All Gnarled and Twisted

There’s a single tree at the fence line…

When I cross the unfertile pasture strewn
with rocks and the holes of gophers, badgers, coyotes,
and the rattlesnake den (a thousand killed
in a decade because they don’t mix well with dogs
and children) in an hour’s walking and reach
the tree, I find it oppressive. Likely it’s
as old as I am, withstanding its isolation,
all gnarled and twisted from its battle
with weather. I sit against it until we merge,
and when I return home in the cold, windy
twilight I feel I’ve been gone for years.

~Jim Harrison, from “Fence Line Tree” from Saving Daylight.

Our fence line apple tree is considerably older than I am, and not a far walk away from the house. I visit it nearly every day, to be reminded that there is a wonder in gnarled limbs and blatant asymmetry.

What strikes me is the consistent presence of this tree though so much changes around it: the seasons, the birds that nest in it, the animals that graze under it and the ever-changing palette above and beyond.

This tree stands bent and misshapen, though not nearly as fruitful as in its younger years, yet still a constant in my life and in generations to come.

May I be that constant for those around me, to be steady when all around me changes in swirls and storms. Perhaps being bent and wrinkled and knobby can also be beautiful.

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Arriving Home Without a Sound

Once only when the summer
was nearly over and my own
hair had been white as the day’s clouds
for more years than I was counting
I looked across the garden at evening
Paula was still weeding around
flowers that open after dark
and I looked up to the clear sky
and saw the new moon and at that
moment from behind me a band
of dark birds and then another
after it flying in silence
long curving wings hardly moving
the plovers just in from the sea
and the flight clear from Alaska
half their weight gone to get them home
but home now arriving without
a sound as it rose to meet them

~W.S. Merwin “Homecoming” from The Moon Before Morning

In late summer, the movement of birds above me has begun, like a prayer of promise among the clouds.

There are the noisy ones: geese, ducks, swans who can’t seem to travel without announcing it everywhere, like the booming basses from teenage vehicles speeding by.

Then there are the starlings and others who murmurate with wing wooshes, forming and unforming as a choreographed larger organism.

The quietest and most earnest are the gulls and plovers, some traveling only a few miles from shore to cornfields, and others traveling half a continent without resting. They direct their energy to their wings to silently carry them home.

Some of our prayers for a safe return home are bold and loud.
Others are expressed through feathered wings and forward progress.
Most are prayed without a sound being made, becoming a constant through the rhythms of the heart, a quiet recognition that our true home will rise to meet us when we arrive.

I will have nothing to do with a God who cares only occasionally.
I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly.
~Madeleine L’Engle

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Where You Go, I Will Go: A Constant Who Never Changes

When the moon scrapes past obscuring clouds,
there is the startle of pale-yellow light
escaping the sky onto the pasture, where
I walk my two young whippets in early spring
listening to chorus frogs shamelessly seeking
mates in the marsh-ponds spring rain has become
in my back pasture. And then coyotes too on the
far hill startling the dogs with their turbulent yips
joining the necessary summoning for more
of this tipping into spring, night-ascending prayers to
the moon and watching stars. But the moonlight’s
caught sounds of fecundity are deceiving—cold north wind
needles my cheeks, embraces my earlobes despite the
upturned hood on my too-thin jacket. A light frost
on pasture-grass licks against my winter chore boots. Despite the
whetted signs and sounds of approaching spring, there is
yet to be early crocus, daffodils filling the yard, or leaves
on the maple trees that will later shade the pigs in summer
now shivering in the night’s transition in the barnyard.
~Ed Higgins, “Transitions” from  Near Truth Only

Only another day until the spring equinox.

I confess to being impatient to transition away from winter, although we had snow and hail only a few days ago, our mornings are chilly with cold north breezes and our nights leave frosty icing on the barn roofs.

Even so, all the signs are there: the marsh frogs have been chorusing for nearly a month, coyotes are yipping it up, the pastures show a hint of green, early plum trees have broken open their tiny blossoms, crocus and daffodils have erupted in cheer and hope.

