Nature’s Funeral Month

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October is nature’s funeral month.
Nature glories in death more than in life.
The month of departure is more beautiful
than the month of coming – October than May.
Every green thing
loves to die in bright colors.
~Henry Ward Beecher
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I don’t know…
I myself feel pretty drab these days, gray and fading,
with ripples and wrinkles, more fluff than firm.I’m reminded to hang on to an October state of mind:
more raucous color than somber funereal attire
so when it is time to take my leave,
I go brightly, in joyous celebration of what has been~~
and knowing, without any doubt,
where I’m heading as I wander down the road a piece.
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An Unexpected October Thing

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After the keen still days of September, 
the October sun filled the world with mellow warmth…
The maple tree in front of the doorstep burned like a gigantic red torch. 
The oaks along the roadway glowed yellow and bronze. 
The fields stretched like a carpet of jewels, 
emerald and topaz and garnet. 
Everywhere she walked the color shouted and sang around her…
In October any wonderful unexpected thing might be possible.
~Elizabeth George Speare from The Witch of Blackbird Pond

 

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On this early morning
gray clouds lay heavy and unrelenting
hovering low over the eastern hills,
when a moment’s light snuck out from under the covers
throwing back the blankets
to glow golden over the mountain.

Only a minute of unexpected light underneath the gray
gone in a heartbeat
(as are we) yet
O!  the glory when we too are luminous.

 

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Mountains We Had Never Seen

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He found himself wondering at times, 
especially in the autumn, 
about the wild lands, 
and strange visions of mountains that he had never seen came into his dreams.
~J.R.R. Tolkien from The Fellowship of the Rings

 

 

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Thank God who seasons thus the year, 
And sometimes kindly slants his rays; 
For in his winter he’s most near 
And plainest seen upon the shortest days.

I scent my med’cine from afar,
Where the rude simpler of the year
October leads the rustling war,
And strews his honors on the summer’s bier.

The evening of the year draws on, 
The fields a later aspect wear; 
Since Summer’s garishness is gone, 
Some grains of night tincture the noontide air.
~Henry David Thoreau, selected stanzas from “The Fall of the Leaf”

 

 

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Wandering in a wild land of beauty,
especially in the coolness of autumn,
with the dry hot melting “garishness” of summer past,
God is most plain in these places,
His slanting rays touching
everything and all,
especially me.

 

 

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Dent in the Ground

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All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall, “Names of Horses”

 

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As a child,  I regularly visited the horse grave dug by hand by my father in 1965 in an open clearing of our woods where our little chestnut mare, Dolly, rested in the ground.

She was felled by a vet’s bullet to the head after an agonizing bout with colic. I had returned to the house, unable to watch, but could not help but hear the gunshot as if it had gone through me as well.

At first her grave was a place to cry where no one but the trees and wild flowers could see.

When my tears dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

Later it became the sanctuary where I retreated to talk to God when my church no longer was.

Her bones lie there still and no one but me knows where. The dent in the ground will always betray the spot.

No one but me remembers you.

 

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A Shining Moment

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When I work outdoors all day, every day, as I do now, in the fall,
getting ready for winter, tearing up the garden, digging potatoes,
gathering the squash, cutting firewood, making kindling, repairing
bridges over the brook, clearing trails in the woods, doing the last of
the fall mowing, pruning apple trees, taking down the screens,
putting up the storm windows, banking the house—all these things,
as preparation for the coming cold…

when I am every day all day all body and no mind, when I am
physically, wholly and completely, in this world with the birds,
the deer, the sky, the wind, the trees…

when day after day I think of nothing but what the next chore is,
when I go from clearing woods roads, to sharpening a chain saw,
to changing the oil in a mower, to stacking wood, when I am
all body and no mind…

when I am only here and now and nowhere else—then, and only
then, do I see the crippling power of mind, the curse of thought,
and I pause and wonder why I so seldom find
this shining moment in the now.
~David Budbill “The Shining Moment in the Now”

 

 

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I spend only a small part of my day doing physical work – clearly not enough – as most of my waking time is spent almost entirely within the confines of my skull.

It is too much “internal” time, to be sure.  My body needs to lift and push and dig and toss so I head outside on the farm twice daily to do farm chores.  This physical activity gives me the opportunity to be “in the moment” and not crushed under “what was, what is, what needs to be and what possibly could be” happening mostly in my head.

