A Good Sound

(for Wendell)

From steady rain we step to sheltered ground
in the dark cathedral of the barn,
breathe in scents of damp wood and hay,
assume a reverent stillness.
The dog, with the sudden confidence
of one engaged, at last, in good work,
trots through the barn’s far doorway
heading seven white-faced ewe lambs.
Not knowing me, they halt, uncertain,
until you smoothly bucket corn
from storage to trough, and they—
as sheep will—follow where hunger leads.
Hard teeth crack dry kernels
in percussive counterpoint,
a muted consort mimicking the fall
of winter rain on wooden shingles.
In entiring darkness, we stand, until
from your post beneath the hayloft beams,
you turn to me, grinning, and say,
That’s a good sound. And it is.
~Brian Volck “Visiting”

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg from A Light in the Barn

…let me live
in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.
~Julie Bruck from “To Bring the Horse Home”

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from their stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

In the past, I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay.

I try to live in communion, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on,
so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured, the chosen place of Jesus’ birth. It brings me home to that doubting center of myself that needs reminding that struggle is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so very, very good.

TEXT
O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
iacentem in praesepio!
Beata Virgo, cujus viscera
meruerunt portare
Dominum Iesum Christum.
Alleluia!

TRANSLATION
O great mystery,
and wonderful sacrament,
that animals should see the newborn Lord,
lying in a manger!
Blessed is the virgin whose womb
was worthy to bear
the Lord, Jesus Christ.
Alleluia!

An Unforgettable Fury of Light

9/24/26 8:48 AM
9/2425 7:28 A.M.
9/24/24 6:58 AM
9/24/23 8:13 A.M.
9/24/23 -7:12 AM
9/24/22 6:55 AM
9/24/22 6:56 AM
9/24/22 6:40 AM
9/24/22 6:32 AM
9/24/21 6:34 AM
9/24/20 6:54 AM

You can
die for it-
an idea,
or the world. People
have done so,
brilliantly,
letting
their small bodies be bound
to the stake,
creating
an unforgettable
fury of light. But
this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought
of China,
and India
and Europe, and I thought
how the sun
blazes
for everyone just
so joyfully
as it rises
under the lashes
of my own eyes, and I thought
I am so many!
What is my name?
What is the name
of the deep breath I would take
over and over
for all of us? Call it
whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

~Mary Oliver “Sunrise”

9/24/19 6:55 AM
9/24/18 7:50 AM
9/24/18 6:50 AM
9/24/17 7:03 AM
9/24/17 (even later~)
9/24/17 (later)

Over the years, I have not missed many early autumn sunrises – most I have not recorded as they are often gray and rainy.

This particular day of September – the 24th – has been a treasure trove of color and cloud patterns and light for the last 12 years. Today I share these with you in their variety and beauty.

Every day, let us watch the sun rise with its light under our eyelashes – the fire of happiness illuminating us all as morning breaks open, like the First Day.

9/24/17
9/24/16
9/24/15
9/24/14
9/24/26 6:53 AM

If Only I Would Keep Aware…

The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at summer’s end —
when it is already dark and chores not done yet,
and horses waiting to be fed —
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved
in a lock box or a bank account.

Golden treasure can have
four hooves, a tail, a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

If only I would keep aware,
remember where my home is,
how easy it is to wander from the path
that somehow always leads me back here.

Come and See: Sir, We Would See Jesus

Now among those who went up to worship at the feast were some Greeks. So these came to Philip, who was from Bethsaida in Galilee, and asked him, “Sir, we would like to see Jesus.”

Philip went and told Andrew; Andrew and Philip went and told Jesus.

And Jesus answered them, “The hour has come for the Son of Man to be glorified. Truly, truly, I say to you, unless a grain of wheat falls into the earth and dies, it remains alone; but if it dies, it bears much fruit. Whoever loves his life loses it, and whoever hates his life in this world will keep it for eternal life. If anyone serves me, he must follow me; and where I am, there will my servant be also. If anyone serves me, the Father will honor him.
John 12: 20-26

There was once in man a true happiness of which there now remain to him only the mark and empty trace, which he in vain tries to fill from all his surroundings, seeking from things absent the help he does not obtain in things present.

