Prepare for Joy: Before It Sours

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Nothing is so beautiful as Spring –         
   When weeds, in wheels, shoot long and lovely and lush;         
   Thrush’s eggs look little low heavens, and thrush         
Through the echoing timber does so rinse and wring         
The ear, it strikes like lightnings to hear him sing;
   The glassy peartree leaves and blooms, they brush         
   The descending blue; that blue is all in a rush         
With richness; the racing lambs too have fair their fling.         

What is all this juice and all this joy?         
   A strain of the earth’s sweet being in the beginning
In Eden garden. – Have, get, before it cloy,         
   Before it cloud, Christ, lord, and sour with sinning,         
Innocent mind and Mayday in girl and boy,         
   Most, O maid’s child, thy choice and worthy the winning.        
~Gerard Manley Hopkins  “Spring”
Once we were innocent, now no longer.  Cloyed and clouded by sin.
Given a choice, we chose sour over the sweetness we were born to,
giving up walks together in the cool of the day
to feed an appetite never sated.
So Christ made a choice to win us back with His blood
as if we were worthy of Him.
He says we are.  He dies to prove it.
Every day I try to believe it can be sweet again.
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Prepare for Joy: Wounds Undressed

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Out into the sun,
After the frightful operation.
She lies back, wounds undressed to the sun,
To be healed,
Sheltered from the sneapy chill creeping North wind,
Leans back, eyes closed, exhausted, smiling
Into the sun. Perhaps dozing a little.
While we sit, and smile, and wait, and know
She is not going to die.
~Ted Hughes from “March Morning Unlike Others

Winter, that dying to self, is last summer’s fruit lying rotted when once it was sweet and firm. There seems no hope, no chance of life renewed, only gaping wounds covered and festering.

Mysterious and unexpected, the sun breaks through the clouds, the breezes hint of warmth and blossom scent, the birds dare to sing, the stone rolls back a crack, allowing the light to flood in where darkness once reigned.

We wait and know our wounds will be opened, cleaned and healed; there is no death this day, only beginnings, no more death forever, only life everlasting.

Bedewed With Tears

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“The Snow-drop, Winter’s timid child,
Awakes to life, bedew’d with tears.”
–  Mary Robinson

 

The past few weeks have been particularly dark and dank.  February often feels like this: the conviction winter will never be finished messing with us. Our doldrums are deep; brief respite of sun and warmth too rare.

I feel it in the barn as I go about my daily routine.   The Haflingers are impatient and yearn for freedom, over-eager when handled, sometimes banging on the stall doors in their frustration at being shut in,  not understanding that the alternative is  to stand outside all day in cold rain and wind.  To compensate for their confinement, I do some grooming of their thick winter coats, urging their hair to loosen and curry off in sheets over parts of their bodies, yet otherwise still clinging tight.  The horses are a motley crew right now, much like a worn ’60s shag carpet, uneven and in dire need of updating.  I prefer that no one see them like this and discourage visitors to the farm, begging people to wait a few more weeks until they (and I) are more presentable. Eventually I know the shag on my horses will come off, revealing the sheen of new short hair beneath, but when I look at myself, I’m unconvinced there is such transformation in store for me. Cranky, I  put one foot ahead of the other, get done what needs to be done, oblivious to the subtle renewal around me, refusing to believe even in the possibility.

It happened today.  Dawn broke bright and blinding.  I heard the fields calling, so I heeded, climbing the hill and turning my face to the pink painted eastern light, soaking up all I could.  It was almost too much to keep my eyes open, as they are so accustomed to gray darkness. And then I stumbled across something extraordinary.

