Tag: poems

An Advent Threshold: Nearly Full Term with Light

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These still December mornings…
Outside everything’s tinted rose, grape, turquoise,
silver–the stones by the path, the skin of the sun

on the pond ice, at the night the aureola of
a pregnant moon, like me, iridescent,
almost full term with light.
~Luci Shaw from “Advent Visitation“ in Accompanied by Angels

Writer Luci Shaw passed into eternity on December 1, just four weeks from her 97th birthday. 

A life-long poet and essayist, in addition to being a wife, mother, publisher, gardener and outdoor enthusiast, Luci was a child of God who continually lived out and articulated the questions of faith, grace, and belief.

It is my privilege to have known her as a neighbor in nearby Bellingham. Her books grace my shelves and I cherish her many personal words of encouragement and mentoring.

Luci has gifted the world for decades with beauty and honesty, composing enriching poetic observations with heavenly anticipation.
She was nearly full term, iridescent with light which glowed on those around her.

Below is only a small sample of her work. She was still writing and publishing poetry this year. More of her writing and many books can be found at www.lucishaw.com.

Luci Shaw -virtual presentation for Calvin Festival of Faith and Writing 2022

Last night I lay awake and practiced 
getting old. Not difficult,

but I needed to teach myself to love my destination 
before I arrive.

I feel the earth shifting under me. My writing hand 
shakes—its rubbery nudges clumsy,

my mind going slack, the way a day 
will lose its light and give itself to darkness,

and that long, nocturnal pause of inquiry— 
What next? And how long before light

reopens her blue eye? And will I need to learn 
a new language to converse with my Creator?

So, I am a questioner, one who waits, still, 
to arrive somewhere, some bright nest where

a new language breeds that I can learn to speak, 
unhindered, into heaven’s air,

somewhere I can live a long time, 
and never have to look back.
~Luci Shaw “December the 95th Year”

Luci Shaw at a Bellingham reading at St. Paul’s Episcopal Church -2017

In time of drought, let us be
thankful for this very gentle rain, 
a gift not to be disdained
though it is little and brief,
reaching no great depth, barely
kissing the leaves’ lips. Think of it as
mercy. Other minor blessings may
show up—tweezers for splinters,
change for the parking meter,
a green light at the intersection,
a cool wind that lifts away summer’s
suffocating heat. An apology after
a harsh comment. A word that opens
an unfinished poem like a key in a lock.
~Luci Shaw “Signs” from Eye of the Beholder.

Luci at a Bellingham reading of her poetry at Village Books in 2016

Today, in Bellingham, even the sidewalks gleam.
Small change glints from the creases
in the lady’s mantle and the hostas after
the rain that falls, like grace, unmerited.
My pockets are full, spilling over.
~Luci Shaw from “Small Change”

Out of the shame of spittle,
the scratch of dirt,
he made an anointing.

Oh, it was an agony-the gravel
in the eye, the rude slime, the brittle
clay caked on the lid.

But with the hurt
light came leaping; in the shock and shine,
abstracts took flesh and flew;

winged words like view and space,
shape and shade and green and sky,
bird and horizon and sun,

turned real in a man’s eye.
Thus was truth given a face
and dark dispelled and healing done.
~Luci Shaw  “The Sighting” John 9 from God for Us-Rediscovering the Meaning of Lent and Easter

What next, she wonders,
with the angel disappearing, and her room
suddenly gone dark.

The loneliness of her news
possesses her. She ponders
how to tell her mother.

Still, the secret at her heart burns like
a sun rising. How to hold it in—
that which cannot be contained.

She nestles into herself, half-convinced
it was some kind of good dream,
she its visionary.

But then, part dazzled, part prescient—
she hugs her body, a pod with a seed
that will split her.
~Luci Shaw “Mary Considers Her Situation”

When, in the cavern darkness, the child
first opened his mouth (even before
his eyes widened to see the supple world
his lungs had breathed into being),
could he have known that breathing
trumps seeing? Did he love the way air sighs
as it brushes in and out through flesh
to sustain the tiny heart’s iambic beating,
tramping the crossroads of the brain
like donkey tracks, the blood dazzling and
invisible, the corpuscles skittering to the earlobes
and toenails? Did he have any idea it
would take all his breath to speak in stories
that would change the world?
~Luci Shaw “Breath” from Accompanied By Angels: Poems of the Incarnation

because we are all
betrayers, taking
silver and eating
body and blood and asking
(guilty) is it I and hearing
him say yes
it would be simple for us all
to rush out
and hang ourselves
but if we find grace
to weep and wait
after the voice of morning
has crowed in our ears
clearly enough
to break our hearts
he will be there
to ask us each again
do you love me
~Luci Shaw “Judas, Peter” from Polishing the Petoskey Stone

