Remember Dad’s Tree House?

Remember the tree house?
I suppose that was less us
than perhaps the music
at church, or the car—my bad,
bad cars. But remember anyway.

There were the grass fires
we saw when I was young.
You don’t know this yet, but
I’ve written about them,
the smell of smoke and vanilla.

The business trips you took
us on. The short stories said
while waiting at the post office.
How you tried to convince us
that camping was fun; it was

in retrospect. The tree house,
hung from an ageless pine,
provided a new perspective
on everything I saw from ground-
level, our whole backyard.

~David K. Wheeler “Father’s Day” from Contingency Plans

To every man
His treehouse,
A green splice in the humping years,
Spartan with narrow cot
And prickly door.

To every man
His twilight flash
Of luminous recall
of tiptoe years
in leaf-stung flight;

To every man
His house below
And his house above—
With perilous stairs
Between.

~James Emmanuel from “The Treehouse”

photo by Dan Gibson

My father’s treehouse dream is thirty years old this summer, lonesome and empty in our front yard, a constant reminder of his own abandoned Swiss Family Robinson dreams. Over the years, it has been the setting for a local children’s TV show, laser tag wars, sleep overs and tea parties, even briefly my writer’s retreat with a deck side view of the Cascades to the east, the Canadian Coastal Range to the north and Puget Sound to the west.

Now it is a sad shell no longer considered safe, as the support branches in our 110+ year old walnut tree are weakening with age and time. It is on our long list of farm restoration projects, but other falling down buildings must be prioritized first.

My father’s treehouse idea began in February 1995 when our sons were 8 and 6 years old and our daughter just 2. We had plenty of recycled lumber on our old farm and a perfect front yard walnut tree. Dad, retired from his desk job and having recently survived a lymphoma diagnosis and treatment, had many previous daunting building projects to his credit, and a few in his mind that he was yet to get to. He was eager to see what he could construct for his grandkids by spring time. He doodled out some sketches of what might work in the tree, and contemplated the physics of a 73 year old man scaling a tree vs. building on the ground and hoisting it up mostly completed. I got more nervous the more I thought about it and hoped we could consider a project less risky, and hoping the weather wouldn’t clear enough for construction to start any time soon.

The weather cleared as simultaneously my father’s health faded. His cancer relapsed and he was sidelined with a series of doctor’s appointments, hospitalizations and treatment courses. He hung on to that hope of getting the treehouse going by summer, still thinking it through in his mind, still evaluating what he would need to buy to supplement the materials already gathered and piled beneath the tree. In the mean time he lost physical strength day by day.

His dream needed to proceed as he fought his battle, so I borrowed library books on treehouses, and hired two college age brothers who lived down the road to get things started. I figured if my dad got well enough to build again, at least the risky stuff could be already done by the young guys. These brothers took their job very seriously. They pored over the books, took my dad’s plans, worked through the details and started in. They shinnied up the tree, put up pulleys on the high branches and placed the beams, hoisting them by pulling on the ropes with their car bumper. It was working great until the car bumper came off.

I kept my dad updated long distance with photos and stories. It was a diversion for him, but the far off look in his eye told me he wasn’t going to be building anything in this world ever again. He was gone by July. The treehouse was done a month later. It was everything my dad had hoped for, and more. It had a deck, a protective railing, a trap door, a staircase. We had an open tree celebration and had 15 neighbors up there at once. I’m sure dad was sipping lemonade with us as well, enjoying the view.

Now all these years later, the treehouse is tilting on its foundation as the main weight bearing branch is weakening. We’ve declared it condemned, not wanting to risk an accident.  As I look out my front window, it remains a daily reminder of past dreams fulfilled and unfulfilled. Much like my father’s body, the old walnut tree is weakening, hanging on by the roots, but its muscle strength is failing. It will, some winter, come down in one of our frequent fierce windstorms, just as its nearby partner did decades ago.

The treehouse dream branched out in another way. One of the construction team brothers decided to try building his own as a place to live in his woods, using a Douglas Fir tree as the center support and creating an octagonal two story home, 30 feet off the ground. He worked on it for two years and moved in, later marrying someone who decided a treehouse was just fine with her, and for 25+ years, they’ve been raising five children there. Those treehouse kids have worked for me on our farm, a full circle feeling for me. This next generation is carrying on a Swiss Family Robinson dream that began in my father’s mind and our front yard.