Some seasonal and life transitions are welcome.
Some not at all.
Some take my breath away.
One won’t give my breath back.

Whatever we face in this life, we will face it together,
knowing the arms of God surround us
when we’re weary,
when we’re ill,
when we’re discouraged.

His love is a sentinel beacon welcoming us home.

He is the constant when all else is in transition.

photo by Bob Tjoelker of our sentinel tree

Let nothing disturb thee,
Nothing affright thee;
All things are passing;
God never changeth;
Patient endurance attaineth to all things;
Who God possesseth in nothing is wanting;
Alone God sufficeth.
– St. Teresa of Avila
“Prayer”

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

AI image created for this post
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As Old As I Am

There’s a single tree at the fence line…

When I cross the unfertile pasture strewn
with rocks and the holes of gophers, badgers, coyotes,
and the rattlesnake den (a thousand killed
in a decade because they don’t mix well with dogs
and children) in an hour’s walking and reach
the tree, I find it oppressive. Likely it’s
as old as I am, withstanding its isolation,
all gnarled and twisted from its battle
with weather. I sit against it until we merge,
and when I return home in the cold, windy
twilight I feel I’ve been gone for years.

~Jim Harrison, from “Fence Line Tree” from Saving Daylight.

Our fence line apple tree is considerably older than I am, and not a far walk away from the house. I visit it nearly every day, to be reminded that there is a wonder in gnarled limbs and blatant asymmetry.

What strikes me is the consistent presence of this tree though so much changes around it: the seasons, the birds that nest in it, the animals that graze under it and the ever-changing palette above and beyond.

This tree stands bent and misshapen, though not nearly as fruitful as in its younger years, yet still a constant in my life and in generations to come.

May I be that constant for those around me, to be steady when all around me changes in swirls and storms. Perhaps being bent and wrinkled and knobby can also be beautiful.

That Witnessing Presence

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.

~Denise Levertov “Witness”

Even on the days when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  In the off-chance that it might be visible if we took the time to drive up the highway to the foot of it, we did just that last night, risking seeing nothing but pea soup clouds at the higher elevation. Mount Baker remained behind its impenetrable veil, unseen.

A bit lower, at the foot of Mount Shuksan, initially massive clouds obscured it completely – invisible to us except the knowledge that we knew it was there as we had been in that exact spot before and witnessed it first hand. Yet due to powerful winds that blow in the Cascades, over the course of a few minutes Shuksan was exposed before our eyes in all its glory, first in shadowy profile and then crystal clear reality: it was there, movingly unmoved, a revelation of constancy.

No, it had not vanished overnight, gone to another county, blown up or melted down.  My vision isn’t always penetrating enough to see it through cloud cover, but it is still there. 

I know this and have faith it is true even when, within a few minutes, the clouds blew back over the mountain’s face and veiled it completely again.

Some days I simply don’t bother to look for the mountains, so preoccupied I walk right past their obvious grandeur and presence. Then they reach out to me and call me back.  There are times when I turn a corner on the farm and glance up, and there Baker is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

The mountains confirm my lack of witness and still stay put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and lift my own veil, just one more time.

Catch the Sunset

All day he’s shoveled green pine sawdust
out of the trailer truck into the chute.
From time to time he’s clambered down to even
the pile. Now his hair is frosted with sawdust.
Little rivers of sawdust pour out of his boots.

I hope in the afterlife there’s none of this stuff
he says, stripping nude in the late September sun
while I broom off his jeans, his sweater flocked
with granules, his immersed-in-sawdust socks.
I hope there’s no bedding, no stalls, no barn

no more repairs to the paddock gate the horses
burst through when snow avalanches off the roof.
Although the old broodmare, our first foal, is his,
horses, he’s fond of saying, make divorces.
Fifty years married, he’s safely facetious.

No garden pump that’s airbound, no window a grouse
flies into and shatters, no ancient tractor’s
intractable problem with carburetor
ignition or piston, no mowers and no chain saws
that refuse to start, or start, misfire and quit.
..

