Rising Up From the Darkness

My father taught me how to eat breakfast
those mornings when it was my turn to help
him milk the cows. I loved rising up from

the darkness and coming quietly down
the stairs while the others were still sleeping.
I’d take a bowl from the cupboard, a spoon

from the drawer, and slip into the pantry
where he was already eating spoonfuls
of cornflakes covered with mashed strawberries

from our own strawberry fields forever.
Didn’t talk much—except to mention how
good the strawberries tasted or the way

those clouds hung over the hay barn roof.
Simple—that’s how we started up the day.

~Joyce Sutphen, “Breakfast” from First Words, Red Dragonfly.

By the time I was four years old, my family owned several Guernsey and Jersey dairy cows my father milked by hand twice a day. My mother pasteurized the milk on our wood stove and we grew up drinking the best milk on earth, as well as enjoying home-made butter and ice cream.

One of my fondest early memories is getting up early with my dad, before he needed to be at school teaching FFA agriculture students (Future Farmers of America). I would eat breakfast with him and then walk out into the foggy fall mornings with our dog to bring in the cows for milking. He would boost me up on top of a very bony-backed chestnut and white patchwork cow while he washed her udder and set to work milking.

I would sometimes sing songs from up there on my perch and my dad would whistle since he didn’t sing.

I can still hear the rhythmic sound of the milk squirting into the stainless steel bucket – the high-pitched metallic whoosh initially and then a more gurgling low wet sound as the bucket filled up. I can see my dad’s capped forehead resting against the flank of the cow as he leaned into the muscular work of squeezing the udder teats, each in turn. I can hear the cow’s chewing her breakfast of alfalfa and grain as I balanced on her prominent spine feeling her smooth hair over her ribs. The barn cats circulated around us, mewing, attracted by the warm milky fragrance in the air.

Those were preciously simple starts to the day for me and my father, whose thoughts he didn’t articulate nor I could ever quite discern. But I did know I wasn’t only his daughter on mornings like that – I was one of his future farmers of America he dedicated his life to teaching.

Dad, even without you saying much, those were mornings when my every sense was awakened. I’ve never forgotten that- the best start to the day.

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The Grass Forgiving the Scythe

Winslow Homer’s The Veteran in a New Field
Man Scything Hay by Todd Reifers

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.

To the earnest love that laid the swale in rows,
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.
~Robert Frost in “Mowing”

Mowers, weary and brown, and blithe,
What is the word methinks ye know,
Endless over-word that the Scythe
Sings to the blades of the grass below?
Scythes that swing in the grass and clover,
Something still, they say as they pass;
What is the word that, over and over,
Sings the Scythe to the flowers and grass?

Hush, ah hush, the Scythes are saying,
Hush, and heed not, and fall asleep;
Hush, they say to the grasses swaying,
Hush, they sing to the clover deep!
Hush – ’tis the lullaby Time is singing –
Hush, and heed not, for all things pass,
Hush, ah hush! and the Scythes are swinging
Over the clover and over the grass!

~Andrew Lang (1844-1912) “The Scythe Song”

It is blue May. There is work
to be done. The spring’s eye blind
with algae, the stopped water
silent. The garden fills
with nettle and briar.
Dylan drags branches away.
I wade forward with my scythe.

There is stickiness on the blade.
Yolk on my hands. Albumen and blood.
Fragments of shell are baby-bones,
the scythe a scalpel, bloodied and guilty
with crushed feathers, mosses, the cut cords
of the grass. We shout at each other
each hurting with a separate pain.

From the crown of the hawthorn tree
to the ground the willow warbler
drops. All day in silence she repeats
her question. I too return
to the place holding the pieces,
at first still hot from the knife,
recall how warm birth fluids are.

~Gillian Clarke “Scything” from Letter from a Far Country (1982)

The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack.

When the pastures are too wet yet for heavy hooves, I have hungry horses to provide for and there is more than plenty fodder to cut down for them.

I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like an act of war to be remotely enjoyable. Instead, I have tried to take scything lessons from my husband.

Emphasis on “tried.”

