An Advent Threshold: Came Down

The Word became flesh.
Ultimate Mystery born with a skull you could crush one-handed.

Incarnation.
It is not tame.
It is not beautiful.
It is uninhabitable terror.
It is unthinkable darkness riven with unbearable light.

Agonized laboring led to it,
vast upheavals of intergalactic space,

time split apart,
a wrenching and tearing of the very sinews of reality itself.
You can only cover your eyes and shudder before it, before this:
“God of God, Light of Light, very God of very God… who for us and for our salvation,” as the Nicene Creed puts it, “came down from heaven.”

Came down.

Only then do we dare uncover our eyes and see what we can see.
It is the Resurrection and the Life she holds in her arms.
It is the bitterness of death he takes at her breast.
~Frederick Buechner from Whistling in the Dark

Down he came from up,
and in from out,
and here from there.
A long leap,
an incandescent fall
from magnificent
to naked, frail, small,
through space,
between stars,
into our chill night air,
shrunk, in infant grace,
to our damp, cramped
earthy place
among all
the shivering sheep.

And now, after all,
there he lies,
fast asleep.
~Luci Shaw “Descent” from Accompanied By Angels

[The Incarnation is like] a wave of the sea which, 
rushing up on the flat beach, 
runs out, even thinner and more transparent, 
and does not return to its source but sinks into the sand and disappears.
~Hans Urs von Balthasar from Origen: Spirit and Fire

Perhaps it is the mystery of the thing that brings us back,
again and again, to read the story of 
how God came down and disappeared into us.

How can this be?
God appearing on earth first to animals,
then the most humble of humans.

How can He be?
Through the will of the Father and the breath of the Spirit,
the Son was, and is and yet to be.

O great mystery beyond all understanding.

O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
jacentem in praesepio!
Beata Virgo,
cujus viscera meruerunt portare Dominum Christum.
Alleluia!

O great mystery and wondrous sacrament,
that animals should see the new-born Lord lying in their Manger!
Blessed is the Virgin
whose womb was worthy to bear the Lord Jesus Christ.
Alleluia!

Still Life by Zurbaran in the Norton-Simon Museum in Pasadena, CA

The composer Morten Lauridsen, is a Washington state native who was born only a few miles from where my mother grew up in the wheat fields of the Palouse, and now lives in retirement in the San Juan Islands.  He wrote about his inspiration, wanting to compose something that honored the words as much as the Still Life painted by Zurbaran (above) honored the Virgin Mary.

In Lauridsen’s own words:

Zurbarán (1598-1664) is the painter of “Still Life with Lemons, Oranges and a Rose.” The objects in this work are symbolic offerings to the Virgin Mary. Her love, purity and chastity are signified by the rose and the cup of water. The lemons are an Easter fruit that, along with the oranges with blossoms, indicate renewed life. The table is a symbolic altar. The objects on it are set off in sharp contrast to the dark, blurred backdrop and radiate with clarity and luminosity against the shadows.

In composing music to these inspirational words about Christ’s birth and the veneration of the Virgin Mary, I sought to impart, as Zurbarán did before me, a transforming spiritual experience within what I call “a quiet song of profound inner joy.” I wanted this piece to resonate immediately and deeply into the core of the listener, to illumine through sound.

The most challenging part of this piece for me was the second line of text having to do with the Virgin Mary. She above all was chosen to bear the Christ child and then she endured the horror and sorrow of his death on the cross. How can her significance and suffering be portrayed musically?

After exploring several paths, I decided to depict this by a single note. On the word “Virgo,” the altos sing a dissonant appoggiatura G-sharp. It’s the only tone in the entire work that is foreign to the main key of D. That note stands out against a consonant backdrop as if a sonic light has suddenly been focused upon it, edifying its meaning. It is the most important note in the piece.

A scholarly essay about Lauridsen’s composition is here.

Another version by a different composer:

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The Happiest Girl Alive

I wanted a horse. This was long after
we sold the work horses, and I was feeling

restless on the farm. I got up early
to help my father milk the cows, talking

a blue streak about TV cowboys
he never had time to see and trying to

convince him that a horse wouldn’t cost
so much and that I’d do all the work.

