Follow a Drop’s Path

For this you may see no need,
You may think my aim
Dead set on something

 
Devoid of conceivable value:
An Anthology of Rain,
A collection of voices

 
Telling someone somewhere
What it means to follow a drop
Traveling to its final place of rest.

 
By opening anywhere, a drop
And its story reappear
As air turns to water, water to air.
~Phyllis Levin – excerpt from “An Anthology of Rain”

A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.

A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be

~Emily Dickinson

At first glance, this soppiness is melancholic.

Yet, when studied up close,
rain droplets glisten like jewels.

The onset of rainy season isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of change:
though sodden,
these are the promises of renewal
within our tears.

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Softer Than Rain

Teach me to walk
with tender feet,
as the wild ones do.
Let me be the cinder-glow
of the fox in her burrow, wreathed
around the honey-spark fur
of her sleeping kits.

Let me be the shaded pools
of the doe’s eyes
in winter, when the snow falls,
when the stars lean down to listen,
when the world is darker
and softer
than rain.

Let me be the swallow
after flight, when she is
perched upon the branch
where the petals of the lilacs used to be,
and she is just still, and quiet,
her downy head inclined, as though
she is praying
for their return.

~Kimberly Beck “Tender Feet”

As the weather changes,
softening in the mists of autumn,
I walk each step with careful feet,
my tender heart singing songs in the rain.
I pray for peace in this troubled land,
for protection from harm until spring comes again.

May God grant a gentle night’s sleep for all His creatures.

video by Harry Rodenberger

Lyrics for Aragorn’s Sleepsong:
Lay down your head and I’ll sing you a lullaby
Back to the years of loo-li lai-lay
And I’ll sing you to sleep and I’ll sing you tomorrow

Bless you with love for the road that you go
May you sail far to the far fields of fortune
With diamonds and pearls at your head and your feet
And may you need never to banish misfortune

May you find kindness in all that you meet
May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

May you bring love and may you bring happiness
Be loved in return to the end of your days
Now fall off to sleep, I’m not meaning to keep you
I’ll just sit for a while and sing loo-li, lai-lay

May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

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Not Just a Leaf

holyleaf2

It’s just a leaf. A damaged leaf at that,
clinging to a filbert tree ravaged by blight.
The leaf turns partially back upon itself,
riddled with holes, the traumatic result
of voracious insect appetites.

Damaged does not accurately describe
this leaf, the color of rich burgundy wine,
deep purple veins that branch to the tips
of its serrated edge. The holes open the leaf
to light and air, forming a filigree of nature,
an exquisite fragile beauty.

It makes me think of our own traumas,
how they open us, raw and hurting, humble us,
soften and expand us to the pain of others
and when we are most vulnerable we hold on,
weakened, but not necessarily damaged.

Perhaps it is then our scars become beautiful
and an inner loveliness shines through.
~Lois Parker Edstrom “Fragile Beauty” (an ephrastic poem written about the picture below) from Almanac of Quiet Days

holyleaf1

Nature doth thus kindly heal every wound.
By the mediation of a thousand little mosses and fungi,
the most unsightly objects become radiant of beauty.
There seem to be two sides of this world,

presented us at different times,
as we see things in growth or dissolution, in life or death.
And seen with the eye of the poet,
as God sees them,
all things are alive and beautiful.

~Henry David Thoreau (journal)

holyleaf1-1

…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step

into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.

~Henri Nouwen

As I stepped under a dripping birch tree on our farm on this rainy summer day, I ran head-long into a branch of leaves that appeared more lace than leaf.

They were filagreed nearly to invisibility, presumably by a leaf miner of some sort who chewed intricate designs as its leavings. The residual was left hanging, trying to make the best of things in the drizzle.

Though they are mostly eaten away, these leaves have nearly fulfilled their full season of growth in support of their home base tree. Instead of an ordinary summer of drying and coloring and dropping as a birch leaf must in another month or two, they instead manifest the creativity of our God who designed his creatures to interact in such a way that beauty could be found in the most unlikely places, slapping us full in the face.

God sees such intricate wounds in the leaf as beautiful.
God knows our visible and invisible scars are the way His Light illuminates our darkness.
I feel the deep urge to share this glimpse of such “holiness” with you.

