After Van Gogh Things are growing strange these days, like Van Gogh’s yellow trees. Oh, do not be surprised by these yellow immensities, how out of proportion things in the picture seem. What you see in a way makes sense: the enormous, barren trees eclipsing the unimportant buildings at Arles station, the people all small, shadow-like, cast to the side. Perhaps Van Gogh should have left us out entirely, but then who would be left to blame for the strange blurring of the seasons in the forefront, the way summer bleeds into autumn, the forests burning deep into the winter, those winters where the snow piled so high, we were all nearly buried alive. Soon we’ll vanish, and no picture will even exist—unless, unless someone will answer (who will dare to answer), where in the world is spring? ~Jodi Hollander “Avenue of Plane Trees”
Who might dare to answer: where in the world is spring? Who can know with any certainty? Sometimes it feels like time skips forward and a whole season is left behind.
The signs of the seasons can blur so profoundly, there is no telling whether it is fall or spring without a calendar. Are those trees just leafing out or trying to shed? Is the sunset’s golden glow from October light or April?
I can’t feel the movement of the earth under my feet. It needs to slow its spin on its axis and lengthen its orbital oval trip around the sun so I have more minutes in the day and more weeks in a year.
But, of course, that would make a huge mess of things.
It is as it is. It is meant to be this way. Though it may be blurry to me, it is clear and good and intentional to God. He dares to answer as only He knows…
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It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate, this isn’t a contest but the doorway into thanks, and a silence in which another voice may speak. ~Mary Oliver “Blue Iris”
Thou art the Iris, fair among the fairest, Who, armed with golden rod And winged with the celestial azure, bearest The message of some God. ~Henry Wadsworth Longfellow from Flower-de-Luce
To plunge headlong into the heart of a blossom, its amber eyes inscrutably focusing on your own, magnified by a lens of dew. Whose scent, invisible, drowns you in opulence, and for which you can find nothing adequate to say.
You sense that you are loved wholly, yet are quite unable to understand why. But then, you lift your face, creased with the ordinary, to a heaven that is breaking into blue, and find your contentment utterly beyond telling, unspeakable, uncontained. ~Luci Shaw from “Speechless” from Sea Glass
May your blooms be floriferous and in good form, Distinctive, with good substance, flare, and airborne, With standards and falls that endure, never torn. May you display many buds and blooms sublime, In graceful proportion on strong stalks each day, Gently floating above the fans and the fray. May you too reach toward the moon and stars, Bloom after bloom, many seasons in the sun, Enjoying your life, health, and each loved one, Until your living days are artfully done. ~Georgia Gudykunst“An Iris Blessing”
Whenever I allow my eye to peer into an iris, it takes all my attention: I need a flotation device and depth finder. I’m likely to get lost, sweeping and swooning through inner space of tunnels, canyons and corners, coming up for air and diving in again to journey into exotic locales draped in silken hues ~this fairy land on a stem~ Patching a few words together, I’m immersed in the possibilities, blessed by such an impossible blossom.
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Not much to me is yonder lane Where I go every day; But when there’s been a shower of rain And hedge-birds whistle gay, I know my lad that’s out in France With fearsome things to see Would give his eyes for just one glance At our white hawthorn tree.
. . . .
Not much to me is yonder lane Where he so longs to tread: But when there’s been a shower of rain I think I’ll never weep again Until I’ve heard he’s dead. ~Siegfried Sassoon“The Hawthorn Tree”
I drove West in the season between seasons. I left behind suburban gardens. Lawnmowers. Small talk.
Under low skies, past splashes of coltsfoot, I assumed the hard shyness of Atlantic light and the superstitious aura of hawthorn.
All I wanted then was to fill my arms with sharp flowers, to seem from a distance, to be part of that ivory, downhill rush. But I knew,
I had always known, the custom was not to touch hawthorn. Not to bring it indoors for the sake of
the luck such constraint would forfeit– a child might die, perhaps, or an unexplained fever speckle heifers. So I left it
stirring on those hills with a fluency only water has. And, like water, able to redefine land. And free to seem to be–
The bird-sowed hawthorn bush along the lane to our back field has suddenly become a blooming tree, staking out its place alongside the trail the horses follow to their pasture. This May, it is a white flame against the dark woods.