He listened while he leaned his head
against the flank of a Holstein, pulling

the last line of warm milk into
the stainless bucket. He kept listening

while the milk-machine pumped like an engine,
and the black and silver cups fell off and

dangled down, clanging like bells when he
stepped away, balancing the heavy milker

against the vacuum hose and the leather belt.
I knew he didn’t want the trouble

of a horse, but I also knew there was nothing
else I wanted the way I wanted a horse—

another way of saying I wanted
to ride into the sunset and (maybe)

never come back—I think he knew that too.
We’ll see, he said, we’ll see what we can do.
Joyce Sutphen – “What Every Girl Wants”

I once was a skinny freckled eleven year old girl who wanted nothing more than to have her own horse. Every inch of my bedroom wall had posters of horses, all my shelves were filled with horse books and horse figurines and my bed was piled with stuffed horses.

I suffered an extremely serious case of horse fever. I wished for a horse more than anything.

I had learned to ride my big sister’s horse while my sister was off to college, but the little mare had pushed down a hot wire to get into a field of spring oats which resulted in a terrible case of colic and had to be put down. I was inconsolable until I set my mind to buy another horse. We had only a small shed, not a real barn, and no actual fences other than the electric hot wire. Though I was earning money as best I could picking berries at 3 cents a pound and babysitting at 30 cents an hour, I was a long way away from the $150 it would take to buy a trained horse back in 1965.

I pestered my father about my dreams of another horse, and since he was the one to dig the hole for my sister’s horse to be buried, he was not enthusiastic.  “We’ll see,”  he said. “We will see what we can do.”

So I dreamed my horsey dreams, mostly about golden horses with long white manes, hoping one day those dreams might come true.

In fall 1965, the  local radio station KGY’s Saturday morning horse news program announced their “Win a Horse” contest. I knew I had to try. The prize was a weanling bay colt, part Appaloosa, part Thoroughbred, and the contest was only open to youth ages 9 to 16 years old. All I had to do was write a 250 word or less essay on “Why I Should Have a Horse”.

I worked and worked on my essay, crafting the right words and putting all my heart into it, hoping the judges would see me as a worthy potential owner. My parents took me to visit the five month old colt named “Prankster”, a fuzzy engaging little fellow who was getting plenty of attention from all the children coming to visit him, and that visit made me even more determined.

When I read these words now, I realize there is nothing quite like the passion of an eleven year old girl:

“Why I Should Have a Horse”

When God created the horse, He made one of the best creatures in the world. Horses are a part of me. I love them and want to win Prankster for the reasons which follow:

To begin with, I’m young enough to have the time to spend with the colt.  My older sister had a horse when she was in high school and her school activities kept her too busy to really enjoy the horse.  I’ll have time to give Prankster the love and training needed.

Another reason is that I’m shy.  When I was younger I found it hard to talk to anybody except my family.  When my sister got the horse I soon became a more friendly person.  When her horse recently died (about when Prankster was born), I became very sad.  If I could win that colt, I couldn’t begin to describe my happiness. 

Also I believe I should have a horse because it would be a good experience to learn how to be patient and responsible while teaching Prankster the same thing. 

When we went to see Prankster, I was invited into the stall to brush him. I was never so thrilled in my life! The way he stood there so majestically, it told me he would be a wonderful horse. 

If I should win him, I would be the happiest girl alive.  I would work hard to train him with love and understanding. If I could only get the wonderful smell and joy of horses back in our barn!

I mailed in my essay and waited.

Sixty years ago on November 27, 1965, my mother and I listened to the local horse program that was always featured on the radio at 8 AM on Saturday mornings. They said they had over 300 essays to choose from, and it was very difficult for them to decide who the colt should go to. I knew then I didn’t have a chance. They had several consolation prizes for 2nd through 4th place, so they read several clever poems and heartfelt essays, all written by teenagers.  My heart was sinking by the minute.

