For grace to be grace, it must give us things we didn’t know we needed and take us places where we didn’t know we didn’t want to go. ~Kathleen Norris from Cloister Walk
Sap withdraws from the upper reaches of maples; the squirrel digs deeper and deeper in the moss to bury the acorns that fall all around, distracting him.
I’m out here in the dusk… where the wild asters, last blossoms of the season, straggle uphill. Frost flowers, I’ve heard them called. The white ones have yellow centers at first: later they darken to a rosy copper. They’re mostly done. Then the blue ones come on. It’s blue all around me now, though the color has gone with the sun.
There is no one home but me— and I’m not at home; I’m up here on the hill, looking at the dark windows below. Let them be dark…
…The air is damp and cold and by now I am a little hungry… The squirrel is high in the oak, gone to his nest , and night has silenced the last loud rupture of the calm. ~Jane Kenyon from “Frost Flowers”
Even when the load grows too heavy, when misery rolls in like a fog that covers all that was once vibrant,
even then even then
there awaits a nest of nurture, a place of calm where the tired and hungry are fed.
We who are empty will be filled; we who are weary will be restored.
One-Time
Monthly
Yearly
Make a one-time or recurrent donation to support daily Barnstorming posts
The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening. It is a little star-dust caught, a segment of the rainbow which I have clutched. ~Henry David Thoreaufrom Walden
In the beginning was the Word, and the Word was with God, and the Word was God. John 1:1
Painting the indescribable with words necessitates subtlety, sound and rhythm.
The best word color portraits I know are by Gerard Manley Hopkins who created pictures through startling word combinations:
I understand how difficult it is to harvest daily life using ordinary words. Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible — yet nevertheless very real.
I keep reaching for understanding, searching for the best words to share here: those that are ephemeral color yet eternal, and very very real.
After all, in the beginning was the Word, and there is no better place to start with its promise.
I’ll be reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore the promise together.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
My mother and I debate: we could sell the black walnut tree to the lumberman, and pay off the mortgage. Likely some storm anyway will churn down its dark boughs, smashing the house. We talk slowly, two women trying in a difficult time to be wise. Roots in the cellar drains, I say, and she replies that the leaves are getting heavier every year, and the fruit harder to gather away. But something brighter than money moves in our blood – an edge sharp and quick as a trowel that wants us to dig and sow. So we talk, but we don’t do anything.
What my mother and I both know is that we’d crawl with shame in the emptiness we’d made in our own and our fathers’ backyard. So the black walnut tree swings through another year of sun and leaping winds, of leaves and bounding fruit, and, month after month, the whip- crack of the mortgage. ~Mary Oliver from “The Black Walnut Tree” from Twelve Moons
photo by Dan Gibson
We bought this old farm thirty-five years ago: the Lawrence family’s “Walnut Hill Farm” – a front yard lined with several tall black walnut trees brought as seedlings in a grandfather’s suitcase from Ohio in the ought-1900’s.
These trees thrived for nearly a century on this hilltop farm overlooking the Canadian mountains to the north, the Nooksack River valley to the west, the Cascade peaks to the east, each prolific in leaves and prodigious in fruit.
The first year we were here, a windstorm took one tree down. A neighbor offered to mill the twisted trunk for shares. The fallen tree became planks of fine grained chocolate-hued lumber.
This old tree is the back facing of our oak door cupboards, a daily reminder of a legacy left behind~ sturdy even if imperfect, still beautiful to the eye and the heart.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
That year I discovered the virtues of plants as companions: they don’t argue, they don’t ask for much, they don’t stay out until 3:00 A.M., then lie to you about where they’ve been….
I can’t summon the ambition to repot this grape ivy, of this sad old cactus, or even to move them out onto the porch for the summer, where their lives would certainly improve. I give them a grudging dash of water – that’s all they get. I wonder if they suspect that like Hamlet I rehearse murder all hours of the day and night, considering the town dump and compost pile as possible graves….
