Hiding in a Snail’s Eye

May the poems be
the little snail’s trail.

Everywhere I go,
every inch: quiet record

of the foot’s silver prayer.
              I lived once.
              Thank you.
              It was here.

~Aracelis Girmay “Ars Poetica”  

Little snail,
Dreaming you go.
Weather and rose
Is all you know.
Weather and rose
Is all you see,
Drinking
The dewdrop’s
Mystery.
~Langston Hughes “Snail”

James was a very small snail…
and gave the huffle of a snail in danger.
And nobody heard him at all.
~A.A.Milne from The Four Friends from  “When We Were Very Young”

…who has a controlled sense of wonder
before the universal mystery,
whether it hides in a snail’s eye

or within the light that impinges on that delicate organ?
~Loren Eiseley from The Star Thrower

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth’s dark. He
moves in a wood of desire,


pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail’s fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion
to that deliberate progress.
~Thom Gunn “Considering the Snail”

What do we leave behind as we pass through this life, following the light?

It might be as slick and silvery and random as a snail trail —
hardly and barely there, easily erased, only a transient residual.

We might leave behind the solid hollow of an empty shell, its spirals leading to infinity, curling to nothing and everything.

As for my trail:
I pray for a legacy of words and images reflecting the Light I seek,
to notice and share the wonder I journey through.

Yes, I was once here.
And so were you.

AI image created for this post

Through the years, the sorrow
The joy that we borrow
The tears that we share with the rain
Oh today, tomorrow
Forever I’ll follow your trail
Just call my name
~Sean Rowe

Here I Am…

I must go in; the fog is rising…
~Emily Dickinson, her last words

And when it lifts, the fog lifts
what it buried, the tall pines
stand taller, the valley breathes
a magnanimous air, the green
grass hills stir in wonder,
the fleeting white clouds flee
with their shadows, a bale
of hay makes the case for being
alone, and what was erased
and briefly forgotten retrieves
its mother tongue, speaking
truth to the hour. And to be
a witness to such plumes of mist
dissolve into the vastness
is to be the vastness, the Earth’s
step our step, the observer
and the observed holding hands
with time, blankets of grief
the years have cottoned over
uncovered, the pallbearer––
coffin on shoulder––in view
of the mound of soil up ahead
summoned to his depths;
dear father, here I am.

~Howard Altmann “The Fog”
from In This House

Fog swallows us whole, not unlike being lowered into the depths of the grave.

Immersed so thoroughly, surrounded and muffled,
yet still breathing in the chill mist.

But then the fog lifts. It rises. And takes us with it.

Father, here I am, holding hands with time.

AI image created for this post

The Light That’s Left Them

Now’s a good time, before the night comes on,
To praise the loyalty of the vase of flowers
Gracing the parlor table, and the bowl of oranges,
And the book with freckled pages resting on the tablecloth.
To remark how these items aren’t conspiring
To pack their bags and move to a place
Where stillness appears to more advantage.
No plan for a heaven above, beyond, or within,
Whose ever-blooming bushes are rustling
In a sea breeze at this very moment.
These things are focusing all their attention
On holding fast as time washes around them.
The flowers in the vase won’t come again.
The page of the book beside it, the edge turned down,
Will never be read again for the first time.
The light from the window’s angled.
The sun’s moving on. That’s why the people
Who live in the house are missing.
They’re all outside enjoying the light that’s left them.
Lucky for them to find when they return
These silent things just as they were.
Night’s coming on and they haven’t been frightened off.
They haven’t once dreamed of going anywhere.

~Carl Dennis, “Still Life” from Ranking the Wishes

Wendell Berry – Another Day Sabbath Poems

The transformation of objects in space,
or objects in time,
To objects outside either, but tactile, still precise…
It’s always the same problem –
Nothing’s more abstract, more unreal,
than what we actually see.
The job is to make it otherwise.

~Charles Wright from “Basic Dialogue” in Appalachia

Annie Dillard – Pilgrim at Tinker Creek

Let us treasure the Light that is left to us, to dwell outside in its midst as night is coming.

