A Tumble of Onions

How easily happiness begins by   
dicing onions. A lump of sweet butter   
slithers and swirls across the floor   
of the sauté pan, especially if its   
errant path crosses a tiny slick
of olive oil. Then a tumble of onions.

This could mean soup or risotto   
or chutney (from the Sanskrit
chatni, to lick). Slowly the onions   
go limp and then nacreous
and then what cookbooks call clear,   
though if they were eyes you could see

clearly the cataracts in them.
It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent, like the nuggets of nightmare

and rage and murmury animal   
comfort that infant humans secrete.   
This is the best domestic perfume.   
You sit down to eat with a rumor
of onions still on your twice-washed   
hands and lift to your mouth a hint

of a story about loam and usual   
endurance. It’s there when you clean up   
and rinse the wine glasses and make   
a joke, and you leave the minutest   
whiff of it on the light switch,
later, when you climb the stairs.

~William Matthews “Onions”

I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping…
~Suji Kwock Kim from “Monologue for a Onion”

…It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent
…
~William Matthews from “Onions”

…I would never scold the onion
for causing tears.
It is right that tears fall
for something small and forgotten.
How at meal, we sit to eat,
commenting on texture of meat or herbal aroma
but never on the translucence of onion,
now limp, now divided,
or its traditionally honorable career:
For the sake of others,
disappear.

~Naomi Shihab Nye from “The Traveling Onion”
from Words Under the Words: Selected Poems.

Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency…

…You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.

~Pablo Neruda from “Ode to the Onion”

Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.

This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.

It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:

I weep over the headlines.

I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.

I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.

We tend to hide our hearts out of fear of being hurt, crying out in pain.

Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.

We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.

So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.

No, I don’t mean to make you cry
as you peel my layers away,
gently, one by one,
each more tender until you reach my heart.
Chop away at me if you must
but weep the good tears, the ones that mean
we weep for the sake of our meal together:
you eating and drinking,
and me – consumed.

Lyrics:
When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and fire

Though we share this humble path, alone
How fragile is the heart
Oh, give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Lyrics: Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new
​
Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb

And Light Splashed…

Light splashed this morning
on the shell-pink anemones
swaying on their tall stems;
down blue-spiked veronica
light flowed in rivulets
over the humps of the honeybees;
this morning I saw light kiss
the silk of the roses
in their second flowering,
my late bloomers
flushed with their brandy.
A curious gladness shook me.
So I have shut the doors of my house,
so I have trudged downstairs to my cell,
so I am sitting in semi-dark
hunched over my desk
with nothing for a view
to tempt me
but a bloated compost heap,
steamy old stinkpile,
under my window;
and I pick my notebook up
and I start to read aloud
and still-wet words I scribbled
on the blotted page:
“Light splashed…”

I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.
~Stanley Kunitz  “The Round”
from Passing Through: The Later Poems, New and Selected

It is too easy to be ground to a pulp by the various irritations of the day – aggravations are too easily expressed, worries never seem to wane – all of it sucks gladness out of me. 

When my feelings become four-dimensional and surround and drown me, I lose all perspective on what got me out of bed to begin the day.

God is in these intricate details, whether the splash of light on a petal or the smell of rotting compost; it is my job to notice this. It is tempting to look past His ubiquitous presence in all things, to seek out only the elegant grandeur of creation and bypass the plain and smelly and homely.

Yet even what lacks beauty from my limited perspective is worthy of His divine attention. He knows the value and purpose of each thing He created, including me and the things that aggravate me no end – like mosquitos.

The time has come to be refreshed and renewed
even when surrounded by decay.
His care is revealed in the tiniest way.
He is worthy of my attention because I am constantly worthy of His.

If I rise early enough, I can see each new day’s light splash everything awake. By the time I come in to sit down to record my words and photos, I’m thoroughly washed by a fresh dawn. I can scarcely wait to take on what this day will bring.

I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.

Waking with the Light

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time,

the roads ragged with meadowsweet and mallow,
with splays of seedheads, slubbed and coarse, rough linen.
The fields above the house, clotted with sheep all spring,
are empty now and froth with flowering grasses,
still in the morning light. Birds move around
the leafy fields, the leafy garden.

