Window of the Unknown

Stay here at the precipice, quiet.
Quiet as the sun rises
over the rooftops
across the street
and the cats watch, rapt.
Quiet as the coffee deepens
its creamy sweet acidity.
How many mornings
have I woken like this, early
and called to listen
at the window of the unknown?
Sometimes it speaks to me.
Sometimes it listens back.

~Brooke McNamara “Listen Back” from Bury the Seed


Each dawn, I’m given a fresh chance and renewed focus.
As the hills are limned by morning light,
I face the unknowns in the shadows.
I am rapt, watching.
I am silent, listening.
I have much to say, but don’t.
It is enough to be here – a witness.

AI image generated for this post

When the dawn
O’er hill and dale
Throws her bright veil
Think of me!

When the laugh
With silver sound
Goes echoing round
Think of me!

When the rain
With starry show’rs
Fills all the flow’rs
Think of me!

When the wind
Sweeps along,
Loud and strong,
Think of me!

When the earth
Sleeping sound
Swings round and round
Think of me!

When the night
With solemn eyes
Looks from the skies
Think of me!
~Frances Anne Kemble

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Moss Balm

There is an ancient conversation going on between mosses and rocks, poetry to be sure. About light and shadow and the drift of continents. This is what has been called the “dialect of moss on stone – an interface of immensity and minuteness, of past and present, softness and hardness, stillness and vibrancy…

Learning to see mosses is more like listening than looking.
A cursory glance will not do it.
Mosses are not elevator music;
they are the intertwined threads of a Beethoven quartet.
~Robin Kimmerer from Gathering Moss: A Natural and Cultural History of Mosses

Most lie low, flourishing with damp,
harvesting sunlight, no commotion, moss
mouse-silent, even through wind and hail,
stoic through motors roaring fumes,
through fat-clawed bears grubbing.

They can soothe the knife-edges of stones
with frothy leaf by leaf of gray-green life,
and burned-ground mosses cover destruction,
charred stumps, trees felled and blackened.
Cosmopolitan mosses likewise salve
sidewalk cracks, crumbling walls.

They root in thin alpine air, on sedentary
sand dunes, cling to cliff seeps beneath
spilling springs. For rest, they make mats
on streamside banks, for pleasure produce silky
tufts, wavy brooms of themselves in woodlands
for beauty, red roof moss for whim, elf
cap, hair cap, sphagnum for nurturing.

No fossil record of note, no bone
history, so lenient they possess only
those memories remembered.

I believe they could comfort the world
with their ministries. That is my hope,
even though this world be a jagged rock,
even though this rock be an icy berg of blue
or a mirage of summer misunderstood
(moss balm for misunderstanding),
even though this world be blind and awry
and adrift, scattering souls like spores
through the deep of a starlit sea.

~Pattiann Rogers “The Moss Method”

To loosen with all ten fingers held wide and limber
And lift up a patch, dark-green,

the kind for lining cemetery baskets,
Thick and cushiony, like an old-fashioned doormat, 
The crumbling small hollow sticks on the underside

mixed with roots, 
And wintergreen berries and leaves still stuck to the top, —
That was moss-gathering. 
But something always went out of me

when I dug loose those carpets 
Of green, or plunged to my elbows

in the spongy yellowish moss of the marshes:
And afterwards I always felt mean,

jogging back over the logging road, 
As if I had broken the natural order of things in that swampland;
Disturbed some rhythm, old and of vast importance,
By pulling off flesh from the living planet;
As if I had committed, against the whole scheme of life,

a desecration. 
~Theodore Roethke, “Moss-Gathering” from Collected Poem
s

In this part of the world, mosses are everywhere. They are so much a part of the green backdrop, they are an invisible part of the scenery. Our lawn is simply moss carpet in some spots, and some shingles on roofs sprout verdant fuzz.

Trees and rocks are festooned with moss: draped, painted and garlanded. Moss rugs make bare-foot tree climbing a more comfy adventure with branches forming hairy armpits and cushiony crotches.

