Category: nature

Tohubohu in Living Color

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…the out-of-control Virginia creeper
my friends say I should do something about,
whose vermilion went at least a full shade deeper
at the provocation of the upstart blue,
the leaves (half green, half gold) suddenly hyper
in savage competition with that red and blue—
tohubohu returned, in living color.

God’s not nonexistent;
He’s just been waylaid
by a host of what no one could’ve foreseen.   
He’s got plans for you…

 …it’s true that my Virginia creeper praises Him,   
its palms and fingers crimson with applause,   
that the local breeze is weaving Him a diadem…
~Jacqueline Osherow from “Autumn Psalm”

With what stoic delicacy does
Virginia creeper let go:
the feeblest tug brings down
a sheaf of leaves kite-high,
as if to say, 
To live is good
but not to live—to be pulled down
with scarce a ripping sound,
still flourishing, still
stretching toward the sun—
is good also, all photosynthesis
abandoned, quite quits. Next spring
the hairy rootlets left unpulled
snake out a leafy afterlife
up that same smooth-barked oak.
~John Updike “Creeper”

The Virginia Creeper vine, its crimson leaves
crawl over the brow of our ancient shed
like a lock of unruly hair or a flowing stream,
a chaotic ruckus of color.

This humble building was a small chapel a century ago,
moved from the intersection of two country roads to this raised knoll
for forever sanctuary. It is befitting that every fall this former church,
now empty of sermons and hymns, weeps red.

Each winter the stripped bare vine
clings tightly through thousands of “holdfast” suckers.
The glue keeps the vine attached
where no vine has gone before.
Once there, it stays until pulled away;
it becomes an invincible foundation
to build upon in the spring.

Do not despair about the winter to come.
The Lord has plans and will not be moved
or ripped away,
even when His name is absent
from the public square.
He’s holding on, waiting on us,
waiting for the spring to burst forth again
and won’t ever, no never, let go.

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Wouldn’t It Be Cheaper?

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Every year we have been
witness to it: how the
world descends

into a rich mash, in order that
it may resume.
And therefore
who would cry out

to the petals on the ground
to stay,
knowing as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?

So let us go on, cheerfully enough,
this and every crisping day,

though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.
~Mary Oliver “Lines Written in the Days of Growing Darkness” from A Thousand Mornings

Nature is, above all, profligate.  Don’t believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn’t it be cheaper to leave them on the tree in the first place?
~Annie Dillard from Pilgrim at Tinker Creek

It is a good thing I wasn’t assigned the role of Designer of the Universe because all would have gone awry in my dedication to resource management, efficiency and creating less waste. To avoid having to blow around, rake, pick up and compost all those fallen autumn leaves, my trees would keep their leaves forever, just like evergreens keep needles. I also would decide there should be fewer insect species, namely wasps, fleas, chiggers, bed bugs, mosquitoes and fruit flies. In addition, fewer rodents, viruses, toxic bacteria and pesky parasites. 

The list is endless: things would be different in my Thrifty Design Of All Things Natural.

But of course the balance of living and dying things would then be disturbed and off kilter.

Rather than worry about the wastefulness,  I should revel in the abundance as I watch death recreate itself to life again. Nature has built-in redundancy, teems with remarkable inefficiency and overwhelms with extravagance. 

As I too am just another collection of cells with similar profligacy, I can’t say much. I better not complain. Thank goodness for the redundancy and extravagance found in my own body, from the constant shedding of my skin covering to my over supply of nasal mucus during a upper respiratory infection helping me shed viral particles, to the pairing of many organs and parts allowing me a usable spare in case of system failure.

Sometimes cheaper costs more. Sometimes extravagance is intentional and rational, making cheap look … well, cheap.

Clearly things are meant to be as they are, thanks to a very wise Designer.

If I am ever in doubt, I simply look out at the leaf-carpeted front yard…or in the mirror.

Then it all makes sense.

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Longing to Touch the Mountain

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The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.
~ C. S. Lewis, Till We Have Faces

He found himself wondering at times, especially in the Autumn, about the wild lands, and strange visions of mountains that he had never seen came into his dreams. He began to say to himself ‘Perhaps I shall cross the river myself one day.’ To which the other half of his mind always replied ‘Not yet.’
~J.R.R. Tolkien — Frodo in Fellowship of the Rings

When you live in Whatcom County, as we do, it is possible to cross the river (several times) over 90 minutes of two lane highway switchbacks to arrive in these wild lands, breathless and overcome by their majesty.

Visions of mountains from our dreams become an overwhelming 360 degree reality, nearly reachable if I just stretch out my hand far enough.

God touches every square inch of earth as if He owns the place. These square inches are particularly marked by His artistry. It is a place to feel truly whelmed by His magnificence. As insignificant and transient as I am as a part of His creation, I still may bear witness.

I am left to wonder about the wild lands, much like Tolkien’s Frodo, pondering what bridges God is building to bring us back home to Him.

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Don’t Worry…

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Don’t worry, spiders,
I keep house casually.
~Kobayashi Issa (translation by Robert Hass)


I don’t mind sharing our house with spiders this time of year. Even so, my hospitality tends to wane if they surprise me in the night by weaving their web at face height, right where I’ll be walking to the bathroom in the dark.