The truth is that if I permit them to live, they will go on giving alms to the poor: sweet air, miraculous flowers, the example of persistence. ~Jane Kenyon “Killing the Plants”from The Boat of Quiet Hours
During my dorm-room years and city apartment dwelling days, this farm girl had to reconcile that no pets were allowed, so I surrounded myself with an indoor garden, every square inch of window sill occupied by a living thing whose survival depended only partially on me.
Those plants sustained me, cheered me, moved me, carried by me to new windows with better light and grander views.
Despite my occasional neglect, they usually persisted, often thrived, and gave back to my shriveled city spirit far beyond any water or repotting I offered.
A start from my grandmother’s old fern divided decades earlier from her cousin’s plant, originally a start from a long-passed auntie, this 100 year old fern traveled far and wide with me until it dried up, turned brown and gave up the ghost.
Having given a start to my sister years before, she divided it so the fern came back home staying happily green in my kitchen window.
Somehow these miracles in chlorophyll knew just what I needed when I needed it: they fed me when I was starving for something alive, something beautiful, something that knew exactly what to do and what to become when I had no clue what would happen next.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink. ~G.K. Chesterton
Norman Rockwell’s 1951 painting Saying Grace
Chesterton has it right. No matter what I embark on, I should say grace first. Even my breathing, my waking, and my sleeping. Even the brilliance right outside my back door.
Continual and constant thanks and praise to the Creator for all things bright and beautiful, and helping us through the dark times.
Instead I am plagued with inconstancy and inconsistency, with a stubborn tendency to take it all for granted.
As I “dip pen in ink” this morning, join me in saying grace:
He is worthy. Amen and Amen.
Even more so. Ever more now.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
The world does not need words. It articulates itself in sunlight, leaves, and shadows. The stones on the path are no less real for lying uncatalogued and uncounted. The fluent leaves speak only the dialect of pure being…
The sunlight needs no praise piercing the rainclouds, painting the rocks and leaves with light, then dissolving each lucent droplet back into the clouds that engendered it. The daylight needs no praise, and so we praise it always– greater than ourselves and all the airy words we summon. ~Dana Giola from “Words”
The words the world needs is only the Word itself; we exist because He breathed breath into us, saying it was good.
Whatever we have to say about His Creation pales compared to His it is good
But we try over and over again to use words of wonder and praise to express our awe and gratitude and amazement while painted golden by His breath of Light.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
I like the lady horses best, how they make it all look easy, like running 40 miles per hour is as fun as taking a nap, or grass. I like their lady horse swagger, after winning. Ears up, girls, ears up! But mainly, let’s be honest, I like that they’re ladies. As if this big dangerous animal is also a part of me, that somewhere inside the delicate skin of my body, there pumps an 8-pound female horse heart, giant with power, heavy with blood. Don’t you want to believe it? Don’t you want to lift my shirt and see the huge beating genius machine that thinks, no, it knows, it’s going to come in first. ~Ada Limón “How to Triumph Like a Girl”
Primarily from my college training in animal behavior, I have an appreciation for social cues, both human and non-human: those often nonverbal signals that are communicated through subtle means–in people, perhaps it is a raised eyebrow, a rapid blink, a tensing of the lips, a fidgeting foot.
When I studied captive and wild chimpanzees, they showed very familiar facial expressions and nonverbal communication that could be understood readily by a human primate.
In horses, it can be harder to interpret but their nonverbal language is there for all to see. The herdmates and the human handler, with careful observation and interpretation, should not be surprised about “what is going to happen next.”
It is no mystery.
I don’t consider Haflinger horses particularly subtle in their communication with each other or with humans. They can tend to have a “bull in a china shop” approach to life; this is not a breed that evolved particularly plagued with the existence of many predators in the Austrian Alps, so the need to blend into the background was minimal. Haflingers tend to be “out there”: unafraid, bold, meeting one’s gaze, and curious what the human is thinking.