Lyrics:
No star is o’er the lake,
Its pale watch keeping,
The moon is half awake,
Through grey mist creeping,
The last red leaves fall round
The porch of roses,
The clock hath ceased to sound,
The long day closes.
Sit by the silent hearth
In calm endeavour,
To count the sounds of mirth,
Now dumb for ever.
Heed not how hope believes
And fate disposes:
Shadow is round the eaves,
The long day closes.
The lighted windows dim
Are fading slowly.
The fire that was so trim
Now quivers lowly.
Go to the dreamless bed
Where grief reposes;
Thy book of toil is read,
The long day closes

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Like An Old Song With Minor Variations

Just when you’d begun to feel
You could rely on the summer,
That each morning would deliver
The same mourning dove singing
From his station on the phone pole,
The same smell of bacon frying
Somewhere in the neighborhood,
The same sun burning off
The coastal fog by noon,
When you could reward yourself
For a good morning’s work
With lunch at the same little seaside cafe
With its shaded deck and iced tea,
The day’s routine finally down
Like an old song with minor variations,
There comes that morning when the light
Tilts ever so slightly on its track,
A cool gust out of nowhere
Whirlwinds a litter of dead grass
Across the sidewalk, the swimsuits
Are piled on the sale table,
And the back of your hand,
Which you thought you knew,
Has begun to look like an old leaf.
Or the back of someone else’s hand.
~George Bilgere “August”
from The Good Kiss

Twenty-five summers ago
I wrote a poem about the summer ending,
the shadows lengthening, and the light
gone soft and elegiac
like the end of a love song.
It joined roughly a million poems
written that summer alone
on the same subject, but in Spanish
or Japanese, or Swahili,
always the same thing, same shadows
lengthening, same soft light,
and I ended my poem, twenty five years ago,
by saying that the back of my hand
had begun to look like a dead leaf
or the back of someone else’s hand.
And this is just a shout out to say
to that version of me, a quarter
century ago, that the hand in question
looks even more like a dead leaf, even more 
like the back of someone else’s hand,
but—and this is crucial, the importance
of this next observation cannot
be overstated—the strange old hand
is still here, still enduring, still writing itself
into itself.

~George Bilgere “After Escher”

I don’t recognize the back of my own hands – surely they belong to someone else.

How is it possible for my hands to now look like my mother’s did?

It’s only possible now that I’ve lived many summers.
Yet I’m not quite dried up like an old leaf. At least not yet.

This dry spell is over; this morning there is magic in the sound and smell of rain.
Like the old song:
“The bright blessed day
The dark sacred night
And I think to myself
What a wonderful world…”

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Resolving to Grow Again

Through sere trees and beheaded
grasses the slow rain falls.
Hay fills the barn; only the rake
and one empty wagon are left
in the field. In the ditches
goldenrod bends to the ground.
Even at noon the house is dark.
In my room under the eaves
I hear the steady benevolence
of water washing dust
raised by the haying
from porch and car and garden
chair. We are shorn
and purified, as if tonsured.
The grass resolves to grow again,
receiving the rain to that end,
but my disordered soul thirsts
after something it cannot name.
~Jane Kenyon “August Rain, After Haying” from Collected Poems

August arrives in the dark

we are not even asleep and it is here
with a gust of rain rustling before it…

but in the stillness after the rain ends
nothing is to be heard but the drops falling
one at a time from the tips of the leaves
into the night and I lie in the dark
listening to what I remember
while the night flies on with us into itself

~W.S. Merwin from “Nocturne II” from The Shadow of Sirius

A long-awaited August rain arrives in the night
and like the ground and plants,
I look skyward
letting the clouds weep on me,
cleansing me of dust.

Will I restore like the
brown and dying blade of grass,
turning green and lush in a matter of days?

Is there enough benevolence from the sky
to cleanse and settle my grime,
yielding yet more harvest? 

I thirst for what I cannot name. 
The mystery is, when I’m drenched,
thirst and dust settled,
I’m aching for more.

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Warned By Wild Things

Frightening the foliage from its sleep, we travel along
the Quinault Lake Loop in our big red truck.


Roofed by dank rainforest, we know
we are not alone, though we see no bird, no beast.


You say, It’s beautiful, but do we really belong here
where creatures hide?
 Then an elk herd stomps across


the dirt road, and you brake, shocked. The fattest turns
to stare over his long beard. To know or warn us.


