Tonight at dusk we linger by the fence
around the garden, watching the wound husks
of moonflowers unclench themselves slowly,
almost too slow for us to see their moving—
you notice only when you look away
and back, until the bloom decides,
or seems to decide, the tease is over,
and throws its petals backward like a sail
in wind, a suddenness about this as though
it screams, almost the way a newborn screams
at pain and want and cold, and I still hear
that cry in the shout across the garden
to say another flower is about to break.
I go to where my daughter stands, flowers
strung along the vine like Christmas lights,
one not yet lit. We praise the world by making
others see what we see. So now she points and feels
what must be pride when the bloom unlocks itself
from itself. And then she turns to look at me.
~James Davis May “Moonflowers” from 32 Poems Magazine, (Number 16.2, Winter, 2018)
Ever since I was a kid, I have had the need to share something special I’ve seen: a “hey, have you seen this too?” pointing it out to another to then witness it again through their eyes – that sharing can make it even sweeter. I guess that is much of what this blog is about.
Sometimes others can see what I see; sometimes not. Sometimes others wonder what has gotten into me.
I was an odd farm kid, no question: a summer twilight’s entertainment might be watching the evening primrose blossoms open at night. It, like the moonflower of the above poem, is one of a few night blooming plants meant to attract pollinating moths. Its tall stems are adorned by lance shaped leaves, with multiple buds and blooms per stem.
Each evening, and it was possible to set one’s watch by its punctuality, only one green wrapped bud per stem opens, revealing a bright yellow blossom with four delicate veined petals, a rosette of stamens and a cross-shaped stigma in the center, rising far above the blossom. The yellow was so vivid and lively, it seemed almost like a drop of sun was being left on earth to light the night. By morning, the bloom would begin to wither and wilt under the real sunlight, somehow overcome with the brightness, and would blush a pinkish orange as it folded upon itself, ready to die and drop from the plant in only a day or two, leaving a bulging seed pod behind.
I would settle cross-legged on our damp lawn at twilight, usually right before dusk fell, to watch the choreography of the opening of evening primrose blossoms. Whatever the trigger was for the process of the unfolding, there would be a sudden loosening of the protective green husk, in a nearly audible release. Then over the course of about a minute, the overlapping yellow petals would unfurl, slowly, gently, purposefully in an unlocking action that revealed their pollen treasure trove inside.
It was like watching time lapse cinematography, only this was an accelerated, real time flourish of sudden beauty, happening right before my eyes. It was magic. I always felt privileged to witness each unveiling as few flowers would ever allow us to behold their birth.
My brother wasn’t nearly as impressed when I tried to lure him into becoming audience with me. That’s okay; I was always underwhelmed by the significance of his favorite team’s touchdowns that he insisted in sharing with me.
It’s all praiseworthy as long as one among us notices.