Category: Autumn

The Intricate Texture of Things

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Here is a new light on the intricate texture of things in the world…: the way we the living are nibbled and nibbling — not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.
~Annie Dillard in Pilgrim at Tinker Creek

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The weather is getting brisker so the outdoor critters, some invited, some not,  are starting to move inside.  The cats scoot between our legs as we open the front door, heading straight for the fireplace to bask in the warmth rather than a cold wind. The pup comes in from the yard for a nightly snack and chew bone, and stretches out on the rug, acting every bit like a piece of furry furniture. And today there was another mouse in the trap under the sink. I almost thought we were mouse-free with three weeks of none sighted and none trapped, but there he was waiting for me in the morning, well fed and quite dead.  He became an opportune meal for a cat too lazy to go get himself a living breathing mouse.

From nibbling to nibbled.  It is a tough world, inside and out.

Our most numerous and ambitious visitors from outside are the spiders, appearing miraculously crawling futilely up the sides in the bathtub, or scurrying across the kitchen floor, or webbing themselves into a corner of the ceiling with little hope of catching anything but a stray house moth or two this time of year. Arachnids are certainly determined yet stationary predators, rebuilding their sticky traps as needed to ensure their victims won’t rip away, thereby destroying the web.

I don’t really mind sharing living quarters with another of God’s creatures, but I do prefer the ones that are officially invited into our space and not surprise guests. The rest are interlopers that I tolerate with grudging admiration for their instinctive ingenuity. I admit I’m much too large, inept, and bumbling to find my way into someone else’s abode through a barely perceptible crack, and I’m certainly incapable of weaving the intricate beauty of a symmetrical web placed just so in a high corner.

After all, I am just another creature in the same boat. There is something quite humbling about being actually invited into this frayed and beautiful, complex and broken world, “pitted and scarred” as I am. I’m grateful I’ve so far escaped capture in the various insidious traps of life,  not just the spring-loaded kind and the sticky filament kind.

So it is okay that I’m settled in, cozy in front of the fireplace, just a piece of the furniture. Just so long as I don’t startle anyone or nibble too much of what I shouldn’t, I just might be invited to stay awhile.

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Blooming into Glass

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All the love you will ever feel
you have always carried within you

The pellet you think love is

blooms into stone,
into flame, into glass

The tree knows
how to feed every part of itself

When you tap the tree
to drink it
it speaks to you

There is sweetness in you
All the self can do
is melt
~Hannah Stephenson from “Sap Season”

It never mattered that there was once a vast grieving:

trees on their hillsides, in their groves, weeping—
a plastic gold dropping

through seasons and centuries to the ground—
until now.

The clear air we need to find each other in is
gone forever, yet

this resin once
collected seeds, leaves and even small feathers as it fell
and fell

which now in a sunny atmosphere seem as alive as
they ever were

as though the past could be present and memory itself
a Baltic honey—

a chafing at the edges of the seen, a showing off of just how much
can be kept safe

inside a flawed translucence.
~Eavan Boland, from “Amber” in The Wake Forest Book of Irish Women’s Poetry (2011)

The last remaining cherry tree on our farm,
a Royal Anne,
has stood between house and barn for over 100 years.
This year, its branch joints and bark defects are bleeding – oozing sculptures of amber sap.

The resin is hard and glass-like,
reflecting the tree’s slow internal circulation,
changing subtly day by day.

Though its cherries burst months ago
with juicy flavor,
now it bleeds crystalline flames from its wounds.

What a gift is this love bleeding out
as it moves deep inside an old trunk.
In its thirsty anguish, our dear cherry tree is weeping,
creating glass fruit reflecting Light.

A Wordless Song

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Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;
the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

Wet from the Start

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On a rainy day in Seattle stumble into any coffee shop
and look wounded by the rain.

Say Last time I was in I left my black umbrella here.
A waitress in a blue beret will pull a black umbrella

from behind the counter and surrender it to you
like a sword at your knighting.

Unlike New Englanders, she’ll never ask you
to describe it, never ask what day you came in,

she’s intimate with rain and its appointments.
Look positively reunited with this black umbrella

and proceed to Belltown and Pike Place.
Sip cappuccino at the Cowgirl Luncheonette on First Ave.

Visit Buster selling tin salmon silhouettes
undulant in the wind, nosing ever into the oncoming,

meandering watery worlds, like you and the black umbrella,
the one you will lose on purpose at the day’s end

so you can go the way you came
into the world, wet looking.
~Rick Agran “Black Umbrellas” from Crow Milk

rainy day from a Starbucks shop in Edinburgh Scotland
Pike Street Market in Seattle
anywhere today in western Washington

Anyone using an umbrella in the Pacific Northwest must have come from somewhere else where rain drenches. In the northwest, we have at least 5 kinds of gray drizzle, none of which usually requires an umbrella.

