The Child I Was Calls Out to Me

It’s in the perilous boughs of the tree   
out of blue sky    the wind   
sings loudest surrounding me.


And solitude,   a wild solitude
’s reveald,   fearfully,   high     I’d climb   
into the shaking uncertainties,

part out of longing,   part     daring my self,
part to see that
widening of the world,   part

to find my own, my secret
hiding sense and place, where from afar   
all voices and scenes come back

—the barking of a dog,   autumnal burnings,
far calls,   close calls—   the boy I was
calls out to me

here the man where I am   “Look!
I’ve been where you


most fear to be.”
~Robert Duncan “Childhood’s Retreat”

And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

Not long ago, we drove the country roads where I grew up,
over sixty years later,
and though some trees are taller, and others cut down –
it looked just as I remembered.
The scattered houses on farms still standing, a bit more worn,
the fields open and flowing as always,
the turns and bends, the ups and downs of the asphalt lanes unchanged
where once I tread with bicycle tires and sneakered feet.

My own childhood home a different color
but so familiar as we drive slowly by,
full of memories of laughter and games,
long winter days and longer summer evenings
full of its share of angry words and tears
and eventual forgiveness.

I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but won’t go back to retrieve them.
I remember what I wrote.
My young heart tried to imagine itself decades hence,
with so much to fear – bomb drills and shelters in the ground,
such anxiety and joy would pass through me like pumping blood,
wondering what wounds would I bear and bleed,
what love and tears would trace my aging face?

I have not forgotten that I wish to be remembered.

No, I have never forgotten
that I remember that child:
this is me,
as I was, and, deep down, still am.

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Fallen Like the Trees

I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal
and wood smoke. The Great Blue Heron’s returned to the pond,
settles in the reeds like a steady flame.
Geese cut a wedge out of the sky, drag the gray days
behind them like a skein of old wool.
I want to praise everything brief and finite.
~Barbara Crooker from her poem “Equinox” in Selected Poems

A gracious Sabbath stood here while they stood
Who gave our rest a haven.
Now fallen, they are given
To labor and distress.
These times we know much evil, little good
To steady us in faith
And comfort when our losses press
Hard on us, and we choose,
In panic or despair or both,
To keep what we will lose.

For we are fallen like the trees, our peace
Broken, and so we must
Love where we cannot trust,
Trust where we cannot know,
And must await the wayward-coming grace
That joins living and dead,
Taking us where we would not go–
Into the boundless dark.
When what was made has been unmade
The Maker comes to His work.

~Wendell Berry “Sabbaths, II”

Things: simply lasting, then
failing to last: water, a blue heron’s
eye, and the light passing
between them: into light all things
must fall, glad at last to have fallen.
~Jane Kenyon, from “Things”
in Collected Poems

I know I am brief and finite,
leaning more and more from the prevailing winds,
wobbly throughout each storm.

Things I wish would last
don’t, so I hold them lightly in love.
I must trust God’s Light passes
through the darkness,
an illuminated pathway
I will follow,
even when falling, even when finite and failing
until I become Light myself.

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Doing This Hard Thing

I finished loading the woodshed today. Every year
I tell myself, This is it, the last time. It’s just too
much work, too painful, and I’m too old.
And then, the next year, when fall rolls
around, the air gets cold, and the geese go south, I
load the woodshed again.

How long will this go on? I’m seventy-two.
Every year it takes me longer to recover,
yet every year I keep doing it.

It’s just, now that I’m done, I can go out into
the woodshed, sit in a chair, and look at all those
neatly stacked rows, six and a half feet high, six feet
long and sixteen inches deep, two sets of rows like that,
left and right, four full cord — not much by some standards —
but enough to keep us warm all winter.

When I go out and look at what I’ve done, I get such a deep
sense of satisfaction from this backaching labor that I can’t

imagine a year without going through all that pain again.
~David Budbill, “Loading the Woodshed” from Tumbling toward the End.

Long-johns top and bottom, heavy socks, flannel shirt, overalls,
steel-toed work boots, sweater, canvas coat, toque, mittens: on.


