hear the frogs,
For their melody is health
To the heart that worry flogs
With the lash of want or wealth.
And the cares of life take wing,
And its pleasures lose their sting,
And love’s channel way unclogs
In the croaking of the frogs.

~Harry Edward Mills “The Early Frogs”

I wanted to speak at length about
The happiness of my body and the
Delight of my mind

But something in myself for maybe
From somewhere other said: not too
Many words, please, in the muddy shallows the
Frogs are singing.

~Mary Oliver, from “April”

About two weeks ago, music from the wetlands became faintly detectable in the distance. We were only a little over a month into winter, yet due to unduly mild temperatures, the chorus had begun.

The sleigh-bell jingle song of the Pacific Chorus Frogs now fills the air each evening, rising from the ponds and standing water that surround our farm. I stand still for a moment to soak up that song that heralds spring–a certainty that the muddy marshes are thawed enough to invite the frogs out of their sleep and start their courting rituals.

Now winter won’t return anytime soon with any seriousness.

This marsh music is disorienting this early, along with daffodils budding in late January and lawns needing mowing in February. With voices so numerous, strong and insistent, it feels as though a New York City of frogs has moved in next door; we are seated in the balcony of Carnegie Hall. 

They seem to be directed by an unseen conductor, as their voices rise and fall together and then cut off suddenly with a slice of the baton, plunging the landscape into uncomfortable silence at the slightest provocation, as if they hold an extended fermata for minutes on end.

The frogs’ repertoire is limited but their wind power, stamina and ability to project their voices impressive. They are most tenacious at making their presence known to any other peeper within a mile radius. Their mystical, twilight symphony of love and territory has begun, soft and surging, welcome and reassuring.

There’s a spring a-comin’, the peepers proclaim. 
Nothing can be sweeter.

I know all the behaviorist theories about frog chorus being about territoriality –the “I’m here and you’re not” view of the animal kingdom’s staking their claims. Knowing that theory somehow distorts the cheer I feel when I hear these songs. I want the frogs (and birds) to be singing out of the sheer joy of living. Instead, they are singing to defend their piece of mud or branch.

Then I remember, that’s not so different from people. Our voices tend to be loudest when we are being insistently territorial: we own this and you do not, and we are irresistibly better than you.

I’m not sure anyone enjoys human cacophony in the same way I enjoy listening to the chorus of frogs at night or birdsong in the morning. We humans are most harmonic when we choose to listen. Instead of sounding off, we should soak up. Instead of shouting “this is mine,” we should sit expectant and grateful.

Perhaps that is why the most beloved human choruses are derived from prayers and praise – singing out in joy and gratitude rather than in warning.

I’ll try to remember this when I get into my own righteous and “territorial” mode. I don’t bring joy to the listener nor to myself. When it comes right down to it, all that noise I make is nothing more than a croaking cacophony in a smelly mucky swamp.

Here’s what it sounds like all around us: https://www.facebook.com/share/v/1Ab4EBKYx9

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Left Up to God

This saying good-by on the edge of the dark
And the cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.


I don’t want it girdled by rabbit and mouse,
I don’t want it dreamily nibbled for browse
By deer, and I don’t want it budded by grouse.

I don’t want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard’s the worse for the wintriest storm;
But one thing about it, it mustn’t get warm.
“How often already you’ve had to be told,
Keep cold, young orchard. Good-by and keep cold.
Dread fifty above more than fifty below.”

I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an ax—
Maples and birches and tamaracks.

I wish I could promise to lie in the night
And think of an orchard’s arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.

~Robert Frost from “Good-by and Keep Cold”

bluejay photo by Josh Scholten

Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods. Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death.  Even the sun has gone off somewhere… Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.   
~Jane Kenyon from her essay “Good-by and Keep Cold”
found in A Hundred White Daffodils

For two months now, we’ve heard hunters firing in the woods and the wetlands around our farm, most likely aiming for the ducks and geese that have stayed in the marshes through the winter.  

The usual day-long symphony of birdsong is replaced by shotguns popping, in addition to hawks and eagle chittering, the occasional dog barking, while the bluejays and squirrels argue over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth.   

The horses confined to their stalls in the barns snort and blow as they bury their noses in flakes of last summer’s bound hay.

Yet today felt different – today, with unseasonably spring-like temperatures in early February, things feel about to change.

As yet, there have been no birdsong arias. I am bereft, listening for their blending musical tapestry waking me at 4 AM in the spring. And soon, the peeper orchestra from the swamps will rise and fall on the evening breeze.

