Softer Than Rain

Teach me to walk
with tender feet,
as the wild ones do.
Let me be the cinder-glow
of the fox in her burrow, wreathed
around the honey-spark fur
of her sleeping kits.

Let me be the shaded pools
of the doe’s eyes
in winter, when the snow falls,
when the stars lean down to listen,
when the world is darker
and softer
than rain.

Let me be the swallow
after flight, when she is
perched upon the branch
where the petals of the lilacs used to be,
and she is just still, and quiet,
her downy head inclined, as though
she is praying
for their return.

~Kimberly Beck “Tender Feet”

As the weather changes,
softening in the mists of autumn,
I walk each step with careful feet,
my tender heart singing songs in the rain.
I pray for peace in this troubled land,
for protection from harm until spring comes again.

May God grant a gentle night’s sleep for all His creatures.

video by Harry Rodenberger

Lyrics for Aragorn’s Sleepsong:
Lay down your head and I’ll sing you a lullaby
Back to the years of loo-li lai-lay
And I’ll sing you to sleep and I’ll sing you tomorrow

Bless you with love for the road that you go
May you sail far to the far fields of fortune
With diamonds and pearls at your head and your feet
And may you need never to banish misfortune

May you find kindness in all that you meet
May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

May you bring love and may you bring happiness
Be loved in return to the end of your days
Now fall off to sleep, I’m not meaning to keep you
I’ll just sit for a while and sing loo-li, lai-lay

May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

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A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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Rummaging Among Clouds

The fields are snowbound no longer;
There are little blue lakes and flags of tenderest green.
The snow has been caught up into the sky—
So many white clouds—and the blue of the sky is cold.
Now the sun walks in the forest,
He touches the boughs and stems with his golden fingers;
They shiver, and wake from slumber.
Over the barren branches he shakes his yellow curls. …
Yet is the forest full of the sound of tears….
A wind dances over the fields.
Shrill and clear the sound of her waking laughter,
Yet the little blue lakes tremble
And the flags of tenderest green bend and quiver.

~Katherine Mansfield “Very Early Spring”

You might say that clouds have no nationality
Being flags of no country, flaunting their innocent neutrality
Across frontiers, ignorant of boundaries;
But these clouds are clearly foreign, such an exotic clutter
Against the blue cloth of the sky
I want to rummage among them, I want to turn them over
With eager fingers, I want to bargain
For this one or that one, I want to haggle and dicker
Over the prices, and I want to see my clouds wrapped up
In sheets of old newspapers, and give them away
To young girls to pin in their hair
Or tuck them, glossy as gardenias, behind an ear,
Or stretch one out to the length of a lacy shawl
And toss it over a shoulder, or around a waist.
~Constance Urdang “Clouds”

Our farm sits about 9 miles from an international border. The sky and clouds are oblivious to the line drawn by two governments, and don’t bother to stop at the border stations controlling access of humans across that line.

The clouds are free to go where they please, so they do, while we watch. They are both a foreign and domestic cloud of witnesses to our earthbound follies and foolishness.

No passports or IDs, no being pulled into “secondary” for more intensive searches and questioning, no being “turned back” not allowed across, no deportations.

They simply float and glide where the breezes take them, assuming whatever shape, identity or characteristics they wish.

What a beautiful day in the neighborhood if one happens to be a cloud or a cloud of witnesses…

AI image created for this post
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When August Burning Low

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now
~Emily Dickinson

“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others.  The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

 

On the first day of his class in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this poem on the blackboard and told us we would spend at least a week working out the meaning of what he considered the greatest poem written.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse  — someone as culturally distant from him as possible.

But grace works to unite us, no matter our differences.  What on the surface appears a paean to late summer cricket song, doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our appreciation of nature. Just as the fires in our state are incinerating everything, even the insects of the fields, in its path, we still find grace and meaning in the destruction.  There is no one as lonely as the fire fighter facing the flame and no one as lonely as the poet facing the empty page, in search of words.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man.

There is no furrow on the glow.  There is no need to plow and seed our salvaged souls, already planted and yielding a fruited plain.

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