The Grass Forgiving the Scythe

Winslow Homer’s The Veteran in a New Field
Man Scything Hay by Todd Reifers

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.

To the earnest love that laid the swale in rows,
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.
~Robert Frost in “Mowing”

Mowers, weary and brown, and blithe,
What is the word methinks ye know,
Endless over-word that the Scythe
Sings to the blades of the grass below?
Scythes that swing in the grass and clover,
Something still, they say as they pass;
What is the word that, over and over,
Sings the Scythe to the flowers and grass?

Hush, ah hush, the Scythes are saying,
Hush, and heed not, and fall asleep;
Hush, they say to the grasses swaying,
Hush, they sing to the clover deep!
Hush – ’tis the lullaby Time is singing –
Hush, and heed not, for all things pass,
Hush, ah hush! and the Scythes are swinging
Over the clover and over the grass!

~Andrew Lang (1844-1912) “The Scythe Song”

It is blue May. There is work
to be done. The spring’s eye blind
with algae, the stopped water
silent. The garden fills
with nettle and briar.
Dylan drags branches away.
I wade forward with my scythe.

There is stickiness on the blade.
Yolk on my hands. Albumen and blood.
Fragments of shell are baby-bones,
the scythe a scalpel, bloodied and guilty
with crushed feathers, mosses, the cut cords
of the grass. We shout at each other
each hurting with a separate pain.

From the crown of the hawthorn tree
to the ground the willow warbler
drops. All day in silence she repeats
her question. I too return
to the place holding the pieces,
at first still hot from the knife,
recall how warm birth fluids are.

~Gillian Clarke “Scything” from Letter from a Far Country (1982)

The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack.

When the pastures are too wet yet for heavy hooves, I have hungry horses to provide for and there is more than plenty fodder to cut down for them.

I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like an act of war to be remotely enjoyable. Instead, I have tried to take scything lessons from my husband.

Emphasis on “tried.”

I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.

Once, when I was three years old, I quietly approached my dad in the field while he was busily scything grass for our cows, but I didn’t announce my presence. The handle of his scythe connected with me as he swung it, laying me flat with a bleeding eyebrow. I still bear the scar, somewhat proudly, as he abruptly stopped his fieldwork to lift me up as I bawled and bled on his sweaty shirt. He must have felt so badly to have injured his little girl and drove my mom and I to the local doctor who patched my brow with sticky tape rather than stitches.

So I identify a bit with the grass laid low by the scythe. I forgave my father, of course, and learned never again to surprise him when he was working in the field.

Instead of copying my father’s graceful mowing technique, I tended to chop and mangle rather than effect an efficient slicing blow to the stems. I unintentionally trampled the grass I meant to cut. I got blisters from holding the handles too tightly. It felt hopeless that I’d ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.

Not only did I become an ineffective scything human, I also learned what it is like to be the grass laid flat, on the receiving end of a glancing blow. Over a long career, I bore plenty of footprints from the trampling. It can take awhile to stand back up after being cut down.

Sometimes it makes more sense to simply start over as the oozing stubble bleeds green, with deep roots that no one can reach. As I have grown back over the years, singing rather than squeaking or bawling, I realize, I forgave the scythe every time it came down on my head.

photo by Nate Gibson
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The Moment Before You Forgot

It was like the moment when a bird decides not to eat
from your hand,
and flies, just before it flies, the moment the rivers seem
to still
and stop because a storm is coming, but there is no
storm, as when
a hundred starlings lift and bank together before they
wheel and drop,
very much like the moment, driving on bad ice, when it
occurs to you
your car could spin, just before it slowly begins to spin,
like
the moment just before you forgot what it was you were
about to say,
it was like that, and after that, it was still like that, only
all the time.

~Marie Howe “Part of Eve’s Discussion”
(2025 Pulitizer Prize-winning poet)

Sometimes my mind’s eye will perceive what is about to happen before it does. I can see it play out – yet sometimes it doesn’t happen.