I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.

Once, when I was three years old, I quietly approached my dad in the field while he was busily scything grass for our cows, but I didn’t announce my presence. The handle of his scythe connected with me as he swung it, laying me flat with a bleeding eyebrow. I still bear the scar, somewhat proudly, as he abruptly stopped his fieldwork to lift me up as I bawled and bled on his sweaty shirt. He must have felt so badly to have injured his little girl and drove my mom and I to the local doctor who patched my brow with sticky tape rather than stitches.

So I identify a bit with the grass laid low by the scythe. I forgave my father, of course, and learned never again to surprise him when he was working in the field.

Instead of copying my father’s graceful mowing technique, I tended to chop and mangle rather than effect an efficient slicing blow to the stems. I unintentionally trampled the grass I meant to cut. I got blisters from holding the handles too tightly. It felt hopeless that I’d ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.

Not only did I become an ineffective scything human, I also learned what it is like to be the grass laid flat, on the receiving end of a glancing blow. Over a long career, I bore plenty of footprints from the trampling. It can take awhile to stand back up after being cut down.

Sometimes it makes more sense to simply start over as the oozing stubble bleeds green, with deep roots that no one can reach. As I have grown back over the years, singing rather than squeaking or bawling, I realize, I forgave the scythe every time it came down on my head.

photo by Nate Gibson
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Where You Go, I Will Go: Anticipating the Thaw

March. I am beginning
to anticipate a thaw. Early mornings
the earth, old unbeliever, is still crusted with frost
where the moles have nosed up their
cold castings, and the ground cover
in shadow under the cedars hasn’t softened
for months, fogs layering their slow, complicated ice
around foliage and stem
night by night,

but as the light lengthens, preacher
of good news, evangelizing leaves and branches,
his large gestures beckon green
out of gray. Pinpricks of coral bursting
from the cotoneasters. A single bee
finding the white heather. Eager lemon-yellow
aconites glowing, low to the ground like
little uplifted faces. A crocus shooting up
a purple hand here, there, as I stand
on my doorstep, my own face drinking in heat
and light like a bud welcoming resurrection,
and my hand up, too, ready to sign on
for conversion.
~Luci Shaw “Revival” from What the Light was Like

A few remaining hints of frost
drip with rain,
the frozen ground oozing
with mud and mire.

This morning has a hint of fragrance
as buds dare to peek open, testing the air.

I wake to dawn’s fiery burning light
I hear beckoning eagle chatter and frog chorus

I follow the sun wherever it may appear,
so eager for warmth and revival, grateful to be alive to notice.

The thaw is at hand; a new day is aching to bloom.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Farewell, February Face

“Why, what’s the matter, 
That you have such a February face, 
So full of frost, of storm and cloudiness?” 
–  William Shakespeare,  Much Ado About Nothing

The wrap-up to February feels like spring is flirting with us.
But will winter really ever be finished?

Our doldrums are deep; a brief respite of sun and warmth too rare.

We feel it in the barn as we go about our daily winter routine. The Haflingers are impatient and yearn for freedom, over-eager when handled, sometimes banging on the stall doors in their frustration at being shut in,  not understanding that the alternative is to stand outside all day in cold rain and wind. To compensate for their confinement, we start grooming off their thick winter coats, urging their hair to loosen and curry off in sheets over parts of their bodies, yet otherwise still clinging tight. 

The horses are a motley crew right now, much like a worn ’60s shag carpet, uneven and in dire need of updating. I prefer that no one see them (or me) like this. Eventually I know the shag on my horses will come off, revealing the sheen of new short hair beneath, but when I look at myself, I’m unconvinced there is such transformation in store for me.

Cranky, I  put one foot ahead of the other, oblivious to the subtle seasonal renewal around me, refusing to believe even in the possibility.

It happened today. 
Dawn broke bright and blinding so I headed outside and stumbled across something extraordinary.

A patch of snowdrops sat blooming in a newly cleared space in our farmyard, visible now only because of bramble removal done last fall. These little white upside down flowers were planted decades ago around our house and yard. There they’ve been, year after year, harbingers of the long-awaited spring to come in a few short weeks, sometimes covered by the overgrowth and invisible to me in my self-absorbed blindness. 

