Category: nature

Blooming into Glass

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All the love you will ever feel
you have always carried within you

The pellet you think love is

blooms into stone,
into flame, into glass

The tree knows
how to feed every part of itself

When you tap the tree
to drink it
it speaks to you

There is sweetness in you
All the self can do
is melt
~Hannah Stephenson from “Sap Season”

It never mattered that there was once a vast grieving:

trees on their hillsides, in their groves, weeping—
a plastic gold dropping

through seasons and centuries to the ground—
until now.

The clear air we need to find each other in is
gone forever, yet

this resin once
collected seeds, leaves and even small feathers as it fell
and fell

which now in a sunny atmosphere seem as alive as
they ever were

as though the past could be present and memory itself
a Baltic honey—

a chafing at the edges of the seen, a showing off of just how much
can be kept safe

inside a flawed translucence.
~Eavan Boland, from “Amber” in The Wake Forest Book of Irish Women’s Poetry (2011)

The last remaining cherry tree on our farm,
a Royal Anne,
has stood between house and barn for over 100 years.
This year, its branch joints and bark defects are bleeding – oozing sculptures of amber sap.

The resin is hard and glass-like,
reflecting the tree’s slow internal circulation,
changing subtly day by day.

Though its cherries burst months ago
with juicy flavor,
now it bleeds crystalline flames from its wounds.

What a gift is this love bleeding out
as it moves deep inside an old trunk.
In its thirsty anguish, our dear cherry tree is weeping,
creating glass fruit reflecting Light.

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A Wordless Song

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Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;
the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

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Wet from the Start

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On a rainy day in Seattle stumble into any coffee shop
and look wounded by the rain.

Say Last time I was in I left my black umbrella here.
A waitress in a blue beret will pull a black umbrella

from behind the counter and surrender it to you
like a sword at your knighting.

Unlike New Englanders, she’ll never ask you
to describe it, never ask what day you came in,

she’s intimate with rain and its appointments.
Look positively reunited with this black umbrella

and proceed to Belltown and Pike Place.
Sip cappuccino at the Cowgirl Luncheonette on First Ave.

Visit Buster selling tin salmon silhouettes
undulant in the wind, nosing ever into the oncoming,

meandering watery worlds, like you and the black umbrella,
the one you will lose on purpose at the day’s end

so you can go the way you came
into the world, wet looking.
~Rick Agran “Black Umbrellas” from Crow Milk

rainy day from a Starbucks shop in Edinburgh Scotland
Pike Street Market in Seattle
anywhere today in western Washington

Anyone using an umbrella in the Pacific Northwest must have come from somewhere else where rain drenches. In the northwest, we have at least 5 kinds of gray drizzle, none of which usually requires an umbrella.

This is embarrassing, but in my archive of over 20,000 photos, there is not one umbrella. I don’t even own one, having lived here for over 70 years.

We’re all about hooded jackets or going bare-headed if necessary.

Don’t ask me why, but it is a stubborn cultural “I’m a native” thing and umbrellas seem like too much of a bother, a sign of weakness.

I appreciated my visits to Japan which can have torrential but brief rainstorms, and almost every shop had a bucket of umbrellas at the door that you could “borrow” and then drop off at your next stop. No keeping track. Very civilized.

But not here.

I think Washingtonians just like to be rebaptized, over and over…
Maybe that’s why.

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The Shadow of Joy

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Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love. 

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 
~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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A Little Tired and Hungry

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For grace to be grace,
it must give us things we didn’t know we needed
and take us places where
we didn’t know we didn’t want to go.
~Kathleen Norris from Cloister Walk

Sap withdraws from the upper reaches
of maples; the squirrel digs deeper
and deeper in the moss
to bury the acorns that fall
all around, distracting him.

I’m out here in the dusk…
where the wild asters, last blossoms
of the season, straggle uphill.
Frost flowers, I’ve heard them called.
The white ones have yellow centers
at first: later they darken
to a rosy copper.  They’re mostly done.
Then the blue ones come on. It’s blue
all around me now, though the color
has gone with the sun.

There is no one home but me—
and I’m not at home; I’m up here on the hill,
looking at the dark windows below.
Let them be dark…

…The air is damp and cold
and by now I am a little hungry…
The squirrel is high in the oak,
gone to his nest , and night has silenced
the last loud rupture of the calm.
~Jane Kenyon from “Frost Flowers”

Even when the load grows too heavy,
when misery rolls in like a fog that
covers all that was once vibrant,

even then
even then

there awaits a nest of nurture,
a place of calm
where the tired and hungry
are fed.

We who are empty will be filled;
we who are weary will be restored.