Meanwhile, a still life exists within, unchanging, real, tangible, not going anywhere.

Stillness is always there if we decide to come in as the dark descends.

AI image created for this post

A Yearning for Solace

At once whatever happened starts receding.
—Philip Larkin

Last night I walked the woods
lit by the final moon of the month.

Days don’t count here
beneath the centuries-old pines

where my grandmother took her solace
on hard farm days, passing up

the washboard or jam-making
for the eternal whooshing

of the forest as much serenity
as yearning.
~Dave Malone “Walk in the Woods” from Tornado Drill

Over my seventy years, I’ve had the opportunity to walk through woods in different parts of the world –
from my childhood home near Puget Sound,
to the Bay Area in California,
from central Africa above Lake Tanganyika
to the forests of Northern Ireland
and the coastline of Vancouver Island.

Here on the farm, we have some dense woods that our grandson has designated “the haunted forest” because of its many downed trees from windstorms. He is convinced BigFoot lives somewhere in the dense underbrush, and he may well be right.

During a walk in the woods, no matter where it may be, I find solace in a world where there is teeming life thriving under the ground, at eye level, and overhead. I feel a palpable vibrance with each step I take, while experiencing sounds and smells I find nowhere else.

So, I too leave behind the work of the day – the laundry, the cleaning and cooking – if only for an hour or so. And once again, I sync my own heartbeat to the pulse of the mysterious life I find, ongoing and eternal, in the woods.

AI image created for this post

Our Neighbor The Moon

Just as the night was fading
Into the dusk of morning
When the air was cool as water
When the town was quiet
And I could hear the sea

I caught sight of the moon
No higher than the roof-tops
Our neighbor the moon

An hour before the sunrise
She glowed with her own sunrise
Gold in the grey of morning

World without town or forest
Without wars or sorrows
She paused between two trees

And it was as if in secret
Not wanting to be seen
She chose to visit us
So early in the morning.

~Anne Porter, “Getting Up Early” from An All Together Different Language. 

And who has seen the moon, who has not seen
Her rise from out the chamber of the deep,
Flushed and grand and naked, as from the chamber
Of finished bridegroom, seen her rise and throw
Confession of delight upon the wave,
Littering the waves with her own superscription
Of bliss, till all her lambent beauty shakes towards us
Spread out and known at last, and we are sure
That beauty is a thing beyond the grave,
That perfect, bright experience never falls
To nothingness, and time will dim the moon
Sooner than our full consummation here
In this odd life will tarnish or pass away.
~D.H. Lawrence “Moonrise”

photo of supermoon by Harry Rodenberger

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. It’s full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit, myself

thinking how grateful I am for the moon’s
perfect beauty and also, oh! how rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up
into my face. As though I were just as wonderful
as the perfect moon.

~Mary Oliver “The Sweetness of Dogs” from Dog Songs

I could not sleep last night,
a tossing turmoil,
wrestling with my worries,
concerned I’ve dropped the ball.

As a beacon of calm,
the moon shone bright
onto our bed covers before sunrise.

This glowing ball is never dropped,
this holy sphere of the night
remains aloft, sailing the skies,
to rise again and again to light our darkest nights.

A lambent reflection of His Love and Peace;
I am soothed by its balming beauty.

Like a Cat Asleep

All that matters is to be at one with the living God
to be a creature in the house of the God of Life.

Like a cat asleep on a chair
at peace, in peace
and at one with the master of the house, with the mistress,
at home, at home in the house of the living,
sleeping on the hearth, and yawning before the fire.

Sleeping on the hearth of the living world
yawning at home before the fire of life
feeling the presence of the living God
like a great reassurance
a deep calm in the heart
a presence
as of the master sitting at the board
in his own and greater being,
in the house of life.