Down he came from up,
and in from out,
and here from there.
A long leap,
an incandescent fall
from magnificent
to naked, frail, small,
through space,
between stars,
into our chill night air,
shrunk, in infant grace,
to our damp, cramped
earthy place
among all
the shivering sheep.

And now, after all,
there he lies,
fast asleep.
~Luci Shaw “Descent” from Accompanied By Angels

Blue homespun and the bend of my breast
keep warm this small hot naked star
fallen to my arms. (Rest …
you who have had so far
to come.) Now nearness satisfies
the body of God sweetly. Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves’ voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.
Older than eternity, now he
is new. Now native to earth as I am, nailed
to my poor planet, caught that I might be free,
blind in my womb to know my darkness ended,
brought to this birth
for me to be new-born,
and for him to see me mended
I must see him torn.
~Luci Shaw “Mary’s Song”

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—
with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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The Advent Threshold: Lifting of a Latch

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Even in the darkness where I sit
And huddle in the midst of misery
I can remember freedom, but forget
That every lock must answer to a key,
That each dark clasp, sharp and intimate,
Must find a counter-clasp to meet its guard.
Particular, exact and intricate,
The clutch and catch that meshes with its ward.
I cry out for the key I threw away
That turned and over turned with certain touch
And with the lovely lifting of a latch
Opened my darkness to the light of day.
O come again, come quickly, set me free,
Cut to the quick to fit, the master key.
~Malcolm Guite “O Clavis” from Sounding the Seasons

And I will place on his shoulder the key of the house of David.
He shall open, and none shall shut;
and he shall shut, and none shall open…
to open the eyes that are blind,
to bring out the prisoners from the dungeon,
from the prison those who sit in darkness.
Isaiah 22:22 and 42:7

Some doors in our lives appear forever closed and locked. 
No key, no admittance, no way in, no way out. 
A locked door leaves few choices until the key is offered to us.

We now must make a choice, even if the choice is to do nothing.

Do we drop the key and stay put where things are at least familiar?
Do we knock and politely wait for the door to be answered?
Do we simply wait for the moment it happens to open, take a peek and decide whether or not to enter?
Or do we boldly put the key in and walk through?

Our choice is as plain as the key resting in our trembling hand.
Once we approach, drawn to the mystery,
we find the door is already standing open with an invitation.

Fear not.
For unto us a child is born, a son is given.

He is the threshold between two worlds, between the darkness and the light, a liminal love allowing us to hold the key.

From the fourth stanza of O Come, O Come Emmanuel:

O come, thou Key of David, come and open wide our heav’nly home; make safe the way that leads on high, and close the path to misery.

AI image created for this post

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—
with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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A Wordless Song

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Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;
the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

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Another Year of Leaping Winds

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walnutoctober2017
walnuthull5
frontyard2915

My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

frontyard1
april2frontyard
photo by Dan Gibson
walnuthulls2

We bought this old farm thirty-five years ago:
the Lawrence family’s “Walnut Hill Farm” –
a front yard lined with several tall black walnut trees
brought as seedlings in a grandfather’s suitcase from Ohio
in the ought-1900’s.

These trees thrived for nearly a century on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares.
The fallen tree became planks
of fine grained chocolate-hued lumber.

This old tree is the back facing of our oak door cupboards,
a daily reminder of a legacy left behind~
sturdy even if imperfect,
still beautiful to the eye and the heart.

treehouse5
novtreehouse
blackwalnut

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The Silence Between Words

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Words, of course, but
Also the silence
Between them.

Like the silence
Between
The beloved and you.
Silence full
Of the unspoken
As a seed is full
Of all
It will become.