A patch of snowdrops sat blooming in an open space on our acreage, visible now only because of the brush clearing that was done last fall. Many of these little white upside down flowers were planted long ago around our house and yard, but  I had no idea they were also such a distance away, hiding underground. Yet there they’ve been, year after year, harbingers of the long-awaited spring to come in a few short weeks, though covered by the overgrowth of decades of neglect and invisible to me in my self-absorbed blindness.  I was astonished that someone, many many years ago, had carried these bulbs this far out to a place not easy to find, and planted them, hoping they might bless another soul sometime somehow.  Perhaps the spot marks a grave of a beloved pet, or perhaps it was simply a retreat of sorts, but there the blossoms had sprung from their sleep beneath the covering of years of fallen leaves and blackberry vines. I wept to see them thriving there.

It was if I’d been physically hugged by this someone long dead,  now flesh and blood beside me, with work-rough hands, and dirty fingernails, and broad brimmed hat, and a satisfied smile.  I’m certain the secret gardener is no long living, and I reach back across those years in tearful gratitude, to show my deep appreciation for the time and effort it took to place a foretaste of spring in an unexpected and hidden place.

I am thus compelled to look for ways to leave such a gift for someone to find 50 years hence as they likewise stumble blindly through too many gray days full of human frailty and flaw. Though I will be long gone,  I can reach across the years to grab them, hug them in their doldrums, lift them up and give them hope for what is to come.

What an astonishing thought that it was done for me and in reaffirming that promise of renewal,  I can do it for another.

(repost from 2004 — published in Country Magazine in 2007)

 

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Where We Wander

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And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter from “Music”

 

as cold days linger in interminable gray
when energy wanes
sleep as refuge
instead of restoration

to wander this wintry path
alongside the One who
readies us for radiance
of bird song and sleigh bell frog chorus

a remembrance
of a promise kept~
this is not all there is

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A Spark Extinguished

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The water going dark only
makes the orange seem brighter,
as you race, and kiss, and spar
for food, pretending not
to notice me. For this gift
of your indifference, I am
grateful. I will sit until
the pond goes black, the last
orange spark extinguished.
~Robert Peake from “Koi Pond”

 

The fish slow in winter sleep,
resting on the pond bottom,
needing nothing from above.
Their fins and tails sway in passing
of the current yet
they remain stilled,
a stark orange smudge
in the cold water.
When morning comes,
the fish bleed out orange
to reflect the overhead dawn
that tries in vain
to stir them back to life.
A spark extinguished,
their pilot flame turned low
until the reignition
return of longer days–
the hopeful promise
of spring.

 

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Swift Autumn

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photo by Nate Gibson
photo by Nate Gibson

 

Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
~Elinor Wylie from “Wild Peaches”
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Bring the Frost

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Season of ripening fruit and seeds, depart;
There is no harvest ripening in the heart.

Bring the frost that strikes the dahlias down
In one cruel night. The blackened buds, the brown
And wilted heads, the crippled stems, we crave –
All beauty withered, crumbling to the grave.
Wind, strip off the leaves, and harden, ground,
Till in your frozen crust no break is found.

Then only, when man’s inner world is one
With barren earth and branches bared to bone,
Then only can the heart begin to now
The seeds of hope asleep beneath the snow;
Then only can the chastened spirit tap
The hidden faith still pulsing in the sap.

Only with winter-patience can we bring
The deep-desired long-awaited spring.
~Anne Morrow Lindbergh “No Harvest Ripening”

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Worlds of Wanwood Leafmeal

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~to a young child~

Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves like the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.
~Gerard Manley Hopkins “Spring and Fall”
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Farther from Heaven

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It is dry, hazy June weather. 
We are more of the earth,
farther from heaven these days.

I pray that the life of this spring and summer
may ever lie fair in my memory.~Henry David Thoreau

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A Line of Delicate Green

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I used to visit and revisit it a dozen times a day, and stand in deep contemplation over  my vegetable progeny with a love that nobody could share or conceive of who had never taken part in the process of creation.  It was one of the most bewitching sights in the world to observe a hill of beans thrusting aside the soil, or a rose of early peas just peeping forth sufficiently to trace a line of delicate green.
–  Nathaniel Hawthorne, Mosses from an Old Manse

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