Tag: music

An Evening Stroll

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You have brains in your head.
You have feet in your shoes.
You can steer yourself any direction you choose.
~ Dr. Seuss

You give the appearance of listening
To my thoughts, O trees,
Bent over the road I am walking
On a late summer evening
When every one of you is a steep staircase
The night is slowly descending.

The high leaves like my mother’s lips
Forever trembling, unable to decide,
For there’s a bit of wind,
And it’s like hearing voices,
Or a mouth full of muffled laughter,
A huge dark mouth we can all fit in
Suddenly covered by a hand.

Everything quiet.

The sky at the road’s end cloudless and blue.
The night birds like children
Who won’t come to dinner.
Lost children in the darkening woods.
~Charles Simic from “Evening Walk” in The Voice at 3 A.M.”

I wonder about the trees.

My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
~Robert Frost from “The Sound of Trees”

The voice of the trees urges me to move my feet
while they stay rooted in place.

I am propelled forward by winds that
strip away leaves, bend branches.

Tempted to simply stand and watch their motion,
instead I walk among the rooted ones, grateful for my legs.

They clap their hands and wave as I pass by.

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Where You Go, I Will Go: An Ache Like Homesickness

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When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Things

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming to
a choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness
as she wept for wonder
at the sad beauty of the music
that spoke for her
the words she could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wandered where we wander.

For our present troubles are small and won’t last very long. Yet they produce for us a glory that vastly outweighs them and will last forever! So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever…
2Corinthians 4:17-18

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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There’s Never Enough

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Just as a painter needs light
in order to put the finishing touches to his picture, 
so I need an inner light, 
which I feel I never have enough of in the autumn.
~Leo Tolstoy from Reminiscences

I was drinking in the surroundings:
air so crisp you could snap it with your fingers
and greens in every lush shade imaginable
offset by autumnal flashes of red and yellow.
~Wendy Delsol

Let’s go I said,
to find some light, but not just any light I said.
Sure he said, let’s go.

He loves to drive winding roads to breathe chill alpine air.

We headed 90 minutes northeast to find what I needed.
The highway empty going up.
Gas tank nearing empty with no time to fill up.
Only a few photographers there, searching too.

What we see from our backyard forty miles away overwhelms
when standing awestruck in its own front yard.

Now my nearly empty tank slowly fills part-way.
This dose of inner light will last me until next autumn.
Overcome, overwhelmed, overpowered
as though it’ll never be enough.

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The Sunrise Shall Visit Us: Wake Ready for Tomorrow

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The night after she returned from the hospital 
the uneven rumbly liquid breathing of one soon  

to go under kept me at the surface of thoughts 
I couldn’t escape. Clonazepam, Lorazepam, 

not even Ambien could pull or sink me. And in the morning, 
sure enough, we couldn’t coax or shake her awake  

except for a few seconds when someone or thing  
wrenched her eyes open and let her answer no

to every question in a scornful voice we’d never heard before 
before pulling her down to that rocky undertow. 

Through the morning and afternoon every breath, 
a grunt, a rattling that soaked the bedclothes and pillows in sweat. 

Then at 3 pm, she returned—recognizing her two daughters 
speaking her own name and the name of the president. 

The hospice nurse put a line through the word “Comatose” 
scrawled at the top of her chart and for the next few hours 

a light or absence seemed to emanate from her almost 
emptied irises. No sentences. No speech as the white  

nimbus of hair, thick and lively around her head 
nodded yes to sitting up and getting dressed— 

to sweet potatoes and Jeopardy! as though part of her  
remained in that rheumy underwater place 

that took her breath away and wiped out the syntax  
of explanation and inquiry, leaving only 

no I won’t and certainly not and don’t ever wake me up again. 
~Lisa Sewell “The Land of Nod”

Vigil at my mother’s bedside

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
It’s foggy out there
Travel safe through the dark
Call me when you get there
Take time to eat
Sleep sound, ready to wake fresh tomorrow

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth of where you are
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting
Waiting for death,
Waiting for heaven,
Waiting for the light

And I tell you:
It’s foggy
Travel safe through the darkness
Eat something, please eat
Sleep sound, ready to wake fresh tomorrow
Call me when you get there.

Advent 2023 theme
…because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song


Wake, Awake for Night is Flying
Let the shadows be forsaken,
The time has come for us to waken,
And to the Day our lives entrust.
Search the sky for heaven’s portal:
The clouds shall rain the Light Immortal,
And earth will soon bud forth the Just.

