Getting Out of the Way

Dear God, I cannot love Thee the way I want to.
You are the slim crescent of a moon that I see
and my self is the earth’s shadow
that keeps me from seeing all the moon.
The crescent is very beautiful
and perhaps that is all one like I am should or could see;
but what I am afraid of, dear God,
is that my self shadow will grow so large
that it blocks the whole moon,
and that I will judge myself by the shadow that is nothing.

I do not know You God
because I am in the way.
Please help me to push myself aside.
~Flannery O’Connor from her journals

I get in God’s way all the time — as if I were a photobomb of a shadow casting darkness on all that is light and beauty. With my human “blinders” on,  I can’t see beyond where I stand, where I move, what I feel, what I fear, what I see and hear.

And I certainly get in the way of my knowing God. I think all this is about me.

It’s not.

He’s here, though partially hidden in my need to be front and center.
He’s here, His glory and truth manifest behind me, if only I would turn to see.
He’s here, gently instructing me to get out of my own way and His way.
He’s here, fully radiant, once I step back in awe to actually look at Who really matters.

photo by Harry Rodenberger
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Earth’s Secrets

I

A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter—winged, horned, and spined—
A longlegs, a moth, and a dumbledore;
While 'mid my page there idly stands
A sleepy fly, that rubs its hands...

II

Thus meet we five, in this still place,
At this point of time, at this point in space.
—My guests besmear my new-penned line,
Or bang at the lamp and fall supine.
"God's humblest, they!" I muse. Yet why?
They know Earth-secrets that know not I.
~Thomas Hardy "An August Midnight"


There are so many more of them than us.  Yes, insects appear where we don’t expect them, they sting and bite and crawl and fly in our mouths and are generally annoying.  But without God’s humblest knowing the secrets of the inner workings of the soil, the pollinator and the blossom, we’d have no fruit, no seeds, no earth as we know it.

Even more humble are our microscopic live-in neighbors — the biome of our skin and gut affecting, managing and raising havoc with our internal chemistry and physiology in ways we are only beginning to understand.

God created us all, each and every one, from the turning and cycles of smallest of atoms and microbes to the expanding swirl of galaxies far beyond us.

Perhaps the humblest of all, found smack-dab in the middle of this astounding creation, would be us: the intended Imago Dei.

Two legs not six or eight, two eyes not many, no wings with which we might fly away, no antennae, no stinger.

Just us with our one fragile and loving heart.

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Not Remotely Mystical

When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.

I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

~Mary Oliver from “When Death Comes”

Probably Mary Oliver doesn’t stress out
about her hair or quote Led Zeppelin or start
to go upstairs to write something mystical
about a wood duck, but get sidetracked
by The Millionaire Matchmaker, watching four episodes
until, panicked by self-loathing, she hits the remote.

She lives somewhere kind of remote.
Is there even a Walmart out
in Provincetown? Mary never, in an episode
of frugality, shops there instead of the food co-op and starts
lying about where the Moose Tracks
ice cream came from, feigning loyalty to the mystical


oils and bulk grains of the co-op where Mystical
Mac ‘N Cheese costs an absurd $3.95 a box. There’s a remote
chance Mary, while pondering lilies, would get sidetracked
by a voicemail from her agent. Even Mary Oliver spaces out
on occasion and forgets to turn off her phone. Her days start
before dawn; wouldn’t she sometimes have episodes

of thinking, “To hell with the swan, I’m going to watch episodes
of Lost in bed all day?” It must be exhausting to be mystical
all the time, having to think up poems that start
with a smelly turtle and end with the glory of the soul. The remote,
sleek as an otter, lolls on her nightstand, calling out 
for her to take just this one morning off, to follow the tracks


of Matt Lauer and Dr. Phil instead of mucky tracks
left in the marsh by tick-ridden deer. Euphoric episodes
bound like grasshoppers through St. Mary’s poems, but out
in nature there must be days when nothing is special, when mystical epiphanies can’t break through the clouds. Is Mary ever so remote from it all that touching a leaf leaves her blank?

