An Advent Threshold: For the Growing Grey

Autumn
Was certainly not winter, scholars say,
When holy habitation broke the chill
Of hearth-felt separation, icy still,
The love of life in man that Christmas day.
Was autumn, rather, if seasons speak true;
When green retreats from sight’s still ling’ring gaze,
And creeping cold numbs sense in sundry ways,
While settling silence speaks of solitude.
Hope happens when conditions are as these; 
Comes finally lock-armed with death and sin,
When deep’ning dark demands its full display.
Then fallen nature driven to her knees
Flames russet, auburn, orange fierce from within,
And brush burns brighter for the growing grey.
~David Baird “Autumn”

We have become so accustomed to the idea of divine love and of God’s coming at Christmas that we no longer feel the shiver of fear that God’s coming should arouse in us.

We are indifferent to the message, taking only the pleasant and agreeable out of it and forgetting the serious aspect, that the God of the world draws near to the people of our little earth and lays claim to us.

The coming of God is truly not only glad tidings, but first of all frightening news for everyone who has a conscience.
~Dietrich Bonhoeffer from Watch for the Light

The shepherds were sore afraid. So why aren’t we?

The scholars say Christ was most likely born in the autumn of the year ~ so fitting, as our reds and oranges fade fast to grey as we descend into this wintering world on the threshold of dying, crying out for resuscitation. 

Murderous frosts and falling snow have wilted down all that was flush with life and we become desperate for hope for renewal.

And so this babe has come like a refiner’s fire to lay claim to us and we feel the heat of His embrace – in the middle of the chill, in the middle of our dying – no matter what time of year.

He finds us in our liminal moment of transition.

Hope happens when conditions are as these…

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—

with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

1. Father, enthroned on high—―Holy, holy!
Ancient eternal Light—hear our prayer.

REFRAIN
Come, O Redeemer, come;
grant us mercy.
Come, O Redeemer, come;
grant us peace.

2. Lord, save us from the dark of our striving,
faithless, troubled hearts weighed down. REFRAIN

3. Look now upon our need; Lord, be with us.
Heal us and make us free from our sin. REFRAIN

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Harboring Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

One of my greatest joys is watching our farm’s plants as days become weeks, then months, and as years flow by, the seasons’ palettes repeat endlessly.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I am comforted things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of soil conditions and seasonal change: they bloomed a darker burgundy color this year, with fewer blue tones. Their blooms always fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I collect joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue as I too fade.

I am only a recorder of fact, documenting as long as I’m able.

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For a Moment, the World Wakes Up

                       1

Every October it becomes important, no, necessary
to see the leaves turning, to be surrounded
by leaves turning; it’s not just the symbolism,
to confront in the death of the year your death,
one blazing farewell appearance, though the irony
isn’t lost on you that nature is most seductive
when it’s about to die, flaunting the dazzle of its
incipient exit, an ending that at least so far
the effects of human progress (pollution, acid rain)
have not yet frightened you enough to make you believe
is real; that is, you know this ending is a deception
because of course nature is always renewing itself—

        the trees don’t die, they just pretend,
go out in style, and return in style: a new style.

                        3

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning. You’re on fire. Your eyes are on fire.
It won’t last, you don’t want it to last. You
can’t stand any more. But you don’t want it to stop.
It’s what you’ve come for. It’s what you’ll
come back for. It won’t stay with you, but you’ll

        remember that it felt like nothing else you’ve felt
or something you’ve felt that also didn’t last.
~Lloyd Schwarz from “Leaves”

The world wakes up and comes to, with vivid, overwhelming color
for a moment before it dies.

The landscape is simply acting out its part, perhaps just pretending.
Nothing is really dying, just taking a nap under a brilliant blanket.

Rest well. See you next year.

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The Seasons, They Go Round and Round



It’s deep time here, this barrow grave five thousand years old,
where we follow like sheep behind the guide to the heart
of its cruciform center.


I’ve never been in a space so dark.
What was it like to fear that the sun would not return,
that crops would wither, deer flee,

that night’s dark cloak was all there was?

But miraculously, on the lip of the solstice,
the light returned, liquid and golden,

ran down the narrow corridor,
hit the back wall, splashed in the stone basin,

and they knew summer would come back, run to fruit.
Light, dark, freeze, thaw, seedtime,
harvest, wheel of the year, the spiral dance.