Sometimes I teeter on the cusp of a new revelation that would change things completely — yet it stalls unformed and unspoken.

Sometimes I believe I can do whatever is right in my own eyes because it feels right, despite potential consequences.

I reach for the fruit because I want it and I’m hungry and it is hanging there waiting for someone, anyone – yet if I hesitate and consider the message of the worm hole before I take a bite, it just might spare me much sorrow and heartache.

We know how vulnerable we are to temptation and manipulation;
we know our failings and weaknesses yet how quickly we go from knowing, to forgetting.

There is a stillness, a suspension of time, in that moment of knowing – there is constant internal debate about the choices we face and what to do with that knowledge.

How many of us, knowing well the consequences, still do what we ought not to do? How many of us, having been warned, having learned from past history, still make the wrong decision?

All of us, all the time, that’s how many,
despite knowing what is right and best.

We forget, over and over. If we can’t get it right now, then when?

Thank God for His grace in the face of our poor memories and judgment.

Thank God He still feeds us wholly from His loving hands as long as we don’t fly away.

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So Starved for Hope

I know what you planned, what you meant to do, teaching me
to love the world, making it impossible
to turn away completely, to shut it out completely ever again –
it is everywhere; when I close my eyes,
birdsong, scent of lilac in early spring, scent of summer roses:
you mean to take it away, each flower, each connection with earth –
why would you wound me, why would you want me
desolate in the end, unless you wanted me so starved for hope
I would refuse to see that finally
nothing was left to me, and would believe instead
in the end you were left to me.
~Louise Glück “Vespers”
 (one of ten Vespers poems)

I wait for the Lord, my soul waits,
    and in his word I hope;
~Psalm 130:5

Mid-spring days like this:
bright, so promising with potential,
birdsong constantly in the air,
scent of orchard blossoms, lilacs,
early roses and a flush of color everywhere…

how can we not love the world so much we never want to leave it?

Yet we must hold this loosely.

It is but a tiny show of the glories to come,
of what You have waiting for us next.

I am wounded knowing I must eventually let this go.

I am hungry for hope that isn’t found
in all this beauty and lushness,
the fulfilling hope that is only
You as my Father and Creator.

You provide only a taste here.
I know what I starve for,
so starved with hope for what You have in store.

I will wait for you
I will wait for you
in the end You were left for me.

Amen and Amen.

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A Sacred Groove

One day thru the primeval wood 
A calf walked home, as good calves should, 
But made a trail all bent askew, 
A crooked trail, as all calves do. 
Since then three hundred years have fled, 
And I infer, the calf is dead; 
But still behind he left his trail, 
And thereon hangs my mortal tale.

The trail was taken up next day 
By a lone dog that passed that way, 
And then a wise bell-weather sheep 
Sliding into a rut now deep, 
Pursued that trail over hill and glade 
Thru those old woods a path was made.

And many men wound in and out, 
And dodged and turned and bent about, 
and uttered words of righteous wrath 
Because “twas such a crooked path” 
But still they follow-do not laugh- 
The first migrations of that calf.

The forest became a lane 
That bent and turned and turned again; 
This crooked lane became a road 
where many a poor horse with his load 
Toiled on beneath the burning sun, 
And traveled some three miles in one.

The years passed on in swiftness fleet, 
The village road became a street, 
And this, before the men were aware, 
A city’s crowded thoroughfare.

And soon a central street was this 
In a renowned metropolis; 
And men two centuries and a half 
Followed the wanderings of this calf.

Each day a hundred thousand strong 
Followed this zigzag calf along; 
And over his crooked journey went 
The traffic of a continent.

A hundred thousand men were led 
By one poor calf, three centuries dead. 
For just such reverence is lent 
To well established precedent.

A moral lesson this might teach 
Were I ordained and called to preach.

For men are prone to go it blind
Along the calf paths of the mind; 
And work away from sun to sun 
To do what other men have done.