…then he says
let’s walk up to the field and catch the sunset
and off we go, a couple of aging fools.

I hope, he says, on the other side there’s a lot
less work, but just in case I’m bringing tools.
~Maxine Kumin from “Chores”

When I pull open the barn doors
every morning
and close them again each evening,
as our grandparents did
one hundred years ago,
six rumbling voices
rise in greeting.
We exchange scents,
nuzzle each others’ ears,
rumble grumble back a response.

We do our chores faithfully
as our grandparents once did–
draw fresh water
into buckets,
wheel away
the pungent mess underfoot,
release an armful of summer
from the bale,
reach under heavy manes
to stroke silken necks.

We don’t depend
on our horses’ strength
and willingness to
don harness
to carry us to town
or move the logs
or till the soil
as our grandparents did.

Instead,
these soft eyed souls,
born on this farm over
two long decades ago,
are simply grateful
for our constancy
morning and night
to serve their needs
until the day comes
they need no more.

And we depend on them
to depend on us
to be there
to open and close the doors;
their low whispering welcome
gives voice
to the blessings of
living on a farm
ripe with rhythms and seasons,
sunrises and sunsets that keep coming,
as if yesterday, today and tomorrow are
just like one hundred years ago.


To Catch the Sunset

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sunset69162

cupolawatson

sunset92horses

…he says
let’s walk up to the field and catch the sunset
and off we go, a couple of aging fools.

I hope, he says, on the other side there’s a lot
less work, but just in case I’m bringing tools.
~Maxine Kumin from “Chores”

sunset92horses4

sunset329164

When I pull open the barn doors
every morning
and close them again each evening,
as our grandparents did
one hundred years ago,
six rumbling voices
rise in greeting.
We exchange scents,
nuzzle each others’ ears,
rumble grumble back a response.

We do our chores faithfully
as our grandparents once did–
draw fresh water
into buckets,
wheel away
the pungent mess underfoot,
release an armful of summer
from the bale,
reach under heavy manes
to stroke silken necks.

We don’t depend
on our horses’ strength
and willingness to
don harness
to carry us to town
or move the logs
or till the soil
as our grandparents did.

Instead,
these soft eyed souls,
born on this farm
two long decades ago,
are simply grateful
for our constancy
morning and night
to serve their needs
until the day comes
they need no more.

And we depend on them
to depend on us
to be there
to open and close the doors;
their low whispering welcome
gives voice
to the blessings of
living on a farm
ripe with rhythms and seasons,
sunrises and sunsets,
as if yesterday, today and tomorrow are
just like one hundred years ago.

sunset611164

sunset42116

sunset52216

The Turning Point

photo by Josh Scholten

Desire change. Be enthusiastic for that flame  
in which a thing escapes your grasp 
while it makes a glorious display of transformation. 
That designing Spirit, the master mind of all things on earth 
loves nothing so much in the sweeping movement of the dance 
as the turning point.
~Rainer Maria Rilke
I do not like change; I am usually dragged kicking and screaming through every transition into something new and unfamiliar.  Even a haircut can be traumatic.  I’m not into retail therapy because the tried and true in my closet is just fine, thank you very much.  A new food whose name I can’t pronounce (what exactly is quinoa anyway?) becomes highly suspect.  The disappearance of a favorite coffee from the store is cause for mourning.
Most people would call it “stuck in a rut.”
I prefer to think of it as “constancy” in an unstable world.
I do know better though.  I acknowledge every moment is transformational, nothing remains as it is, all is changing so quickly I can’t keep it in my grasp, hard as I try.
It is time I give myself over to the dance of life, allowing myself to be dipped and whirled about, spun dizzy, carried by the momentum of the Spirit.
Every day is a turning point that I can and will navigate despite my reticence; “like Ginger Rogers who does everything Fred Astaire does, but backwards and in high heels”  (Bob Thaves).
Except for the part about high heels.