But these are all inadequate, because the infinite abyss can only be filled by an infinite and immutable object, that is to say, only by God Himself.
~Blaise Pascal from Pensees

You have made us for yourself, O Lord, and our heart is restless until it rests in you.
~Augustine of Hippo from Confessions

The sacred moments,
the moments of miracle,
are often the everyday moments,
the moments which, if we do not look

with more than our eyes
or listen with more than our ears reveal only…
a gardener, a stranger coming down the road behind us,

a meal like any other meal.
But if we look with our hearts,

if we listen with all our being and imagination…
what we may see is Jesus himself.
~Frederick Buechner from The Magnificent Defeat

“Sir, we would like to see Jesus.”

I thought our old church pulpit was the only one to have a plaque with John 12:21 attached to it — a clear reminder to anyone standing there, preparing to speak. I learned this verse has traditionally graced pulpits through the generations, encouraging preachers and listeners to work together to clear the obscuring fog to find the Messiah.

Jesus is not hidden from us; indeed, we are heart-blind most of the time, so wrapped in our own worries and troubles that we do not know where to look or who to ask to help us see Him.

It is through the preaching and sharing of God’s Word that the heart veil is lifted. To those Gentiles who wanted to see the man they had heard about, Jesus tells them what must come next: He must die, like a seed in the ground, in order to be glorified. We see Him in ways and places we could never have imagined, especially hanging on the cross in our place.

As we restlessly seek to clear the fog and fill what is empty within us, we must keep our eyes open wide, listening with all our being, our hearts at the ready, every moment.

He is already here, right where we are, always beside us.

We would see Jesus, for the shadows lengthen
Across this wanting visage of our life;
We would see Jesus, our weak faith to strengthen
For the last weariness, the final strife.

We would see Jesus, the great rock foundation
Whereon our feet were set by sov’reign grace;
Nor life nor death, with all their agitation,
Can thence remove us, if we see His face.

We would see Jesus: this is all we’re needing;
Strength, joy, and willingness come with the sight;
We would see Jesus, dying, risen, pleading;
Then welcome day, and farewell mortal night.

~Anna Bartlett Warner “We Would See Jesus”

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

A Power Secret, Holy, and Fleet

God empties himself
into the earth like a cloud.
God takes the substance, contours
of a man, and keeps them,
dying, rising, walking,
and still walking
wherever there is motion.
Annie Dillard from “Feast Days” in Tickets for a Prayer Wheel

Divinity is not playful.
The universe was not made in jest
but in solemn incomprehensible earnest.
By a power that is unfathomably secret,
and holy, and fleet.
There is nothing to be done about it,
but ignore it,
or see. 

~Annie Dillard from Pilgrim at Tinker Creek

What does it feel like to be alive?
Living, you stand under a waterfall…
It is time pounding at you, time.
Knowing you are alive is watching on every side
your generation’s short time falling away
as fast as rivers drop through air,
and feeling it hit.

I had hopes for my rough edges.
I wanted to use them as a can opener,
to cut myself a hole in the world’s surface, and exit through it.

~Annie Dillard from An American Childhood

What I have been after all along
is not an explanation but a picture.
This is the way the world is, altar and cup,
lit by the fire from a star that has only begun to die.
My rage and shock at the pain and death
of individuals of my kind is the old, old mystery,
as old as man but forever fresh,
and completely unanswerable.
~Annie Dillard from Pilgrim at Tinker Creek

I came here to study hard things – rock mountain and salt sea –
and to temper my spirit on their edges.

“Teach me thy ways, O Lord” is, like all prayers, a rash one,
and one I cannot but recommend.

The Cascade Range, in these high latitudes, backs almost into the water. There is only a narrow strip, an afterthought of foothills and farms sixty miles wide, between the snowy mountains and the sea.
These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula —
are surely the edge of the known and comprehended world….