I still have a whole list full of dreams myself, some realized and some deferred by time, resources and the limits of my imagination. I feel the clock ticking too, knowing that the years and the seasons slip by me faster and faster. I passed the age my father was when he first learned he had cancer. It would be a blessing to me to see others live out the dreams I have held so close.

Like my father, I will some day teeter in the wind like our old tree, barely hanging on. When ready to fall to the ground, I’ll reach out with my branches and hand off my dreams too. The time will have come to let them go.

Thank you, Dad, for handing me yours.

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No Reason to Fear

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

José was our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

On our last visit, when Lucy was fifteen
And getting creaky herself,
One of the nurses said to me,
“Why don’t you take the cat to Mrs. Harris’ room
— poor thing lost her leg to diabetes last fall —
she’s ninety, and blind, and no one comes to see her.”

The door was open. I asked the tiny woman in the bed
if she would like me to bring Lucy in, and she turned her head
toward us. “Oh, yes, I want to touch her.”

“I had a cat called Lily — she was so pretty, all white.
She was with me for twenty years, after my husband died too.
She slept with me every night — I loved her very much.
It’s hard, in here, since I can’t get around.”

Lucy was settling in on the bed.
“You won’t believe it, but I used to love to dance.
I was a fool for it! I even won contests.
I wish I had danced more.
It’s funny, what you miss when everything…..is gone.”

This last was a murmur. She’d fallen asleep.
I lifted the cat
from the bed, tiptoed out, and drove home.
I tried to do some desk work
but couldn’t focus.

I went downstairs, pulled the shades,
put on Tina Turner
and cranked it up loud
and I danced.

I danced.
~Alice N. Persons
Meadowbrook Nursing Home From Don’t Be A Stranger  (Sheltering Pines Press, 2007)

photo by Lea
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More Precious than Roses

I am not resigned to the shutting away
of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look,
the laughter, the love,—
They are gone. They are gone to feed the roses.

Elegant and curled
Is the blossom.

Fragrant is the blossom. I know.
But I do not approve. 
More precious was the light in your eyes

than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

~Edna St. Vincent Millay “Dirge Without Music”

Each Memorial Day weekend without fail,
we gather with family, have lunch, reminisce,
and trek to a cemetery high above Puget Sound
to catch up with our relatives who lie there, still.

Some for over 110 years, some for barely more than a decade,
some we knew and loved and miss every day,
others not so much as they are unknown to us
except on genealogy charts,
names and dates and stones and stories:

the red-haired great-grandmother who died too young,
the aunt who was eight when lymphoma took her,
the grandmother who dreamed of world travel too late,
the great-grandfather Yukon river boat captain,
the grandfather logger and stump farmer,
the great aunt unmarried school teacher who hid an oil well,
the two in-laws who forever lie next to each other
but could not co-exist in the same room while they lived and breathed.

Yet we know each of these
(as we know ourselves and others)

could be tender and kind, though flawed and broken,
had been beautiful and strong, though wrinkled and frail,
was hopeful and faithful, though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this
though I know:
So it is, so it has been, so it will be for me
someday.

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A Sentence That Changes Your Life

As we walk into words that have waited for us to enter them, so
the meadow, muddy with dreams, is gathering itself together

and trying, with difficulty, to remember how to make wildflowers.
Imperceptibly heaving with the old impatience, it knows

for certain that two horses walk upon it, weary of hay.
The horses, sway-backed and self important, cannot design

how the small white pony mysteriously escapes the fence everyday.
This is the miracle just beyond their heavy-headed grasp,

and they turn from his nuzzling with irritation. Everything
is crying out. Two crows, rising from the hill, fight

and caw-cry in mid-flight, then fall and light on the meadow grass
bewildered by their weight. A dozen wasps drone, tiny prop planes,

sputtering into a field the farmer has not yet plowed,
and what I thought was a phone, turned down and ringing,

is the knock of a woodpecker for food or warning, I can’t say.
I want to add my cry to those who would speak for the sound alone.

But in this world, where something is always listening, even
murmuring has meaning, as in the next room you moan

in your sleep, turning into late morning. My love, this might be
all we know of forgiveness, this small time when you can forget

what you are. There will come a day when the meadow will think
suddenly, water, root, blossom, through no fault of its own,
and the horses will lie down in daisies and clover. Bedeviled,
human, your plight, in waking, is to choose from the words

that even now sleep on your tongue, and to know that tangled
among them and terribly new is the sentence that could change your life.

~Marie Howe “The Meadow” from The Good Thief

I am constantly looking for the sentence that will change my life.