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.

And later, when the light is drowsed and heavy
go find the burdened fruit trees where the shade
lies splashed and opened-out across the ground.
Spread over it a quilt worn soft by other bodies,
then curl and fall down into sleep at light.

Awaken to a world of long, loose grass-stems,
and leaves above,
and birds, breaking out of the leaves.

~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July last week
meant admitting summer is already half-baked
and so are we–

we who are still doughy,
not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days,
fall asleep in the grasses,
endure sweaty nights
for just a little while longer…

Please, oh please
grant us unending light
and steady us for the task
of getting ready for letting go.

A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here

Pursuing an Authentic Mess

front door
back door

Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don’t patch the cup.
Don’t patch anything. Don’t mend. Buy safety pins.
Don’t even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don’t keep all the pieces of the puzzles
or the doll’s tiny shoes in pairs, don’t worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic—decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don’t even think of cleaning out.
That closet stuffed with savage mementos.
Don’t sort the paper clips from screws from saved baby teeth
or worry if we’re all eating cereal for dinner
again. Don’t answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in through the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don’t read it, don’t read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity

~Louise Erdrich “Advice to Myself”

I am a messy person, coming from a long line of messy people. My paternal grandmother never had a clear kitchen counter, or a dining room table without piles of books and papers, spilling over with knickknacks and half-completed craft projects everywhere. I loved the chaos of her house since the messes left behind by her grandchildren weren’t as noticeable. I always felt at home, as if I was not being constantly monitored as a potential mess about to happen.

The other morning, I noticed a good-sized dust bunny on the kitchen floor and bent down to pick it up to toss in the trash can. To my surprise, it leaped away from my fingers!

It kept jumping away and as my eyes finally focused in the early morning light, I realized it wasn’t an escaping dust bunny, but a tree frog covered in dust fuzz from my less than tidy floor. It must have come in the house from the perpetually open front door and hidden under a piece of furniture, being transformed into a furry froggy Frankenstein.

I caught it and carried it outside into the morning dawn, setting it free into the chaos of the world outside, rather than coping inside with my insufficient housekeeping. No, I didn’t think to get a photo. Oh, well. Some things you just have to take on faith.

After all, my heart leaps and rejoices anytime we have multi-generational family under one roof and whether the house is clean is simply a secondary concern.

It actually is not a concern at all.

This mama’s heart carries love with each heartbeat. My worth is not in what I own or how pristine I keep things, but in the depth of my commitment to those who I am given the privilege to know and love.

Springing Right Out of the Frame

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Susquehanna by Jasper Francis Cropsey
On the Susquehanna by Jasper Frances Cropsey
Agnes Wallace by Robert Sivell
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com
Shoshone Falls on the Snake River by Thomas Moran

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

Hare by David Stribbling
Young Hare painting by Albrecht Durer

I live a quiet life in a quiet place.
There are many experiences not on my bucket list
that I’m simply content to just imagine others doing.

I’m not a rock climber or a zip liner
nor willing to jump out of an airplane.
I won’t ride a horse over a four foot jump
nor race one around a track.
Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers
who seek out the extremes of life
so the rest of us can admire their courage
and applaud their explorations.

My imagination is powerful enough,
thanks to the words and pictures of others –
sometimes too vivid.

I contentedly explore the corners
of my quiet places, both inside and outside,
to see what I can build from what’s here.

When the light is just right,
what I see in my mind
seems ready to spring right out of the frame.

Making Me Better Than What I Am

At dusk, everything blurs and softens.  
From here out over the long valley,
the fields and hills pull up
the first slight sheets of evening,
as, over the next hour,
heavier, darker ones will follow.

Quieted roads, predictable deer
browsing in a neighbor’s field, another’s
herd of heifers, the kitchen lights
starting in many windows. On horseback
I take it in, neither visitor
nor intruder, but kin passing, closer
and closer to night, its cold streams
rising in the sugarbush and hollow.

