I saw a deer skeleton gracing the roadside and didn’t stop to wonder where the flesh had gone, why just a tuft of fur clung, a bit of tail. Didn’t pause to ponder its change from leaping-warmth to cold, clean bones. Didn’t stop but glimpsed crisp, dark lines against snow, rib cage, long legs, perfect spine— what we with mounded dirt, neat lawn, and flowered stones seek so hard to hide— I drove quickly by. ~Laura Foley, “Intuition” from It’s This
I drive a night-darkened country road, white lines sweeping past, aware of advancing frost in the evening haze, anxious to return home to fireplace light.
Nearing a familiar corner, a stop sign looms, to the right, a rural cemetery sits silently expectant.
Open iron gates and tenebrous headstones, in the middle path, incongruous, a car’s headlights beam bright. I slow, thinking: lovers or vandals might seek inky cover of night.
Instead, these lights illuminate a lone figure, kneeling graveside, one hand resting heavily on a stone, head bowed in prayer.
A stark moment of solitary sorrow, invisible grieving of the heart focused in twin beams, impossible to hide.
A benediction of mourning; light piercing the heart’s blackness, as gentle fingertips trace the engraved letters of a beloved name.
As an uneasy witness, I withdraw as if touched myself and drive on into the night, struggling to see through the thickening mist of my eyes and the road.
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The whole idea of it makes me feel like I’m coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul.
You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince.
But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it.
This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number.
It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed. ~Billy Collins “On Turning Ten”
photo by Danyale Tamminga
No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you’re nine, you think you’ve always been nine years old and will always be. When you’re thirty, it seems you’ve always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You’re in the present, you’re trapped in a young now or an old now, but there is no other now to be seen. ~ Ray Bradbury, Dandelion Wine
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I’m one of them. ~Ray Bradbury, Dandelion Wine
Some reflections on moving from one decade of life to the next:
Turning ten is a big deal, no going back to single digits. Turning twenty is a bid goodbye to a fleeting childhood. Turning thirty is down to business of family, job and debt. Turning forty is a mid-life muddle, a surging forth into the second half. Turning fifty is settling in while finding the nest emptying. Turning sixty is grateful hope for a fruitful third life trimester. Turning seventy is just around the corner – there is no other now. Turning eighty, ninety or hundred would be pure gift of grace.
I hope once again, as when I was nine, I might only bleed out rays of light when cut – I pray these final decades shine bright with meaning and purpose.
I like to cry. After I cry hard it’s like it’s morning again and I’m starting the day over. ~Ray Bradbury, Dandelion Wine
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When great trees fall, rocks on distant hills shudder, lions hunker down in tall grasses, and even elephants lumber after safety.
When great trees fall in forests, small things recoil into silence, their senses eroded beyond fear.
When great souls die, the air around us becomes light, rare, sterile. We breathe, briefly. Our eyes, briefly, see with a hurtful clarity. Our memory, suddenly sharpened, examines, gnaws on kind words unsaid, promised walks never taken.
Great souls die and our reality, bound to them, takes leave of us. Our souls, dependent upon their nurture, now shrink, wizened. Our minds, formed and informed by their radiance, fall away. We are not so much maddened as reduced to the unutterable ignorance of dark, cold caves.
And when great souls die, after a period peace blooms, slowly and always irregularly. Spaces fill with a kind of soothing electric vibration. Our senses, restored, never to be the same, whisper to us. They existed. They existed. We can be. Be and be better. For they existed. ~ Maya Angelou “When Great Trees Fall”
It sounded like July 4 fireworks lighting up the evening
a pop, then silence- a crack, then several more.
I look out the kitchen window – the old Spitzenburg tree had fallen, irrevocably split and splintered.
Neither wind, nor lightning-felled, simply toppled by old age and inner rot
It lies still, its hollowed trunk like a brittle bone broken
Given up and given in after decades of battering winter wind storms
Instead it fell in a fragile fruiting finale, pulled up by the roots
coming for to carry me home at twilight’s last gleaming.