I search high and low:
in books, on tape, in sermons,
and in everyday conversation.

I listen.

I realize it will not be a brand new revelation.
Instead, it is a very very old sentence:

“I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”
John 8:12

I look for the Light in the most unexpected places, and if I find it, I always try to share it here…

What is a sentence that has changed your life?

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Burned Up With Beauty

i was talking to a moth
the other evening
he was trying to break into
an electric light bulb
and fry himself on the wires

why do you fellows
pull this stunt i asked him
because it is the conventional
thing for moths or why
if that had been an uncovered
candle instead of an electric
light bulb you would
now be a small unsightly cinder
have you no sense

plenty of it he answered
but at times we get tired
of using it
we get bored with the routine
and crave beauty
and excitement
fire is beautiful
and we know that if we get
too close it will kill us
but what does that matter
it is better to be happy
for a moment
and be burned up with beauty
than to live a long time
and be bored all the while
so we wad all our life up

into one little roll
and then we shoot the roll
that is what life is for
it is better to be a part of beauty
for one instant and then cease to
exist than to exist forever
and never be a part of beauty
our attitude toward life
is come easy go easy
we are like human beings
used to be before they became
too civilized to enjoy themselves

and before i could argue him
out of his philosophy
he went and immolated himself
on a patent cigar lighter
i do not agree with him
myself i would rather have
half the happiness and twice
the longevity
but at the same time i wish
there was something i wanted
as badly as he wanted to fry himself

archy (the cockroach)

~Don Marquis “The Lesson of the Moth”

One night a moth flew into the candle, was caught, burned dry, and held. I must have been staring at the candle, or maybe I looked up when a shadow crossed my page; at any rate, I saw it all…

Her moving wings ignited like tissue paper…

And then this moth essence, this spectacular skeleton, began to act as a wick. She kept burning. The wax rose in the moth’s body from her soaking abdomen to her thorax to the jagged hole where her head should be, and widened into flame, a saffron-yellow flame that robed her to the ground like any immolating monk. That candle had two wicks, two flames of identical height, side by side. The moth’s head was fire. She burned for two hours, until I blew her out.
~Annie Dillard from “The Death of the Moth” from Holy the Firm

The struggle was over.

The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

The moth having righted himself now lay most decently and uncomplainingly composed. O yes, he seemed to say, death is stronger than I am.
~Virginia Woolf from “The Death of a Moth”

I too would take half the happiness and twice the longevity over one moment of ecstasy.

But I admire the blind passion of a tiny creature who will beat itself senseless on a light bulb, or fly into a flame to become cinders, or struggle so hard to live upright rather than upside down, that it dies in the struggle.

Why are famous poets and essayists fascinated by the tiny deaths they witness on their front porches, in their kitchens or at their writing desk?

Death is never tiny at all.
Nevertheless, death is ceasing to be,
after a unique and intentional creation,
whether a moth, a mother, or ourselves.

We live today. Look for a moment of beauty to enjoy.
Let’s be sensible about what we want so badly.
As one tiny part of matter, we matter.
And when we die, it is never a tiny death.

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Lyrics:
A day may come that asks of us all we have to give:
a day we never would have sought and yet we have to live.
If it should be our destiny to live in such a day,
let our faith and love be worthy of the ones who showed the way.
The ones we now call heroes
The ones we say their memory will not die –
they were no different in their day than you or I.
They were no different in their day. than you or I.
~Grahame Davies

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Where You Go, I Will Go: We Need More Cow Bell

We come across a ridge and hear
a cowbell in the cove beyond,
a tinkle sweetening the air
with vague rubato as the breeze
erases tones and then the notes
resume like echoes from the past
or from a cave inside the cliff,
a still, calm voice in dialect
and keeping its own company,
both out of time and long as time,
both here and from a higher sphere,
as if the voice of history
were intimate as memory.

~Robert Morgan “Cowbell”

Over my head, I see the bronze butterfly,   
Asleep on the black trunk,
Blowing like a leaf in green shadow.   
Down the ravine behind the empty house,   
The cowbells follow one another   
Into the distances of the afternoon.   
To my right,
In a field of sunlight between two pines,   
The droppings of last year’s horses   
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.   
A chicken hawk floats over, looking for home.
I have wasted my life.
~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”

photo by Kate Steensma from Steensma Creamery

One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our small family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.

When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.

This was divine music that soothed and reassured me and I felt I could follow it anywhere. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers.

There are moments when I believe we are hearing what heaven must sound like.

