When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
~Mary Oliver from “When Death Comes”
Probably Mary Oliver doesn’t stress out
about her hair or quote Led Zeppelin or start
to go upstairs to write something mystical
about a wood duck, but get sidetracked
by The Millionaire Matchmaker, watching four episodes
until, panicked by self-loathing, she hits the remote.
She lives somewhere kind of remote.
Is there even a Walmart out
in Provincetown? Mary never, in an episode
of frugality, shops there instead of the food co-op and starts
lying about where the Moose Tracks
ice cream came from, feigning loyalty to the mystical
oils and bulk grains of the co-op where Mystical
Mac ‘N Cheese costs an absurd $3.95 a box. There’s a remote
chance Mary, while pondering lilies, would get sidetracked
by a voicemail from her agent. Even Mary Oliver spaces out
on occasion and forgets to turn off her phone. Her days start
before dawn; wouldn’t she sometimes have episodes
of thinking, “To hell with the swan, I’m going to watch episodes
of Lost in bed all day?” It must be exhausting to be mystical
all the time, having to think up poems that start
with a smelly turtle and end with the glory of the soul. The remote,
sleek as an otter, lolls on her nightstand, calling out
for her to take just this one morning off, to follow the tracks
of Matt Lauer and Dr. Phil instead of mucky tracks
left in the marsh by tick-ridden deer. Euphoric episodes
bound like grasshoppers through St. Mary’s poems, but out
in nature there must be days when nothing is special, when mystical epiphanies can’t break through the clouds. Is Mary ever so remote from it all that touching a leaf leaves her blank?
Does she start to get frantic, to fear she’s lost the connection?
She starts picturing herself in a smock with a nametag,
cleaning finger tracks off the automatic doors while wearing Mona Lisa’s remote smile, a smile barely wide enough to keep her employed. Fighting episodes of despair, she can’t figure out how to turn a shopping cart into a mystical symbol for death—piece of cake for most poets, but not for our Mary, out
there with the flora and fauna, not remotely accustomed to the episodes comprising life for those of us not “married to amazement,” the unmystical singles’ club, sidetracked by diversions. We start toward the door, but we rarely make it out.
~Christine Heppermann, “Pure” from Poisoned Apples: Poems for You, My Pretty
Moose Tracks ice cream has nothing on Tillamook Mudslide ice cream. And I can quote Simon and Garfunkel but not Led Zeppelin. Cracker Barrel Mac n Cheese is better than any other. If I’m going to take a day to get lost in a binge of streaming episodes, it is most likely going to be Outlander. And I don’t fuss about my hair.
I am well aware I fall far short from the example set by Mary Oliver, Jane Kenyon, Annie Dillard and others for whom writing became a mystical passion of self-discovery in their observation of creation and search for understanding of the Creator.
As someone who as a child could spend hours fascinated by the tiniest bug or follow ant tracks through the woods or catch pollywogs in the creek or lie motionless in a hideaway of tall grass watching clouds roll by on a summer afternoon, I can easily be accused of way too much “blissing out” on sunrises and sunsets as I walk through my days on earth.
The reality is something completely different. I compose my writing and photos as I go about my day, whether it is scooping manure in the barn, taking quick breaks to see how the light is changing outside, or gardening, or hanging up the laundry on the clothesline. I pull over on my way to work for a quick picture if something catches my eye. A trip to the grocery store offers opportunities for a back-roads drive to see how the surrounding cornfields are growing and raspberries are ripening. When I’m fortunate, I’ll spot an eagle in a roadside tree or a new calf nursing.
So every day is a new exploration of what is in my own backyard, not remotely mystical but simply there to be seen and mused over. Rather than married to amazement, I’m attracted to the remarkably mundane. But it does mean I need to walk out the door to meet it head-on.
All this time
The sun never says to the earth,
With a love like that,
It lights the
~Daniel Ladinsky, from “The Gift”
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