The winning essay was next. The first sentence sounded very familiar to me, but it wasn’t until several sentences later that we realized they were reading my essay, not someone else’s. My mom was speechless, trying to absorb the hazards of her little girl owning a young untrained horse.

I woke up my dad, who was sick in bed with an early season flu bug. He opened one eye, looked at me, and said, “I guess I better get a fence up today, right?” Somehow, fueled by the excitement of a daughter whose one wish had just come true, he pulled himself together and put up a wood corral that afternoon, despite feeling so miserable.

That little bay colt came home to live with me the next day. Over the next few months he and I did learn together, as I checked out horse training books from the library, and joined a 4H group with helpful leaders to guide me. I made plenty of mistakes along the way, learning from each one, including those that left behind scars I still bear.

Prankster was a typical adolescent gelding who lived up to his name — full of mischief with a sense of humor and a penchant for finding trouble, but he was mine and that was all that mattered.

Dreams do come true.

…that and a dad who saw what he needed to do for his passionate kid.  I’ll never forget how he showed his love for me by doing what was needed in that moment.

AI image created for this post

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All Gnarled and Twisted

There’s a single tree at the fence line…

When I cross the unfertile pasture strewn
with rocks and the holes of gophers, badgers, coyotes,
and the rattlesnake den (a thousand killed
in a decade because they don’t mix well with dogs
and children) in an hour’s walking and reach
the tree, I find it oppressive. Likely it’s
as old as I am, withstanding its isolation,
all gnarled and twisted from its battle
with weather. I sit against it until we merge,
and when I return home in the cold, windy
twilight I feel I’ve been gone for years.

~Jim Harrison, from “Fence Line Tree” from Saving Daylight.

Our fence line apple tree is considerably older than I am, and not a far walk away from the house. I visit it nearly every day, to be reminded that there is a wonder in gnarled limbs and blatant asymmetry.

What strikes me is the consistent presence of this tree though so much changes around it: the seasons, the birds that nest in it, the animals that graze under it and the ever-changing palette above and beyond.

This tree stands bent and misshapen, though not nearly as fruitful as in its younger years, yet still a constant in my life and in generations to come.

May I be that constant for those around me, to be steady when all around me changes in swirls and storms. Perhaps being bent and wrinkled and knobby can also be beautiful.

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To the Dappled Damson West

I kiss my hand 
To the stars, lovely-asunder 
Starlight, wafting him out of it; and 
Glow, glory in thunder; 
Kiss my hand to the dappled-with-damson west: 
Since, tho’ he is under the world’s splendour and wonder, 
His mystery must be instressed, stressed; 
For I greet him the days I meet him, and bless when I understand. 

~Gerard Manley Hopkins from The Wreck of the Deutschland

I greet Him when I meet Him
as the plum color of the evening sky
spills as tipped paint
far fleeting across the horizon,
cleaned up and gone before grasped,
I kiss my hand
to the drama played out before the sun sets.

I greet Him when I meet Him
as starlight speckles
the overhead ceiling,
each touching infinity
where it begins
and never ends.

I greet Him when I meet Him
in glowing cloud mountains
sparking lightning
and clapping thunder,
applause for His
resplendent magnificence.

I greet Him when
He is hidden
mysterious
unknown
and unknowable,
waiting for the blessing
of understanding
wafting from Him
in royal color, in glistening speckle,
in enduring glow, in inspiring spark,
in appreciative applause
for His splendor
wrapped in wonder.

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The Whole Shadowed Earth Reaching Up

 

  the season quicker now
the darkening—

no longer the leaves
fluttering down

but the whole shadowed earth
reaching up, taking hold
~David Baker “Quicker”

Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for?

~Robert Browning from Andrea del Sarto

My branches are bared during this season of letting go.

As starkly revealed as I am, perhaps darkening days are a blessing: less spotlight on my complexity in silhouette – all knobby joints, awkward angles and curves.

One thing I know: in this season when I prefer the shadowland, I still reach up, trying to hold on to the promise beyond me. In fact, so many of us keep grasping at what we know is there but cannot see.