Moss softens sharp edges, forgives abrasive surfaces, heals the wounds and gaps and cracks. It becomes balm-like therapy for a struggling world which keeps baring its teeth in anger and misunderstanding.

I say let it grow: green, gentle, generous and grace-filled.
We all can use more of that.

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Letting It Go

Sometimes they
go outside, maybe


move a rosebush
to the back yard or


clean a window.
Usually they


simply stand,
under a maple


or in a snowfall.
And this is often


when they see
a nuthatch on its


dizzy route down
a trunk, or


the quick flick
of a chickadee


across the yard
and onto a branch.


They don’t do
much. That’s for


others. They know
how to take things


for granted, know
what to miss.


Every morning
they make breakfast.


And when the sun
sets, they let it go.

~Jack Ridl “The Neighbors” from Practicing to Walk Like a Heron

We are surrounded by acres of farmland, blessed by neighbors hard at work cherishing the land and buildings and animals they own. They don’t take anything for granted and strive to preserve a heritage of good stewardship. Even so, they know when to sit back to appreciate the rhythms of the seasons.

There is joy in simply watching time pass by.

The land continues to teach us all, through the sweet springs, the sweaty summers, the colorful autumns and harsh winter winds. We need each other when the snow drifts high on our driveways, the power goes out, the well runs dry, or the garden produces far more than we can just use ourselves.

And when the sun sets — well, we watch it with awe.

Another day of letting it go, grateful for what our gentle neighbors share with us – those who are next door, those just down the road, and I’m daily reminded of the generosity of those of you who take the time to stop by to read these words and say howdy.

To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
~Mary Oliver, “In Blackwater Woods”

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An Enormous Love

Be silent.
Be still.
Alone.
Empty
Before your God.
Say nothing.
Ask nothing.
Be silent.
Be still.
Let your God look upon you.
That is all.
God knows.
God understands.
God loves you
With an enormous love,
And only wants
To look upon you
With that love.
Quiet.
Still.
Be.

Let your God—
Love you.

~Edwina Gately “Let Your God Love You”

Now I am still
And plain:
No more words….

And deep in the darkness is God.
~Rainer Maria Rilke from The Inner Sky: Poems, Notes, Dreams

I know this happiness
is provisional:

the looming presences –
great suffering, great fear –

withdraw only
into peripheral vision:

but ineluctable this shimmering
of wind in the blue leaves:

this flood of stillness
widening the lake of sky:

this need to dance,
this need to kneel:

this mystery:
~Denise Levertov “Of Being” from The Stream and the Sapphire

On a Sabbath day, I try to be still and silent
but fail miserably in my attempts to rest.
So much to do, so much to fix, so much to say.

I have forgotten the original reason for the seventh day.

God simply wanted to look down at what He made,
declare it good
and love it.

The least I can do is stop what I’m doing, look up, hold still and listen…

1 O love of God, how strong and true,
eternal and yet ever new,
uncomprehended and unbought,
beyond all knowledge and all thought!
O love of God, how deep and great,
far deeper than man’s deepest hate;
self-fed, self-kindled like the light,
changeless, eternal, infinite.

2 O heav’nly love, how precious still,
in days of weariness and ill,
in nights of pain and helplessness,
to heal, to comfort, and to bless!
O wide-embracing, wondrous love!
We read you in the sky above,
we read you in the earth below,
in seas that swell and streams that flow.

3 We read you best in him who came
bearing for us the cross of shame;
sent by the Father from on high,
our life to live, our death to die.
We read your pow’r to bless and save,
e’en in the darkness of the grave;
still more in resurrection light
we read the fullness of your might.

4 O love of God, our shield and stay
through all the perils of our way!
Eternal love, in you we rest,
forever safe, forever blest.
We will exalt you, God and King,
and we will ever praise your name;
we will extol you ev’ry day,
and evermore your praise proclaim.
~Horatius Bonar

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The Birth of Time

An empty day without events.
And that is why
it grew immense
as space. And suddenly
happiness of being
entered me.

I heard
in my heartbeat
the birth of time
and each instant of life
one after the other
came rushing in
like priceless gifts.