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Come and See: Grasping a Rainbow of Words

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The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau from Walden

In the beginning was the Word, 
and the Word was with God, 
and the Word was God.
John 1:1

Painting the indescribable with words necessitates subtlety, sound and rhythm.

The best word color portraits I know are by Gerard Manley Hopkins who created pictures through startling word combinations: 

“crimson-cresseted”,
“couple-colour”,
“rose-moles”,
“fresh-firecoal”,
“adazzle, dim”,
“dapple-dawn-drawn”,
“blue-bleak embers”,
“gash gold-vermillion”.

I understand how difficult it is to harvest daily life using ordinary words. Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible —
yet nevertheless very real.

I keep reaching for understanding, searching for the best words to share here: those that are ephemeral color yet eternal, and very very real.

After all, in the beginning was the Word, and there is no better place to start with its promise.

I’ll be reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore the promise together.

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Time to Say Grace

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You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
~G.K. Chesterton

Norman Rockwell’s 1951 painting Saying Grace

Chesterton has it right.  No matter what I embark on, I should say grace first.  Even my breathing, my waking, and my sleeping. Even the brilliance right outside my back door.

Continual and constant thanks and praise to the Creator for all things bright and beautiful, and helping us through the dark times. 

Instead I am plagued with inconstancy and inconsistency, with a stubborn tendency to take it all for granted.

As I “dip pen in ink” this morning, join me in saying grace:

He is worthy. Amen and Amen.

Even more so.  Ever more now.

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Landscape’s State of the Soul

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frontwalnutmist
wwusouth

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

rainymares

A fine rain was falling, and the landscape was that of autumn. 
The sky was hung with various shades of gray,
and mists hovered about the distant mountains
– a melancholy nature. 
Every landscape is,
as it were,
a state of the soul,
and whoever penetrates into both
is astonished to find how much likeness there is in each detail.
~Henri Frederic Amiel

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.
Like sticks half-drowned the trees
lean so my eyes snap some into
lightning shapes, bent & bent.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

What is melancholy at first glance
glistens bejeweled
when studied up close.

It isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of tears.

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The Dialect of Pure Being

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The world does not need words.
It articulates itself in sunlight, leaves, and shadows.
The stones on the path are no less real
for lying uncatalogued and uncounted.
The fluent leaves speak only 
the dialect of pure being…

The sunlight needs no praise piercing the rainclouds, 
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always–
greater than ourselves and all the airy words we summon.
~Dana Giola from “Words”

The words the world needs
is only the Word itself;
we exist
because He breathed breath into us,
saying it was good.

Whatever we have to say about His Creation
pales compared to His
it is good

But we try
over and over again
to use words of wonder and praise
to express our awe and gratitude and amazement
while painted golden by His breath of Light.

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The Silence Between Words

barnstormingblog4 Comments

Words, of course, but
Also the silence
Between them.

Like the silence
Between
The beloved and you.
Silence full
Of the unspoken
As a seed is full
Of all
It will become.

No poem made only
Of silence.
No poem 
Made only of words.
~Gregory Orr from “Words, of course, but” from How Beautiful the Beloved

Some mornings all I do
is write down words—cistern,
tribal, cached—copying them
from sprawled pages of books
across my desk, words that call out—
glimmerings, cursive, saffron,
heartwood—holding me in place
as if to say listen, you may need me
someday, I might offer you another way
toward beauty, or even beyond.
~Andrea Potos “Daily Practices” from The Presence of One Word

I want to make poems
that look into the earth and the heavens
and see the unseeable.
I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver from “Everything” from New and Selected Poems: Volume Two

This morning

poem hopes 

that even though
its lines are broken 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     in the morning
light.
~L.L. Barkat, “This Morning” from The Golden Dress

In the ghostly dawn
I write new words for your ears—
Even now you sleep.
~Amy Lowell “V” from Twenty-Four Hokku

The blueberry fields
are all afire,
each leaf an October mosaic.

As chlorophyll wanes,
the colors appear by magic,
like words selected for a poem
which begins as an empty slate.

Each carefully chosen.

Each surrounded by silence
becoming more holy
when it’s no longer empty.

So much of the beauty of poetry is the silence, a pause between the words.

Like life, there is nothing empty or meaningless about pausing.

Like poet Mary Oliver:

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I am so awed at your faithful reading and generous sharing of what I offer here.

Even when my lines are broken, or I say again what another has already said much better, yet bears repeating — I too try to write with quiet hands, and see through quiet eyes, out of reverence and awe for what unseeable gifts God has given us.

Thank you for being here with me.

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