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Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
How strange to find you where I did along a path beside a road, your legs in graceful green dancing to music made by wind and woods.
Like ladies from a bygone age, you left your slippers there to air in dappled shade, while you, barefoot, relaxed your stays, let loose your hair.
The treasures of this world might be as simple as an orchid’s bloom; how sad that so much time is spent in filling coffers for the tomb.
If only life could be so fresh and free as you in serenade, we might learn we value most those things found lost in woodland shade. ~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what her selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes. He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring, only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father left our farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
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…to break through earth and stone of the faithless world back to the cold sepulchre, tearstained stifling shroud; to break from them back into breath and heartbeat, and walk the world again, closed into days and weeks again, wounds of His anguish open, and Spirit streaming through every cell of flesh so that if mortal sight could bear to perceive it, it would be seen His mortal flesh was lit from within, now, and aching for home. He must return, first, In Divine patience, and know hunger again, and give to humble friends the joy of giving Him food – fish and a honeycomb. ~Denise Levertov “Ikon: The Harrowing of Hell” from A Door in the Hive
The Holy Saturday of our life must be the preparation for Easter, the persistent hope for the final glory of God. The virtue of our daily life is the hope which does what is possible and expects God to do the impossible. To express it somewhat paradoxically, but nevertheless seriously: the worst has actually already happened; we exist, and even death cannot deprive us of this. Now is the Holy Saturday of our ordinary life, but there will also be Easter, our true and eternal life. ~Karl Rahner “Holy Saturday” in The Great Church Year
This is the day in between when nothing makes sense: we are lost, hopeless, grieving,aching.
We are brought to our senses by this one Death, this premeditated killing, this senseless act that darkened the skies, shook the earth and tore down the curtained barriers to the Living Eternal God.
The worst has already happened, despite how horrific are the constant tragic events filling our headlines.
Today, this Holy Saturday we are in between, stumbling in the darkness but aware of hints of light, of buds, of life, of promised fruit to come.
The best has already happened; it happened even as we remained oblivious to its impossibility.
We move through this Saturday, doing what is possible even when it feels senseless, even as we feel split apart, torn and sundered.
Tomorrow it will all make sense: our hope brings us face to face with our God who is and was and does the impossible.
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; ~John Keats from “Ode on Melancholy”
I eat oatmeal for breakfast. I make it on the hot plate and put skimmed milk on it. I eat it alone. I am aware it is not good to eat oatmeal alone. Its consistency is such that is better for your mental health if somebody eats it with you. That is why I often think up an imaginary companion to have breakfast with. Possibly it is even worse to eat oatmeal with an imaginary companion. Nevertheless, yesterday morning, I ate my oatmeal porridge, as he called it, with John Keats. Keats said I was absolutely right to invite him: due to its glutinous texture, gluey lumpishness, hint of slime, and unusual willingness to disintegrate, oatmeal should not be eaten alone… ~Galway Kinnell from “Oatmeal”
Oatmeal porridge eaten in melancholy, among poets and emerging peonies, hail-crushed blooms and storm-crossed hills, while nations and individuals remain at war:
this is the week of walking through the suffering of our Redeemer.
Glutted with sadness among companions: I am not alone in feeling the sorrow is already too much to be borne on a holy Tuesday morning with more yet to come~~ nothing more need be said.
I do what I can to open my eyes and my heart to understand how and why Christ has done what He must to save us from ourselves.
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away. And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true. Revelation 21: 4-5
“Gandalf! I thought you were dead! But then I thought I was dead! Is everything sad going to come untrue?” ~J.R.R. Tolkien as Samwise Gamgee wakes to find his friends all around him in The Lord of the Rings
“The answer is yes. And the answer of the Bible is yes. If the resurrection is true, then the answer is yes. Everything sad is going to come untrue.” ~Pastor Tim Keller’s response in a sermon given in an ecumenical prayer service memorial in Lower Manhattan on the fifth anniversary of Sept. 11.
photo by Joel De Waard
In our minds, we want to rewind and replay the sad events of this week in a way that would prevent them from happening in the first place.