They appear in the most puzzling spots. I wonder if the spiders engage in magical thinking about what insects they might catch in the bathtub or above the kitchen sink. Maybe a fruit fly (or a hundred) this time of year?

The living room, where we generally only sit when we have company, seems a rather formal spot for a spider to take up space in the upper corner, yet even there – cobwebs are hanging, abandoned and forlorn.

Good luck to you, my little arachnoid friends. Perhaps I’ll open the door to a few house flies and a moth or two and see if one might pay you a visit.

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With a Glint of Bronze

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When you are already here
you appear to be only
a name that tells of you
whether you are present or not

and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew
~W.S. Merwin “To the Light of September”

The light of September is a filtered, more gentle illumination than we have experienced for the past several months of high summer glare.

Now the light is lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.

It is also liminal: it is neither before or after; we are on the threshold between seasons when there is both promise and caution in the air.

Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes. It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out, pour a bit into a glass on the darkest days and imbibe.

But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few carefully chosen words.

So I share it now with all of you to tuck away for a future day when you too are hungry for lambent light.

Just label it “September” – open carefully and breathe deeply…

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Our Foot in the Door

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Overnight, very
Whitely, discreetly
Very quietly

Our toes, our noses
Take hold on the loam
Acquire the air

Nobody sees us
Stops us, betrays us
The small grains make room

Soft fists insist on
Heaving the needles
The leafy bedding

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves
Our kind multiplies

We shall by morning
Inherit the earth. 
Our foot’s in the door.
~Sylvia Plath from “Mushroom”

This overnight overture into the light,
the birthing of toadstools after a shower.
As if seed had been sprinkled on the compost pile,
they sprout three inch stalks
as they stretch up at dawn,
topped by dew-catching caps and umbrellas.

Some translucent as glass,
already curling at the edges in the morning light,
by noon melting into ooze
by evening, a complete deliquescence,
withered and curling back
into the humus
which birthed them hours before.

It shall be repeated
again and again,
this birth from unworthy soil,
this brief and shining life in the sun,
this folding, curling and collapse
to die back to dust and dung.

Most inedible and dangerous,
yet they rise beautiful
and worthy,
as is the way of things
that never give up
once a foot’s in the door.

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What Power is at Work?

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The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth’s dark. He
moves in a wood of desire,

pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail’s fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion
to that deliberate progress.
~Thom Gunn “Considering the Snail”

…who has a controlled sense of wonder
before the universal mystery,
whether it hides in a snail’s eye
or within the light that impinges on that delicate organ?
~Loren Eiseley from The Star Thrower

May the poems be
the little snail’s trail.

Everywhere I go,
every inch: quiet record

of the foot’s silver prayer.
              I lived once.
              Thank you.
              It was here.
~Aracelis Girmay “Ars Poetica”  

What do I leave behind as I pass through to what comes next?

It might be as slick and silvery and random as a snail trail — hardly and barely there, easily erased.

I might leave behind the solid hollow of an empty shell, leading to infinity, spiraling to nothing and everything.

Instead, just like the persistent snail, I am not my own.

I pray, grateful, for this slow passion of words and images;
there is unending wonder as I make deliberate progress on this journey.

I was here and so were you. And we ultimately belong elsewhere.

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Heading Toward Whatever is Beyond

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The fern fronds glow with a clean, green light,
and I lift one and point out the spores, curled
like sleep on the back, the rows so straight,
so even, that I might be convinced of Providence
at this moment. My daughter is seven.
She looks at the spores, at the leaf, at the plant,
at this wise, wide forest we are in, and sighs
at my pointing out yet another Nature Fact.
But look, I say, each one is a baby ready
to grow. Each one can become its own fern.
But she is already moving down the path
toward the bridge and whatever’s beyond.
~Gillian Wegener “Nature Walk” from This Sweet Haphazard

Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.
~Robert Frost “For Once, Then, Something”

I took many nature walks by myself as a kid living on 7 acres of woods and pasture. There wasn’t much that I didn’t scrutinize carefully throughout the seasons, keeping track of how things changed, died, reappeared and thrived.

I knew the woods of my childhood would not be my forever home as that home was sold after my parents’ divorce. I dwelled for nearly a decade in the city before settling in with my husband on this rural road over thirty years ago. We want to remain here for as long as we are able to manage it.

What I see on my work around our farm is what I share here. Some of you like the nature walks I offer. Others have moved on ahead of me, heading to the bridge to a destination beyond.

I understand that need to move on. I’ve done it as well.

Those of you who stick with me on my walk, day in and day out – you are very special to me. I hear from some of you (thank you!) every day, when you see your reflection in the waterwell of these photos and words.

Most of you are too shy or busy or don’t think it matters that I know you have seen and read and listened what I post here. In fact, I love to know you have visited. If you haven’t connected with me for awhile or never at all, I appreciate knowing if:
for once, then, something touched you here.

That indeed is the truth – our walk together, for now, is a blessing. The bridge to whatever is beyond will be waiting when we’re ready.