I was astonished that someone, many many years ago, had carried these bulbs around the farm, planting them, hoping they might bless another soul sometime somehow. The blossoms had sprung from their sleep beneath the covering of years of fallen leaves and blackberry vines.

It was as if I’d been physically hugged by this someone long dead, now flesh and blood beside me, with work-rough hands, and dirty fingernails, and broad brimmed hat, and a satisfied smile. This secret gardener is no long living, so I mentally reach back across those years in gratitude, showing my deep appreciation for the time and effort it took to place a foretaste of spring in an unexpected and hidden place.

I am thus compelled to look for ways to leave such a gift for someone to find 70 years from now as they likewise stumble blindly through too many gray days full of human drama, frailty and flaw. Though I will be long gone,  I can reach across the years to grab them, hug them in their doldrums, lift them up and give them hope for what is to come.

It is the peeling away of winter’s shaggy coat, revealing the fresh smoothness of spring glistening underneath.

What an astonishing thought that it was done for me, and in reaffirming that promise of renewal,  I might do it for another.

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Talk Softly to Your Heart

The main thing is this– 
when you get up in the morning 
you must take your heart in your two hands. 
You must do this every morning. 
Then talk softly to your heart, don’t yell. 
Say anything but be respectful. 
Say–maybe say, Heart, little heart, 
beat softly but never forget your job, the blood. 
You can whisper also, Remember, remember. 
~Grace Paley from “The Art of Growing Older” in  Just As I Thought

Approaching seventy, she learns to live,
at last. She realizes she has not
accomplished half of what she struggled for,
that she surrendered too many battles
and seldom celebrated those she won.
Approaching seventy, she learns to live
without ambition: a calm lake face, not
a train bound for success and glory. For
the first time, she relaxes her hands on the
controls, leans back to watch the coming end.
Asked, she’d tell you her life is made out of
the things she didn’t do, as much as the
things she did do. Did she sing a love song?
Approaching seventy, she learns to live
without wanting much more than the light in
the catbird window seat where, watching the
voracious fist-sized tweets, she hums along.

~Marilyn Nelson “Bird Feeder” 

I’ve been learning in retirement to let go by relaxing my grip on the controls on the runaway train of ambition. This is a change for someone driven for decades to succeed in various professional and personal roles. 

I’m aware who I am is defined both by what I haven’t gotten done and what I managed to do. And now, at seventy years old, I hope I still have some time to explore some of those things I left undone.

Except I haven’t been as robust and healthy as I wish to be. For the past month, during very chilly weather and after a prolonged bout of bronchitis, I found I couldn’t tolerate the cold air outside or in the barn while I did daily chores. My chest strangely hurt.

I finally took myself to a cardiologist who was concerned with a number of risk factors in my family and my own history and arranged testing, which I flunked yesterday.

I ended up with two stents to open blockages in my main coronary artery, plus a night in the hospital. I spent the night thinking about blessings and what needs to happen in my life now:

Reflecting with gratitude on being alive by the grace of our Lord.
Holding my heart gently and treating it well.
Humming as I go. 
Just sitting when I wish but walking when I must.
Watching out the window for the real twitters and tweeters in this crazy noisy world.
Loving up those around me.

It’s sweet to remember why I’m here. I’ve been given a new chance to enjoy every moment.

So after a lifetime of getting mostly A’s, flunking isn’t always bad.

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Things to Be Done

There are many things to be done today
and it’s a lovely day to do them in


Each thing a joy to do
and a joy to have done


I can tell because of the calm I feel
when I think about doing them


I can almost hear them say to me
Thank you for doing us


And when evening comes
I’ll remove my shoes and place them on the floor


And think how good they look
sitting?… standing?… there


Not doing anything
~ Ron Padgett “Inaction of Shoes” from Collected Poems.