I’ve found over the years that the best way to interpret a Haflinger’s emotions is by watching their ears, and to a lesser extent, their lips and tails. They usually have “poker face” eyes, deceptive at times in their depth, calmness and serenity. I tend to get lost in the beauty of their eyes and not pay attention to what the rest of the horse is saying.
Watching them interact with each other, almost everything is said with their ears. A horse with a friendly approach has ears forward, receptive, eager. If the horse being approached is welcoming, the ears are relaxed. Two good friends grooming or grazing together have swiveling, loose ears, often pointing toward each other, almost like a unique conversation between the four ears themselves. So when a Haflinger is happy to approach, or be approached by humans, the ears always say so.
Ears that are swiveling back, tensing and tight, or pinning are another story altogether. It is the clear signal of “get outta my way!”, or “you are not sharing this pile of hay with me” or “you may think you are a cute colt, but if you climb on me one more time…”
Ears can signal impatience “you are not getting my grain fast enough”, or “I’ve been standing here tied for too long!” A simple change in ear position can cause a group of horses to part like the Red Sea.
I owned a mare who was orphaned at 3 days of age, and spent her early weeks with intensive handling by people, and then allowed to socialize with a patient older gelding until she was old enough to be among other weanlings. When she came to our farm at 6 months of age, she had not learned all the usual equine social cues of a mare herd, and though very astute at reading human gestures and behavior, took awhile to learn appropriate responses. When turned out with the herd, she was completely clueless–she’d approach the dominant alpha mare incorrectly, without proper submission, get herself bitten and kicked and was the bottom of the social heap for years, a lonesome little filly with few friends and very few social skills.
She had never learned submission with people either, and had to have many remedial lessons on her training path. Once she was a mature working mare, her relationship with people markedly improved as there was structure to her work and predictability for her, and after having her own foals, she picked up cues and signals that helped her keep her foal safe, though she has always been one of our most relaxed “do whatever you need to do” mothers when we handle her foals as she simply never learned that she needed to be concerned.
Over the years, as the herd changed, this mare became the alpha mare, largely by default and seniority, so I don’t believe she really trusted her position as “real”. She tended to bully, and react too quickly out of her own insecurity about her inherited position. She was very skilled with her ears but she is also a master at the tail “whip” and the tensed upper lip–no teeth, just a slight wrinkling of the lip. The herd scattered when they see her face change.
The irony of being on top of the herd hierarchy: she was more lonely than when she was at the bottom. She was a whole lot less happy as she had few grooming partners any more. She craved power more than friends.
I certainly see people like this at times in the world. Some are not at all attuned to social cues, blundering their way into situations without understanding the consequences and “blurting without thinking”. It takes lots of kicks and bites for them to learn how to read other people and behave appropriately. Sometimes they turn to bullying because it is communication that everyone understands and responds to, primarily by “getting out of their way”. Perhaps they are very lonely, insecure, and need friends but their need for power overcomes their need for support.
We see this too frequently in people in our news headlines.
I continue to “watch the ears”–both Haflinger and human. And I continue to refine my own way of communicating so that I’m not a mystery to those around me. Hopefully no one scatters when they see me coming…
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
October’s bellowing anger breaks and cleaves The bronzed battalions of the stricken wood In whose lament I hear a voice that grieves For battle’s fruitless harvest, and the feud Of outraged men. Their lives are like the leaves Scattered in flocks of ruin, tossed and blown Along the westering furnace flaring red. O martyred youth and manhood overthrown, The burden of your wrongs is on my head. ~Siegfried Sassoon “Autumn”(about his time in the trenches in WWI)
Over more than a century, we have learned little about how to resolve the bellows of outraged men.
The fruitless harvest of battle, counting up each violent death, as warships gather for unsanctioned war games.