Though we didn’t intend for it to be there, we’ll leave it be. Hawthorns are great bird habitat and a haven for honeybees. They are found in most hedge rows in the United Kingdom, impenetrable due to their fierce thorns and criss-cross network of branches, a historic symbol of the toughness and persistence of the Celtic people. Though we don’t need a hedge row here, I appreciate the tree’s reminder it has a place in myth and lore.
It will never be a hospitable tree like the lone fir tree that graces our hill, or the big leaf maple where children climb, or the black walnut whose branches support the treehouse. But it will be a white beacon every May, portending the summer to come, and if it bears fruit, it will feed the birds that nest in its interior.
And like the poem written by WWI soldier/poet Sassoon, it will be a bittersweet reminder of the familiar comfort of home, even though sharp thorns abound among the blossoms. Those thorns are nothing compared to the despair found in the fearsome trenches of warfare.
AI image created for this postSiegfried Sassoon’s handwritten poem
along fair Arran’s shores the swans sing soft of tale of yore, of a young love taken to sea
the two were hand in glove like sparrows bound in sacred love a tune that only they can sing
a tree of unity they planted by the green eyed sea the branch would hold their love through time
a sailor lad was he he said,”dont cry my lovely, mhari before the moon is full i’ll return”
I’ll wait for thee and she sang to him
the moon shone full and bright and home he sailed mid-summers night the tree so young and blossoming
they slept among the green the world was light and dreams serene the fires in their hearts burned bright
Where moss-grown boulders stand, he took her by the lily hand and there they wed at break of day
the seas know not of hearts and once again the two must part. “it wont be long, i swear to thee.
please wait for me.” and she sang to him
The hawthorn tree has grown, 10 years she walked shores alone, she hears his whisper in the leaves
Home is the sailor lad, home in the sea, forever plaid, Under the wide and starry sky
Yes, I will wait for thee, By mountain, sea and tree; And on the wind you’ll hear my love,
for at the fall of day Beneath the leaves where once we lay I’ll sit and sing i’ll wait for thee
come back to me…. music and lyrics by Fae Wiedenhoeft
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But when Aurora, daughter of the dawn, With rosy lustre purpled o’er the lawn. ~Homer from the Odyssey
Aurora is the effort Of the Celestial Face Unconsciousness of Perfectness To simulate, to Us. ~Emily Dickinson
…for the sun stopped shining. And the curtain of the temple was torn in two. Luke 23:45
It felt appropriate to whoop and holler when the lights began to shimmer and shift above us.
Yet as the colors deepened and danced, what struck me most was the sense of how the heavens and earth had found a “thin place” where the space between God and us had narrowed and we were being summoned to communion with Him.
Just as the curtain barring us from the holy of holies in the temple was torn in two at Christ’s moment of death, the curtain between heaven and earth was pulled apart last night.
We are no longer separated from God. He bids us to join Him and see His face.
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Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. ~Oscar Wilde from The Picture of Dorian Gray
Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne’er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! ~William Wordsworth from “Composed Upon Westminster Bridge, September 3, 1802”
Dawn is the time when nothing breathes, the hour of silence. Everything is transfixed, only the light moves. ~Leonora Carrington
Looking for God is the first thing and the last, but in between so much trouble, so much pain. ~Jane Kenyon from “With the Dog at Sunrise”
In the moments before dawn when glow gently tints the inside of horizon’s eyelids, the black of midnight wanes to mere shadow, the fear of night forgotten.
Gloaming dusk transposed to gleaming dawn, its backlit silhouettes stark as a dark hurting earth slowly opens her eyes to greet a new and glorious morn.