This is embarrassing, but in my archive of over 20,000 photos, there is not one umbrella. I don’t even own one, having lived here for over 70 years.

We’re all about hooded jackets or going bare-headed if necessary.

Don’t ask me why, but it is a stubborn cultural “I’m a native” thing and umbrellas seem like too much of a bother, a sign of weakness.

I appreciated my visits to Japan which can have torrential but brief rainstorms, and almost every shop had a bucket of umbrellas at the door that you could “borrow” and then drop off at your next stop. No keeping track. Very civilized.

But not here.

I think Washingtonians just like to be rebaptized, over and over…
Maybe that’s why.

The Shadow of Joy

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Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love. 

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 
~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

A Little Tired and Hungry

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For grace to be grace,
it must give us things we didn’t know we needed
and take us places where
we didn’t know we didn’t want to go.
~Kathleen Norris from Cloister Walk

Sap withdraws from the upper reaches
of maples; the squirrel digs deeper
and deeper in the moss
to bury the acorns that fall
all around, distracting him.

I’m out here in the dusk…
where the wild asters, last blossoms
of the season, straggle uphill.
Frost flowers, I’ve heard them called.
The white ones have yellow centers
at first: later they darken
to a rosy copper.  They’re mostly done.
Then the blue ones come on. It’s blue
all around me now, though the color
has gone with the sun.

There is no one home but me—
and I’m not at home; I’m up here on the hill,
looking at the dark windows below.
Let them be dark…

…The air is damp and cold
and by now I am a little hungry…
The squirrel is high in the oak,
gone to his nest , and night has silenced
the last loud rupture of the calm.
~Jane Kenyon from “Frost Flowers”

Even when the load grows too heavy,
when misery rolls in like a fog that
covers all that was once vibrant,

even then
even then

there awaits a nest of nurture,
a place of calm
where the tired and hungry
are fed.

We who are empty will be filled;
we who are weary will be restored.

Come and See: Grasping a Rainbow of Words

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The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau from Walden

In the beginning was the Word, 
and the Word was with God, 
and the Word was God.
John 1:1

Painting the indescribable with words necessitates subtlety, sound and rhythm.

The best word color portraits I know are by Gerard Manley Hopkins who created pictures through startling word combinations: 

“crimson-cresseted”,
“couple-colour”,
“rose-moles”,
“fresh-firecoal”,
“adazzle, dim”,
“dapple-dawn-drawn”,
“blue-bleak embers”,
“gash gold-vermillion”.

I understand how difficult it is to harvest daily life using ordinary words. Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible —
yet nevertheless very real.

I keep reaching for understanding, searching for the best words to share here: those that are ephemeral color yet eternal, and very very real.

After all, in the beginning was the Word, and there is no better place to start with its promise.

I’ll be reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore the promise together.

Another Year of Leaping Winds

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My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

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photo by Dan Gibson
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We bought this old farm thirty-five years ago:
the Lawrence family’s “Walnut Hill Farm” –
a front yard lined with several tall black walnut trees
brought as seedlings in a grandfather’s suitcase from Ohio
in the ought-1900’s.

These trees thrived for nearly a century on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares.
The fallen tree became planks
of fine grained chocolate-hued lumber.

This old tree is the back facing of our oak door cupboards,
a daily reminder of a legacy left behind~
sturdy even if imperfect,
still beautiful to the eye and the heart.

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The Wildness and Wet

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What would the world be, once bereft
Of wet and of wildness?  Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
~Gerard Manley Hopkins from “Inversnaid”

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In my anguish at the chaos in the world,
let me remember,
when I look closely,
through the rain,
even the weeds,
the unruly, unholy weeds
are connected
in this wilderness.

There is order here
even if I can’t feel it now.
Let us weeds be left.
We are meant to be.

Time to Say Grace

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You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
~G.K. Chesterton

Norman Rockwell’s 1951 painting Saying Grace

Chesterton has it right.  No matter what I embark on, I should say grace first.  Even my breathing, my waking, and my sleeping. Even the brilliance right outside my back door.

Continual and constant thanks and praise to the Creator for all things bright and beautiful, and helping us through the dark times. 

Instead I am plagued with inconstancy and inconsistency, with a stubborn tendency to take it all for granted.

As I “dip pen in ink” this morning, join me in saying grace:

He is worthy. Amen and Amen.

Even more so.  Ever more now.