That they bear their own unimaginable masses and weathers aloft,
holding them up in the sky for anyone to see plain,
makes them, as Chesterton said of the Eucharist,
only the more mysterious by their very visibility and absence of secrecy.
~Annie Dillard from  Holy the Firm

Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape,
to discover at least where it is that we have been
so startlingly set down, if we can’t learn why.
~Annie Dillard from Pilgrim at Tinker Creek

The shadow’s the thing.
If I no longer see shadows as “dark marks,” as do the newly sighted,

then I see them as making some sort of sense of the light.
They give the light distance; they put it in its place.
They inform my eyes of my location here, here O Israel,
here in the world’s flawed sculpture,

here in the flickering shade of the nothingness
between me and the light.

~Annie Dillard from Pilgrim at Tinker Creek

We are here to abet creation and to witness it,
to notice each thing so each thing gets noticed.
Together we notice not only each mountain shadow
and each stone on the beach but we notice
each other’s beautiful face and complex nature
so that creation need not play to an empty house.
~Annie Dillard from The Meaning of Life (1991 Life Magazine)

But time is one thing we have been given,
and we have been given to time.
Time gives us a whirl.
We keep waking from a dream we can’t recall,
looking around in surprise,
and lapsing back, for years on end.
All I want to do is stay awake,
keep my head up, prop my eyes open,
with toothpicks, with trees. …
You don’t run down the present…
You wait for it, empty-handed, and you are filled.
~Annie Dillard from Pilgrim at Tinker Creek

An infant is a pucker of the earth’s thin skin; so are we.
We arise like budding yeasts and break off;
we forget our beginnings.
A mammal swells and circles and lays him down.
You and I have finished swelling;
our circling periods are playing out,
but we can still leave footprints in a trail whose end we do know.
~Annie Dillard from For the Time Being

The world is wilder in all directions,
more dangerous and bitter,
more extravagant and bright.
We are making hay
when we should be making whoopee;
we are raising tomatoes
when we should be raising Cain or Lazarus.
~Annie Dillard from Pilgrim at Tinker Creek

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?

Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?

Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power?

What do we ever know that is higher than that power which, from time to time, seizes our lives, and which reveals us startlingly to ourselves as creatures set down here bewildered?

Why does death so catch us by surprise, and why love?

We still and always want waking.
~Annie Dillard from “Write Till You Drop”

Annie Dillard passed into glory yesterday at age 81, finally witnessing firsthand the holy and sacred mysteries she pondered in her writings.

Since 1974, I have been indebted to her God-given gifts of observation and unique ability to share precisely perfect words to describe how she felt about what she saw. In 1976, she did a reading locally – I was amazed at her insistence that we all have the power to open our eyes to this place we have been set down, to witness all that is secret, holy and fleet in our existence…

She indeed left her mark while living, teaching and writing here in Whatcom County for a time nearly fifty years ago…

All the photos on this page are from my collection of pictures I’ve taken here in Whatcom County, as I can imagine this scenery inspired Annie in her writing while she was here.

We are invited by Christ Himself to “come and see.” (John 1:39)

We weren’t conceived by random happenstance –

We are here because we were earnestly needed and wanted,
by a power and divinity with a capacity for love and compassion
beyond anything we are capable of.

We aren’t a cosmic joke,
or random couplings of DNA.
We aren’t pawns in the universe’s chess game.

We have the capacity to see
the image of God in one another,
as well as in the mirror,
yet we ignore with our own eyes,
His shimmering reflection.

…beauty and grace are performed
whether or not we will or sense them.
The least we can do is try to be there…
~Annie Dillard from Pilgrim at Tinker Creek

Mountains are giant, restful, absorbent.
You can heave your spirit into a mountain
and the mountain will keep it, folded,
and not throw it back as some creeks will.
The creeks are the world with all its stimulus and beauty;
I live there. But the mountains are home.
~Annie Dillard from Pilgrim at Tinker Creek

To Rise Again

—Jesus explains

Not just the first crocus bulb poking
from the ground, but its pollen
shining saffronly on the legs of a bee.