They follow in the beaten track,
And out and in, and forth and back,

And still their devious course pursue,
To keep the path that others do.
They keep the path a sacred groove,
Along which all their lives they move.

But how the wise old wood gods laugh,
Who saw the first primeval calf.

Ah, many things this tale might teach—
But I am not ordained to preach.
~Sam Walter Foss “Cow Path”

As I age, I try to keep perspective while traveling this winding road of life, looking back at where I’ve been, hoping for the best about what lies ahead, while trying to stick to the path ahead without too much deviation.  My one regret about this journey is that I haven’t stopped nearly often enough to simply take in the scenery, listen to the birds, smell the orchard blossoms, and feel the grass under my bare feet.

It is the conundrum of following only the cow path laid down before me: sticking to traveling a well-worn pathway – a “sacred groove” of precedent.

Nevertheless, as with all cow paths, there may have been no greater reason for the bend or curve than a patch of tall appealing grass at one time, or a good itching spot on a tree trunk or a boulder obstructing the way.  Still I follow the curve, dodge the now-absent boulder, tread the zig zag.

My path may appear random without focus on the destination and that’s okay: I need to stop once in awhile to let the sun warm my face, settle down for a really good nap, enjoy a particularly fine meal, read an insightful book, or play a lovely hymn. 

It is not which path I’ve meandered to my eventual destination but treasuring my journey along the way.

I will enjoy the twists and turns of life more, if I take the time to appreciate them. Just maybe – I’ll throw in a few curves and sacred digressions of my own for those who follow behind me.

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I’ve Come A Long Way

Ten more miles, it is South Dakota.
Somehow, the roads there turn blue,
When no one walks down them.
One more night of walking, and I could have become
A horse, a blue horse, dancing
Down a road, alone.

I have got this far. It is almost noon. But never mind time:
That is all over.
It is still Minnesota.
Among a few dead cornstalks, the starving shadow
Of a crow leaps to his death.
At least, it is green here,
Although between my body and the elder trees
A savage hornet strains at the wire screen.
He can’t get in yet.

It is so still now, I hear the horse
Clear his nostrils.
He has crept out of the green places behind me.
Patient and affectionate, he reads over my shoulder
These words I have written.
He has lived a long time, and he loves to pretend
No one can see him.
Last night I paused at the edge of darkness,
And slept with green dew, alone.
I have come a long way, to surrender my shadow
To the shadow of a horse.

~James Wright “Sitting in a small screenhouse on a summer morning”

I have a sense of someone reading over my shoulder as I write.

It keeps me honest to feel that warm breath on my hair,
its green smell reminding me where I am and who I am.
It is encouraging to know what I do matters to someone.

I do not try to be anyone else.

When my words don’t say exactly what I hope,
I feel forgiveness from the shadow beside me.

It’s all softness and warm breath.
It’s all okay even when it’s not.

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Embroidered Light

Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”



This world is not defeated by death.

An unprecedented illumination
emerged from the tomb on a bright Sabbath morning
to guarantee that
we struggling people,
we who feel we are no more than bare twigs and stubs,
we who aren’t budging from where we are rooted,
are now begetting green,
ready to burst into blossom,
our glowing cheeks pink with life,
a picture of our future fruitfulness.

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Where You Go, I Will Go: All This Juice and All This Joy

Nothing is so beautiful as Spring –         
   When weeds, in wheels, shoot long and lovely and lush;         
   Thrush’s eggs look little low heavens, and thrush         
Through the echoing timber does so rinse and wring         
The ear, it strikes like lightnings to hear him sing;
   The glassy peartree leaves and blooms, they brush         
   The descending blue; that blue is all in a rush         
With richness; the racing lambs too have fair their fling.   
      

What is all this juice and all this joy?         
   A strain of the earth’s sweet being in the beginning
In Eden garden. – Have, get, before it cloy,         
   Before it cloud, Christ, lord, and sour with sinning,         
Innocent mind and Mayday in girl and boy,         
   Most, O maid’s child, thy choice and worthy the winning. 