Of one pearl each shining portal,
where, dwelling with the choir immortal,
we gather ’round Your dazzling light.
No eye has seen, no ear
has yet been trained to hear
what joy is ours!
~Philipp Nicolai
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The Sunrise Shall Visit Us: An Inward Light

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…yea, thou art now
Thy Maker’s maker, and thy Father’s mother,
Thou hast light in dark, and shutt’st in little room
Immensity, cloister’d in thy dear womb.
~John Donne from “Annunciation”

Christ, whose glory fills the skies,
Christ, the true, the only Light,
Sun of Righteousness, arise,
Triumph o’er the shades of night;
Dayspring from on high, be near;
Day-star, in my heart appear.

Dark and cheerless is the morn
Unaccompanied by Thee;
Joyless is the day’s return
Till Thy mercy’s beams I see;
Till they inward light impart,
Glad my eyes, and warm my heart.

Visit then this soul of mine,
Pierce the gloom of sin and grief;
Fill me, Radiancy divine,
Scatter all my unbelief;
More and more Thyself display,
Shining to the perfect day.
~Charles Wesley “Christ, whose glory fills the skies”

It seems impossible that God could be contained within a womb. The Creator, who made the heavens, went inward into His vast universe of atoms and sub-atomic particles. He hosted tiny cellular nuclei within His body, instead of the heaven-flung massive nebulae in distant galaxies.

And He chose to do this. Out of His love and goodness, He became Light in the darkest space of the human body, to be birthed to illuminate a world bent on destruction.

From radiance to ribosomes,
from cosmos to cytoplasm,
from galaxies to Golgi apparatus,
from moons to mitochondria,
from utter darkness to “let there be light.”

And there is Light.
God is there, coming from above and coming from within.

NASA photo of a nebula

Advent 2023 theme
…because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song

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Advent 2023 theme
…because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song

A Telling So Soft

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Now I understand that there are two melodies playing,
one below the other, one easier to hear, the other

lower, steady, perhaps more faithful for being less heard
yet always present.

When all other things seem lively and real,
this one fades. Yet the notes of it

touch as gently as fingertips, as the sound
of the names laid over each child at birth.

I want to stay in that music without striving or cover.
If the truth of our lives is what it is playing,

the telling is so soft
that this mortal time, this irrevocable change,

becomes beautiful. I stop and stop again
to hear the second music.

I hear the children in the yard, a train, then birds.
All this is in it and will be gone. I set my ear to it as I would to a heart.
~ Annie Lighthart, “The Second Music” – author of Pax

So many themes run through our daily existence. Usually we can only attend to one thing at a time, most often the loudest. Yet if we listen and look closely, there is a softer telling just discernible under all the noise. Sometimes, like a fugue or canon, the themes trade places, one softer which becomes more apparent and insistent, then fading to soft again.

I want to hear the heart beat of the river of life that flows through me. May I never forget what is underneath all the noise.

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The Moon-Pale Promise

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from Claude Debussy’s Suite Bergamasque in memory of my mother

There’s D-flat major at the first and last,
but in between, a haze of harmonies
yearns lightward, though the light has long since passed.

I played the notes; she heard the light. The keys
were mine to coax and animate; their sound
was hers to claim: a shimmer of heart’s ease.

And while my fingers stretched and danced and found
their way through black and white, her ear would find
a prism—her own light parsed and unbound.

She had a knack for joy and was inclined
to wonder. Clair de lune had mesmerized
her, in a spell that left me far behind.

After my mother’s death, I was surprised
I still played it so often; I suppose
the effort occupied and organized

my sorrow-scattered mind. So in the throes
of grief, I practiced, as if I’d impress
a ghost with my devotion. And in those

half-haunted hours, I mastered more, I guess,
than just the notes. I hadn’t thought I’d learn
to hear what she did—but through some finesse

of time and skill and need, I now discern
the half-lit murmurings that no midnight
can mute, the moon-pale promise that can turn

unrest to peace, a star-sung appetite
for breath. At last I share my mother’s light.
~Jean Kreiling “Claire de Lune“

photo by Lea Lozano

I never practiced as much as I could have. Since the old piano sat in the living room right next to the kitchen, my mother endured my wrong notes and mis-timed rhythms, but never said a word of criticism. She was not an avid music listener, preferring radio talk and news, but committed to taking me to piano lessons over eight long years, sitting in the car reading a book while she waited for me.

Though not someone who listened to classical music for pleasure, she did love Clair de Lune, saying she could “see” the moon rise when I played it. Thus encouraged, I chose it as a recital piece so I could play it often for her, flowing my fingers across the keyboard smoothly, steadily, faithfully, like the rise of the moon in the night sky.