The reverberations of a hammered
dulcimer or the puff of sweetness escaping
between peel and pith of a ripe tangelo.

It’s riding the elevator after the doctor
tells you, we can’t say why the scans
are suddenly clear, or, if you’re exhausted
from trying, time to surround yourself
with people you love. It’s waking

in the middle of the night, looking out
at the silhouettes of trees and realizing
there is nothing lonely about silence.
It’s cruising a wide-open Montana highway

or swinging your hips to the rhythm
of a street-corner bucket drummer
and daring the stares. It’s not the cicada
blooming from its shell as much

as the shell itself, balanced
on the finger of a little girl, then
tumbling along the grass tips
among the unkillable dandelions.

~Tania Runyan from “What It’s Like to Rise Again”

We’re each given a fresh start each day;
even when it was a fitful sleep,
and we’re fearful about what comes next,
or if there will even be a “next”…

Jesus explains what it is like to rise above the darkness;
bold, unafraid, leaving behind, neatly folded, the vestiges of death.

He gives us each reason to get up every morning,
surrounded by those who love us.

Even when crushed and broken,
He rose up so we can follow.

Everything’s going to be all right…

To Be Still…

I wanted to see the tea house
a bridge arching over water

I wanted to study Japanese maples
their fine-toothed fiery leaves

I wanted to bow my head to chance,
to a lantern, to stones placed in a wall

The paths led us down and down
far off we heard workmen building a road
overhead a jet scrawled a contrail note of farewell

If I wanted to kneel at the pond, it was to know
how like my mother I’ve become

I wanted to admire hydrangeas, exclaim
at a lace-cap two-color one—both blush pink

and purple, on one stem—taking a photo to share—
I wanted to touch the clapper in the bronze bell

at the gate, where two panels slide together,
each side making one half of the sun—

letting it sound and then be still
~Patricia Clark “Kubota Garden” from Self-Portrait with a Million Dollars

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.
~David Wagoner “Lost”

Our grandchildren —
born in Tokyo, adapting to a rural life here —
bring within them the serenity
of the gardens they visited there,
finding respite from worldly worries and sorrows.

We remind them to love such stillness:
there is rest after busyness,
there is light beyond darkness,
there is peace amid chaos,
there are smiles after tears,
there is quiet within noisiness,
there is grace and mercy forever…

…as we who are older
give way to the new.

Autumn Begins to be Inferred

Autumn begins to be inferred
By millinery of the cloud,
Or deeper color in the shawl
That wraps the everlasting hill.
~Emily Dickinson from “Summer Begins to Have the Look”

The passing of the summer fills again
my heart with strange sweet sorrow, and I find
the very moments precious in my palm.
Each dawn I did not see, each night the stars
in spangled pattern shone, unknown to me,
are counted out against me by my God,
who charges me to see all lovely things…
~Jane Tyson Clement from “The Passing of Summer”

September’s Baccalaureate
A combination is

Of Crickets — Crows — and Retrospects
And a dissembling Breeze


That hints without assuming —

An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
~Emily Dickinson
“September’s Baccalaureate”


There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

~Elinor Wylie from “Wild Peaches”

Summer now is waning and wistful; 
it has the look of packing up, and moving on without bidding adieu or looking back over its shoulder. 

Cooling winds have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see (and smell) the change. 

A decent rain is long overdue yet there is temptation to bargain for a little more time. Though we are in need of a good drenching there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick. 

I’m not quite ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes. 

There is no negotiation possible.   I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer has left off.  Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.

The truth is we’ve seen nothing yet.

Pulse and Breath and Dream

No jump-starting the day,
no bare feet slapping the floor
to bath and breakfast.

Dozing instead
in the nest
like, I suppose,
a pair of gophers

underground
in fuzz and wood shavings.
One jostles the other
in closed-eye luxury.

We are at last
perhaps
what we are:

uncombed,
unclothed,
mortal.