~Gerard Manley Hopkins “Spring”

Once, we were innocent,
now, no longer.

Cloyed and clouded by sin.

Given a choice,
we chose sour over the sweetness we were born to,
giving up walks together in the cool of the day
to feed an appetite that could never be sated.

God made a choice to win us back with His own blood
as if we are worthy of Him.
He says we are.
He dies to prove it.

Every day I try to believe
our earth can be sweet and beautiful again.
And then maybe so can I.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: A Place of Retreat

… Maybe they have
no place to return or are lost,
having gone too far from the nest.


Female bees will also burrow
deep inside the shade of a squash
flower: the closer to the source
of nectar, the warmer and more
quilt-like the air. In the cool
hours of morning, look closely
for the slight but tell-tale
trembling in each flower cup:
there, a body dropped mid-flight,
mid-thought. How we all retreat
behind some folded screen as work
or the world presses in too
soon, too close, too much.
~Luisa Igloria from “Ode to Tired Bumblebees Who Fall Asleep Inside Flowers With Pollen on Their Butts”

How can I love this spring
when it’s pulling me
through my life faster
than any time before it?
When five separate dooms
are promised this decade
and here I am, just trying
to watch a bumblebee cling
to its first purple flower.
I cannot save this world.
But look how it’s trying,
once again, to save me.

~James Pearson “This Spring”

It isn’t unusual to find a bumblebee clinging to a spring blossom, all covered in morning dew, having overstayed its welcome as the evening chill hit the night before.

The bumble is too cold to fly, or think, or navigate. Instead it just clings through the night until the sun rises and the air once again warms its wings.

Maybe it got lost.
Maybe it is simply weary from flying with such tiny wings.
Maybe it has no home to retreat to in the darkness.
Maybe it only wants to cling tight to beauty in a dangerous world.

I’ve known what this feels like, dear plump fluffy bumble.
I think I know how you feel,
patiently waiting for the descent of Love to revive my spirit
and warm my wings…

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: Solitudes of Peace

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
~Siegfried Sassoon from “Break of Day”

Stay away from reading 24 hour headlines.
Avoid being crushed by disturbing news.
Try facing the sun as it rises and sets,
knowing it will continue to do so, no matter what.

Do not forget
the eternal source of peace was
sent to earth
directly from God:
one Man walked among us, became sacrifice,
and He will return.

A new day breaks fresh each morning
and folds into itself gently each evening.

Be glad for another day
when all things you love are within reach.

Breathe deeply in gratitude for the remembrance
of infinite blessings.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: We Need More Cow Bell

We come across a ridge and hear
a cowbell in the cove beyond,
a tinkle sweetening the air
with vague rubato as the breeze
erases tones and then the notes
resume like echoes from the past
or from a cave inside the cliff,
a still, calm voice in dialect
and keeping its own company,
both out of time and long as time,
both here and from a higher sphere,
as if the voice of history
were intimate as memory.

~Robert Morgan “Cowbell”

Over my head, I see the bronze butterfly,   
Asleep on the black trunk,
Blowing like a leaf in green shadow.   
Down the ravine behind the empty house,   
The cowbells follow one another   
Into the distances of the afternoon.   
To my right,
In a field of sunlight between two pines,   
The droppings of last year’s horses   
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.   
A chicken hawk floats over, looking for home.
I have wasted my life.
~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”

photo by Kate Steensma from Steensma Creamery

One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our small family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.

When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.

This was divine music that soothed and reassured me and I felt I could follow it anywhere. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers.

There are moments when I believe we are hearing what heaven must sound like.

Now, seven decades later, the soft harmony of cowbells is replaced by the random chords of wind chimes hanging outside our house.

The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.

But I still need more cowbell…

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

and because there is always a need for more cowbell…

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