Out past grape arbor and garden shed, into the woods.
Sun just coming through the trees. There really is such a thing


as Homer’s rosy-fingered dawn. And here it is, this morning.
Down hill, across brook, up hill, and into the stand of white pine


and red maple where I’m cutting firewood. Open up workbox,
take out chain saw, gas, bar oil, kneel down, gas up saw, add

bar oil to the reservoir, stand up, mittens off, strap on and buckle
chaps from waist to toe, hard hat helmet: on. Ear protectors: down,

face screen: down, push in compression release, pull out choke,
pull on starter cord, once, twice, go. Stall. Pull out choke, pull on


starter cord, once, twice, go. Push in choke. Mittens: back on.
Cloud of two-cycle exhaust smoke wafting into the morning air


and I, looking like a medieval Japanese warrior, wade through
blue smoke, knee-deep snow, revving the chain saw as I go,


headed for that doomed, unknowing maple tree.
~David Budbill”Into the Winter Woods”, from Happy Life

The other day, I was visiting with a recently widowed neighbor who is now well into her 70’s. She said she had finished loading her woodshed and was now ready for winter, dependent on wood stove heat over the next 6 months or so. She is someone who takes her independence seriously after her husband died, having lived in the same house for over fifty years – not at all ready to move into town to an apartment or condo, much less assisted living. She assists herself, thank you very much, even if it means climbing a step ladder to overhead-toss the firewood chunks onto the top row, and later to pull them down again to haul into the house to the stove.

I asked her why she continued to do such hard physical work when she has sons who live nearby as well as the means to hire help if she needed it. She also could choose to install a furnace, making it easier to stay warm.

She told me she likes to look at the stack every day when she does her farmyard chores, which include bringing in her day’s worth of wood. It gives her a deep sense of satisfaction to know that she was able to neatly stack several cords of wood under cover for yet another year, just as she has done year after year after year. It is a reminder of what she is capable of doing on her own, now that she is alone.

It makes her feel good to look at the fruit of her labor.

And that, of course, is reason enough to keep doing a hard thing. We each work at living out our days the best we can despite how painful they can be. We are blessed to be able to do it.

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These Dark Days of Autumn Rain

My Sorrow, when she’s here with me,
     Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
     She walks the sodden pasture lane.

Her pleasure will not let me stay.
     She talks and I am fain to list:
She’s glad the birds are gone away,
She’s glad her simple worsted gray
     Is silver now with clinging mist.

The desolate, deserted trees,
     The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
     And vexes me for reason why.

Not yesterday I learned to know
     The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
     And they are better for her praise.
~Robert Frost “My November Guest”

November,
this month of rapid darkening,
transforms itself
to a recounting of gratitude
of our daily thanksgiving and blessings~~
it is good to dwell on our gifts.

Even so, it is right
to invite Sorrow
to sit in silence with us,
her tears ever-blending with ours.

These deepening days
of bare stripped branches
feed our growing need
for the covering grace
of His coming light.

The mountains are steep and the valley’s low
And already I’m weary but I have so far to go
Oh, and sorrow holds my hand and suffering sings me songs
But when I close my eyes I know to whom I belong
And who makes me strong
And I will be free, I will be free to run the mountains
I will be free, free to drink from the living fountain
Oh, I’ll never turn back ’cause he awaits for me
Oh, I will be free
A wise man, a rich man in pauper’s clothes
A shepherd to lead us through the land of woes
Though many battles I have lost so many rivers yet to cross
But my eyes behold the Son who bore my loss and who paid the cost
I will be free, I will be free to run the mountains
I will be free, oh, free to drink from the living fountain
Oh, I’ll never turn back ’cause He awaits for me, oh
Oh, I will be free, oh
Oh and I’ll dance on silver moonlight and I’ll walk through velvet fields
Oh, and I’ll run into the arms the arms that set me free
Oh, I will be free to run the mountains, I will be free
Free to drink from the living fountain
Oh, I’ll never turn back ’cause He awaits, oh
I’ll never turn back
Don’t you ever turn back
‘Cause someday, someday we’re gonna see
That we will be free
Songwriter: Cindy Lavonne Morgan

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The Chance of One Sweet Last Hour

Bending above the spicy woods which blaze,
Arch skies so blue they flash, and hold the sun
Immeasurably far; the waters run
Too slow, so freighted are the river-ways
With gold of elms and birches from the maze
Of forests. Chestnuts, clicking one by one,
Escape from satin burs; her fringes done,
The gentian spreads them out in sunny days,
And, like late revelers at dawn, the chance
Of one sweet, mad, last hour, all things assail,
And conquering, flush and spin; while, to enhance
The spell, by sunset door, wrapped in a veil
Of red and purple mists, the summer, pale,
Steals back alone for one more song and dance.

~Helen Hunt Jackson “October”


And how like a field is the whole sky now
that the maples have shed their leaves, too.
It makes us believers—stationed in groups,
leaning on rakes, looking into space. We rub blisters
over billows of leaf smoke. Or stand alone,
bagging gold for the cold days to come.
~David Baker from “Neighbors in October”

A touch of cold in the Autumn night—
I walked abroad,
And saw the ruddy moon lean over a hedge
Like a red-faced farmer.
I did not stop to speak, but nodded…
~T.E. Hulme from “Autumn”

We make a dwelling in the evening air, 
In which being there together is enough.
~Wallace Stevens from "Final Soliloquy of the Interior Paramour"



No other time of year is quite like the end of October. God prepares us for the long haul of winter gray by giving us one last sweet hour of golden memories to bag up as keepsakes for the dark cold nights ahead.