~Anna Swir “Priceless Gifts” from Talking To My Body

It may be that when we no longer know what to do
we have come to our real work and that
when we no longer know which way to go
we have begun our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.
The world, the truth, is more abounding,
more delightful, more demanding than we thought.
What appeared for a time perhaps to be mere dutifulness …
suddenly breaks open in sweetness —
and we are not where we thought we were,
nowhere that we could have expected to be.
~Wendell Berry from “Poetry and Marriage: The Use of Old Forms,” in Standing By Words

Who among us knows with certainty each morning
what we are meant to do this day
or where we might be asked to go?

Or do we make our best guess by
putting one foot ahead of the other
until the day is done and it is time to rest?

For me, over five decades of work,
I woke humbled by commitment and duty
and kept going, even when baffled and impeded.

While doctoring, I tried so hard
to keep my eyes open for beauty
within the painful times.

These days now overflow with uncertainty
of what comes next: each heartbeat a new birth.
My real work remains a search for life’s priceless beauty.

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An Everlasting Quietness

The simple words no longer work.
Neither do the grand ones.
Something about
The hanging bits of dark
Mixed with your hair.
The everlasting quietness
Attached to the deserted barn
Made me think I’d discovered you
But you already knew all about yourself
As we stood on the edge of a forest
With your dress as languid as the air,
The day made of spring wind and daffodils.
Then the sky appeared in blue patches
Among slow clouds,
Oak leaves came out on the trees,
Grass suddenly became green,
Filled with small animals that sing.
All the parts of spring were gathering,
The earth was being created all over again
One piece at a time
Just for you.

~Tom Hennen “Found on the Earth” From Darkness Sticks To Everything

I’m waking from wintry doldrums,
to earlier mornings, longer evenings,
healing from weeks of cold and weariness.

It is as if all has been rebirthed,
vivid with light and songs and color and smells –
I cannot imagine not sharing it all.

This renewal feels so personal,
as if just for me –
yet I know others are waking too.

I face the morning sun in silence,
my eyelids closed and glowing,
warming in the light.

So I offer up this blessed cup of quiet,
steeped and ready to pour out,
just for you.

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Trust This To Be True

Trust that there is a tiger, muscular
Tasmanian, and sly, which has never been
seen and never will be seen by any human
eye. Trust that thirty thousand sword-
fish will never near a ship, that far
from cameras or cars elephant herds live
long elephant lives. Believe that bees
by the billions find unidentified flowers
on unmapped marshes and mountains. Safe
in caves of contentment, bears sleep.
Through vast canyons, horses run while slowly
snakes stretch beyond their skins in the sun.
I must trust all this to be true, though
the few birds at my feeder watch the window
with small flutters of fear, so like my own.
~Susan Kinsolving “Trust”

When I stand at the window watching the flickers, sparrows, finches, chickadees, and red-winged blackbirds come and go from the feeders, I wonder who is watching who.  They remain wary of me, fluttering away quickly if I approach.  They fear capture, even within a camera.  They have a life to be lived without my witness or participation.  So much happens that I never see or know about; it would be too overwhelming to absorb it all.

I understand:  I fear being captured too, my wrinkles and crinkles on full display.

Even if only for a moment as an image preserved forever, I know it doesn’t represent all I am, all I’ve done, all I feel, all my moments put together. The birds are, and I am, so much more than one moment.

Only God sees me fully in every moment that I exist, witness to my freedom and captivity, my loneliness and grief, my joy and tears, knowing my very best and my very worst.

And He is not overwhelmed by what He sees of me. He knows me so well, in Him I must trust.

photo by Tomomi Gibson
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The Neon Night

Tonight his airplane comes in from the West,
and he rises from his seat, a suitcoat slung
over his arm. The flight attendant smiles
and says, “Have a nice visit,” and he nods
as if he has done this all before,
as if his entire life hasn’t been 170 acres
of corn and oats, as if a plow isn’t dragging
behind him through the sand and clay,
as if his head isn’t nestling in the warm
flank of a Holstein cow.