Every day after work he’d sit in his armchair
with its antimacassar and its plush burgundy velour
and she’d kneel on the floor to unfasten the laces,
loosen the tongues, and lift out his feet.
When I was ten I stayed for a week
and did it for her. He thought I did it 
for him.

~Andrea Hollander Budy “My Grandmother Taking Off My Grandfather’s Shoes” from When She Named Fire

I did not grow up in a household that took time off.  Time was redeemed by work, and work was noble and honorable and proved we had a right to exist.

Vacation road trips were rare and almost always associated with my father’s work.  When he came home from his desk job in town, he would immediately change into his farm clothes and put in several hours of work outside, summer or winter, rain or shine, light or dark.

My mother did not work in town while we were children, but worked throughout her day inside and outside the house doing what farm wives and mothers need to do: growing, hoeing, harvesting, preserving, washing, cleaning, sewing, and most of all, being there for us.

As kids, we had our share of chores that were simply part of our day as our work was never done on a farm. When we turned ten, we began working for others: babysitting, weeding, barn and house cleaning, berry picking.  I figure I put in over 60 years of gainful employment – there were times I worked four part-time jobs at once because that was what I could put together to keep things together.

I know I’ve missed out on much of life being a “nose to the grindstone” person.

Now retired, I try a different way to redeem my time: to notice, to record, to observe, to appreciate beauty that still exists in the midst of chaos and cataclysm..

Life isn’t all about non-stop labor, yet we get on with our work because work is about showing up when and where we are needed.

And we are always needed, by someone, somewhere, somehow. That’s the reason why we’re here.

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A Solitary Habit

It was winter, near freezing,
I’d walked through a forest of firs
when I saw issue out of the waterfall
a solitary bird.

It lit on a damp rock,
and, as water swept stupidly on,
wrung from its own throat
supple, undammable song.

It isn’t mine to give.
I can’t coax this bird to my hand
that knows the depth of the river
yet sings of it on land.
~Kathleen Jamie “The Dipper”

photo by Josh Scholten

All winter
the blue heron
slept among the horses.
I do not know
the custom of herons,
do not know
if the solitary habit
is their way,
or if he listened for
some missing one—
not knowing even
that was what he did—
in the blowing
sounds in the dark,
I know that
hope is the hardest
love we carry.
He slept
with his long neck
folded, like a letter
put away.
~Jane Hirshfield “Hope and Love” from The Lives of the Heart

I know what it is like to feel out of step with those around me, an alien in my own land, especially these days.

At times I wonder if I belong at all as I watch the choices others make.

I grew up this way, missing a connection that I could not find,
never quite fitting in, a solitary kid becoming a solitary adult.
The aloneness bothered me, but not in a “I’ve-got-to-become-like-them” kind of way.

I went my own way, never losing hope.

Somehow misfits find each other. Through the grace and acceptance of others, I found a soul mate and community. Even so, there are times when the old feeling of not-quite-belonging creeps in and I wonder whether I’ll be a misfit all the way to the cemetery, placed in the wrong plot in the wrong graveyard.

We disparate creatures are made for connection of some kind, trying to find those who look and think and act like us, and especially hoping to be accepted by those who are completely different.

I’ll keep on the lookout for my fellow misfits, just in case there is another one out there looking for company along this journey.

photo by Josh Scholten
photo by Josh Scholten
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All That is Entangled

I was your rebellious son,
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.

So complete has your forgiveness been
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,

prepared ahead of me, the way home,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,

and forgave before I could act,
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it

already given. And this, then,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,

where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
-Wendell Berry “To My Mother”

During barn chores, it did seem odd that one of our Haflinger geldings stood facing the back wall as I opened his stall door to give him his hay. For a moment I wondered if there was a problem with his appetite as he usually would dive right into his hay immediately.  A closer look told me the problem was with his hind end, not his front end: his heavy white tail was wrapped snugly around a J hook hanging on the stall wall that is meant to hold his water bucket. Instead now he was hooked instead of the bucket — and he was stuck. 

He had apparently been itching his butt back and forth, round and round on the handy hook and managed to wrap his tail into such tight knots on the hook that he was literally tethered to the wall. He was very calm about the whole thing – perhaps a little embarrassed.