God has come down to grab on to each one of us — and is still hanging on.

We are not too plain or complex or awkward to be lifted, welcomed, cherished as we are, into heaven’s arms.

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Harboring Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

One of my greatest joys is watching our farm’s plants as days become weeks, then months, and as years flow by, the seasons’ palettes repeat endlessly.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I am comforted things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of soil conditions and seasonal change: they bloomed a darker burgundy color this year, with fewer blue tones. Their blooms always fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I collect joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue as I too fade.

I am only a recorder of fact, documenting as long as I’m able.

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The Intricate Texture of Things

silentweb
morningweb7

Here is a new light on the intricate texture of things in the world…: the way we the living are nibbled and nibbling — not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.
~Annie Dillard in Pilgrim at Tinker Creek

fogdrops3

The weather is getting brisker so the outdoor critters, some invited, some not,  are starting to move inside.  The cats scoot between our legs as we open the front door, heading straight for the fireplace to bask in the warmth rather than a cold wind. The pup comes in from the yard for a nightly snack and chew bone, and stretches out on the rug, acting every bit like a piece of furry furniture. And today there was another mouse in the trap under the sink. I almost thought we were mouse-free with three weeks of none sighted and none trapped, but there he was waiting for me in the morning, well fed and quite dead.  He became an opportune meal for a cat too lazy to go get himself a living breathing mouse.

From nibbling to nibbled.  It is a tough world, inside and out.

Our most numerous and ambitious visitors from outside are the spiders, appearing miraculously crawling futilely up the sides in the bathtub, or scurrying across the kitchen floor, or webbing themselves into a corner of the ceiling with little hope of catching anything but a stray house moth or two this time of year. Arachnids are certainly determined yet stationary predators, rebuilding their sticky traps as needed to ensure their victims won’t rip away, thereby destroying the web.

I don’t really mind sharing living quarters with another of God’s creatures, but I do prefer the ones that are officially invited into our space and not surprise guests. The rest are interlopers that I tolerate with grudging admiration for their instinctive ingenuity. I admit I’m much too large, inept, and bumbling to find my way into someone else’s abode through a barely perceptible crack, and I’m certainly incapable of weaving the intricate beauty of a symmetrical web placed just so in a high corner.

After all, I am just another creature in the same boat. There is something quite humbling about being actually invited into this frayed and beautiful, complex and broken world, “pitted and scarred” as I am. I’m grateful I’ve so far escaped capture in the various insidious traps of life,  not just the spring-loaded kind and the sticky filament kind.

So it is okay that I’m settled in, cozy in front of the fireplace, just a piece of the furniture. Just so long as I don’t startle anyone or nibble too much of what I shouldn’t, I just might be invited to stay awhile.

josecat
josehomer
homer3

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A Wordless Song

Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;

the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

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The Shadow of Joy

Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 

~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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A Little Tired and Hungry

For grace to be grace,
it must give us things we didn’t know we needed
and take us places where
we didn’t know we didn’t want to go.
~Kathleen Norris from Cloister Walk

Sap withdraws from the upper reaches
of maples; the squirrel digs deeper
and deeper in the moss
to bury the acorns that fall
all around, distracting him.

I’m out here in the dusk…
where the wild asters, last blossoms
of the season, straggle uphill.
Frost flowers, I’ve heard them called.
The white ones have yellow centers
at first: later they darken
to a rosy copper.  They’re mostly done.
Then the blue ones come on. It’s blue
all around me now, though the color
has gone with the sun.

There is no one home but me—
and I’m not at home; I’m up here on the hill,
looking at the dark windows below.
Let them be dar
k…

…The air is damp and cold
and by now I am a little hungry…
The squirrel is high in the oak,
gone to his nest , and night has silenced

the last loud rupture of the calm.
~Jane Kenyon from “Frost Flowers”

Even when the load grows too heavy,
when misery rolls in like a fog that
covers all that was once vibrant,

even then
even then

there awaits a nest of nurture,
a place of calm
where the tired and hungry
are fed.

We who are empty will be filled;
we who are weary will be restored.

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