Now, seven decades later, the soft harmony of cowbells is replaced by the random chords of wind chimes hanging outside our house.

The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.

But I still need more cowbell…

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

and because there is always a need for more cowbell…

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Where You Go, I Will Go: Anticipating the Thaw

March. I am beginning
to anticipate a thaw. Early mornings
the earth, old unbeliever, is still crusted with frost
where the moles have nosed up their
cold castings, and the ground cover
in shadow under the cedars hasn’t softened
for months, fogs layering their slow, complicated ice
around foliage and stem
night by night,

but as the light lengthens, preacher
of good news, evangelizing leaves and branches,
his large gestures beckon green
out of gray. Pinpricks of coral bursting
from the cotoneasters. A single bee
finding the white heather. Eager lemon-yellow
aconites glowing, low to the ground like
little uplifted faces. A crocus shooting up
a purple hand here, there, as I stand
on my doorstep, my own face drinking in heat
and light like a bud welcoming resurrection,
and my hand up, too, ready to sign on
for conversion.
~Luci Shaw “Revival” from What the Light was Like

A few remaining hints of frost
drip with rain,
the frozen ground oozing
with mud and mire.

This morning has a hint of fragrance
as buds dare to peek open, testing the air.

I wake to dawn’s fiery burning light
I hear beckoning eagle chatter and frog chorus

I follow the sun wherever it may appear,
so eager for warmth and revival, grateful to be alive to notice.

The thaw is at hand; a new day is aching to bloom.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: An Ache Like Homesickness

When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Things

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming to
a choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness
as she wept for wonder
at the sad beauty of the music
that spoke for her
the words she could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wandered where we wander.

For our present troubles are small and won’t last very long. Yet they produce for us a glory that vastly outweighs them and will last forever! So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever
2Corinthians 4:17-18

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: What is this Quintessence of Dust?

What a piece of work is a man!
And yet, to me, what is this quintessence of dust?
~ William Shakespeare – Hamlet’s soliloquy

God –
the God who made the dust,
who made the stars,
who made the elements of which we are composed –
that same God chooses from the beginning to make his dwelling among us,

to live for all time like us,
as a servant of the soil.
I am the dust of the earth,
but God declares that he is not too good,
not too proud,
for my dustiness.
~Daniel Stulac from
 Plough Quarterly No. 4: Earth

What I know for sure is this:
We come from mystery and we return to mystery.
I arrived here with no bad memories of wherever I’d come from,
so I have no good reason to fear the place to which I’ll return.
And I know this, too:

Standing closer to the reality of death
awakens my awe at the gift of life.
~Parker Palmer “On the Brink of Everything

 …I do nothing, I give You
nothing. Yet You hold me

minute by minute
from falling.

~Denise Levertov from Psalm Fragments (Schnittke String Trio), in The Stream and the Sapphire

This dust left of man:
earth, air, water and fire
prove inadequate
to quell the significance of how,
in spoken words at the beginning,
this dust became us, and
how, forevermore,
this is holy dust we leave behind.

We are held secure from falling
by transcendent hope
of eternal life,
restored by a glory
breathed into us –
such a piece of work we are
the plainest of ash.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: Savor the Bitterness of Earth and Ashes

This is a litany to earth and ashes,
to the dust of roads and vacant rooms,
to the fine silt circling in a shaft of sun,
settling indifferently on books and beds.
This is a prayer to praise what we become,
“Dust thou art, to dust thou shalt return.”
Savor its taste—the bitterness of earth and ashes.

~Dana Gioia from “The Litany”

I will show you fear in a handful of dust.
~T.S. Eliot from “The Wasteland”

…let us be marked
not for sorrow.
And let us be marked
not for shame.
Let us be marked
not for false humility
or for thinking
we are less
than we are

but for claiming
what God can do
within the dust,
within the dirt,
within the stuff
of which the world
is made,
and the stars that blaze
in our bones,
and the galaxies that spiral
inside the smudge
we bear.

~Jan Richardson from “Blessing the Dust” in Circle of Grace

God’s people are reminded today, through dust and ashes,
that our stay here is temporary.

This reality recently became very clear to me.
So I follow Christ where He goes,
He paused to gather me in – one more lost sheep.

This earth quakes and floods and burns and shatters,
as does my frail human heart in all its dustiness.

His light splinters, spilling into colors and hues through that misty veil -God’s people are smudged with no longer bitter ash,
no longer opaque, but shining luminous and eternal and glorious.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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