Pulse
and breath
and dream.
~Marjorie Saiser “Weekends, Sleeping In” from Beside You at the Stoplight

I am a dry man whose thirst is praise
of clouds, and whose mind is something of a cup.
My sweetness is to wake in the night
after days of dry heat, hearing the rain.
~Wendell Berry from “Water”

I have had my dream—like others—
and it has come to nothing, so that
I remain now carelessly
with feet planted on the ground
and look up at the sky—
feeling my clothes about me,
the weight of my body in my shoes,
the rim of my hat, air passing in and out
at my nose—and decide to dream no more.

~William Carlos Williams “Thursday” from Sour Grapes

wwurain3
rainygold
rainyrose1

Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might. 

Not a blink shall burn to-night 
In my chamber, of sordid light; 
Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest. 

~James Henry Leigh Hunt from “A Night-Rain in Summer”

rain6
kaledrop

We are still waiting for a few late-summer rainy days;
each year they are a blissful reminder of God’s intent
to refresh and replenish us when we are at our driest,
when we are short on sleep and hope and dreams.

How sweet to fall asleep listening in the dark
to the patter of raindrops after weeks of drought,
waking to damp air, raindrop jewelry, and petrichor.

Perhaps I’ll remember this longing of mine
while I grumble and slosh around
in the fortieth day of rain this winter.

When will I be satisfied there is just enough but not too much?
When will all my dreams seem as real as pulse and breath?

In the meantime, God — let it rain – preferably as I sleep.

cloverrain2
rainyrose2

Lyrics:

I know your life
On earth was troubled
And only you could know the pain
You weren’t afraid to face the devil
You were no stranger to the rain

Go rest high on that mountain
Now your work on earth is done
Go to heaven a-shoutin’
Love for the Father and the Son

Oh, how we cried the day you left us
We gathered ’round your grave to grieve
Wish I could see the angels faces
When they hear your sweet voice sing

Go to heaven a-shoutin’
Love for the Father and the Son

This Failing Light

Day after day, day after still day,
The summer has begun to pass away.
Starlings at twilight fly clustered and call,
And branches bend, and leaves begin to fall.
The meadow and the orchard grass are mown,
And the meadowlark’s house is cut down.

The little lantern bugs have doused their fires,
The swallows sit in rows along the wires.
Berry and grape appear among the flowers
Tangled against the wall in secret bowers,
And cricket now begins to hum the hours
Remaining to the passion’s slow procession
Down from the high place and the golden session
Wherein the sun was sacrificed for us.


A failing light, no longer numinous,
Now frames the long and solemn afternoons
Where butterflies regret their closed cocoons.
We reach the place unripe, and made to know
As with a sudden knowledge that we go
Away forever, all hope of return
Cut off, hearing the crackle of the burn-
ing blade behind us, and the terminal sound
Of apples dropping on the dry ground.
~Howard Nemerov “Summer’s Elegy
” from Collected Poems

As far as I can see this autumn haze
That spreading in the evening air both ways,
Makes the new moon look anything but new,
And pours the elm-tree meadow full of blue,
Is all the smoke from one poor house alone
With but one chimney it can call its own;
So close it will not light an early light,
Keeping its life so close and out of sight
No one for hours has set a foot outdoors
So much as to take care of evening chores.
The inmates may be lonely women-folk.
I want to tell them that with all this smoke
They prudently are spinning their cocoon
And anchoring it to an earth and moon
From which no winter gale can hope to blow it,—
Spinning their own cocoon did they but know it.

~Robert Frost “The Cocoon”

The summer ends, and it is time
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth’s green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
~Wendell Berry “The Summer Ends” from A Timbered Choir.

I too regret the closed cocoon,
so seemingly safe at the time —
once launched before being ready,
there is no returning.

In this fading, failing light, I feel undone,
weepy at harvest, gathering urgently,
not wanting anything to go to waste,
trying to memorialize it all as it changes.

I part again from you, Summer –
your gifts seemed endless
until you yourself ended –
a reminder that someday,
so must I.

photo by Bob Tjoelker