The Sunrise Shall Visit Us: The Uneasy Manger

The whole of Christ’s life was a continual passion; others die martyrs, but Christ was born a martyr. He found a Golgotha, where he was crucified, even in Bethlehem, where he was born; for to his tenderness then the straws were almost as sharp as the thorns after, and the manger as uneasy at first as the cross at last. His birth and his death were but one continual act, and his Christmas Day and his Good Friday are but the evening and the morning of one and the same day. From the creche to the cross is an inseparable line. Christmas only points forward to Good Friday and Easter. It can have no meaning apart from that, where the Son of God displayed his glory by his death.
~John Donne, opening words in his sermon on Christmas Day 1626

O dying souls! behold your living spring!
O dazzled eyes! behold your sun of grace!
Dull ears attend what word this word doth bring!
Up, heavy hearts, with joy your joy embrace!
From death, from dark, from deafness, from despairs,
This life, this light, this word, this joy repairs.

Man altered by sin from man to beast;
Beast’s food is hay, hay is all mortal flesh.
Now God is flesh and lies in manger pressed
As hay, the brutish sinner to refresh.
O happy field wherein this fodder grew,
Whose taste doth us from beasts to men renew.
~Robert Southwell from The Nativity of the Christ,Jesuit poet (1561-1595)

Our neighborhood hay crew

remembered on

frosty mornings before dawn

when bales are broken for feed

and fragrant summer spills forth.

In the dead of winter

during the darkest blowing icy nights

the bales open like a picture book

illustrating how life once was,

and will be again~

Rainy spring nights’ hay

becomes bedding

for new foals’ sleep 

to guarantee sunshine

in the uneasy manger

on the darkest of days:

Communion.

Advent 2023 theme
…because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song

Sweet Pea Run Wild

Poetry is a rich, full-bodied whistle,
cracked ice crunching in pails,
the night that numbs the leaf,
the duel of two nightingales,
the sweet pea that has run wild,
Creation’s tears in shoulder blades.
~Boris Pasternak

Here are sweet-peas, on tip-toe for a flight:
With wings of gentle flush o’er delicate white,
And taper fingers catching at all things,
To bind them all about with tiny rings.
~John Keats
from “I stood tip-toe on a little hill”

What did thought do?
“Stuck a feather in the ground and thought
it would grow a hen”

Rod by rod we pegged the drill for sweetpea
with light brittle sticks,
twiggy and unlikely in fresh mould
and stalk by stalk we snipped
the coming blooms.

And when pain had haircracked her old vestal stare
I reached for straws and thought
seeing the sky through a mat of creepers,
like water in the webs of a green net,
opened a clearing where her heart sang
without caution or embarrassment, once or twice.
~Seamus Heaney “Sweet Pea”
from Station Island

Sweet peas flowering next to orange pumpkins?

Usually separated by season,
one from late spring,
the other from mid-autumn,
they were never meant to meet.

Yet here are strange neighbors,
grown side by side in the same soil
through the same weeks,
their curling vines entwined.

Forgotten sweet pea seeds swelled and thrived,
dropped in the midst of summer weeds,
now rich pastel blooms gracing a harvest table
with spring-like perfume.

So I want to germinate where I happen to land,
even when ill-timed and out of place.
May I run wild while interwoven,
bound to those who look and act nothing like me.

Thus encouraged to climb high,
I blossom boldly
to help face down the fate
of a killing frost.

Lapsed Ordinary

Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it

It came and went too unexpectedly
And almost it seemed dangerously,
Hurtling like an animal at the house,

A courier blast that there and then
Lapsed ordinary. But not ever
Afterwards. And not now.
~Seamus Heaney  “Had I Not Been Awake”

October is the month of the sudden warm wind-blow, usually arriving from the south, intent on scattering leaves and slamming doors on its way past to head north to Canada. Our wind chimes outside clang a cacophony rather than the usual gentle harmonic tones. The window shades become percussion instruments over our still-open windows. Anything not fastened down goes airborne.

The air blows in a rush from somewhere else, bringing new smells and sensations, surging with an electric energy even as it tries to pull power lines down to render us powerless.

Nothing feels ordinary in a windstorm; there is no easy sleep.

And just as suddenly, the autumn storm passes and is gone. The trees have been stripped, embarrassed at their sudden nakedness. Branches litter the yard and driveway like so many toothpicks. My illusion of comfort and control has been undone by such a show of force and power.

I face my own frailty in the wake of life’s storms.
Had I not been awake, I might have missed that altogether.

Put Me in a Quilt

Like a fading piece of cloth
I am a failure

No longer do I cover tables filled with food and laughter
My seams are frayed my hems falling my strength no longer able
To hold the hot and cold

I wish for those first days
When just woven I could keep water
From seeping through
Repelled stains with the tightness of my weave
Dazzled the sunlight with my
Reflection

I grow old though pleased with my memories
The tasks I can no longer complete
Are balanced by the love of the tasks gone past

I offer no apology only
this plea:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm

And some old person with no one else to talk to
Will hear my whispers

And cuddle
near
~Nikki Giovanni “Quilts”

I make them warm to keep my family from freezing;
I make them beautiful to keep my heart from breaking.
–From the journal of a prairie woman, 1870



To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker”

When I no longer have strength
or the usefulness to perform my daily tasks,
piece me up and sew me into a greater whole
along with pieces of others who are also fading.