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A hundred thousand birds salute the day:– One solitary bird salutes the night: Its mellow grieving wiles our grief away, And tunes our weary watches to delight; It seems to sing the thoughts we cannot say, To know and sing them, and to set them right; Until we feel once more that May is May, And hope some buds may bloom without a blight. This solitary bird outweighs, outvies, The hundred thousand merry-making birds Whose innocent warblings yet might make us wise Would we but follow when they bid us rise, Would we but set their notes of praise to words And launch our hearts up with them to the skies. ~Christina Rossetti “A Hundred Thousand Birds”
photo by Harry Rodenberger
Birds afloat in air’s current, sacred breath? No, not breath of God, it seems, but God the air enveloping the whole globe of being. It’s we who breathe, in, out, in, the sacred, leaves astir, our wings rising, ruffled—but only saints take flight… But storm or still, numb or poised in attention, we inhale, exhale, inhale, encompassed, encompassed. ~Denise Levertov from “In Whom We Live and Move and Have Our Being”from The Stream and the Sapphire
As if reluctant to let go the setting sun last night, one lone bird still sang a twilight song, long after the others fell asleep, their heads tucked neatly under their wings.
This lone bird had not yet finished with the day, breathing in and out its plaintive melody, articulating my thoughts I could not say.
And before a hint of light this May morning, I am swept from my dreams by a full chorus singing from the same perch, no longer a lone voice, but hundreds.
My day is launched by the warbling songs, but I cannot forget twilight’s one reluctant bird who fought the impending darkness using only its voice.
I too fight back the darkness with what I write here, if I can keep it at bay: inhaling, exhaling, encompassed in Breath. I want to sing out light to Light and live light in Light.
No darkness here.
I hear a bird chirping, up in the sky I’d like to be free like that spread my wings so high I see the river flowing water running by I’d like to be that river, see what I might find
I feel the wind a blowin’, slowly changing time I’d like to be that wind, I’d swirl and the shape sky I smell the flowers blooming, opening for spring I’d like to be those flowers, open to everything
I feel the seasons change, the leaves, the snow and sun I’d like to be those seasons, made up and undone I taste the living earth, the seeds that grow within I’d like to be that earth, a home where life begins
I see the moon a risin’, reaching into night I’d like to be that moon, a knowing glowing light I know the silence as the world begins to wake I’d like to be that silence as the morning breaks
He doesn’t know the world at all Who stays in his nest and doesn’t go out. He doesn’t know what birds know best Nor what I sing about, Nor what I sing about, Nor what sing about: That the world is full of loveliness.
When dew-drops sparkle in the grass And earth is aflood with morning light. light A blackbird sings upon a bush To greet the dawning after night, the dawning after night, the dawning after night. Then I know how fine it is to live.
Hey, try to open your heart to beauty; Go to the woods someday And weave a wreath of memory there. Then if tears obscure your way You’ll know how wonderful it is To be alive. ~Paul Read
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers
and they open — pools of lace, white and pink —
and all day under the shifty wind, as in a dance to the great wedding,
the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding
all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary,
blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever? ~Mary Oliver fromNew And Selected Poems
The peonies, too heavy with their beauty, slump to the ground. I had hoped they would live forever but ever so slowly day by day they’re becoming the soil of their birth with a faint tang of deliquescence around them. Next June they’ll somehow remember to come alive again, a little trick we have or have not learned. ~Jim Harrison “Peonies” from In Search of Small Gods
Later this month, I will bring our peonies to the graves of those from whom I came, to lay one after another exuberant floral head upon each headstone, a moment of connection between those in the ground and me standing above, acknowledging its thin space when one more humble and silky life shatters, its petals slowly scatter, lush and trembling, to the wind.
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The year Dylan’s mother died I picked sprays of apple blossom, wound its pink, off-white shades in raffia for you to take to him.
Every year it’s out I think of us, the children, how apples bring the tree so low, until they thud to the lawn, drumming the end
of summer. The blossom was heavy when Dylan’s mother was dying – old wood doing its best again – and he, like you, was so young. ~Jackie Wills “Apple Blossom”
I can see, through the rifts of the apple-boughs, The delicate blue of the sky, And the changing clouds with their marvellous tints That drift so lazily by. And strange, sweet thoughts sing through my brain, And Heaven, it seemeth near; Oh, is it not a rare, sweet time, The blossoming time of the year? ~Horatio Alger, Jr. from “Apple Blossoms”
Is there anything in Spring so fair As apple blossoms falling through the air?