We want those in a broken relationship to come back together, hug and forgive. The devastating diagnosis would be proven an error and, in reality, only a transient illness. When a terrible tragedy happens, we want the dead and injured to rise up again. The destructive earthquake becomes a mere tremor, the flooding tsunami is only one foot, not over thirty feet tall, the hijackers are prevented from ever boarding a plane, the shooter changes her mind at the last minute and lays down her arms, the terrorist disables his suicide bombs and walks away from his training and misguided mission.
We want so badly for it all to be untrue. The bitter reality of horrendous suffering and sadness daily all over the earth is too much for us to absorb. We plead for relief and beg for a better day.
Our minds may play mental tricks like this, but God does not play tricks. He knows and feels what we do. He too wants to see it rewound and replayed differently. He has known grief and sadness, He has wept, He has suffered, He too has died in terrible humiliating and painful circumstances.
And because of this, because of a God who came to dwell with us, was broken, died and then rose again whole and holy, we are assured, in His time, everything sad is going to come untrue.
Our tears will be dried, our grief turned to joy, our pain nonexistent, not even a memory. It will be a new day, a better day–as it is written, trustworthy and true.
May it come.
Quickly.
photo by Nate Gibson
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
“I wish it need not have happened in my time,” said Frodo. “So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”
The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater. ― J.R.R. Tolkien, from The Fellowship of the Ring
God is not only the God of the sufferers but the God who suffers. … It is said of God that no one can behold his face and live. I always thought this meant that no one could see his splendor and live. A friend said perhaps it meant that no one could see his sorrow and live. Or perhaps his sorrow is splendor. …
Instead of explaining our suffering God shares it.
How is faith to endure, O God, when you allow all this scraping and tearing on us? You have allowed rivers of blood to flow, mountains of suffering to pile up, sobs to become humanity’s song–all without lifting a finger that we could see. You have allowed bonds of love beyond number to be painfully snapped. If you have not abandoned us, explain yourself.
We strain to hear. But instead of hearing an answer we catch sight of God himself scraped and torn. Through our tears we see the tears of God. ~Nicholas Wolterstorffin Lament for a Son
“My God, My God,” goes the Psalm 22, “hear me, why have you forsaken me?” This is the anguish all we of Godforsaken heart know well. But hear the revelation to which Christ directs us, further in the same psalm:
For He has not despised nor scorned the beggar’s supplication, Nor has He turned away His face from me; And when I cried out to Him, He heard me.
He hears us, and he knows, because he has suffered as one Godforsaken. Which means that you and I, even in our darkest hours, are not forsaken. Though we may hear nothing, feel nothing, believe nothing, we are not forsaken, and so we need not despair. And that is everything. That is Good Friday and it is hope, it is life in this darkened age, and it is the life of the world to come. ~Tony Woodlief from “We are Not Forsaken”
Scratch the surface of a human being and the demons of hate and revenge … and sheer destructiveness break forth.
Again and again we read the stories of violence in our daily papers, of the mass murders and ethnic wars still occurring in numerous parts of our world. But how often do we say to ourselves: “What seizes people like that, even young people, to make them forget family and friends, and suddenly kill other human beings?” We don’t always ask the question in that manner. Sometimes we are likely to think, almost smugly: “How different those horrible creatures are from the rest of us. How fortunate I am that I could never kill or hurt other people like they did.”
I do not like to stop and, in the silence, look within, but when I do I hear a pounding on the floor of my soul. When I open the trap door into the deep darkness I see the monsters emerge for me to deal with. How painful it is to bear all this, but it is there to bear in all of us. Freud called it the death wish, Jung the demonic darkness. If I do not deal with it, it deals with me. The cross reminds me of all this.