No poem made only
Of silence.
No poem 
Made only of words.
~Gregory Orr from “Words, of course, but” from How Beautiful the Beloved

Some mornings all I do
is write down words—cistern,
tribal, cached—copying them
from sprawled pages of books
across my desk, words that call out—
glimmerings, cursive, saffron,
heartwood—holding me in place
as if to say listen, you may need me
someday, I might offer you another way
toward beauty, or even beyond.
~Andrea Potos “Daily Practices” from The Presence of One Word

I want to make poems
that look into the earth and the heavens
and see the unseeable.
I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver from “Everything” from New and Selected Poems: Volume Two

This morning

poem hopes 

that even though
its lines are broken 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     in the morning
light.
~L.L. Barkat, “This Morning” from The Golden Dress

In the ghostly dawn
I write new words for your ears—
Even now you sleep.
~Amy Lowell “V” from Twenty-Four Hokku

The blueberry fields
are all afire,
each leaf an October mosaic.

As chlorophyll wanes,
the colors appear by magic,
like words selected for a poem
which begins as an empty slate.

Each carefully chosen.

Each surrounded by silence
becoming more holy
when it’s no longer empty.

So much of the beauty of poetry is the silence, a pause between the words.

Like life, there is nothing empty or meaningless about pausing.

Like poet Mary Oliver:

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I am so awed at your faithful reading and generous sharing of what I offer here.

Even when my lines are broken, or I say again what another has already said much better, yet bears repeating — I too try to write with quiet hands, and see through quiet eyes, out of reverence and awe for what unseeable gifts God has given us.

Thank you for being here with me.

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The Sound of Leaves Falling

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l(a

le
af
fa
ll

s)
one
l

iness
~e.e.cummings “a leaf falls on loneliness”

Now constantly there is the sound,
quieter than rain,
of the leaves falling.

Under their loosening bright
gold, the sycamore limbs
bleach whiter.

Now the only flowers
are beeweed and aster, spray
of their white and lavender
over the brown leaves.

The calling of a crow sounds
Loud — landmark — now
that the life of summer falls
silent, and the nights grow.
~Wendell Berry “October 10” from New Collected Poems.

Know’st thou not at the fall of the leaf
How the heart feels a languid grief
Laid on it for a covering,
And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

And how the swift beat of the brain
Falters because it is in vain,
In Autumn at the fall of the leaf
Knowest thou not? and how the chief
Of joys seems — not to suffer pain?

Know’st thou not at the fall of the leaf
How the soul feels like a dried sheaf
Bound up at length for harvesting,
And how death seems a comely thing
In Autumn at the fall of the leaf?
~Dante Rossetti “Autumn Song”

If I were a color, I am green, turning to gold,
turning to bronze, becoming dust.

If I were a sound, I patter like raindrops and children’s feet.
If I were a smell, I would be dry earth soaking up rain.
If I were a touch, I am a leaf letting go, landing softly.
If I were a taste, I would be warm and bittersweet.
If I were a season, I am the wistful goodbye hug of autumn.

But I am none of these, being enough for now;
this is enough for now.

Singing in the falling leaves,
I will come rejoicing,
Singing in the leaves.

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Call Nothing Common

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Begin the song exactly where you are,
Remain within the world of which you’re made.
Call nothing common in the earth or air,
Accept it all and let it be for good.

Start with the very breath you breathe in now,
This moment’s pulse, this rhythm in your blood
And listen to it, ringing soft and low.
Stay with the music, words will come in time.

Slow down your breathing. Keep it deep and slow.
Become an open singing-bowl, whose chime
Is richness rising out of emptiness,
And timelessness resounding into time.

And when the heart is full of quietness
Begin the song exactly where you are.
~Malcolm Guite “The Singing Bowl” from The Singing Bowl

In the center of my chest,
a kindling there in the hollow,
as if a match had just been struck,
or the blinds snapped up on a sealed room,
gold suffusing the air,
and through the wide windows,
a solstice unfolding,
mine for the lengthening days.
~Andrea Potts “On Reading John Donne for the First Time” from Her Joy Becomes

I will not forget, dear harvest moon,
to keep you as my singing bowl
where I can find your song months from now,
even when your reflected light leaks out
to tangle up in the weary trees of autumn.

Once the leaves fall, you illuminate
even the most humble branches
in their embarrassed nakedness.

Call nothing common in the earth or air,
Accept it all and let it be for good.

When I too need your warm light
in the center of my hollowed chest,
I’ll know exactly where to find you,
as you sing lullabies, waiting for me to empty.

I’ll not forget you,
because you never forget to
keep looking for me.