He turned his head to glance at me, looking pitiful. How long he’d been standing there like that through the night was anyone’s guess. 

I bet he no longer was itchy.

I started to work at untying the tail knots to free him and found them wound so tight that loosening them required significant cooperation from my 1200 pound buddy. Unfortunately, any time I managed to almost unloop a knot over the hook end, he would pull forward, snugging it even tighter. 

Out of desperation I pulled out the scissors I keep in my barn jacket pocket. I cut one knot hoping that would be sufficient. Then I cut through another knot. Still not enough. I cut a third big knot and thank God Almighty, he was free at last. 

He sauntered over to his hay now with a chunk of his tail in my hand and a big gap in what was still left hanging on him. It may take a year to grow that missing hair back out. But hey, it is only hair and at least someone kind and caring came along with a set of shears to release him painlessly from his captivity. 

We aren’t all so lucky.

I know what it is like to get tangled up in things I should probably give wide berth. I have a tendency, like my horse, to butt in where I best not be and then become so bound I can’t get loose again. It can take forever to free myself,  sometimes painfully leaving parts of my hide behind.

So when I inevitably get tied up in knots again, I hope someone will come along to save me. Better yet, I hope someone might warn me away from the things that hook me before I foolishly back right into them. I’ve got to loosen up and quit pulling the knots tighter.

It’s best to always have a forgiving detangler handy. You never know when you might need one.

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Whatever the Sky Might Bring

When it snows, he stands
at the back door or wanders
around the house to each
window in turn and
watches the weather
like a lover. O farm boy,
I waited years
for you to look at me
that way. Now we’re old
enough to stop waiting
for random looks or touches
or words, so I find myself
watching you watching
the weather, and we wait
together to discover
whatever the sky might bring.
~Patricia Traxler “Weather Man”

My farm boy does still look at me that way,
wondering if today will bring
frost,
damaging hail,
a wind storm,
a blizzard,

maybe fog or mist,
or soft lazy snowflakes,
a scorcher,
or a deluge.

I reassure him as best I can,
because he knows me so well
in our many years together:

today, like most other days
will be partly cloudy with a snow shower or two
and occasional sun breaks.

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A Flurry of Owls

Each night, an owl cries out from the redwoods. He calls, and I call back. I call, and he answers. We share the same bright moon, the same shadows, and the same fate. The possibility of discussion is limitless;  we have no secrets. This morning I discovered an owl pellet by the front door—a wad of fur, and a jumble of femurs and little ribs—oracle bones, easy to decipher.
~Gary Young [Each night, an owl cries out from the redwoods.]

Once again a child asks me suddenly What is a poem?,
And once again I find myself riffing freely and happily
Without the slightest scholarly expertise or knowledge;
But I am entranced by how poems can hint and suggest
And point toward things deeper than words. A poem is
An owl feather, I say. It’s not the owl—but it intimates
Owlness, see what I mean? You imagine the owl, owls,
Silent flight, razors for fingers, a wriggle of mouse tail
Slurped up right quick like the last strand of angel hair,
A startle of moonlight, a fox watching from the thicket,
All that from a feather. It’s like an owl is in the feather.
A poem is a small thing with all manner of bigger in it.
Poor poems only have a writer in them, but better ones
Have way more in them than the writer knew or knows
About. This poem, for example, amazingly has owls in
It—who knew we’d see a flurry of owls this afternoon?

~Brian Doyle, “A Flurry of Owls”

Once in awhile I walk into our big hay barn to retrieve a few barn owl feathers and owl pellets.

They were left behind, waiting for a poem to hide within.

The barn owls stay tucked invisibly in the rafters
until dusk and hunger lures them to the hunt,
swooping outside to capture both moonlight and mice
to be coughed up in pellets of fur and bones.

These feathers, dropped like so many random snowflakes,
carry within them the glint and glow of the moon.

A reminder:
what we leave behind matters,
whether it be feather or fur
or a wee dry skeleton,
a shell of who we once were
yet are no longer.

We leave more than shadow.

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