What would they make of our device-laden lives,
fossil-fueled cars, over-stocked larders?
Who stands in the dark and listens now, gaping at the stars?
— Barbara Crooker, “Newgrange” from The Book of Kells

Finnis Soutterain underground

Finnis Soutterain underground

There is nothing so dark as centuries-old underground tunnels and portal tombs, some positioned with an opening to capture a beam of light exactly at either the winter or summer solstice, illuminating what dwells in blackness the rest of the year.

The more recent ninth century soutterain tunnels were refuge for Christians hiding from invaders, keeping whole villages safe from capture.

The dolmens and portal graves are Neolithic structures built before the pyramids. They still exist today as they were constructed to last by people serious about their beliefs.Though those people are long dust, the stones and tunnels remain as they were, to protect the spirits of the departed.

What would they think now of our extravagance,
our plethora of goods and foods,
our ways of crippling others remotely
using weapons dropped from the sky,
but also the weapons of internet disinformation and hacking,
hallucinations and lies from artificial intelligence?

Our ways make stealing, pillaging, raping and enslaving strangers
seem so… messy.

We mustn’t fool ourselves. We are still messy.

We moderns are lost in our over-abundance of light year round, scarcely noting the calendar or the passing of the longest and shortest days.

I bow my head to the remarkable people of strength who have preceded us, who sought mightily to preserve the significance of a Light returning to penetrate their darkness.

Legananny Dolmen, Northern Ireland
Legananny dolmen
Kilfeaghan Dolmen
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Lyrics:
Daylight comes and nighttime goes, nighttime falls, day flies
Round and round the cycle goes,
we live and then we die and then we live and then we die.
The seasons of my life go round, the sunshine and the rain
The fallow and the fruitful days,
the joy and then the pain and then the joy and then the pain.
As light below, so light above, so light in all we see

The light is in the act of love, the light that sets us free,
yes, it’s the light that sets free.
Daylight comes…

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The Way I See the World

walnutshoot
dawn7250

Old friend now there is no one alive
who remembers when you were young
it was high summer when I first saw you
in the blaze of day most of my life ago
with the dry grass whispering in your shade
and already you had lived through wars
and echoes of wars around your silence
through days of parting and seasons of absence
with the house emptying as the years went their way
until it was home to bats and swallows
and still when spring climbed toward summer
you opened once more the curled sleeping fingers
of newborn leaves as though nothing had happened
you and the seasons spoke the same language
and all these years I have looked through your limbs
to the river below and the roofs and the night
and you were the way I saw the world
~W.S. Merwin “Elegy for a Walnut”
from The Moon Before Morning

Today I stood under the kitchen
archway and stepped into
my new body. Pasta was on the stove,
a cold Tupperware of string beans
on the counter. But I knew.
I knew I would never be the same—
the way I’m certain the magnolia
down the block has lost
all its petals. I haven’t checked
in days, but I’m convinced
tomorrow when I take my son
to the bus stop, I’ll see them
splashed on the sidewalk.
What I’m trying to say is
sometimes your old skin
falls breathlessly off your body
in late April, as you slice
a cucumber into half moons
for your child,
and you just stand there
and let it.

~Wendy Wisner “Shedding” from The New Life: Poems

dawn7254

This grand old tree defines the seasons for me
while it parallels my own aging.

This past winter’s storms took its branches down in the night
with deafening cracks so loud
I feared to see what remnant
remained in the morning.

Yet it still stands, intrepid,
ready for another round of seasons–
though tired, sagging, broken at the edges,
it’s always reaching to the sky.

aprilwalnut
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Richly Spiced Residue

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows…

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

~Mary Oliver from Fall Song

To let your body
love this world
that gave itself to your care
in all of its ripeness,
with ease,
and will take itself from you
in equal ripeness and ease,
is also harvest.
And however sharply
you are tested –
this sorrow, that great love –
it too will leave on that clean knife.
~Jane Hirshfield from “Ripeness” from “The October Palace”

What is left in the trees in November
is crumbling away:
bright while fading,
dimpling and softening,
composted in the rain.

