The Fog Rising

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Let us go in; the fog is rising…
~Emily Dickinson, her last words

I have watched the dying
in their last hours:
often they see what I cannot,
listen to what I do not hear,
stretch their arms overhead
as fingers extend and grasp
to touch what is beyond my reach.

I watch and wonder how it is
to reverse the journey that brought us here
from the fog of amnion.

The mist of living lifts.

We will enter a place
unsurpassed in brilliance and clarity;
the mystery of what lies beyond solved
only by going back in,
welcomed to return to where we started.

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Grief Illuminated

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A waning November moon reluctantly rose,
dimming from the full globe of the night before.
I drive a darkening country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to familiar warmth and light.

Nearing a county road corner, slowing to a stop,
I glanced aside where
a lonely rural cemetery sits expectant.

Through open iron gates and tenebrous headstones,
there in the middle path, incongruous,
car’s headlights beamed bright.

I puzzled, thinking:
lovers or vandals would seek inky cover of night.

Instead, these lights focused on one soul alone,
kneeling graveside,
a hand resting heavily on a stone, head bowed in prayer.

This stark moment of solitary sorrow,
a visible grieving of a heart

illuminated by twin beams.

This benediction of mourning
as light pierced the blackness;

gentle fingertips traced
the engraved letters of a beloved name.

Feeling touched
as uneasy witness, I pull away

to drive deeper into the night,
struggling to see despite
my eyes’ thickening mist.

a full moon in Ireland

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Angel of Grief--Stanford University

Angel of Grief, Stanford University Mausoleum

Not One Blade of Grass

 

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There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
~John Calvin

 

We are given the option to notice
or not
We are given reason to rejoice
or not
We are given a rain-bowed promise to witness
or not.
So why ever not?

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Let Fall Your Shadows

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Lord: it is time. The summer was immense.
Let fall your shadows on the sundials,
upon the fields let loose your winds.

Command the last fruits to be full;
give them just two more southern days,
Press them to completion, and chase the last
sweetness into the heavy wine.

Who has no house now – he will never build.
Whoever is alone now, long will so remain;
will stay awake, and read, and write long letters
and wander the alleys up and down,
restless, as the leaves are drifting.
~Rainer Maria Rilke “Autumn Day”

 

This sadness that fall brings
is less about the ending of a long hot dry summer
and more about deepening shadows,
the fullness of harvest,
the drifting and dying to self.

I am misty in memories
of children dressed for school
eating around a full kitchen table,
of chores done hurriedly on frosty mornings,
of afternoons darkening too early
from drizzly clouds,
of nights under heavy comforters.

Lord, it is time.  Too soon, too soon.
Help ready me.

 

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Giving Ground

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The air was soft, the ground still cold.
In the dull pasture where I strolled
Was something I could not believe.
Dead grass appeared to slide and heave,
Though still too frozen-flat to stir,
And rocks to twitch and all to blur.
What was this rippling of the land?
Was matter getting out of hand
And making free with natural law,
I stopped and blinked, and then I saw
A fact as eerie as a dream.
There was a subtle flood of steam
Moving upon the face of things.
It came from standing pools and springs
And what of snow was still around;
It came of winter’s giving ground
So that the freeze was coming out,
As when a set mind, blessed by doubt,
Relaxes into mother-wit.
Flowers, I said, will come of it.
~Richard Wilbur “April 5, 1974”

 

As the ground softens, so do I.
Somehow winter freeze was comforting
as nothing appeared to change,
so neither did I,
staying stolid and fixed.
But now the fixed is flexing,
steaming in its labor,
and so must I,
giving ground
and birth
to blooms.