We are so much better together,
so much more colorful and bold,
becoming art and function in our fraying state.

Full of warmth and beauty and fun
covering all who sleep and love and cuddle,
or in their frailty may drift off to heaven on a quilt-cloud
as their last breath is breathed.

~~click each quilt to enlarge and admire the handiwork~~

thank you again to the talented quilters displaying their art at the NW Washington Fair in Lynden
(see previous years’ work here, here, here, here, here, and here )

Home Once More

Is it true that after this life of ours we shall one day be awakened
by a terrifying clamour of trumpets?
Forgive me God, but I console myself
that the beginning and resurrection of all of us dead
will simply be announced by the crowing of the cock.

After that we’ll remain lying down a while…
The first to get up
will be Mother…We’ll hear her
quietly laying the fire,
quietly putting the kettle on the stove
and cosily taking the teapot out of the cupboard.
We’ll be home once more.

~Vladimir Holan “Resurrection”

from Getty Images
photo from Mother Earth News

I acknowledge the anachronism of my early childhood years living in a two-story farm house with my Mom cooking on a wood-burning stove in a large kitchen. I look back on it with a nostalgic fondness, yet knowing it was early morning work for my parents to get up to light the fire to warm up the center of the house while we kids lay cozy in our comfy beds. My Dad would head out to the barn to hand milk our three dairy cows and feed the chickens, while Mom started Dad’s coffee percolator and her tea, prepared the milk pasteurizer for the stove while the oatmeal simmered, awaiting the cream poured on top.

It took plenty of effort to transform that big drafty house into a home – a warm and welcoming place for those who lived there and anyone who came to visit. I grew up immersed in the security of family and farm and faith. I realize how rare that is in this world now, 65 years later.

Finding and returning home is what we each long for – where one is loved and accepted, and simply belongs. It may not look like a farm kitchen for everyone, but it is for me. I’ve tried over the years to make our own small farmhouse a foretaste of what home might feel like for eternity though as I wipe countertops and mop the floor, I know what is coming is so much better than the blessings I hold dear now.

When that day of resurrection comes, whether I hear trumpets blow or a rooster crow, I hope I’ll remember I’m being called back home – a place of love and beauty.

When One’s Ramble is Over

The smell of that buttered toast simply spoke to Toad,
and with no uncertain voice;
talked of warm kitchens,
of breakfasts on bright frosty mornings,
of cozy parlour firesides on winter evenings,
when one’s ramble was over
and slippered feet were propped on the fender;
of the purring of contented cats,
and the twitter of sleepy canaries.
~Kenneth Grahame, The Wind in the Willows

I’m not a practitioner of the ancient art of aromatherapy for medicinal purposes but I do know certain smells transport me more effectively than any other mode of travel. One whiff of a familiar scent can take me back years to another decade and place, in time traveling mode. I am so in the moment, both present and past, my brain sees, hears, tastes, feels everything just as it was before.

The most vivid are kitchen smells. Cinnamon becomes my Grandma’s farm kitchen full of rising breakfast rolls, roasting turkey is my mother’s chaotic kitchen on Thanksgiving Day, fresh baked bread is my own kitchen during those years I needed to knead as therapy during medical training.

The newly born wet fur of my foals in the barn carries the sweet and sour amnion that was part of every birth I’ve been part of: delivering others and delivering my own. My heart races at the memory of the drama of those first breaths.

The garden yields its own treasure: tea roses, sweet peas, heliotrope, mint, lemon verbena take me back to lazy breezes wafting through open bedroom windows in my childhood home. And of course the richness of petrichor: the fragrance of the earth after a long awaited rain will remind me of how things smell after a dry spell.

I doubt any aromatherapy kit available would include my most favorite farm smells: newly mown hay, fresh fir shavings for stall bedding,  the mustiness of the manure pile, the green sweetness of a horses’ breath.

Someday I’ll figure out how to bottle all these up to keep forever.   Years from now my rambles will be over, when I’m too feeble to walk to the barn,  I can sit by my fireplace, close my eyes, open it up and take a whiff now and then to remind me of all I’m grateful for. 

I’ll breathe deeply of those memories that speak to me through scents — with no uncertain voice.

Keeping It For Later

When you are already here 
you appear to be only 
a name that tells of you 
whether you are present or not 
and for now it seems as though 
you are still summer 
still the high familiar 
endless summer 
yet with a glint 
of bronze in the chill mornings 
and the late yellow petals 
of the mullein fluttering 
on the stalks that lean 
over their broken 
shadows across the cracked ground 
but they all know 
that you have come 
the seed heads of the sage 
the whispering birds 
with nowhere to hide you 
to keep you for later 
you who fly with them 
you who are neither 
before nor after 
you who arrive 
with blue plums 
that have fallen through the night 
perfect in the dew
~W.S.Merwin “To the Light of September”

Each month has its own special lighting
though this past luminous September tended to sweep them all.

