One of Me As Well

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It’s easy to love a deer
But try to care about bugs and scrawny trees
Love the puddle of lukewarm water
From last week’s rain.
Leave the mountains alone for now.
Also the clear lakes surrounded by pines.
People are lined up to admire them.
Get close to the things that slide away in the dark.
Be grateful even for the boredom
That sometimes seems to involve the whole world.
Think of the frost
That will crack our bones eventually.
~Tom Hennen “Love for Other Things”

 

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O it is easy to love the beautiful things of God’s creation~
we drive long hours to stand in awe,
gaping at mountains and valleys and waterfalls
and kaleidoscopes of color

but if God needs a slug or snail or bug enough to create those
and allows drought and mud and frost and ice storms and hurricanes
then I guess, if He chooses,
He could look at me and say
I need one of you too.

 

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Every Morning I’m Alive

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Isn’t it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about

spiritual patience?  Isn’t it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?

Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.

Every morning, so far, I’m alive…
~Mary Oliver from “Landscape” in New and Selected Poems

 

 

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If even the mighty oaks standing along a path are as fragile as flowers,
then how fragile is my heart?

I wake each morning reminded of the treasure of a new day, cranking open the rusty doors of my heart.

Let the fresh air of grace and gratitude fill me today.

 

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Jane Comes to Town

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photo of Jane Goodall by Rhys Logan, smiling at me as I came up to give her a hug, courtesy of WWU University Communications

 

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Dr. Jane Goodall, now 84 years old, paid a visit to our city of Bellingham, Washington last night to give a lecture on behalf of Western Washington University to an audience of 1300 adults and children, emphasizing once again how any one unassuming and highly motivated person can make a difference in the survival of the earth and its inhabitants, whether plant, animal or humankind.

It had been over two decades since I’d last seen her so it was a great privilege to be able to greet and hug this former teacher of mine and a hero of our time, and to see the next generation have opportunity to hear her stories in her own voice.

I’ve shared this story before here but watching her speak last night in the historic Mt. Baker Theater, I couldn’t help but recall the first time I met Jane one-on-one, over forty-five years ago:

 

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Standing outside a non-descript door in a long dark windowless hallway of offices at the Stanford Medical Center, I took a deep breath and swallowed several times to clear my dry throat. I hoped I had found the correct office, as there was only a number– no nameplate to confirm who was inside.

I was about to meet a childhood hero, someone whose every book I’d read and every TV documentary I had watched. I knocked with what I hoped was the right combination of assertiveness (“I want to be here to talk with you and prove my interest”) and humility (“I hope this is convenient for you as I don’t want to intrude”). I heard a soft voice on the other side say “Come in” so I slowly opened the door.

It was a bit like going through the wardrobe to enter Narnia. Bright sunlight streamed into the dark hallway as I stepped over the threshold. Squinting, I stepped inside and quickly shut the door behind me as I realized there were at least four birds flying about the room. They were taking off and landing, hopping about feeding on bird seed on the office floor and on the window sill. The windows were flung wide open with a spring breeze rustling papers on the desk. The birds were very happy occupying the sparsely furnished room, which contained only one desk, two chairs and Dr. Jane Goodall.

She stood up and extended her hand to me, saying, quite unnecessarily, “Hello, I’m Jane” and offered me the other chair when I told her my name. She was slighter than she appeared when speaking up at a lectern, or on film. Sitting back down at her desk, she busied herself reading and marking her papers, seemingly occupied and not to be disturbed. It was as if I was not there at all.

It was disorienting. In the middle of a bustling urban office complex containing nothing resembling plants or a natural environment, I had unexpectedly stepped into a bird sanctuary instead of sitting down for a job interview. I wasn’t sure what I was supposed to do or say. Jane didn’t really ever look directly at me, yet I was clearly being observed. So I waited, watching the birds making themselves at home in her office, and slowly feeling at home myself. I felt my tight muscles start to relax and I loosened my grip on the arms of the chair.

There was silence except for the twittering of the finches as they flew about our heads.

After awhile she spoke, her eyes still perusing papers: “It is the only way I can tolerate being here for any length of time. They keep me company. But don’t tell anyone; the people here would think this is rather unsanitary.”

I said the only thing I could think of: “I think it is magical. It reminds me of home.”

Only then did she look at me. “Now tell me why you’d like to come work at Gombe…”

The next day I received a note from her letting me know I was accepted for the research assistantship. I had proven I could sit silently and expectantly, waiting for something, or perhaps nothing at all, to happen. For a farm girl who never before traveled outside the United States, I was about to embark on an adventure far beyond the barnyard.