Half-aloud, I say to the horse,
or myself, or whoever: let fire not come
to this house, nor that barn,
nor lightning strike the cattle.
Let dogs not gain the gravid doe, let the lights
of the rooms convey what they seem to.

And who is to say it is useless
or foolish to ride out in the falling light
alone, wishing, or praying,
for particular good to particular beings,
on one small road in a huge world?

The horse bears me along, like grace,
making me better than what I am,
and what I think or say or see
is whole in these moments, is neither
small nor broken. For up, out of
the inscrutable earth, have come my body
and the separate body of the mare:
flawed and aching and wronged. Who then
is better made to say be well, be glad,


or who to long that we, as one,
might course over the entire valley,
over all valleys, as a bird in a great embrace
of flight, who presses against her breast,
in grief and tenderness,
the whole weeping body of the world?

~ Linda McCarriston, “Riding Out at Evening” from Talking Soft Dutch

photo by Emily Vander Haak

On this, my 72nd birthday,
I pray for this troubled world, reminding myself:
be well, be glad…

I’m still here
by the grace of God who carries
not just me on His back through each day,
but all earthly burdens.

I pray like a bird embracing the air which lifts its wings,
tenderly holding to its breast a soaring freedom
to transcend the weeping world.

I have seen so much goodness over 72 years,
sometimes through tears of sorrow.
I know there will be more joy
and sadness before I’m done.

I am grateful, so very grateful
to have lived all these years
seeing tears shed, then dried,
learning how love heals,
knowing the only thing to last forever
is God’s covenant promise
to always carry us home.

photo by Brandon Dieleman
photo by Brandon Dieleman
video by Peter Tamminga


Whilst the world is weeping, let us do our bit.
We have the time to sympathise, to listen and to sit.
No needless thoughts, of the things we cannot do.
But appreciate all the good bits and look at them anew.
 
The warmth and comfort of our homes, the food we have to eat.
The family and friends we have, although we cannot meet.
The village that we live in, and the community we share.
So precious to us right now, so sit and think and care.
 
Whilst the world is full of sadness, anxiety and pain,
It’s hard to imagine our lives ever carefree again.
But nothing lasts forever, the clouds will always clear.
Let’s heal the world with love, so the sunshine can appear.
~Sandra Rickman

Lyrics:
Drop, drop, slow tears, and bathe those beauteous feet,
which brought from heaven the news and Prince of Peace.
Cease not, wet eyes, his mercies to entreat;
to cry for vengeance sin doth never cease.
In your deep floods drown all my faults and fears;
nor let his eye see sin, but through my tears.

Come and See: One Flock, One Shepherd

“Truly, truly, I say to you, he who does not enter the sheepfold by the door but climbs in by another way, that man is a thief and a robber. But he who enters by the door is the shepherd of the sheep. To him the gatekeeper opens. The sheep hear his voice, and he calls his own sheep by name and leads them out. 

When he has brought out all his own, he goes before them, and the sheep follow him, for they know his voice. A stranger they will not follow, but they will flee from him, for they do not know the voice of strangers.“

This figure of speech Jesus used with them, but they did not understand what he was saying to them.

So Jesus again said to them, “Truly, truly, I say to you, I am the door of the sheep. All who came before me are thieves and robbers, but the sheep did not listen to them. I am the door. If anyone enters by me, he will be saved and will go in and out and find pasture.  The thief comes only to steal and kill and destroy. I came that they may have life and have it abundantly.  

I am the good shepherd. The good shepherd lays down his life for the sheep.  He who is a hired hand and not a shepherd, who does not own the sheep, sees the wolf coming and leaves the sheep and flees, and the wolf snatches them and scatters them. He flees because he is a hired hand and cares nothing for the sheep. 

 I am the good shepherd. I know my own and my own know me,  just as the Father knows me and I know the Father; and I lay down my life for the sheep. And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice.