~D.H. Lawrence “Pax”

When you notice a cat in profound meditation,
     The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
     Of the thought, of the thought, of the thought of his name:
          His ineffable effable
          Effanineffable
Deep and inscrutable singular name.
~T.S. Eliot from The Naming of Cats

The fat cat on the mat
may seem to dream
of nice mice that suffice
for him, or cream;
~J.R.R. Tolkien from “Cat” from Tales of the Perilous Realm

I don’t know where prayers go,
or what they do.
Do cats pray, while they sleep
half-asleep in the sun?

Is a prayer a gift, or a petition,
or does it matter?
The sunflowers blaze, maybe that’s their way.
Maybe the cats are sound asleep. Maybe not.

~Mary Oliver from “I Happened to be Standing” from A Thousand Mornings

Our cats seem to have no sense of time — until it is mealtime.

Otherwise they pussyfoot through the hours of the day, unworried about what comes next, or what just happened. They find a convenient patch of sun, or a particularly soft cushion, or sometimes a most unlikely place like a cardboard box or pile of shavings or top of a fencepost.

Then they yawn, become rubber-boned and curl up for a nap.

How do they contemplate the fact of their existence?
How do they appear so relaxed, in peace and serenity?
Do they understand their place in creation and give thanks?

God wants us to rest comfortably in our own skins, as adaptable as a sleeping cat. And He wants us to count our days without wasting a moment for thankfulness. We are meant to be more than just hungry and sleepy and rubber-boned.

We are created in His image, acutely aware of the privilege of our existence.

Under My Eyelashes

9/24/2023 -7:12 AM
9/24/22 6:55 AM
9/24/21 6:34 AM
9/24/20 7:22 AM

You can
die for it-
an idea,
or the world. People
have done so,
brilliantly,
letting
their small bodies be bound
to the stake,
creating
an unforgettable
fury of light. But
this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought
of China,
and India
and Europe, and I thought
how the sun
blazes
for everyone just
so joyfully
as it rises
under the lashes
of my own eyes, and I thought
I am so many!
What is my name?
What is the name
of the deep breath I would take
over and over
for all of us? Call it
whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

~Mary Oliver “Sunrise”

9/24/19 6:55 AM
9/24/18 6:50 AM
9/24/17 7:03 AM
9/24/17 (later)
9/24/17 (even later~)

Over the years, I have not missed many early autumn sunrises – most I have not recorded as they are often gray and rainy.

This particular day of September – the 24th – has been a treasure trove of color and cloud patterns and light for the last decade. Today I share these with you in their variety and beauty.

Every day, let us watch the sun rise with its light under our eyelashes – the fire of happiness illuminating us all as morning breaks open, like the First Day.

9/24/16
9/24/15
9/24/14

Filling Our Dry Wells

My uncle in East Germany
points to the unicorn in the painting
and explains it is now extinct.
We correct him, say such a creature
never existed. He does not argue,
but we know he does not believe us.
He is certain power and gentleness
must have gone hand in hand
once. A prisoner of war
even after the war was over,
my uncle needs to believe in something
that could not be captured except by love,
whose single luminous horn
redeemed the murderous forest
and, dipped into foul water,
would turn it pure. This world,
this terrible world we live in,
is not the only possible one,
his eighty-year-old eyes insist,
dry wells that fill so easily now.
~Lisel Mueller “The Exhibit”

This is the animal that never was.
Not knowing that, they loved it anyway;
its bearing, its stride, its high, clear whinny,
right down to the still light of its gaze.

It never was. And yet such was their love
the beast arose, where they had cleared the space;
and in the stable of its nothingness
it shook its white mane out and stamped its hoof.

And so they fed it, not with hay or corn
but with the chance that it might come to pass.
All this gave the creature such a power

its brow put out a horn; one single horn.
It grew inside a young girl’s looking glass,
then one day walked out and passed into her.
~Rainer Maria Rilke “Unicorn”

I sometimes feel the need for magical thinking to help restore goodness in the sad ways of this world. We have fouled our own nest, destroying each other and the extravagant garden we were given.

