Wet Trembling June

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Green was the silence, wet was the light
the month of June trembled like a butterfly
~Pablo Neruda from “Sonnet XL”

 

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We are now four days into summer but aside from the date on the calendar, it would be difficult to prove otherwise.  After a dry stretch of warm late spring weather, it is now unseasonably cool, the skies stony gray, the rivers running full and fast, the ground peppered with puddles. Rain fell hard last night, hiding behind the cover of darkness as if ashamed of itself.   As it should be.

What all this moisture will yield is acres and acres of towering grass growth, more grass than imaginable, more grass than we can keep mowed,  burying the horses up to their backs as they dive head long into the pasture.  The Haflingers don’t need to lower their necks to graze,  choosing instead to simply strip off the ripe tops of the grasses as they forge paths through five foot forage.   It is like children at a birthday party swiping the frosting off cupcake after cupcake, licking their fingers as they go.  Instead of icing, the horses’ muzzles are smeared with dandelion fluff,  grass seed and buttercup petals.

In the northwest, June can tend to shroud its promise of longer days under clouds.  Outdoor weddings brace for rain and wind with a supply of umbrellas, graduation potlucks are served in the garage and Fourth of July picnics stay safely under cover.  There is a wary anticipation of solstice as it signals the slow inexorable return of darkness from which we have not yet fully recovered.

So I tremble as I too splash through the squishiness of late June,  quivering like a wet butterfly emerging from its cocoon ready to unfurl its wings to dry, but unsure how to fly and uncertain of the new world that awaits.  In fact the dark empty cocoon can look mighty inviting on a rainy June night or during a loud mid-day thunderstorm.   If I could manage to squeeze myself back in, it might be worth a try.

After all, there is no place like home.

 

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A World Where It Is Always June

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I wonder what it would be like to live in a world where it was always June.
~L. M. Montgomery from Anne of the Island

 

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Each month is special in its own way:  I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been with a hint of what lies ahead.

Then there is June.  Dear, gentle, full blown and overwhelming June.  Nothing is dried up, there is such a rich feeling of ascension into lushness of summer combined with the immense relief of tight schedules loosening.

And the light, and the birdsong and the dew and the greens — such vivid verdant greens.

As lovely as June is, 30 days is more than plenty or I would become completely saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.

 

 

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Running Over the Headed Grass

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Light and wind are running
over the headed grass
as though the hill had 
melted and now flowed.
~Wendell Berry “June Wind”

 

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It is haying time now, as soon as another stretch of clear days appears on the horizon.  We missed a haying window last week, and now are staring at a week and a half of uncertain weather with forecast rain and clouds interspersed among sunny warmer days.

The headed grass is growing heavier, falling over, lodged before it can be cut, with the undulations of moist breezes flowing over the hill.   It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand.  It is melting and undulating like a lava flow, pulled back into the soil.

We must move fast to save it.

Light and wind work magic on our hill.  The blades of the mower will come soon to lay it to the ground in green streams that flow up and down the slopes.  It will lie comfortless in its stoneless cemetery rows, until tossed about by the tedder into random piles to dry, then raked back into a semblance of order in mounded lines flowing over the landscape.

It will be crushed and bound together for transport to the barn, no longer bending but bent, no longer flowing but flown, no longer growing but grown.

Salvaged.

It becomes fodder for the beasts of the farm during the cold nights when the wind beats at the doors.   It melts in their mouths, as it was meant to, just as we are meant to melt and flow ourselves, rescued by light and wind and spirit.

Saved.

 

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Lost in the Clover

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Some sings of the lily, and daisy, and rose,
And the pansies and pinks that the Summertime throws
In the green grassy lap of the medder that lays
Blinkin’ up at the skyes through the sunshiney days;
But what is the lily and all of the rest
Of the flowers, to a man with a hart in his brest
That was dipped brimmin’ full of the honey and dew
Of the sweet clover-blossoms his babyhood knew?
I never set eyes on a clover-field now,
Er fool round a stable, er climb in the mow,
But my childhood comes back jest as clear and as plane
As the smell of the clover I’m sniffin’ again;
And I wunder away in a bare-footed dream,
Whare I tangle my toes in the blossoms that gleam
With the dew of the dawn of the morning of love
Ere it wept ore the graves that I’m weepin’ above.

And so I love clover–it seems like a part
Of the sacredest sorrows and joys of my hart;
And wharever it blossoms, oh, thare let me bow
And thank the good God as I’m thankin’ Him now;
And I pray to Him still fer the stren’th when I die,
To go out in the clover and tell it good-bye,
And lovin’ly nestle my face in its bloom
While my soul slips away on a breth of purfume
~James Whitcomb Riley “The Clover Poem”

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Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover’s breast he softly lit,
And folded his bright wings there.
‘Dear flower,’ the butterfly whispered low,
‘Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o’er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate’er a flower can wish is thine,
For thou art worthy all.
~Louisa May Alcott from “Clover-Blossom”

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Can anything be as plain to the eye as one of a million clover blossoms?

Then you look up close.
There is nothing quite as lovely — each individual little bloom of the clover ball is a part of a greater whole.

Here is a place to tangle our toes and nestle our nose.
Here we roll over.
Here we find the sacredest sorrow and joy of our heart.
Here is a place to get lost and be found.