It has been too, too quiet. I long for the music to return, not just the surround-sound of gunshot percussion, which is no melody at all.  

I listen intently for early morning and evening serenades to return.
It won’t be long.

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A Thousand Thoughts

Yes, I know my mind is a fickle little bee
doting on a thousand thoughts, but I’m getting
better at chasing my mind back to the moment

so I can see the spiderwebs making hammocks
the color of the moon. My son tries to photograph
a rainbow outside the car window. It’s impossible,

of course, this wonder, the trying to hold it.
But I do what I can. I’ve stopped waiting to enjoy
the cinnamon tea. I take deeper breaths and listen

to the flutter of strings floating down from café
speakers. I don’t want to be a pilgrim of memory
anymore. I want to pop the champagne and salute

this now, and this one with soft brie, dried apricots,
and the sunset celebration another anniversary
of light while I eat fists of grapes the same shade

and sweetness of night. Congratulations, Time. Look
at you and your gorgeous minutes full of everything.
Three cheers for the temp agency that hired this

particular day, these particular clouds, this set
of honking geese migrating through it. I want to be
better at being alive, so I’ve been picturing my heart

as a fox—which means wild and nocturnal, not
terrorizing the neighbor’s chickens. My love says
most equations in quantum field theory give infinity

as an answer, which is not meaningful because all
infinities are the same. In that case, let’s stop reaching
so hard for it. I’ll take this infinity’s morning where

my son and I confused falling leaves for monarchs.
Every time we thought we saw a butterfly, it was
just a leaf with the gentlest falling. We laughed at

every mistake, and he said, That was a beautiful
confusion. 
Sometimes when the moment doesn’t offer
a praying mantis on the porch or a charismatic sky,

I imagine my heart is my son’s face, and I am back
in love with the day, its astonishments like hot-air
balloons, and the daily present of power lines strung

with starlings like dozens of music notes. Let me
be more bound to my living in each moment, be held
by this hum, that cloud, this breath, that shroud.
~Traci Brimhall “This Beautiful Confusion” from Love Prodigal

Some Monday mornings, my mind is going in a thousand different directions. So I follow, knowing there will never be another Monday morning quite like this one. I hope there will be a few hundred more Monday mornings to come.

I want to be better at being alive,
noticing, remembering, connecting,
and grateful to be breathing.

Perhaps you are here because — you do too…

our sons – 1990
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Something of a Mess

Don’t worry, spider,
I keep house casually.
~Kobayashi Issa (translation by Robert Hass)

There’s a web like a spider’s web,
Made of silk and light and shadows,
Spun by the moon in my room at night.
It’s a web made to catch a dream,
Hold it tight ’til I awaken,
As if to tell me, my dream is all right.

~Lyrics of Spider’s Web Folk Song (see below)

You have been my friend. That in itself is a tremendous thing.
I wove my webs for you because I liked you.
After all, what’s a life, anyway?
We’re born, we live a little while, we die.
A spider’s life can’t help being something of a mess,
with all this trapping and eating flies.
By helping you, perhaps I was trying to lift up my life a trifle.
Heaven knows anyone’s life can stand a little of that.
~E. B. White, from Charlotte’s Web

In cool descent and loyal hearted,
She spins a ladder to the place
From where she started.

Thus I, gone forth as spiders do
In spider’s web a truth discerning,
Attach one silken thread to you
For my returning.
~E.B. White from “Natural History”

Silk-thin silver strings woven cleverly into a lair,
An intricate entwining of divinest thread…
Like strands of magic worked upon the air,
The spider spins his enchanted web –
His home so eerily, spiraling spreads.

His gossamer so rigid, yet lighter than mist,
And like an eight-legged sorcerer – a wizard blest,
His lace, like a spell, he conjures and knits;
I witnessed such wild ingenuity wrought and finessed,
Watching the spider weave a dream from his web.
~Jonathan Platt “A Spider’s Web”

humanity is like an enormous spider web, so that if you touch it anywhere, you set the whole thing trembling…

As we move around this world and as we act with kindness, perhaps, or with indifference, or with hostility, toward the people we meet, we too are setting the great spider web a-tremble. The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt.

Our lives are linked together. No man is an island.
~Frederick Buechner from The Hungering Dark

I’ve had a new friend for several months now, beginning in late fall and into winter. She lives in our bathroom, in a terraced silken network between the cabinet and the back of the toilet.

This is someone with only one request: we leave her home undisturbed during our brief visits.

