Fearsome Things to See

Not much to me is yonder lane  
 Where I go every day;  
But when there’s been a shower of rain  
 And hedge-birds whistle gay,  
I know my lad that’s out in France
 With fearsome things to see  
Would give his eyes for just one glance  
 At our white hawthorn tree.

   .    .    .    .  

Not much to me is yonder lane  
 Where he so longs to tread:
But when there’s been a shower of rain  
I think I’ll never weep again  
 Until I’ve heard he’s dead.

~Siegfried Sassoon “The Hawthorn Tree”

I drove West
in the season between seasons.
I left behind suburban gardens.
Lawnmowers.  Small talk.

Under low skies, past splashes of coltsfoot,
I assumed
the hard shyness of Atlantic light
and the superstitious aura of hawthorn.

All I wanted then was to fill my arms with
sharp flowers,
to seem from a distance, to be part of
that ivory, downhill rush.  But I knew,

I had always known,
the custom was
not to touch hawthorn.
 Not to bring it indoors for the sake of

the luck
such constraint would forfeit–
a child might die, perhaps, or an unexplained
fever speckle heifers.  So I left it

stirring on those hills
with a fluency
only water has.  And, like water, able
to redefine land.  And free to seem to be–

for anglers,
and for travellers astray in
the unmarked lights of a May dusk–
the only language spoken in those parts.

~Eavan Boland “White Hawthorn in the West of Ireland”

The bird-sowed hawthorn bush along the lane to our back field has suddenly become a blooming tree, staking out its place alongside the trail the horses follow to their pasture. This May, it is a white flame against the dark woods.

Though we didn’t intend for it to be there, we’ll leave it be. Hawthorns are great bird habitat and a haven for honeybees. They are found in most hedge rows in the United Kingdom, impenetrable due to their fierce thorns and criss-cross network of branches, a historic symbol of the toughness and persistence of the Celtic people. Though we don’t need a hedge row here, I appreciate the tree’s reminder it has a place in myth and lore.

It will never be a hospitable tree like the lone fir tree that graces our hill, or the big leaf maple where children climb, or the black walnut whose branches support the treehouse. But it will be a white beacon every May, portending the summer to come, and if it bears fruit, it will feed the birds that nest in its interior.

And like the poem written by WWI soldier/poet Sassoon, it will be a bittersweet reminder of the familiar comfort of home, even though sharp thorns abound among the blossoms. Those thorns are nothing compared to the despair found in the fearsome trenches of warfare.

AI image created for this post
Siegfried Sassoon’s handwritten poem

along fair Arran’s shores
the swans sing soft of tale of yore,
of a young love taken to sea

the two were hand in glove
like sparrows bound in sacred love
a tune that only they can sing

a tree of unity
they planted by the green eyed sea
the branch would hold their love through time

a sailor lad was he
he said,”dont cry my lovely, mhari
before the moon is full i’ll return”

I’ll wait for thee and she sang to him

the moon shone full and bright
and home he sailed mid-summers night
the tree so young and blossoming

they slept among the green
the world was light and dreams serene
the fires in their hearts burned bright

Where moss-grown boulders stand,
he took her by the lily hand
and there they wed at break of day

the seas know not of hearts
and once again the two must part.
“it wont be long, i swear to thee.

please wait for me.”
and she sang to him

The hawthorn tree has grown,
10 years she walked shores alone,
she hears his whisper in the leaves

Home is the sailor lad,
home in the sea, forever plaid,
Under the wide and starry sky

Yes, I will wait for thee,
By mountain, sea and tree;
And on the wind you’ll hear my love,

for at the fall of day
Beneath the leaves where once we lay
I’ll sit and sing i’ll wait for thee

come back to me….
music and lyrics by Fae Wiedenhoeft

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In Solitudes of Peace

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,—lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, “To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!”
And then he coughed and dozed, cursing the din
.

Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?—
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts).
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves.
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born….
Then, far away, a lonely note of the horn.

They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass:
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and “Tally-o-back!”
He bawls, and swings his thong with volleying crack,—
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

* * * *  
Hark! there’s the horn: they’re drawing the Big Wood.
~Siegfried Sassoon “Break of Day”
(written about his memories as a WWI soldier)

When we are at war,
whether deep in the foxhole
hiding from the enemy,
or deeper yet in a hole of our own making,
trying to conceal our sins.

Amidst that mire and mud,
we dream of better days
and an untroubled past,
when the hunter and hunted was merely a game,
not life and death.

May we know the means of peace was brought to earth.

May we surface in mutual surrender,
begging for reprieve, longing for redemption.
May the solitudes of peace overwhelm
those who are angry and conflicted.
May we lift our faces up
and thank the Light.

To Thank the Light

octevening2912

 

evening1119153

sunset811153

 

Now a red, sleepy sun above the rim 
Of twilight stares along the quiet weald, 
And the kind, simple country shines revealed 
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light, 
Then stretches down his head to crop the green. 
All things that he has loved are in his sight; 
The places where his happiness has been 
Are in his eyes, his heart, and they are good.
~Siegfried Sassoon from “Break of Day”

 

 

morninglight

 

octpasture

 

 

I am growing older along with my horses. I think of them out to pasture throughout my workday as I continue to climb in the harness to pull the load as fast and hard as I can muster, returning home in the evening sore and weary.

I think of them with the morning sun on their withers, the green blades under their feet, as they search for the sweetest tender patch to munch.

They remind me to bring the calm of the pasture inside to balance the noise and bustle and troubles found in the clinic.  There still is peace and light to be found; I have only to look for it.

 

“To practice medicine with good spirit does not mean to be in a place where there is no noise, trouble or hard work. It means to bring your calm and loving heart right into the midst of it.” from www.theheartofmedicine.org

 

 

 

wallysunset

 

sunsettony2

 

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Thanking the Light

sunset1023

sunrise10231

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
~Siegfried Sassoon from “Break of Day”

sunset965

sunset92horses3

A Foliaged Farewell

wwucolor2
Along College Way at WWU

woodsonfire
woods on fire in the back of our field

cottonwood3
our cottonwood deep in our field

“How innocent were these Trees, that in
Mist-green May, blown by a prospering breeze,
Stood garlanded and gay;
Who now in sundown glow
Of serious color clad confront me with their show
As though resigned and sad,
Trees, who unwhispering stand umber, bronze, gold;
Pavilioning the land for one grown tired and old;
Elm, chestnut, aspen and pine, I am merged in you,
Who tell once more in tones of time,
Your foliaged farewell.”
–   Siegfried Sassoon, October Trees

wwufoliage
Aspen (?) tree at WWU

blackwalnut
black walnut in our front yard

poplartorches
poplar row on our farm