The air is now pristine after a wind and rain storm yesterday. I am finally seeing the golden glow of October.

As Robert Frost wrote, “nothing gold can stay” so I bid this gilded air goodbye for another year. I nod in recognition at the rising moon and wave at bare branches dancing leafless in the wind and celebrate the last sweet hours of October.

It’s now time to dwell together, huddled and cuddled, in the chill of the autumn evening air.

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A Love for Lightness

…I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows…

my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun
~W. S. Merwin from “The Love of October”

A wind gusts through shedding branches
stripping them bare
and carrying the leaves to fields
far away, to a diverse gathering
they have never known before:
chestnut, cherry, birch, walnut, apple, alder,
maple, parrotia, pear, oak, poplar, cottonwood
suddenly all sharing the same fate and grave,
each wearing a color of its own,
falling, falling, soon to blend with others.

There is an exquisite lightness in letting go
of all that feels familiar and safe,
for reasons none of us can actually comprehend.

Can’t help “falling” in love and falling in leaf…

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Every Leaf Speaks Bliss

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.

~Emily Brontë, from Fall, Leaves, Fall

A steely torn silver, rusted along the edges;
the faint acidic yellow, like the backwash
of a polluted pond; earth-spatter

and gold spot in blotchy shallows;
grays the purpling of drenched slate;
and a pooling crimson with the false

bonhomie of the maraschino cherry –
all that unnecessary life turning to tinder.
The shadows were fragile-fertile

beyond the shocks of grimy hay in a spent field.
The India-ink, closeted blacks –
why choose the easeful darks?

Not that anything lay hidden there.
Was it only the spilled-over, abandoned life
and, from the wastage, the broken buds?

~William Logan “Leaf Color”

I too was once ablaze, alive, vibrant,
burning with color and passion,
blending hues together
in a blissful rainbow medley
before letting go to fly to my winter rest.

It is never wasteful to flame up
for an exuberant goodbye.
Broken beauty spills over to glory.

Autumn is never the end of my story.
Nor yours.

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Dropping the Colored Veils

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz

And then in the falling comes a rising, 
as of the bass coming up for autumn’s last insects 
struggling amid the mosaic of leaves on the lake’s surface. 
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden 
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines 
shriven of their scarlet and left askew in the air 
like the tangle of threads on the wall’s side 
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle, 
my latticework of bones, my barren winter skin, 
this is it and if you love me, know that this is what you love. 
~Laura Fargas “October Struck” from Animal of the Sixth Day

Something about the emerging nakedness of autumn reassures that we can be loved even when stripped down to our bones. We do make quite a show of lifting our veils and shedding our coverings, our bits and pieces fluttering down to rejoin the soil. What is left is meager lattice.

When the light is just right, we are golden, illuminated and illuminating, even if only barely there.

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O Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow’s wind, if it be wild,
Should waste them all.

O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away…

~Robert Frost “October”

These mornings I wander stunned by light and mist
to see trees tremble inside their loosening cloaks,
a pulsing palette of color ready to detach,
revealing mere bones and branches.

I want it all to be less brief,
leave the leaves attached like a fitted mosaic
rather than randomly falling away.

Their release is not their choosing:
the trees know it is time for slowly letting go~
readying for sleep, for sprouts and buds,
for fresh tapestry to be woven
from October’s leaves lying about their feet.

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Keeping It For Later

When you are already here 
you appear to be only 
a name that tells of you 
whether you are present or not 
and for now it seems as though 
you are still summer 
still the high familiar 
endless summer 
yet with a glint 
of bronze in the chill mornings 
and the late yellow petals 
of the mullein fluttering 
on the stalks that lean 
over their broken 
shadows across the cracked ground 
but they all know 
that you have come 
the seed heads of the sage 
the whispering birds 
with nowhere to hide you 
to keep you for later 
you who fly with them 
you who are neither 
before nor after 
you who arrive 
with blue plums 
that have fallen through the night 
perfect in the dew
~W.S.Merwin “To the Light of September”

Each month has its own special lighting
though this past luminous September tended to sweep them all.

I loosen my grasp on September as we slip into October bronze.

There must be a place I can hide these riches,
tuck this light away for safe-keeping,
to bring it out on the darkest winter day
and feast upon it.

I do know better;
this glow follows the birds as they fly away.
They keep it with them, wherever they go,
towing it back on their wings come spring.

In the meantime I must remember how
this endless summer defined September.