So there will be one flock, one shepherd.“
John 10: 1-16

Not one that’s gently hinged or deftly hung,
Not like the ones you planed at Joseph’s place,
Not like the well-oiled openings that swung
So easily for Pilate’s practiced pace,
Not like the ones that closed in Mary’s face
From house to house in brimming Bethlehem,
Not like the one that no man may assail,
The dreadful curtain, The forbidding veil
That waits your breaking in Jerusalem.
Not one you made but one you have become:
Load-bearing, balancing, a weighted beam
To bridge the gap, to bring us within reach
Of your high pasture. Calling us by name,
You lay your body down across the breach,
Yourself the door that opens into home.
~Malcolm Guite “I Am the Door of the Sheepfold” from Parable and Paradox

The fence was down. 
 
Led by their bellwether bellies, the sheep
had toddled astray. The neighbor farmer’s woods
or coyotes might have got them, or the far road.
 
I remember the night, the moon-colored grass
we waded through to look for them, the oaks
tangled and dark, like starting a story midway.
 
We gazed over seed heads to the barn
toppled in the homestead orchard. Then we saw
the weather of white wool, a cloud in the blue
 
moving without sound as if charmed
by the moon beholding them out of bounds.
Time has not tightened the wire or righted the barn.
 
The unpruned orchard rots in its meadow
and the story unravels, the sunlight creeping back
like a song with nobody left to hear it.
~David Mason from “Mending Time” in The Sound: New and Selected Poems

When so much shepherding has gone so wrong,
So many pastors hopelessly astray,
The weak so often preyed on by the strong,
So many bruised and broken on the way,
The very name of shepherd seems besmeared,
The fold and flock themselves are torn in half,
The lambs we left to face all we have feared
Are caught between the wasters and the wolf.
Good Shepherd now your flock has need of you,
One finds the fold and ninety-nine are lost
Out in the darkness and the icy dew,
And no one knows how long this night will last.
Restore us; call us back to you by name,
And by your life laid down, redeem our shame.

~Malcolm Guite “I Am the Good Shepherd” from Parable and Paradox

On the surface, a sheep’s life looks pretty easy – grazing in beautiful pastoral settings, blending in as a member of a flock, with the primary job being prolific in wool and lamb production.

Sounds pretty swell, all in all.

Yet it can be a hard-scrabble existence with not enough food or water in rocky terrain that is steep and tough to traverse. The wool coat can be incredibly burdensome and hooves can get too long or too short and watch out for the “bloat.”

And then there are the enemies: just ready to pounce, eager to pick off the too young or too old or anyone just not paying attention. That’s why a Shepherd is so critical to our survival because they pay attention to threats and needs and are there to defend the defenseless.

I’ve been labeled a sheep for unquestioningly following directions given to me, preferring to blend in, and appreciating the wisdom of the Shepherd. I don’t consider being considered a sheep an insult. I know I don’t know everything, nor am I capable of finding everything I need when I need it and I’m certainly not strong enough to fend off my worst enemies.

How often do we, like sheep, wander astray – out of the broken down barn, or through the fallen fence, into the orchards of rotting delights?

And Someone, always Someone, comes looking for us, lost and always hungering and endangered. Someone, always Someone, lays down in the doorway to become the breach we need to stay safe and whole.

We need our Shepherd.
We know His voice.
He leads us home.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

On a Fine Golden Morning

Whence comes Solace?—Not from seeing
What is doing, suffering, being,
Not from noting Life’s conditions,
Nor from heeding Time’s monitions;
But in cleaving to the Dream,
And in gazing at the gleam
Whereby gray things golden seem.

II

Thus do I this heyday, holding
Shadows but as lights unfolding,
As no specious show this moment
With its irised embowment;
But as nothing other than
Part of a benignant plan;
Proof that earth was made for man.

~Thomas Hardy “On a Fine Morning”

Whence comes Solace?
Cleaving to the dream, gazing at the gleam…

nothing other than
Part of a benignant plan;
Proof that earth was made for man.

I had to look up “benignant” – it is like being told a concerning tumor is “benign” – granting gracious kindness and beneficence in the midst of deep-seated worry.

A new lease on life.

We forget our original task of caring for the Garden.
Having soiled our own nest, we can’t abandon earth for another greener, brighter, happier planet. Of all the planetary options in this infinite universe, we were placed right here for good reason, and here we remain.