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giving Jane a hug, courtesy of WWU Communications (Rhys Logan)

 

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45 years since we met in her Stanford office full of wild birds – photo by Rhys Logan (WWU)

 

(this essay was published in The Jane Effect in 2014 in honor of Jane’s 80th birthday)

A new documentary “Jane” is now streaming on Amazon Prime and is reviewed at https://www.nytimes.com/2017/10/18/movies/jane-review-jane-goodall-documentary.html

photos courtesy of The National Geographic (www.nationalgeographic.com)

and Western Washington University Communications

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Begin the Day Slow

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O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
~Robert Frost, from “October” in A Boy’s Will

 

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These mornings I wander stunned by light and mist
to see trees tremble inside their loosening cloaks,
a pulsing palette of color ready to detach,
revealing mere bones and branches.

I want to slow it down,
leave the leaves attached like a fitted mosaic
rather than randomly falling away.

Their release is not their choosing:
the trees know it is time for slowly letting go~
readying for sleep, for sprouts and buds, for fresh tapestry to be woven
from October’s leaves lying about their feet.

 

 

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One Alone Together

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l (a

le
af
fa
ll

s)
one
l
iness…

~e.e. cummings

 

 

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So many feel they are the only one
to fall
until they land in a cushion of others
comforted.

Some dangle suspended
twisting and turning in the slightest breeze
not knowing when the fall will come.

I know I’m both~
one alone
and many together

held by a slender silken thread
until the moment comes
when I’m let go.

 

 

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Nature’s Funeral Month

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October is nature’s funeral month.
Nature glories in death more than in life.
The month of departure is more beautiful
than the month of coming – October than May.
Every green thing
loves to die in bright colors.
~Henry Ward Beecher
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I don’t know…
I myself feel pretty drab these days, gray and fading,
with ripples and wrinkles, more fluff than firm.I’m reminded to hang on to an October state of mind:
more raucous color than somber funereal attire
so when it is time to take my leave,
I go brightly, in joyous celebration of what has been~~
and knowing, without any doubt,
where I’m heading as I wander down the road a piece.
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An Unexpected October Thing

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After the keen still days of September, 
the October sun filled the world with mellow warmth…
The maple tree in front of the doorstep burned like a gigantic red torch. 
The oaks along the roadway glowed yellow and bronze. 
The fields stretched like a carpet of jewels, 
emerald and topaz and garnet. 
Everywhere she walked the color shouted and sang around her…
In October any wonderful unexpected thing might be possible.
~Elizabeth George Speare from The Witch of Blackbird Pond

 

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On this early morning
gray clouds lay heavy and unrelenting
hovering low over the eastern hills,
when a moment’s light snuck out from under the covers
throwing back the blankets
to glow golden over the mountain.

Only a minute of unexpected light underneath the gray
gone in a heartbeat
(as are we) yet
O!  the glory when we too are luminous.

 

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Mountains We Had Never Seen

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He found himself wondering at times, 
especially in the autumn, 
about the wild lands, 
and strange visions of mountains that he had never seen came into his dreams.
~J.R.R. Tolkien from The Fellowship of the Rings

 

 

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Thank God who seasons thus the year, 
And sometimes kindly slants his rays; 
For in his winter he’s most near 
And plainest seen upon the shortest days.

I scent my med’cine from afar,
Where the rude simpler of the year
October leads the rustling war,
And strews his honors on the summer’s bier.

The evening of the year draws on, 
The fields a later aspect wear; 
Since Summer’s garishness is gone, 
Some grains of night tincture the noontide air.
~Henry David Thoreau, selected stanzas from “The Fall of the Leaf”

 

 

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Wandering in a wild land of beauty,
especially in the coolness of autumn,
with the dry hot melting “garishness” of summer past,
God is most plain in these places,
His slanting rays touching
everything and all,
especially me.

 

 

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Dent in the Ground

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All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall, “Names of Horses”

 

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As a child,  I regularly visited the horse grave dug by hand by my father in 1965 in an open clearing of our woods where our little chestnut mare, Dolly, rested in the ground.

She was felled by a vet’s bullet to the head after an agonizing bout with colic. I had returned to the house, unable to watch, but could not help but hear the gunshot as if it had gone through me as well.

At first her grave was a place to cry where no one but the trees and wild flowers could see.

When my tears dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

Later it became the sanctuary where I retreated to talk to God when my church no longer was.

Her bones lie there still and no one but me knows where. The dent in the ground will always betray the spot.

No one but me remembers you.

 

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The Heart of the Field

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photo by Nate Gibson

 

 

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Remember that meadow up above the ridge
where the dog ran around in circles
and we were tired from the climb up
and everything was tilted sideways
including the running in circles
of the ecstatic dog his bright tongue
lapping at the air and we were
leaning into the heart of the field
where no battle ever took place
where no farmer ever bothered
to turn the soil yet everything
seemed to have happened there everything
seemed to be happening at once enough
so we’ve never forgotten how full the field
was and how we were there too and full
~Tim Nolan “The Field”

 

 

 

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This hill on our farm is for running, for sunning, for lolling, for rolling, for pondering, for wandering.
With dogs or without them, our time spent here is full and fulfilling.

 

 

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