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A Thing or Two

barnstormingblog4 Comments

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.

Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss) tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.
~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”

So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 

Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 

And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground:   

My father, digging. I look down
By God, the old man could handle a spade.   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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Exposed to the Light of Day

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The book sat on the table
for years
before it opened to a page
exposed to light
for the first time.

In their new surroundings
the words trembled
shaking all meaning
from their assembly,
the reader unable to enter.

Then the ink began to run
past the margins
to the mahogany to the floor,
random drops collecting themselves,
expanding from within.

The reader saw fit to stand
by the window,
following a cloud
till it stalled in front of the sun,
sweeping its passage along eyes closed.

As the sky proceeded
to draw the ink from the floor,
affixing the once-quivering words
to the slow-moving cloud,
the reader read the page in the dark.

And when the day’s shadows turned in
for the night
the book closed as it had opened
without a hand,
the reader calling it a day

of prayer.
~Howard Altmann “The Reader” from Infinite Sky Divided

Since childhood, I’ve imagined the books on my shelf having an internal life of their own, filled as they are with words and characters and plots and devices, contained in darkness between two covers until someone opens and reads.

Those words are freed, exposed to the light of day, to leak through the bindings or trickle down the pages to find new destinations. The stories morph, journeying on to who knows where.

Perhaps they drift to the ever-changing clouds that illuminate or darken the skies, depending upon their impact: some words of joy and some words of lament and sorrow.

Perhaps like closed books whose words are set free, when I pray, my words are liberated into the changing light to reach the ear of God.

And it is there my story is told, and He listens carefully to each word.

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Not Just a Leaf

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holyleaf2

It’s just a leaf. A damaged leaf at that,
clinging to a filbert tree ravaged by blight.
The leaf turns partially back upon itself,
riddled with holes, the traumatic result
of voracious insect appetites.

Damaged does not accurately describe
this leaf, the color of rich burgundy wine,
deep purple veins that branch to the tips
of its serrated edge. The holes open the leaf
to light and air, forming a filigree of nature,
an exquisite fragile beauty.

It makes me think of our own traumas,
how they open us, raw and hurting, humble us,
soften and expand us to the pain of others
and when we are most vulnerable we hold on,
weakened, but not necessarily damaged.

Perhaps it is then our scars become beautiful
and an inner loveliness shines through.
~Lois Parker Edstrom “Fragile Beauty” (an ephrastic poem written about the picture below) from Almanac of Quiet Days

holyleaf1

Nature doth thus kindly heal every wound.
By the mediation of a thousand little mosses and fungi,
the most unsightly objects become radiant of beauty.
There seem to be two sides of this world,
presented us at different times,
as we see things in growth or dissolution, in life or death.
And seen with the eye of the poet,
as God sees them,
all things are alive and beautiful.
~Henry David Thoreau (journal)

holyleaf1-1

…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step
into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.
~Henri Nouwen

As I stepped under a dripping birch tree on our farm on this rainy summer day, I ran head-long into a branch of leaves that appeared more lace than leaf.

They were filagreed nearly to invisibility, presumably by a leaf miner of some sort who chewed intricate designs as its leavings. The residual was left hanging, trying to make the best of things in the drizzle.

Though they are mostly eaten away, these leaves have nearly fulfilled their full season of growth in support of their home base tree. Instead of an ordinary summer of drying and coloring and dropping as a birch leaf must in another month or two, they instead manifest the creativity of our God who designed his creatures to interact in such a way that beauty could be found in the most unlikely places, slapping us full in the face.

God sees such intricate wounds in the leaf as beautiful.
God knows our visible and invisible scars are the way His Light illuminates our darkness.
I feel the deep urge to share this glimpse of such “holiness” with you.

Lyrics:
No star is o’er the lake,
Its pale watch keeping,
The moon is half awake,
Through grey mist creeping,
The last red leaves fall round
The porch of roses,
The clock hath ceased to sound,
The long day closes.
Sit by the silent hearth
In calm endeavour,
To count the sounds of mirth,
Now dumb for ever.
Heed not how hope believes
And fate disposes:
Shadow is round the eaves,
The long day closes.
The lighted windows dim
Are fading slowly.
The fire that was so trim
Now quivers lowly.
Go to the dreamless bed
Where grief reposes;
Thy book of toil is read,
The long day closes

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