Does she start to get frantic, to fear she’s lost the connection?
She starts picturing herself in a smock with a nametag,
cleaning finger tracks off the automatic doors while wearing Mona Lisa’s remote smile, a smile barely wide enough to keep her employed. Fighting episodes of despair, she can’t figure out how to turn a shopping cart into a mystical symbol for death—piece of cake for most poets, but not for our Mary, out


there with the flora and fauna, not remotely accustomed to the episodes comprising life for those of us not “married to amazement,” the unmystical singles’ club, sidetracked by diversions. We start toward the door, but we rarely make it out.
~Christine Heppermann, “Pure” from  Poisoned Apples: Poems for You, My Pretty

wood duck photo from Audobon Society

Moose Tracks ice cream has nothing on Tillamook Mudslide ice cream. And I can quote Simon and Garfunkel but not Led Zeppelin. Cracker Barrel Mac n Cheese is better than any other. If I’m going to take a day to get lost in a binge of streaming episodes, it is most likely going to be Outlander. And I don’t fuss about my hair.

<sigh>

I am well aware I fall far short from the example set by Mary Oliver, Jane Kenyon, Annie Dillard and others for whom writing became a mystical passion of self-discovery in their observation of creation and search for understanding of the Creator.

As someone who as a child could spend hours fascinated by the tiniest bug or follow ant tracks through the woods or catch pollywogs in the creek or lie motionless in a hideaway of tall grass watching clouds roll by on a summer afternoon, I can easily be accused of way too much “blissing out” on sunrises and sunsets as I walk through my days on earth.

The reality is something completely different. I compose my writing and photos as I go about my day, whether it is scooping manure in the barn, taking quick breaks to see how the light is changing outside, or gardening, or hanging up the laundry on the clothesline. I pull over on my way to work for a quick picture if something catches my eye. A trip to the grocery store offers opportunities for a back-roads drive to see how the surrounding cornfields are growing and raspberries are ripening. When I’m fortunate, I’ll spot an eagle in a roadside tree or a new calf nursing.

So every day is a new exploration of what is in my own backyard, not remotely mystical but simply there to be seen and mused over. Rather than married to amazement, I’m attracted to the remarkably mundane. But it does mean I need to walk out the door to meet it head-on.

Even
After
All this time
The sun never says to the earth,

“You owe
Me.”

Look
What happens
With a love like that,
It lights the
Whole
Sky.
~Daniel Ladinsky, from “The Gift”

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Best of Barnstorming Photos – Winter/Spring 2022

Summer/Fall 2021

Winter/Spring 2021

Summer/Fall 2020

Winter/Spring 2020

Summer/Fall 2019

Winter/Spring 2019

Summer/Fall 2018

Winter/Spring 2018

Summer/Fall 2017

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Best of 2013

Seasons on the Farm:

BriarCroft in Summerin Autumnin Winter, 
at Year’s End

More Barnstorming photos in this book of Lois Edstrom poetry, available to order here:

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A Heart I Cannot Fathom

Today, when I could do nothing,
I saved an ant.

It must have come in with the morning paper,
still being delivered
to those who shelter in place.

I have coffee and books,
time,
a garden,
silence enough to fill cisterns.

It must have first walked
the morning paper, as if loosened ink
taking the shape of an ant.

Small black ant, alone,
crossing a navy cushion,
moving steadily because that is what it could do.

Set outside in the sun,
it could not have found again its nest.
What then did I save?

It did not move as if it was frightened,
even while walking my hand,
which moved it through swiftness and air.

Ant, alone, without companions,
whose ant-heart I could not fathom —
how is your life, I wanted to ask.

I lifted it, took it outside.

This first day when I could do nothing,
contribute nothing
beyond staying distant from my own kind,
I did this.
~Jane Hirshfield from “Today, When I Could Do Nothing”

The other day, as I sat down in the grass to take pictures, I felt a tickle at the nape of my neck. I reached up, picked up something, and when I looked to see what it was, I found a tiny ant crushed in my fingers. Suddenly it felt like things were crawling everywhere on me, especially my scalp. I shook out my hair and clothes and found there weren’t any more ants. It was only one very unfortunate defenseless victim who chose the wrong place and time to inhabit me – unexpected, unwanted and unwelcome.

As a child, I was fascinated by the ant hills in the woods and fields of our small farm. I would track yards and yards of ant trails from the busy mounded colonies to tree trunks and other sources of food, watching the single file single-minded insects heading through all sorts of terrain to sustain their community. Having ants crawling on me wasn’t a problem then – they were part of my exploration of creation and sometimes they explored me.

How is your life, I wanted to ask.

Now as an adult, I confess I pay regularly for someone to come to the farm to spray around our house to prevent a resurgence of carpenter ants that threatened our foundation and walls some years ago. It works pretty well so I don’t have to deal with the reality of nature/creation invading my personal space. My wholistic acceptance of my co-existence with ants ends at my front door. No welcome mat for them, thou shalt not trespass.

I don’t seek to fathom their heart or a felt need to find food.