Hope for restoration feels almost mythical and the stuff of legends.

Power and gentleness do come together in the story of our redemption. We are delivered into a new world by the sacrifice of the most pure and generous Spirit.

Our dry well is filled by a love that quenches all our thirst, promising that our belief in goodness is not myth or legend, but real and true.

Out of Imagination

Sometimes the mind

is taken by surprise
as it speaks, are you
sure this is the right street?
for example—or just

cowpath—no more: a blurb,
a bleep, really, out of
the imagination, and then
once again everything is

perfectly still, save, perhaps,
a cow or two on the horizon,—

and the sound of cowbirds
in sudden excellence, where

formerly there were none.
~Jane Mead “Sometimes the Mind” From The Usable Field

photo by Bette Vander Haak
photo by Bette Vander Haak
photo by Bette Vander Haak

Many current roads started out as cowpaths decades ago. These meandering trails made sense to cows at the time. Subsequently, because people lack imagination, we tend to also follow those original twist and turns as we navigate life’s byways. Now paved with asphalt and good intentions, our roads accommodate more than a herd of cows giving hitchhiking cowbirds a free meal.

Cowbirds don’t lack imagination though; they are ready-made opportunists. They occupy any furry back that happens to attract tasty insects. The (horse?)birds happily set sail on a dinner cruise while doing their host a favor by gobbling irritating flies.

Imagine meandering through countryside pastures all day, unconcerned where the next meal will come from because it always comes to you.

Its easy if you try. You can say I’m a dreamer, but I’m not the only one. I hope someday you’ll join us and the world (horses, cows, birds) will live as one…

The Moon-Pale Promise

from Claude Debussy’s Suite Bergamasque in memory of my mother

There’s D-flat major at the first and last,
but in between, a haze of harmonies
yearns lightward, though the light has long since passed.

I played the notes; she heard the light. The keys
were mine to coax and animate; their sound
was hers to claim: a shimmer of heart’s ease.

And while my fingers stretched and danced and found
their way through black and white, her ear would find
a prism—her own light parsed and unbound.

She had a knack for joy and was inclined
to wonder. Clair de lune had mesmerized
her, in a spell that left me far behind.

After my mother’s death, I was surprised
I still played it so often; I suppose
the effort occupied and organized

my sorrow-scattered mind. So in the throes
of grief, I practiced, as if I’d impress
a ghost with my devotion. And in those

half-haunted hours, I mastered more, I guess,
than just the notes. I hadn’t thought I’d learn
to hear what she did—but through some finesse

of time and skill and need, I now discern
the half-lit murmurings that no midnight
can mute, the moon-pale promise that can turn

unrest to peace, a star-sung appetite
for breath. At last I share my mother’s light.
~Jean Kreiling “Claire de Lune
“

photo by Lea Lozano

I never practiced as much as I could have. Since the old piano sat in the living room right next to the kitchen, my mother endured my wrong notes and mis-timed rhythms, but never said a word of criticism. She was not an avid music listener, preferring radio talk and news, but committed to taking me to piano lessons over eight long years, sitting in the car reading a book while she waited for me.

Though not someone who listened to classical music for pleasure, she did love Clair de Lune, saying she could “see” the moon rise when I played it. Thus encouraged, I chose it as a recital piece so I could play it often for her, flowing my fingers across the keyboard smoothly, steadily, faithfully, like the rise of the moon in the night sky.

I want to feel a connection to a piece of music that so grips my heart and waters my eyes. It happens only rarely when I play – as an average pianist, I never truly progressed beyond technique – hitting the right notes and being true to the timing. But this piece comes close. When I hear it, I am no longer the youngster practicing it over and over, trying to somehow bring light to our dark living room. With age, I can now lose myself in the beauty of what Debussy was trying to convey in his choice of progression of notes, his resolution of harmony and key change, his slowing and flowing illumination of the piano keys.

I begin to hear what my mother must have heard, although I made so many mistakes, over and over.

Even so, the moon still rose for her.