Yes, my love, we belong, but on soil-stained knees,
asking for each wild thing’s consent to stand.
~Lauren Davis, Home Beneath the Church 

I’ve been to the temperate rainforest on the Olympic Peninsula,
only a short ferry ride and two hour drive away,
where 300 year old trees tethered to one another
with connecting crepe of dangling moss,
hiding the creatures within,
taking all down with them
if they someday fall to the wind,
lying still, nursing the growth of the next generation’s seeds
from long rotting trunks.

We can only pass through this place,
having been banished from the Garden.

We are not to dwell or cut or shoot or burn or slash,
at risk of being ensnared by reaching fingers of moss
seeking yet another woody heart to soften

Whispering grassfeet
steal through us
fir-fingers touch one another
where the paths meet
thick dripping resin
glues us together
summer-greedy woodpeckers
hammer at hardy
seed-hiding hearts

~Inger Christensen  trans. Susanna Nied

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June Trembling Like a Butterfly

Green was the silence, wet was the light
the month of June trembled like a butterfly
~Pablo Neruda from “Sonnet XL”

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,
then night with his notorious perfumes,
his many-pointed stars?

This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—
maybe a splash of water on the face,
a palmful of vitamins—

but mostly buzzing around the house on espresso,
dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,
and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.
~Billy Collins “Morning”

We are now four days into summer but aside from the date on the calendar, it would be difficult to prove otherwise.  After a dry stretch of warm late spring weather, it is now unseasonably cool, the skies stony gray, the rivers running full and fast, the ground peppered with puddles. Rain has fallen at night, hiding behind the cover of darkness as if ashamed of itself.  

As it should be.

What all this moisture will yield is acres and acres of towering grass growth, more grass than imaginable, more grass than we can keep mowed,  burying the horses up to their backs as they dive head long into the pasture. The Haflingers don’t need to lower their necks to graze,  choosing instead to simply strip off the ripe tops of the grasses as they forge paths through five foot forage. It is like children at a birthday party swiping the frosting off cupcake after cupcake, licking their fingers as they go. Instead of icing, the horses’ muzzles are smeared with dandelion fluff,  grass seed and buttercup petals.

In the northwest, June can tend to shroud its promise of longer days under clouds. Outdoor weddings brace for rain and wind with a supply of umbrellas, graduation potlucks are served in the garage and Fourth of July picnics stay safely under cover. There is a wary anticipation of solstice as it signals the slow inexorable return of darkness from which we have barely recovered.

So I tremble as I too splash through the squishiness of late June,  quivering like a wet butterfly emerging from its cocoon ready to unfurl its wings to dry, but unsure how to fly and uncertain of the new world that awaits.  In fact the dark empty cocoon can look mighty inviting on a rainy June night. If I could manage to squeeze myself back in, it might be worth a try.

After all, there is no place like home.

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Where You Go, I Will Go: God is Not Immune to the World’s Pain

I’m still discovering, right up to this moment, that it is only by living completely in this world that one learns to have faith. I mean living unreservedly in life’s duties, problems, successes and failures, experiences and perplexities.

In so doing, we throw ourselves completely into the arms of God.
~Dietrich Bonhoeffer from The Cost of Discipleship

In the real world of pain, how could one worship a God who was immune to it?
~John Stott from “Cross”

With all that is happening daily in this disordered and confused world, we fall back on what we are told, each and every day, in 365 different verses in God’s Word itself:

Fear not.

Do not be overwhelmed with evil but overcome evil with good.

And so – we must overcome — despite the evil happening within our own country, despite our fear of one another and what might happen next.

As demonstrated by the anointing of Jesus’ feet by Mary of Bethany on Wednesday of Holy Week, we do what we can to sacrifice for the good of others, to live in such a way that death can never erase the meaning and significance of a life. 

We are called to give up our own self-aggrandizing agendas to consider the dignity and well-being of others.

It is crystal clear from Christ’s example as we follow His journey to the cross this week: we are to cherish life – all lives – born and unborn, the stranger and the refugee. If Christ Himself forgave those who hated and murdered Him, He will forgive us for not understanding the damage we cause by our actions and inactions.