When from a hill there comes a sudden breeze That blows freshly through all the orchard trees.
The petals drop in clouds of pink and white, Noiseless like snow and shining in the light.
Making beautiful an old stone wall, Scattering a rich fragrance as they fall.
There is nothing I know of to compare With apple blossoms falling through the air. ~Henry Adams Parker “Apple Blossoms”
The rain eases long enough to allow blades of grass to stand back up expectant, refreshed yet unsuspecting, primed for the mower’s next cutting swath.
Clusters of pink tinged blossoms sway in response to my mower’s pass. Apple buds bulge on ancient branches in promise of fruit caressed by honeybees’ tickling legs.
Though I bow low beneath the swollen blooms, I’m still caught by snagging branches; showers from hidden raindrop reservoirs collected within blushing petal cups.
My face is anointed by perfumed apple tears.
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And with sighs soaring, soaring síghs deliver Them; beauty-in-the-ghost, deliver it, early now, long before death Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver. See; not a hair is, not an eyelash, not the least lash lost; every hair Is, hair of the head, numbered. ~Gerard Manley Hopkins from “The Golden Echo”
…writing was one way to let something of lasting value emerge from the pains and fears of my little, quickly passing life. Each time life required me to take a new step into unknown spiritual territory, I felt a deep, inner urge to tell my story to others– Perhaps as a need for companionship but maybe, too, out of an awareness that my deepest vocation is to be a witness to the glimpses of God I have been allowed to catch. ~Henri Nouwenfrom Reaching Out: The Three Movements of the Spiritual Life
“Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying. ~Annie Dillard from Pilgrim at Tinker Creek
For too much of my life I have focused on my foreshortening future, bypassing the present in my headlong rush to what lies ahead. There is always a goal to achieve, a conclusion becoming commencement of the next phase, a sunset turning right around in a few hours to become sunrise.
Yet the most precious times occur when the present is so over-whelming, so riveting, so tenderly full of beauty that I believe I can see a brief glimpse of God. I must grab hold with all my strength to try and secret it away and keep it forever. Of course the present still slips away from me, elusive and evasive, torn to bits by the unrelenting movement of time.
Even when I’m able to take a photo to lock it to a page or screen, it is not enough. No matter how I choose to preserve the essence of this moment, it is already passed, ebbing away, never to return.
So I write to harvest those times to make them last a little bit longer although they will inevitably be lost downstream into the ether of unread words.
Where have all the words, all the flowers, all those moments gone?
Even if unread, I am learning that words, which had power in the Beginning to create life itself, still can bring tenderness and meaning back to my life. How blessed to live the gift twice: not just in the moment itself but in recording in words that preserve and treasure it all up, if only for that ephemeral blooming moment.
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An empty day without events. And that is why it grew immense as space. And suddenly happiness of being entered me.
I heard in my heartbeat the birth of time and each instant of life one after the other came rushing in like priceless gifts. ~Anna Swir “Priceless Gifts” from Talking To My Body
It may be that when we no longer know what to do we have come to our real work and that when we no longer know which way to go we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings. The world, the truth, is more abounding, more delightful, more demanding than we thought. What appeared for a time perhaps to be mere dutifulness … suddenly breaks open in sweetness — and we are not where we thought we were, nowhere that we could have expected to be. ~Wendell Berry from “Poetry and Marriage: The Use of Old Forms,” in Standing By Words
Who among us knows with certainty each morning what we are meant to do this day or where we might be asked to go?
Or do we make our best guess by putting one foot ahead of the other until the day is done and it is time to rest?
For me, over five decades of work, I woke humbled by commitment and duty and kept going, even when baffled and impeded.
While doctoring, I tried so hard to keep my eyes open for beauty within the painful times.
These days now overflow with uncertainty of what comes next: each heartbeat a new birth. My real work remains a search for life’s priceless beauty.
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