Our solace: all that ordinarily seems gray gleams golden
illuminated by the Light shining down on our shadowy selves.

Even when the news headlines are dismal,
when our individual struggles are great,
when human history seems to keep repeating itself,
our Creation is purposeful,
eternally preserved through divine sacrifice.

The solace of gray shadows melts to gold:
as part of the overall “benignant plan”
we have been given our life back.

Just a Drink of Cool Water…

And on those hot afternoons in July,
when my father was out on the tractor
cultivating rows of corn, my mother
would send us out with a Mason jar
filled with ice and water, a dish towel
wrapped around it for insulation.

Like a rocket launched to an orbiting
planet, we would cut across the fields
in a trajectory calculated to intercept—
or, perhaps, even—surprise him
in his absorption with the row and the
turning always over earth beneath the blade.

He would look up and see us, throttle
down, stop, and step from the tractor
with the grace of a cowboy dismounting
his horse, and receive gratefully the jar
of water, ice cubes now melted into tiny
shards, drinking it down in a single gulp,
while we watched, mission accomplished.
~Joyce Sutphen “Carrying Water to the Field”

It was my special responsibility
to carry cold water out to my dad
when he was on the tractor doing field work. 

Yes, he could have carried a thermos along but then
he would not have seen his kid
walking carefully from the house over the fresh-turned dirt,
he would not have an excuse for a short break
to wipe the sweat from his face with his bright red kerchief,
nor sit and survey the straightness of his furrows.

He would not have lifted her up
to sit beside him on the tractor,
allowing her to “drive,”
steering down the rows,
curving around the killdeer nests
so their young are spared.

Indeed – it is a a special responsibility
to nurture someone at work
who doesn’t stop to refill themselves.
It happens rarely any more –
whether in the field or factory or home
or even – creating a daily blog like this.

What wondrous love to carry water to those who thirst.
What wondrous grace then fills our furrowed lives.

Thank you, faithful readers and supporters,
for you who carry water to me when I am dry and thirsty
convince me my work here is not in vain:
mission accomplished.

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*how can I make your time on Barnstorming more worthwhile?

To Stop and Stare a Moment

In truth I am puzzled most in life
by nine horses.

Two are on one side of the fence and seven
on the other side.

They stare at one another from the same places
hours and hours each day.

This is another unanswerable question
to haunt us with the ordinary.

We live far out in the country where I hear
creature voices night and day.

Like us they are talking about their lives
on this brief visit to earth.

In truth each day is a universe in which
we are tangled in the light of stars.

Stop a moment. Think about these horses
in their sweet-smelling silence.
~Jim Harrison from “Horses”

What is this life is, full of care
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty’s glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.

~William Henry Davies “Leisure”

Fingers of twilight shadow
begin to reach over the hill
crawling down through the field
up unto the bank of blackberries
covering fences along the alder grove.

Our horses chew their last
clover leafs before coming to the barn for night,
eyelids heavy, relaxed and full, drowsy with summer evening
peace at hand and hoof.

A sudden change in the air forces
their heads up and ears forward;
they form a line, standing and staring at the hilltop
above them, riveted to the spot, alert
to an incoming intruder, unfamiliar and foreign.

The roar is intermittent, like a warm wind
rattling a barn roof, but inconstant;
then peaking over the crest of the hill
a rounded top of technicolor glory:

The hot air balloon rises.

The horses riveted, baffled, fascinated;
no wild instinct prepares their response
to this wizard’s act from Oz in their own backyard.

The basket riders wave and laugh at the equine audience below
standing in formation with golden noses in the air
and white manes blowing in the breeze.

The balloon summits the hill, dipping low, almost touchable
before moving back up to race the sunset,
and search out other pastures, other valleys and hills.

The horses released from the spell of “stand and stare”
leap in response, snowy tails high, noses flared-

To race up the hill to capture impending darkness,
our night-mares cavort, float suspended
until their air is let out, gently, in softening snorts,
to settle down in a straw bed in the barn
where night, becomes blissfully ordinary again.