Our only defense against the evil we witness is God’s victory through His Love. Only God who knows pain can lead us to Tolkien’s “where everything sad will come untrue”, where we shall live in peace, walk hand in hand, no longer alone, no longer afraid, no longer shedding tears of grief and sorrow, but tears of relief and joy.

No longer overcome by evil but overcome with the goodness of a God who makes all things right.

All to God’s glory.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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A Fattening Rain

Every valley drinks,
        Every dell and hollow:
    Where the kind rain sinks and sinks,
        Green of Spring will follow.
 
    Yet a lapse of weeks
        Buds will burst their edges,
    Strip their wool-coats, glue-coats, streaks,
        In the woods and hedges;

    But for fattening rain
        We should have no flowers,
    Never a bud or leaf again
        But for soaking showers;

    We should find no moss
        In the shadiest places,
    Find no waving meadow grass
        Pied with broad-eyed daisies:
 
    But miles of barren sand,

        With never a son or daughter,
    Not a lily on the land,
        Or lily on the water.
~Christina Georgina Rossetti from “Winter Rain” from  Poems of Christina Rossetti (1904)

Don’t be ashamed to weep; ’tis right to grieve.
Tears are only water, and flowers, trees, and
fruit cannot grow without water.
But there must be sunlight also.
A wounded heart will heal in time,
and when it does, the memory and love

of our lost ones is sealed inside to comfort us.
~ Brian Jacques from Taggerung

It has been too cold to rain for weeks,
a chilly dry spell with unmelted snow
still piled in drifts along the roads.

Today is warm enough
for bulbs to breathe more freely
as they break through the crust,
given permission to bloom and grow.

The world weeps when no longer
frozen in place.
A drizzle decorates with mist
to welcome forth the fattening rain.

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A Weary Hope

Yesterday it was still January and I drove home
and the roads were wet and the fields were wet
and a palette knife


had spread a slab of dark blue forestry across the hill.
A splashed white van appeared from a side road
then turned off and I drove on into the drab morning


which was mudded and plain

and there was a kind of weary happiness
that nothing was trying to be anything much and nothing
was being suggested. I don’t know how else to explain


the calm of this grey wetness with hardly a glimmer of light or life,
only my car tyres swishing the lying water,
and the crows balanced and rocking on the windy lines.
~Kerry Hardie “Acceptance”

For some time I thought there was time
and that there would always be time
for what I had a mind to do
and what I could imagine
going back to and finding it
as I had found it the first time
but by this time I do not know
what I thought when I thought back then

there is no time yet it grows less
there is the sound of rain at night
arriving unknown in the leaves
once without before or after
then I hear the thrush waking
at daybreak singing the new song
~W.S.Merwin “The New Song” from The Moon Before Morning, 2014

I leant upon a coppice gate 
    When Frost was spectre-gray,
And Winter’s dregs made desolate
    The weakening eye of day.
The tangled bine-stems scored the sky
    Like strings of broken lyres,
And all mankind that haunted nigh
    Had sought their household fires.


The land’s sharp features seemed to be
    The Century’s corpse outleant,
His crypt the cloudy canopy,
    The wind his death-lament.
The ancient pulse of germ and birth
    Was shrunken hard and dry,
And every spirit upon earth
    Seemed fervourless as I.


At once a voice arose among
    The bleak twigs overhead
In a full-hearted evensong
    Of joy illimited;
An aged thrush, frail, gaunt, and small,
    In blast-beruffled plume,
Had chosen thus to fling his soul
    Upon the growing gloom.


So little cause for carolings
    Of such ecstatic sound
Was written on terrestrial things
    Afar or nigh around,
That I could think there trembled through
    His happy good-night air
Some blessed Hope, whereof he knew
    And I was unaware.

~Thomas Hardy “The Darkling Thrush”

photo by Josh Scholten
artwork of The Darkling Thrush by Linda Richardson

I need reminding that what I offer up from my own heart predicts what I receive there.

If I’m grumbling and falling apart like a dying vine
instead of a vibrant green tree~~~
coming up empty and hollow with discouragement,
entangled in the soppy cobwebs and mildew of worry,
only grumbling and grousing~~~
then no singing bird will come.

It is so much better to nurture the singers of joy and gladness with a heart budding with grace and gratitude, anticipatory and expectant.

I’ve swept my welcome mat; it is out and waiting.
The symphony can begin any time now…

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