So now our country is embroiled in the polarizing issue of whether to protect the defenseless when they are unexpected, unwanted and unwelcome, especially when it may pose great personal risk to another. Many of those most upset by the judicial decision have a voice to protest today because their mother let them live, even though their conception was unexpected, unwanted and unwelcome. They were not prevented through prophylactic means, they were not squished in an intentional self-defensive move.

They were indeed part of creation.

They are living and whole and as angry and anxious as I was when I thought I was crawling with ants.

How is your life, I want to ask. How is it to feel what you are feeling right now?

I fathom your beating heart and that of a mother’s loving heart of selfless sacrifice.

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A Lavender Dusk

Twilight fell:
The sky turned to a light, dusky purple littered with tiny silver stars.

~J.K.Rowling from Harry Potter and the Order of the Phoenix

How strange this fear of death is!
We are never frightened at a sunset.
~George MacDonald

In our modern world that never seems to rest, a sunrise can feel more daunting than a sunset.  We are unprepared for the day to start:
the ready-set-go of a sunrise can be overwhelming to a tired soul. 

There are mornings when the new light of dawn penetrates right through our closed eyelids, enough to wake the dead, if not the sleeping.  It cannot be ignored in its urgency to rouse us to action.

In contrast, the end of the day requires little preparation.  Sunsets signal a slowing-down and unraveling of tension, a deep cleansing breath, a letting-go of the light for another night.  We hope twilight will ease over us, covering us like a comfortable quilt, tucking us in for the night with a kiss and hug and promise of sweet dreams.

The reason we do not need to fear the sunset is that we know it isn’t all there is. The black nothingness of night would be petrifying if we didn’t understand and trust that the light will return, as startling as it may be in its brightness.  It is the rerunning cycle of the light and dark that reassures.  It is as it was created to be, over and over.

Let the sunset tuck us in.  Let the sunrise prepare us for a new day. 

Now the day is over
night is drawing nigh,
shadows of the evening
steal across the sky.
Jesus, give the weary
calm and sweet repose;
with they tend’rest blessing,
may our eyelids close.

Approach the night with caution
It’s the best that you can do
Move quickly though the darkness
‘Til the daylight is renewed
Approach the night with caution
You will know it’s for the best
Once tomorrow’s morning
Quells the thumping in your chest
For evening is when all things dark can
Slide around with ease
And good things all get shoved in the shadows
By a wicked breeze
Approach the night with caution
No longer shall you roam
When darkness stains the eastern sky
Be sure that you are home
For night is the dividing line that
Blends the right and wrong
Spirits crossing freely over
Can hold you there too long

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Buttercups and Velvet Bums

A week ago I had a fire
To warm my feet, my hands and face;
Cold winds, that never make a friend,
Crept in and out of every place.


Today the fields are rich in grass,
And buttercups in thousands grow;
I’ll show the world where I have been–
With gold-dust seen on either shoe.


Till to my garden back I come,
Where bumble-bees for hours and hours
Sit on their soft, fat, velvet bums,
To wriggle out of hollow flowers.

~William Henry Davies “All in June”

This has been the coldest wettest June in decades here in the Pacific Northwest: we have the stove lit for warmth, the fields are too wet to till, the gardens lie idle because planted seeds will rot. Despite the chill, the buzzing pollinators have been out doing their important work in fields of buttercups where the Haflinger horses graze, sometimes getting too soppy in the rain to return to their hives. It is hard work to move those chunky bodies with those little tiny wings – but they manage.

The Haflingers and bumblebees have something in common — pudgy generous backsides. There is nothing quite as deceptive as a bumblebee bum – fat, soft, velvety….yet with a sting in the middle. I know this from personal experience: I sat down on one as a kid wearing a bathing suit and never forgot it.

But all is forgiven. I now appreciate bumblebee bums. They make me feel less self-conscious about my fluffy horses’ hind ends …
and my own.

photo by Andrea Nipges (Z’s Happy Bees)

Some things that fly there be,—             
Birds, hours, the bumble-bee:  
Of these no elegy.
~Emily Dickinson from “XIV”

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In This Twittering World

photo by Harry Rodenberger

Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning

Not here
Not here the darkness, in this twittering world.
..

After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

~T.S. Eliot – excerpts from Burnt Norton, first of the Four Quartets

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

Eliot didn’t have in mind future tweets on 21st century Twitter when he wrote Burnt Norton in 1935.  He was far more concerned about the concept of Time and redeeming our distraction from connecting to God Himself, the “still point” source of the natural and creative order of all things. He uses the analogies of a garden of flowers and singing birds, a graveyard, and most disturbingly, a subway train of empty-souled people traveling in the Tube under London in the dark. 