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One Tree – A Hundred Backdrops

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If I can put one touch of rosy sunset into the life of any man or woman, I shall feel that I have worked with God.
~G.K. Chesterton

 

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Most evenings there is no sunset fanfare, no departing glowing orb on the horizon, no color spreading upward into the clouds.  The typical evening canvas is just grey and ordinary at dusk, transitioning to twilight, giving into nightfall.

Grey–>darkergrey–>black.

Yet there are times not at all ordinary.  On those evenings, the Master reaches deep for his palette and starts mixing.  As He begins His work,  grey gradually gives way to amber and orange, shifting to red and purple and yellow.   A daub here, a speckle there, then full out splash and streak.  The backdrop is never the same night after night.  He takes creative license with His creation.

We are invited to pick up a brush and apprentice for Him, learning the sweep of the hand, the grace of the wrist stroke, the fine work of the brush tip outlining the black of darkening shadows.

There can be no wrong color combination; anything goes.  It is a riveting gift of extraordinary artwork: it is meant to be shared, to be taught, to be cherished even if only for a few brief minutes.

When the sky glows like unfolding rose petals, all will see it; this work won’t be hidden away in a gallery or museum.

All too soon it moves on, the canvas plain and dark once again.  And we’re left holding the brush, eager and ready to try again when the timing is right.

 

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There is no way in which a man can earn a star or deserve a sunset.
~G.K. Chesterton

 

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Just That Kind of Day

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If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”
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This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp and vivid bathed in golden light.

It takes away my breath at the same time as it delivers it deep within me.

How can I spring others free as I now have been sprung?
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The Leaping Combustion of Spring


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This spring as it comes bursts up in bonfires green, 
Wild puffing of emerald trees, and flame-filled bushes, 
Thorn-blossom lifting in wreaths of smoke between 
Where the wood fumes up and the watery, flickering rushes. 
I am amazed at this spring, this conflagration 
Of green fires lit on the soil of the earth, this blaze 
Of growing, and sparks that puff in wild gyration, 
Faces of people streaming across my gaze. 
And I, what fountain of fire am I among 
This leaping combustion of spring? My spirit is tossed 
About like a shadow buffeted in the throng 
Of flames, a shadow that’s gone astray, and is lost.
~D.H. Lawrence “The Enkindled Spring”
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I’m a bit wary of looking out the window these days as I am so easily swept away and then am useless to accomplish anything else.  The landscape is exploding with layers of color and shadow and standing too close, I too am ignited.  It is impossible to witness so much unfolding life and light and not be engulfed and singed.

It lures me outside where flames of green lap about my ankles as I stroll the fields and each fresh breeze fans the fires until I’ve nothing left of myself but ash and shadow.
Consumed and subsumed.  Combusted and busted.
What a way to go.
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Lifting a Veil of Gauze

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Veil after veil of thin dusky gauze is lifted, 
and by degrees 
the forms and colours of things are restored to them, 
and we watch the dawn 
remaking the world in its antique pattern.
~Oscar Wilde from The Picture of Dorian Gray

 

 

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Dawn is the time when nothing breathes, the hour of silence. 
Everything is transfixed, only the light moves.
~Leonora Carrington from The Hearing Trumpet

 

 

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Poetry lifts the veil from the hidden beauty of the world,
and makes familiar objects be as if they were not familiar.

~Percy Bysshe Shelley

 

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Too much of my life is lived behind a gauzy veil, hiding my face and feelings so my flaws and foibles are not so obvious to the world.

Yet God lifts my veil as a groom does his bride’s;  He reminds me I’m made in His image and He wants to see me wholly to make me holy.

Just as the dawn restores with light what has dwelled in darkness, God removes our shroud of hiddenness to tell us: “You, my child, are beautiful because I made you.”

 

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Every Green Moment

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Just past dawn, the sun stands
with its heavy red head
in a black stanchion of trees,
waiting for someone to come
with his bucket
for the foamy white light,
and then a long day in the pasture.
I too spend my days grazing,
feasting on every green moment
till darkness calls,
and with the others
I walk away into the night,
swinging the little tin bell
of my name.
~Ted Kooser “A Birthday Poem”

 

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Right now
all is green~
every square inch
and every misty mythical moment.

So I feast while I can,
knowing soon the darkness descends
and I too am called
to come home,
the bells I bear
swinging and ringing.

 

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Let the Rain

 

 

 

Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

~Langston Hughes “April Rain Song”
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Spring is the sun shining on the rain and the rain falling on the sunshine…
~ Frances Hodgson Burnett, The Secret Garden

Some days this time of year, the skies begin gray with indecision and it doesn’t rain nor does the sun ever shine —  a truly lukewarm day.  The days that are most interesting, however, are those that declare themselves “clear” or “soaking wet” and then switch somewhere in the middle in a stormy transition.

A day can start with pouring rain — no half-hearted drizzle, this — with no hope of clearing, no peek of blue sky, no mountains on the horizon as if covered in gray cotton wool.

Then in a mighty switch near sunset, a wind blows in and takes the gray away with a sweep of the hand.  The skies clear, the mountains reappear with even more snow cover than the day before, and everything around shines with the glistening wash that has taken place.

It is spring, it is April, when all things are reborn wet and shimmering.  Let the rain drench irresistible light.