Lament the tossing and blowing of lives like October leaves, in a show of force as transient and arbitrary as the wind, merely to make a fruitless point…
to what end are the feuds of angry men?
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
~Lustravit lampade terras~ (He has illumined the world with a lamp) The weather and my mood have little connection. I have my foggy and my fine days within me; my prosperity or misfortune has little to do with the matter. – Blaise Pascal from “Miscellaneous Writings”
And so you have a life that you are living only now, now and now and now, gone before you can speak of it, and you must be thankful for living day by day, moment by moment … a life in the breath and pulse and living light of the present… ~Wendell Berry from Hannah Coulter
Early morning, everything damp all through. Cars go by. A ripping sound of tires through water. For two days the air Has smelled like salamanders. The little lake on the edge of town hidden in fog, Its cattails and island gone. All through the gloom of the dark week Bright leaves have been dropping From black trees Until heaps of color lie piled everywhere In the falling rain. ~Tom Hennen “Wet Autumn” from Darkness Sticks to Everything.
An absolute patience. Trees stand up to their knees in fog. The fog slowly flows uphill. White cobwebs, the grass leaning where deer have looked for apples. The woods from brook to where the top of the hill looks over the fog, send up not one bird. So absolute, it is no other than happiness itself, a breathing too quiet to hear. – Denise Levertov “The Breathing“
Worry and anger and angst can be more contagious than the flu.
I want to mask up and wash my hands of it throughout the day. There should be a vaccination against the fear of reading headlines.
I want to say to myself: Stop now, this moment in time. Stop and stop and stop.
Stop needing to be numb to all discomfort. Stop resenting the gift of each breath. Just stop. Instead, simply be still, in this moment
I want to say to myself: this moment, foggy or fine, is yours alone, this moment of weeping and sharing and breath and pulse and light.
Shout for joy in it. Celebrate it. I am alive in it, even in worry.
Be thankful for tears that flow over grateful lips just as rain clears the fog. Stop holding them back.
Just be– be blessed in both the fine and the foggy days– in the now and now and now.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
The rain falls and falls cool, bottomless, and prehistoric falls like night — not an ablution not a baptism just a small reason to remember all we know of Heaven to remember we are still here with our love songs and our wars…
Here too in the wet grass half a shell of a robin’s egg shimmers blue as a newborn star fragile as a world. ~Maria Popova from “Spell Against Indifference”
…I had sat down to rest with my back against a stump. Through accident I was concealed from the glade, although I could see into it perfectly.
The sun was warm there, and the murmurs of forest life blurred softly away into my sleep. When I awoke, dimly aware of some commotion and outcry in the clearing, the light was slanting down through the pines in such a way that the glade was lit like some vast cathedral. I could see the dust motes of wood pollen in the long shaft of light, and there on the extended branch sat an enormous raven with a red and squirming nestling in his beak.
The sound that awoke me was the outraged cries of the nestling’s parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment, and sat still. Up to that point the little tragedy had followed the usual pattern.
But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents.
No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death.
And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable.
The sighing died. It was then I saw the judgment. It was the judgment of life against death. I will never see it again so forcefully presented. I will never hear it again in notes so tragically prolonged.
For in the midst of protest, they forgot the violence.
There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing.
They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death. ~Loren Eiseley from The Star Thrower
Each of us at times are as vulnerable as a nestling, just hatched. The world is full of those who would eat us for lunch and do.
The world is also full of those who grieve and lament the violence that surrounds us, the tragedy of lives lost, the unending wars, the bullies and the bullied.
But the bird of death does not have the final word. He will soon be forgotten, forever sidelined as we reject what he and others like him represent.
Our cries of lament, our protests of violence transform into a celebration of life – we do not abandon all we have lost, but no longer allow any more to be stolen from us.
Only then may grief’s shadow be overwhelmed by joy.
One-Time
Monthly
Yearly
Make a one-time or recurring donation to support daily Barnstorming posts
Barnstorming 