Only his hands tell the truth:
fingers thick as ropes, nails flat
and broken in the trough of endless chores.
He steps into the city warily, breathing
metal and exhaust, bewildered by the
stampede of humanity circling around him.
I want to ask him something familiar,
something about tractors and wagons,
but he is taken by the neon night,
crossing carefully against the light.

~Joyce Sutphen “My Father Comes to the City” from Straight Out of View.

Photo by Abby Mobley

I’ve lived a mostly quiet farm life over the last four years – minimized air travel and avoided big cities, as I was never fond of either even before COVID. Flying recently to visit family reminded me how challenging it is for me to get used to large crowds again, navigating unfamiliar urban highways and sitting with a hundred people in a winged metal tube 35,000 feet in the air.

But even farmers have to leave home once in a while. We shake the mud off our boots and brush the hayseeds from our hair, and try to act and be presentable in civilized society.

But my nervousness remains, knowing I’m out of my comfort zone, continually yearning for the wide open spaces of home.

Travel will take some getting used to again, but there is a world to be explored out there. It’s time to see how the city’s neon night compares with one illuminating barn light on the farm.

Not So Sure…

The roofs are shining from the rain,
The sparrows twitter as they fly,
And with a windy April grace
The little clouds go by.

Yet the back yards are bare and brown
With only one unchanging tree–
I could not be so sure of Spring
Save that it sings in me.
–  Sara Teasdale, “April”

The snow piles in dark places are gone.
Pools by the railroad tracks shine clear.
The gravel of all shallow places shines.
A white pigeon reels and somersaults.

Frogs plutter and squdge-and frogs beat the air with a recurring thin steel sliver of melody.
Crows go in fives and tens;

they march their black feathers past a blue pool;
they celebrate an old festival.
A spider is trying his webs,

a pink bug sits on my hand washing his forelegs.
I might ask: Who are these people? 
~Carl Sandburg from “Just Before April Came”

And so Spring asks:

Who are these people?

Here we are, closing in on mid-April and our weather continues to be unpredictable.  I am not so sure of Spring.

Yet it sings in me.  Yes it sings.

The calendar does not lie, nor does my nose.  The pollen counts are rising despite the rains and as I step outside in early dawn, I can catch the slightest fragrance of just-opening cherry and apple blossoms in the orchard.  Within a week there will be sweet perfume in the air everywhere and the fruit trees become clothed in white puffy clouds of blossom before bursting full into green.

In defiance of the calendar, our oak trees cling stubbornly to their brown bedraggled fall leaves as if ashamed to ever appear naked, even for a week. In May they will go straight from brown to green without a moment of bare knobby branches.

Even so, it sings in me.  Yes it sings.

A morning bird symphony tunes up ever earlier including the “scree” and chatter from bald eagles high up in the fir trees surrounding our house. Nesting has begun despite the wet and cold and wind because their nest is the secure home that calls them back, again and again, year after year.

Like them, it sings in me.  Yes it sings.

I rise opening like a bud,
I dress my nakedness to cover up my knobbiness,
I wander about outside exulting in the free concert,
I manage to do chores despite the distractions —
this routine of mine which is so unchanging through the calendar days becomes glorious gift and privilege.

Hopefulness sings in me in Spring.  Yes it sings.

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A World Made New

When I take the chilly tools
from the shed’s darkness, I come
out to a world made new
by heat and light.


Like a mad red brain
the involute rhubarb leaf
thinks its way up
through loam.
~Jane Kenyon from “April Chores” from Collected Poems

Over the last two weeks, the garden is slowly reviving, and rhubarb “brains” have been among the first to appear from the garden soil, wrinkled and folded, opening full of potential, “thinking” their way into the April sunlight.

Here I am, wishing my own brain could similarly rise brand new and tender every spring from the dust rather than leathery and weather-toughened, harboring the same old thoughts and patterns. Indeed, more wrinkles accumulate on the outside of my skull rather than the inside.

Still, I’m encouraged by my rhubarb cousin’s return every April. Like me, it may be a little sour in need of some sweetening, but its blood courses bright red and it is very very much alive.

and just because this is fun but has nothing to do with rhubarb…

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