Eliot was predicting an unknowable future. Great Britain was facing a second war with Germany, but nearly a century later, we live 24/7 in a “twittering world” war of empty words and darkness through devices we carry with us at all times. Eliot, critical of the dehumanizing technology of his time, was prescient enough to foresee how modern technology might facilitate our continued fall from grace and distract us from the source of our redemption.

Perhaps Rossetti understands best. When birdsong begins on our farm in June at 4 AM in the apple, cherry, chestnut, and walnut trees outside our bedroom windows, I am swept away from my dreams by the distraction of wakening to music of the created order among the branches surrounding me, immersed in the beauty of dew-laden blooms and cool morning air.

Once a hundred thousand birds settle into routine conversation after twenty minutes of their loudly tweeted greetings of the day, I settle too, sitting bleary-eyed at my computer to navigate the twittering world of technology which is too often filled with fancies, or meanness, or, most often, completely empty of meaning altogether.

Yet, each morning as my heart is launched by the warbling songs outside my window, I’m determined to dismiss the distraction of the tweets and twitters on my screen. 

Not here will darkness be found on this page, if I can keep it at bay. I want to answer light to light and light with light.

No darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He does-n’t know the world at all
Who stays in his nest and does-n’t go out.
He does-n’t know what birds know best
Nor what I sing a-bout, Nor what I sing a-bout, Nor what sing a-bout:
That the world is full of love-li-ness.

When dew-drops spar-kle in the grass
And earth is a-flood with mor-ning light. light
A black-bird sings up-on a bush
To greet the dawn-ing af-ter night,
the dawn-ing af-ter night,
the dawn-ing af-ter night.
Then I know how fine it is to live.

Hey, try to o-pen your heart to beau-ty;
Go to the woods some-day
And weave a wreath of me-mory there.
Then if tears ob-scure your way
You’ll know how won-der-ful it is
To be a-live.

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Where the Joy Came In

Incurable and unbelieving
in any truth but the truth of grieving,
I saw a tree inside a tree
rise kaleidoscopically
as if the leaves had livelier ghosts.

I pressed my face as close
to the pane as I could get
to watch that fitful, fluent spirit
that seemed a single being undefined
or countless beings of one mind
haul its strange cohesion
beyond the limits of my vision
over the house heavenwards.

Of course I knew those leaves were birds.

Of course that old tree stood
exactly as it had and would
(but why should it seem fuller now?)
and though a man’s mind might endow
even a tree with some excess
of life to which a man seems witness,
that life is not the life of men.
And that is where the joy came in.
~Christian Wiman, “From a Window” from Every Riven Thing. 

Coming to Christianity is like color slowly aching into things, the world becoming brilliantly, abradingly alive. “Joy is the overflowing consciousness of reality,” Simone Weil writes, and that’s what I had, a joy that was at once so overflowing that it enlarged existence, and yet so rooted in actual things that, again for the first time, that’s what I began to feel: rootedness.
~Christian Wiman “Gazing Into the Abyss”

Nothing is to be taken for granted.  Nothing remains as it was.

Like this old pink dogwood tree, I now lean over more,
I have a few bare branches with no leaves,
I have my share of broken limbs,
I have my share of blight and curl.

Yet each stage and transition of life has its own beauty: 
bursting forth with leaves and blooms
after a long winter of nakedness adorned
only by feathered friends destined to fly away.

Color has literally seeped in overnight,
resulting in a riot of joy.

Yet what matters most is what grows unseen,
underground, in a network that feeds and thrives
no matter what happens above ground,
steadfast roots of faith remain a reason to believe.

Nothing is to be taken for granted.  Nothing remains as it was.
Especially me. Oh, and especially me.

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I’ll Take It

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.
~Ada Limón  “Instructions on Not Giving Up”

I thought I was empty – hollow and irretrievable – after such a long drawn out winter. Yet here I am, here we are, still among the living and I find I am swept away and useless to accomplish anything else except breathing. 

The landscape is exploding with layers of color and shadow and standing too close, I too am ignited.  It is impossible to witness so much unfolding life and light and not be engulfed and singed.

It lures me outside where flames of green lap about my ankles as I stroll the fields and each fresh breeze fans the fires until I’ve nothing left of myself but ash and shadow.

Consumed and subsumed.  Combusted and busted.

What a way to go.

I’ll take it. I’ll take it all.

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