I’m grateful for some tenuous balance in my life,  knowing as I do that I would not make a good full time farmer. There is comfort in the glow of those moments of “living it now” rather than dwelling endlessly in my mind about the past or the future.

Let it shine.

 

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A Deep Fear of Emptiness

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Wheels of baled hay bask in October sun:
Gold circles strewn across the sloping field,
They seem arranged as if each one
Has found its place; together they appeal
To some glimpsed order in my mind
Preceding my chance pausing here —
A randomness that also seems designed.
Gold circles strewn across the sloping field
Evoke a silence deep as my deep fear
Of emptiness; I feel the scene requires
A listener who can respond with words, yet who
Prolongs the silence that I still desire,
Relieved as clacking crows come flashing through,
Whose blackness shows chance radiance of fire.
Yet stillness in the field remains for everyone:
Wheels of baled hay bask in October sun.
~Robert Pack “Baled Hay” from Rounding it Out: A Cycle of Sonnetelles (1999).

 

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Each day I am called to see and listen,
to open fully to all that is around me.
From the simple stillness of the fields
surrounding our farm,
to the weeping of those who sit with me
day after day
in their deep fear of emptiness,
their struggle with whether to try to live
or give up and die.

Their deep fear of emptiness renders me silent;
I struggle to respond with words
that might offer up a healing balm
assuring them even in the darkest time
hope lies waiting, wrapped and baled,
radiant as fire,
ready to spill out fragrant,
to bear us silently to a new morning,
to a stillness borne of grace.

 

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All the Airy Words We Summon

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The world does not need words.
It articulates itself in sunlight, leaves, and shadows.
The stones on the path are no less real
for lying uncatalogued and uncounted.
The fluent leaves speak only 
the dialect of pure being.

The sunlight needs no praise piercing the rainclouds, 
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always–
greater than ourselves and all the airy words we summon.
~Dana Giola from “Words”

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The words the world needs is the Word itself;
we are
because He breathed breath into us
and said that it was good.

Whatever we have to say about His Creation
pales compared to His
it is good

But we try
over and over again
to use words of wonder and praise
to express our awe and gratitude and amazement
while painted golden by His breath of Light.

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Fall’s Warm Milk of Light

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portrait of Dan’s mom, Emma Gibson, praying, by granddaughter Sara Lenssen

 

I sit with braided fingers   
and closed eyes
in a span of late sunlight.   
The spokes are closing.
It is fall: warm milk of light,   
though from an aging breast.   
I do not mean to pray.   
The posture for thanks or   
supplication is the same   
as for weariness or relief.   
But I am glad for the luck   
of light. Surely it is godly,   
that it makes all things
begin, and appear, and become   
actual to each other.
Light that’s sucked into   
the eye, warming the brain   
with wires of color.
Light that hatched life
out of the cold egg of earth.
~May Swenson from “October”
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I know all too well that the end of October means the light changes, the colors fade, and the chill sets in.  I grasp and bundle up what scenes I can preserve now, like harvesting hay to be tied up in bales and stored safely until the middle of winter.  Then, at the right time, when I’m most hungry for color and light,  I loosen the strings and let the images tumble out, feeding me like mother’s milk.
And I am filled…
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A Relinquishing Light

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There is no season when such pleasant and sunny spots may be lighted on,
and produce so pleasant an effect on the feelings, as now in October.
The sunshine is peculiarly genial;
and in sheltered places, as on the side of a bank, or of a barn or house,
one becomes acquainted and friendly with the sunshine.
It seems to be of a kindly and homely nature.
And the green grass strewn with a few withered leaves looks the more green and beautiful for them.

~Nathaniel Hawthorne

 

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If I were a month, I would prefer to be October…

A kindly and homely nature, with comfortable temperatures and just a hint of fogginess,
with flashes of burnt umber flashing misty gold in a relinquishing light.

 

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To Stay Out Till Sundown

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The whole world is in motion to the center.
I only went out for a walk
and finally concluded to stay out till sundown,
for going out, I found,
was really going in.
~John Muir

 

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Alone in the night
On a dark hill
With pines around me
Spicy and still,

And I know that I
Am honored to be
Witness
Of so much majesty.
~Sara Teasdale from “Stars”

 

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The melancholy unconsoling fold
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When I should be
preparing dinner,
cleaning the barn,
filling water buckets,
returning phone calls,
folding laundry
I’m out on a hill with my camera
watching for what can never come again
exactly like this
It doesn’t take long
maybe a minute or two
to become a witness,
carried by breath,
ferried into darkness
so gently
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