This inhumanity of human to human is tamed most of the time by law and order in most of our communities, but there are not laws strong enough to make men and women simply cease their cruelty and bitterness. This destructiveness within us can seldom be transformed until we squarely face it in ourselves. This confrontation often leads us into the pit. The empty cross is planted there to remind us that suffering is real but not the end, that victory still is possible… ~Morton Kelsey from “The Cross and the Cellar”
I’m depending on others’ words right now. The maelstrom of emotions following this week’s latest school shooting silences everything but my tears.
Have mercy, Holy God, on your people.
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
Always at dusk, the same tearless experience, The same dragging of feet up the same well-worn path To the same well-worn rock; The same crimson or gold dropping away of the sun The same tints—rose, saffron, violet, lavender, grey Meeting, mingling, mixing mistily; Before me the same blue black cedar rising jaggedly to a point; Over it, the same slow unlidding of twin stars, Two eyes, unfathomable, soul-searing, Watching, watching—watching me; The same two eyes that draw me forth, against my will dusk after dusk; The same two eyes that keep me sitting late into the night, chin on knees Keep me there lonely, rigid, tearless, numbly miserable, —The eyes of my Regret. ~Angelina Weld Grimké “The Eyes of My Regret”
How granular they feel—grief and regret, arriving, as they do, in the sharp particularities of distress. Inserting themselves— cunning, intricate, subversive—into our discourse.
In the long night, grievances seem to multiply. Old dreams mingling with new. Disappointment and regret bludgeon the soul, your best imaginings bruised, your hopes ragged.
Yet wait, watch. From the skylight the room is filling with soft early sun, slowly sifting its light on the bed, on your head, a shower of fine particles. How welcome. And how reliable. ~Luci Shaw“Sorrow”
It’s now been a interminably long three years: millions of people sickened by a virus that could kill within days or simply be spread by those unwitting and asymptomatic. We’ve lived through shut down of businesses and schools, hospitals and clinics being overwhelmed, and hoarding behavior resulting in shortages of products addressing basic needs.
Now that I can look back with a bit more perspective, I know my first reaction was fear for myself and those I love. My words flew out too quickly, my anxiety mixed with frustration and anger, my tears spilling too easily. Like so many others, my work life forever changed.
I ended up lying awake many nights with regrets, wondering if I should be doing more than just telemedicine from home, yet wanting to hide myself and my M.D. degree under a rock until the unending viral scourge blew over.
Yet amazingly, miracles of grace in many places: generous people full of courage made a difference in small and large ways all around the world. Some took enormous personal risks to take care of strangers and loved ones. Some worked endless hours and when they came home, they remained isolated to avoid infecting their families.
Such grace happens when hardship is confronted head on by the brilliant light of sacrifice. I am deeply grateful to those who have worked tirelessly providing care and compassion to the ill. Their work is never done.
We know, in His humanity, Jesus wept, in frustration, in worry for His people, in grief. His tears still light the sky with a promise of salvation as He assures He won’t leave us alone in darkness – our regret dissipates with the dawn.
This year’s Barnstorming Lenten theme is taken from 2 Corinthians 4: 18: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
It seemed necessary just then to touch base with the Lord. Shutting my eyes, I leaned into the horse. I prayed in words for a little while . . . and then language went away and I prayed in a soft high-pitched lament any human listener would’ve termed a whine. We serve a patient God. . . . ~Leif Enger from Peace Like a River
Prayer is like lying awake at night, afraid, with your head under the cover, hearing only the beating of your own heart. It is like a bird that has blundered down the flue and is caught indoors and flutters at the windowpanes. It is like standing a long time on a cold day, knocking at a shut door. ~Wendell Berry from Jayber Crow
Sometimes prayers are uttered wordlessly while clinging to the life preserver of a furry neck. Another living breathing creature serves as witness to our need to say what often our lips cannot. They listen, they care, they know a whimper is a cry of feeling lost and alone, all pain and sadness and abandonment.
A whimper gives voice to the fear that what is, might forever be, and might never change. Our God knows better.
God’s creatures understand our groanings. And so does our patient and loving Creator understand. When we touch base to say whatever needs to be said, whatever is spilling from our broken hearts, He hears us even when words fail us.
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