I want to feel a connection to a piece of music that so grips my heart and waters my eyes. It happens only rarely when I play – as an average pianist, I never truly progressed beyond technique – hitting the right notes and being true to the timing. But this piece comes close. When I hear it, I am no longer the youngster practicing it over and over, trying to somehow bring light to our dark living room. With age, I can now lose myself in the beauty of what Debussy was trying to convey in his choice of progression of notes, his resolution of harmony and key change, his slowing and flowing illumination of the piano keys.

I begin to hear what my mother must have heard, although I made so many mistakes, over and over.

Even so, the moon still rose for her.

https://www.youtube.com/watch?v=4LwFI2E1zQk
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Fixing Eyes on the Unseen – We Need More Cowbells

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We come across a ridge and hear
a cowbell in the cove beyond,
a tinkle sweetening the air
with vague rubato as the breeze
erases tones and then the notes
resume like echoes from the past
or from a cave inside the cliff,
a still, calm voice in dialect
and keeping its own company,
both out of time and long as time,
both here and from a higher sphere,
as if the voice of history
were intimate as memory.
~Robert Morgan “Cowbell”

Over my head, I see the bronze butterfly,   
Asleep on the black trunk,
Blowing like a leaf in green shadow.   
Down the ravine behind the empty house,   
The cowbells follow one another   
Into the distances of the afternoon.   
To my right,
In a field of sunlight between two pines,   
The droppings of last year’s horses   
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.   
A chicken hawk floats over, looking for home.
I have wasted my life.
~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”

photo by Kate Steensma from Steensma Creamery

One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.

When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.

This was divine music that soothed and reassured me. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers. There are moments when I believe we are hearing what heaven must sound like.

Now, sixty five years later, the soft harmony of cowbells has been replaced by the random chords of wind chimes hanging outside our house. The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.

But I still need more cowbell…

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

and because there is always a need for more cowbell…

Antidote to Bitterness

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Keep a green tree in your heart and perhaps a singing bird will come–
~Chinese Proverb

photo by Harry Rodenberger

I heard a wood thrush in the dusk
Twirl three notes and make a star—
My heart that walked with bitterness
Came back from very far.

Three shining notes were all he had,
And yet they made a starry call—
I caught life back against my breast
And kissed it, scars and all.
~Sara Teasdale, featured in “The Wood” in Earth Song

…then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, The Witch and the Wardrobe

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

I need reminding that what I offer up from my heart predicts what I will receive there.

If I’m grumbling and falling apart like a dying vine
instead of a vibrant green tree~~~
coming up empty and hollow with discouragement,
entangled in the cobwebs and mildew of worry,
only grumbling and grousing~~~
then no singing bird will come.

It is so much better to nurture the singers of joy and gladness with a heart budding green with grace and gratitude, anticipatory and expectant.

My welcome mat is out and waiting.

The symphony can begin any time now…

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Lifted on the Breeze

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a gentle breeze was
lightly tussling shells and stones
meant to strike on each other to sibilate,
hiss, and whisper your own
freshly loosed thoughts
back into your soul.
like voices afar off
the jangling of each woven shroud
brought sundry pitch and textured sounds
awakening new areas of my mind.
deep breaths of open musing
rose and fell with the wind as it
returned to tantalize the ornamental chimes
that had waited so long in silence.
Lifted on the breeze
freed to manifest each ubiquitous interval
and send forth vibrations into
nature’s lonely sentiment.
I close my eyes and feel the sounds
made so effortlessly
that tranquilize my worries
and open my heart to hear
the rapture of the universe.
–so fortunate to be sitting here.
~Suzanne Eaton “windchimes”

She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,
windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there...
~Tony Hoagland from “Windchime”

Once upon a time, nearly 5 decades ago, I attended a university with a bell carillon in a tower that frequently played wonderful concerts. I missed spontaneous music floating on the air after I graduated. Living rural, we are nowhere near a bell tower, nor can we hear our church bells ringing in our Chapel belfry a few miles away.

So when the merest breeze is able to make music, I find it a hopeful reminder the earth itself has its own breath and rhythm and holds its own concerts if given the tools.

We have four windchimes of varying size and tuning hanging from our front porch and back yard, each with its own song and personality. Depending on where we are in the house, we hear different harmony and pitch. The largest sounds like church bells, deep and resonant, another is a pentatonix of harmony, one plays the notes of “Amazing Grace” and the last is just random tintinnabulation.

In certain seasons, our area can get strong northeast or southerly winds that blow over 50 mph. In that case, we take the windchimes down temporarily – the battering clatter and clanging becomes more unsettling than the storm itself. Once the winds die down again, it is too quiet – the silence reminds me to replace the chimes on their hooks.

As I wake in the night to hear their gentle melodies through our open window, my worries are soothed and my heart lifts and floats along with the breeze.

The earth continues to breath and so, for now, will I.

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