And so I have. Normally I would be brushing visible cobwebs down in my quick cleans, but when I noticed this co-habiter back in November as the weather got chilly, I couldn’t help but think “Charlotte” and the ordinary miracles of creatures like her.

So there she stays as I await a profound web message from her.

Instead of messages, she is extending her network in the hope of catching what little insect life there is in a winter house. Her web does get some misting when we shower or bathe, so she has the moisture she needs to thrive. She goes on reconnaissance missions of her little tiled kingdom — there are small webs laced into most of the corners, above the tub and behind the door.

I really can’t see that she eats often; my research says she doesn’t need much. So we will co-exist as long as she wants to stay, although when spring comes, I know a front porch bench that will be a far better source of regular meals. And then I can do a little deeper clean of the crevices in the bathroom.

I hope she might agree to move on at that point. That is, unless she writes me a web message asking to stay “linked in.”

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Somewhere Only I Know

I miss the friendship with the pine tree and the birds
that I had when I was ten.
And it has been forever since I pushed my head
under the wild silk skirt of the waterfall.

The big rock on the shore was the skull of a dead king
whose name we could almost remember.
Under the rooty bank you could dimly see
the bunk beds of the turtles.

Nobody I know mentions these things anymore.
It’s as if their memories have been seized, erased, and relocated
among flowcharts and complex dinner-party calendars.

Now I want to turn and run back the other way,
barefoot into the underbrush,
getting raked by thorns, being slapped in the face by branches.

Down to the muddy bed of the little stream
where my cupped hands make a house, and

I tilt up the roof
to look at the face of the frog.
~Tony Hoagland, from “Nature” from  Unincorporated Persons in the Late Honda Dynasty

I grew up on a small farm with several acres of woodland. It was my retreat until I left for college; I walked among twittering birds, skittering wild bunnies, squirrels and chipmunks, busy ant hills and trails, blowing leaves, swimming tadpoles, falling nuts, waving wildflowers, large firs, pines, cottonwoods, maples and alder trees.

I had a favorite “secret” spot sitting perched on a stump where a large rock provided a favorite sunning spot for salamanders. They and I would make eye contact, pondering our common Creator.

At college I longed for a place as private, as serene, but nothing could match the woods and creatures of my childhood home. After living a decade in the city, I nearly forgot what a familiar woods felt like.

On this farm we’ve stewarded for nearly forty years, I’ve longed for a similar sanctuary, yet my distractions are so much greater than when I was a child. Filled with greater worries, I can’t empty my head and heart as completely to receive the varied gifts to be found around me.

In my ever-shortening timeline to accomplish what I’ve been placed here to do, I need to study the faces of creation, knowing those eyes reflect the face of God.

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On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

Photo of Aaron Janicki haying with his Oberlander team in Skagit County – courtesy of Tayler Rae
The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared
photo by Harry Rodenberger

My family sold our first farm in East Stanwood, Washington, when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being an ag teacher himself.

It was a difficult transition for us all: we moved to a smaller home and a few acres, selling the large two story house, a huge hay barn and chicken coop as well as fields and a woods where our dairy cows had grazed.

Only a few years later, that old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. Windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived, where I learned to walk and talk, developing a love for wandering in the fields among the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise rising over the woods and making the misty fields turn golden.

This land returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belonged to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap something unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what has perished in the ashes.

photo by Harry Rodenberger

Tell me, where is the road I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home
After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home
Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home

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Harboring Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

One of my greatest joys is watching our farm’s plants as days become weeks, then months, and as years flow by, the seasons’ palettes repeat endlessly.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I am comforted things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of soil conditions and seasonal change: they bloomed a darker burgundy color this year, with fewer blue tones. Their blooms always fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I collect joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue as I too fade.

I am only a recorder of fact, documenting as long as I’m able.

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A Wordless Song

Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;

the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

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The Shadow of Joy

Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 

~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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Another Year of Leaping Winds

walnutoctober2017
walnuthull5
frontyard2915

My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

frontyard1
april2frontyard
photo by Dan Gibson
walnuthulls2

We bought this old farm thirty-five years ago:
the Lawrence family’s “Walnut Hill Farm” –
a front yard lined with several tall black walnut trees
brought as seedlings in a grandfather’s suitcase from Ohio
in the ought-1900’s.

These trees thrived for nearly a century on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares.
The fallen tree became planks
of fine grained chocolate-hued lumber.

This old tree is the back facing of our oak door cupboards,
a daily reminder of a legacy left behind~
sturdy even if imperfect,
still beautiful to the eye and the heart.

treehouse5
novtreehouse
blackwalnut

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