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Irreducible Clarity

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If that’s what he means,’ says the student to the poetry teacher, ‘why doesn’t he just say it?’
‘If God is real,’ says the parishioner to the preacher, ‘why doesn’t he simply storm into our lives and convince us?’
The questions are vastly different in scale and relative importance,
but their answers are similar.
A poem, if it’s a real one, in some fundamental sense
means no more and no less than the moment of its singular music and lightning insight;
it is its own code to its own absolute and irreducible clarity.
A god, if it’s a living one, is not outside of reality but in it, of it,
though in ways it takes patience and imagination to perceive.
Thus the uses and necessities of metaphor,
which can flash us past our plodding resistance and habits into strange new truths.
Thus the very practical effects of music, myth, and image,
which tease us not out of reality, but deeper and more completely into it.
~Christian Wiman, My Bright Abyss: Meditation of a Modern Believer

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The Mystery Bones

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I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show.
~Andrew Wyeth, artist

How endlessly beautiful is woodland in winter!  Today there is a thin mist; just enough to make a background of tender blue mystery three hundred yards away, and to show any defect in the grouping of the near trees.
~ Gertrude Jekyll, British horticulturalist

There is a stumbling reluctance transitioning from a month of advent expectancy to three months of winter dormancy.  Inevitably there is let-down: the watching and waiting is not over after all.  There is profound loneliness in knowing the story continues, hidden from view.

We have been stripped naked as the bare trees right now; our bones, like the trees of the landscape, raising up broken branches and healed fractures of previous winter windstorms.  We no longer have anything to hide behind or among,  our defects are plain to see,  our whole story a mystery as yet untold but impossible to conceal.

Here I am, abundantly flawed with pocks and scars, yet renewed once again.  There are hints of new growth to come when the frost abates and the sap thaws.   I am  prepared to wait an eternity if necessary, for the rest of the story.

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You Come Too

 

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I’m going out to clean the pasture spring;
I’ll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha’n’t be gone long.—You come too.

I’m going out to fetch the little calf
That’s standing by the mother. It’s so young,
It totters when she licks it with her tongue.
I sha’n’t be gone long.—You come too.
~Robert Frost “The Pasture”
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Peering at a Landscape on a Branch

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I’ve lived in the Pacific Northwest for most of 59 years, and on this farm for 20 years.  The grandeur of the snow-capped mountains to the east and the peaceful shore to the west overwhelms everything in between.  I’ve walked past these bare antique apple trees autumn after autumn, but had never stopped to really look at the landscape growing on their shoulders and arms.  There is a whole other ecosystem on each tree, a fairy land of earth bound seaweed, luxuriant in the fall rains, dried and hidden behind leaves and fruit in the hot summer.

This is the world of lichen, a mixed up cross between mold and fungus, opportunistic enough to thrive on rock faces, but ecstatic on absorbent bark.

I had never really noticed how proudly diverse they are.  I had walked right by their rich color and texture.

Yet it hasn’t bothered them not to be noticed as they are busy minding their own business.  As John McCullough writes below,  they thrive happily where they find themselves “never and always true to their essence, never and always at home.”

Now I know.  And so do you.

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Closer, with the glass, a city of cups!

Why are they doing this?

In this big sky and all around me peaks &
the melting glaciers, why am I made to
kneel and peer at Tiny?
~Lew Welch from “Springtime in the Rockies, Lichen”
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The lichen raised its fragile cup,
and rain filled it, and in the drop
the sky glittered, holding back the wind.

The lichen raised its fragile cup:
Now let’s toast the richness of our lives.
~Helvi Juvonen  “Lichen Cup”

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A truly good book is something as wildly natural and primitive, mysterious and marvelous, ambrosial and fertile, as a fungus or a lichen.
~Henry David Thoreau

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We are lichens on a grand scale.
~David Haskell

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But what is life to a lichen?
Yet its impulse to exist,
to be,
is every bit as strong as ours —
arguably even stronger.
If I were told that I had to spend decades
being a furry growth on a rock in the woods,
I believe I would lose the will to go on.

~Bill Bryson

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It is merely
a question of continuous
adjustment, of improvising a life. When I’m far from friends
or the easing of a wind
against my back, I think of lichen—
never and always true to its essence,
never and always at home.
~John McCullough from “Lichen”

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Like a Blessing Vanished

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above the construction zone on the south end of the Western Washington University campus

Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.

Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.

A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished.
~Jane Hirschfield from “Standing Deer”

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And think I must fall on my knees
to see them standing there,
Breasting the misty tide,
Sniffing the misty air.
~Charles Norman from “The Deer”

same pair, two months ago
same doe and fawn, two months ago, on the WWU campus