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A Wondrous and Terrible Turning

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When, in the science museum, I arrive at the overview of our galaxy, with its tiny arrow pointing to You are here (which really ought to be We are here), and see that the two to four hundred billion stars of our local cluster are drifting or chasing or dreaming after each other in circles within milky circles, I can’t help but think of those ancient paintings and rock engravings, discovered all over our celestial body, of that one line which begins at whatever point it can, then curls outward, or inward, toward nothing anyone can define—the oldest shape revered by Aborigine and Celt, by mathematician and engineer and Burning Man reveler alike, and even accorded a place of honor among the mess of thoughts on my desk, as a nifty paper clip of copper.

But it’s already there in the florets of the sunflower crisscrossing with the precision of a logarithm, and in the pin-wheel shape of the Nautilus shell, and in the coiling neurons of the cochlea that let us tell Art Tatum from a three year old’s improvisation.

Call it what you will—“God’s fingerprint,” “the soul unfolding through time,” “the passageway into the Self”— I can’t help but admire, even fear, something as mundane as a flush of the toilet, when its swirling is a variation on our sidereal drift, our existential pain.

And then there’s that famous falcon, “turning and turning in a widening gyre,” a portentous symbol of our own circling into some dread, some pernicious chaos we thought we had just escaped, one town burning a decade behind us, a millennium before that, and into next week, next year, next whenever.

And when the two of us took that winding road an infinity of others had wound down before us and would wind down again, our spirits hushed by the crosses and bouquets at each dead man’s curve and just burning in the dry heat to touch each other, wasn’t that a wondrous and terrible turning?
~Thomas Centolella “Why I’m in Awe of the Spiral”

photo by Kate Steensma
Photo by Kate Steensma

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
~William Butler Yeats “The Second Coming”

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper, though
that, too, but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.
~A. R. Ammons, “Poetics” from A Coast of Trees

Our very origin as a unique organism is a process of unfolding and spiraling: from our very first doubling after conception expanding to a complexity of trillions of cells powering our every thought and movement.

Now I look everywhere in my backyard world for beginnings and endings, wanting to understand where I fit and where I am in the unfolding process of this spiraling life. As I grow older, I find myself more peripheral than central, just as I am meant to be – I have more perspective now having spun out from the vortex.

I can see where I came from, and have a sense of where I am headed.

We unfurl slowly, surely, gently, in the Hands of our Creator God. He knows how each of us began as He was there from the beginning, forming the very center of us. He remains at the core of our being, as our unfolding lasts forever.

An Awe-filled Quiet

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A dark mist lay over the Black Hills, and the land was like iron. At the top of ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun. There are things in nature that engender an awful quiet in the heart of man; Devil’s Tower is one of them.
~N.Scott Momaday in The Way to Rainy Mountain

Over the years we have made many cross-country road trips, passing by the turn-off to Devil’s Tower in eastern Wyoming because there was urgency to get where we needed to go. Occasionally we would see it hazy in the far distance, so I could say I had “seen it” but I really had not seen it, according to my Stanford professor N. Scott Momaday.

Scott is from the Kiowa tribe. In his language, this rock formation is named Tso-i-e or “standing on a rock.” For him and his people, it is sacred ground. The Cheyenne, Crow, Lakota, Shoshone, and Arapahoe all revere this rock monolith although most tribal members did not live near enough to see it themselves, but the legends traveled many miles through the generations through oral tradition.

Scott taught an unforgettable class on Native American Mythology and Lore I took 50 years ago as a 19 year old sophomore. He has a commanding presence, a booming resonant voice for story telling, a predilection for the poetry of Emily Dickinson and a hankering since childhood to be a character in the stories of Billy the Kid. The first day of class, he introduced us to Tso-i-e first and foremost. He told us his grandmother’s story passed to her from her grandparents:

“Eight children were there at play, seven sisters and their brother. Suddenly the boy was struck dumb; he trembled and began to run upon his hands and feet. His fingers became claws, and his body was covered with fur. Directly there was a bear where the boy had been. The sisters were terrified.; they ran and the bear after them. They came to the stump of a great tree, and the tree spoke to them. It bade them climb upon it, and as they did so it began to rise into the air. The bear came to kill them, but they were just beyond its reach. It reared against the tree and scored the bark all around with its claws. The seven sisters were borne into the sky, and they became the stars of the Big Dipper.”

A few years ago, we finally made time to see the Tower up close. For me, this “close encounter” was meant to connect the dots from my class and to understand more fully the spiritual background of the Plains people as our son had lived and taught on the Pine Ridge Reservation in South Dakota for two years.

The Tower surely is holy ground for us all – we are diminished in its presence. It disquiets the heart with its awful grandeur and sheer other-worldliness. In its own way, it is as resonant as Scott’s captivating stories about its origins, yet remains a reminder of the ever-changing impermanence of geologic formations.

We need more holy places in our lives even as they (and we) change with the sands and winds of time. We need more awe-filled awful quiet in our hearts.

So we continue to tell the sacred stories, generation to generation, never forgetting Who set the world in motion.