Perhaps this describes me too.

More than just spicy residue dangling by a stem,
let me still feed whoever is hungry,
to thrive on what little I have left to offer.

Might I ripen a bit at harvest
before the inevitable drop,
to sleep enveloped by the ground.

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It Will Not Stay

It will not stay.

But this morning we wake to pale muslin
stretched across the grass.
The pumpkins, still in the fields, are planets
shrouded by clouds.
The Weber wears a dunce cap

and sits in the corner by the garage
where asters wrap scarves
around their necks to warm their blooms.
The leaves, still soldered to their branches
by a frozen drop of dew, splash
apple and pear paint along the roadsides.
It seems we have glanced out a window
into the near future, mid-December, say,
the black and white photo of winter
carefully laid over the present autumn,
like a morning we pause at the mirror
inspecting the single strand of hair
that overnight has turned to snow.
~Robert Haight “Early October Snow”

No snow here in the northwest yet this fall, but when we visited family in Denver last year during the last week of October, heavy snow had fallen overnight, then gone within a day.

It did not stay. But it did return.

I can catch a glimpse of the future if I pay attention. Sometimes it is too painful to acknowledge, so I quickly look away. That one thick white hair discovered at age 28 is now a full head of thin white at 70.

I need to be courageous about looking straight ahead through the veil of snow at how change takes place, whether it is the melting piles on the pumpkins, or the mop of white in the mirror topping my wrinkles.

And so it goes and so it goes…

It is as it is meant to be. It is as it must be.
I wouldn’t have it any other way.

those white hairs…
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Pure State of Light

How hard it is to take September
straight—not as a harbinger
of something harder.

Merely like suds in the air, cool scent
scrubbed clean of meaning—or innocent
of the cold thing coldly meant.

How hard the heart tugs at the end
of summer, and longs to haul it in
when it flies out of hand

at the prompting of the first mild breeze.
It leaves us by degrees
only, but for one who sees

summer as an absolute,
Pure State of Light and Heat, the height
to which one cannot raise a doubt,

as soon as one leaf’s off the tree
no day following can fall free
of the drift of melancholy.
~Mary Jo Salter “Absolute September”

Only nine days left of summer –
I search the skies for what might be left of it.

The mornings lighten later,
evenings darken sooner.

How can I not sadden at the change?

Yet this is where I am in life,
this time of bringing inside the garden and orchard
to savor and salvage before the rains come.

The light leaves behind ripened fruit of foraged memories;
in the darkening, its purity sweetens over time.

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As August Breaks

My mother, who hates thunder storms,
Holds up each summer day and shakes
It out suspiciously, lest swarms
Of grape-dark clouds are lurking there;
But when the August weather breaks
And rains begin, and brittle frost
Sharpens the bird-abandoned air,
Her worried summer look is lost,

And I her son, though summer-born
And summer-loving, none the less
Am easier when the leaves are gone
Too often summer days appear
Emblems of perfect happiness
I can’t confront: I must await
A time less bold, less rich, less clear:
An autumn more appropriate.

~Philip Larkin “Mother, Summer, I”

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor
 “August”

The endless clear skies of August
have been broken with clouds,
rain falling in warm gusts,
leaves landing on browned ground.

This summer ended up being simply too much –
an excess of everything bright and beautiful,
meant to make us joyful
yet bold and exhausting in its riches.

From endless hours of daylight,
to high rising temperatures,
to palettes of exuberant clouds
to fruitfulness and abundant blooms.

While summer always fills an empty void
after enduring cold spare dark days
the rest of the year,
I still depend on autumn returning.

I welcome darkening times back,
knowing how much I miss
those drear twilight months of longing
for the overwhelming fullness of summer.

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This song and video fits so well today – maybe a little weepy…

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Blurring of the Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer: where in the world is spring?
Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons can blur so profoundly, there is no telling whether it is fall or spring without a calendar. Are those trees just leafing out or trying to shed? Is the sunset’s golden glow from October light or April?

I can’t feel the movement of the earth under my feet. It needs to slow its spin on its axis and lengthen its orbital oval trip around the sun so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.

It is as it is.
It is meant to be this way.
Though it may be blurry to me,
it is clear and good and intentional to God.
He dares to answer as only He knows…

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