I loosen my grasp on September as we slip into October bronze.

There must be a place I can hide these riches,
tuck this light away for safe-keeping,
to bring it out on the darkest winter day
and feast upon it.

I do know better;
this glow follows the birds as they fly away.
They keep it with them, wherever they go,
towing it back on their wings come spring.

In the meantime I must remember how
this endless summer defined September.

A Galaxy of Grasses

О Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening.
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
О Light Invisible, we worship Thee!

~T.S. Eliot from “O Light Invisible”

Look, in the early light, 
   Down to the infinite 
   Depths at the deep grass-roots; 
      Where the sun shoots 
In golden veins, as looking through 
   A dear pool one sees it do; 
   Where campion drifts 
Its bladders, iris-brinded, through the rifts 
      Of rising, falling seed
   That the winds lightly scour—
Down to the matted earth where over 
   And over again crow’s-foot and clover
      And pink bindweed
      Dimly, steadily flower.

~Michael Field “The Depths of the Grass”

We wove hip-high field grass 
into tunnels 

knotting the tops 
of bunched handfuls the drooping 
heads tied together. 

My seven siblings and I 
sheltered ourselves

inside these labyrinths 
in a galaxy of grasses.
~Heather Cahoon “Shelter”

As a child I liked to go out far into our hay field and find the tallest patch of grass. There, like a dog turning circles before a nap,  I’d trample down the tall waving stems that stretched up almost to my eyes, and create a grass nest, just cozy enough for me. I’d sit or lie down in this tall green fortress, gazing up at the blue sky, and watch the clouds lazily drift over top of me.  I’d suck on a hollow stem or two, to savor the bitter grass juice. Time felt suspended.

Scattered around my grassy cage, looking out of place attached to the broad grass stems, would be innumerable clumps of white foam. I’d tease out the hidden green spit bugs with their little black eyes from their white frothy bubble encasement. I too felt “bubble-wrapped” in my green hide-a-way.

My grassy nest was a time of retreat from the world.  I felt protected, surrounded, encompassed and free –at least until I heard my mother calling for me from the house, or a rain shower started, driving me to run for cover, or my dog found me by following my green path.

It has been decades since I hid away in a grass fort trying to defoam spit bugs. Surely, I’m overdue: instead of being determined to mow down and level the grass around me, I long for a galaxy of grassy bubble-wrap.

I Am Partly Tuber

Some of us . . . are darkness-lovers.
We do not dislike the early and late daylight of June,
but we cherish the gradually increasing dark of November,
which we wrap around ourselves in the prosperous warmth
of woodstove, oil, electric blanket, storm window, and insulation.

We are partly tuber, partly bear.
Inside our warmth we fold ourselves
in the dark and its cold –
around us, outside us,
safely away from us;
we tuck ourselves up
in the long sleep
and comfort of cold’s opposite,
warming ourselves
by thought of the cold,
lighting ourselves by darkness’s idea.
~Donald Hall from “Seasons at Eagle Pond”

I confess to a love of the dark of January winter mornings
as much as the pervasive light of mid-summer.

Drawn away from our warm bed
without need for an alarm,
I awake before sunrise
in inky blackness
to this yet uncharted day.

I am raw with underground ripening,
belonging to earth and dust
until the Light comes
to force me forth to seek out sun.

Only from darkness could I
sprout so boldly to find out
what comes next.

My Secret Place

It’s in the perilous boughs of the tree
out of blue sky    the wind
sings loudest surrounding me.

And solitude,   a wild solitude
’s reveald,  fearfully,  high   I’d climb
into the shaking uncertainties,

part out of longing,  part   daring my self,
part to see that
widening of the world, part

to find my own, my secret
hiding sense and place, where from afar
all voices and scenes come back

—the barking of a dog, autumnal burnings,
far calls,  close calls—the boy I was
calls out to me
here the man where I am “Look!

I’ve been where you

most fear to be.”
~Robert Duncan “Childhood’s Retreat”

Behind the house in a field
there’s a metal box I buried

full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.

 
Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

As a child, I left secret notes to my future self,
in hidden crevices of old barns,
and attic lofts up rickety stairs,
and yes, even in trees,
but never went back to retrieve them
except in my rare dreams of growing up
on Friendly Grove Road.

Back then my ten year old heart
tried to imagine me sixty some years hence
(counting out how old I would be in 2020 something)
as I squirreled away in some secret place.

What fears and joys would pass through like pumping blood,
what wounds would I bear and cause to bleed,
what smiles and tears would trace my face?

I have not forgotten who I was then.

No, I have never forgotten that girl who kept secrets,
who dreamed of a someday gray-haired grandma
who now looks back to my secret places,
and remembers being remembered.

A book of Barnstorming photos and poems by Lois Edstrom is available for order here: