The Ripening Fruit

Now the bumbling bees that hover
Over loveliness in flower
Important with their store of pollen
Have had their hour;

Time has come for you to shed your
Silken petals and declare
Whether you are apple, cherry,
Plum or pear,


And all summer take your pleasure
Nourishing the ripening fruit
With the sun and rain you welcome
Through leaf, through root.

~Charles Pratt “Valediction” from From the Box Marked Some Are Missing: New and Selected Poems

apple blossoms
pear blossoms


This is the time of year when so much budding potential has reached the peak of fruitfulness – plums, apples and pears are ready for the table, the oven, the dehydrator and freezer. The cherries had their season weeks ago.

My grandchildren wander the orchard with me, marveling at the bounty that has dropped from its branches, and looking up at what remains to be collected above our heads.

They pick up an apple and take a bite, trying to avoid worm holes and bruises. It seems we always are dodging the daily reality of worms and bruises.

It takes so much to yield bud to blossom to fruit to nourishment and the honeybee is our ticket to preserved winter fruit, making honey in the process. It is a marvelous way that nature is designed to replenish itself and nurture us, year after year.

And to think our fall from the Garden was over one piece of forbidden fruit, especially when there was so much, else available to us.

plum blossoms
cherry blossoms

Now available: a gift from Barnstorming if you donate $50 to support daily Barnstorming posts – three blank notecards of original art from our farm

art by Anja Lovegren

Forgive Me

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

~William Carlos Williams “This is Just to Say…”

Who needs forgiveness
when more plums
hang heavy
in the orchard

dotted with dew
glistening
in the spare pink light
of dawn

so ripe
and so inviting as
their golden flesh
warms with the risen sun.

Roaming Soft About the Slope

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, “The Orchard” from What Love Comes To

Our retired mares are aging, the oldest now thirty and the others only a few years younger. Born on this land, they have served us well over the decades, birthing us their foals and working when asked. They deserve this easy life on pasture for as long as their legs and feet will carry them up and down the slopes of our hilly farm – they are more and more resembling our ancient crooked crippled orchard trees, some of which have already toppled in the winter winds..

I’m thinking we are close to the end of these loyal mares’ long lives; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun but I don’t want them to topple over like an old hollow tree in the wind. I listen for their nickers as I come into the barn each morning and still see their eagerness to be set free to the fields. I look in their eyes when they come in at night to discern what they have to say about how their day went out on the grass.

Perhaps I too identify a bit much with the stiffness as they move and their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and a wild gallop at twilight.

I’ve been singing a sad lullaby to myself and them as I work about the barn with slow deliberation, knowing there is somber sorrow when life eventually must come to its inevitable end.

Ah, all the pretty little horses…

Secrets Brought to Light

You won’t remember it—the apple orchard
We wandered through one April afternoon,
Climbing the hill behind the empty farm.

A city boy, I’d never seen a grove
Burst in full flower or breathed the bittersweet
Perfume of blossoms mingled with the dust.

A quarter mile of trees in fragrant rows
Arching above us. We walked the aisle,
Alone in spring’s ephemeral cathedral.

We had the luck, if you can call it that,
Of having been in love but never lovers—
The bright flame burning, fed by pure desire.

Nothing consumed, such secrets brought to light!
There was a moment when I stood behind you,
Reached out to spin you toward me…but I stopped.

What more could I have wanted from that day?
Everything, of course. Perhaps that was the point—
To learn that what we will not grasp is lost.
~Dana Gioia “The Apple Orchard”

Love, we are in God’s hand.
How strange now, looks the life he makes us lead;
So free we seem, so fettered fast we are!

Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for?
~Robert Browning from Andrea Del Sarto

As I walk down the blooming aisleways
of Spring’s ephemeral cathedral,
it doesn’t help to regret what could have been
– if only –
long ago I had reached out
to hold what remained free of my grasp.
Perhaps it is forever lost to me…

I am overwhelmed by all the potential surrounding me –
the trees are literally bursting with blossom and leaf,
an undulating green carpeting covering every rolling hill,
exuberant new life bouncing and bucking in the pastures.

I wonder, at this age and stage of my life,
whatever potential is left to me?

If I give up my dreams
if I don’t try to hold on to what seems out of reach
if I don’t remember what it feels like to want everything from life,
I would wilt and wither without forming fruit.

Ah Love – I am in God’s Hand.
Or what’s a heaven for?

A Shimmering Evening Light

Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”

For over two years, we have been surrounded
by a shimmering corpse light hovering close,
masked and wary when we needed each other most.

Even so, the world is not defeated by death.

An unprecedented illumination
emerged from the tomb on a bright Sabbath morning
to guarantee that
we struggling people,
we who became no more than bare twigs and stubs,
we who feel at times hardly alive,
are now begetting green,
ready to burst into blossom,
our glowing cheeks pink with life,
a picture of our future fruitfulness.

Into the Light Again

Out of the nursery and into the garden
where it rooted and survived its first hard winter,
then a few years of freedom while it blossomed,
put out its first tentative branches, withstood
the insects and the poisons for insects,
developed strange ideas about its height
and suffered the pruning of its quirks and clutters,
its self-indulgent thrusts
and the infighting of stems at cross purposes
year after year.  Each April it forgot
why it couldn’t do what it had to do,
and always after blossoms, fruit, and leaf-fall,
was shown once more what simply couldn’t happen.

Its oldest branches now, the survivors carved
by knife blades, rain, and wind, are sending shoots
straight up, blood red, into the light again.

~David Wagoner “The Cherry Tree”

A stone’s throw from an abandoned homestead foundation leans
an ancient cherry tree, bent by countless storms and prunings,
its northern half now bare,
yet from the southern half
dangles clusters of sweet century old promises.

Once orchard lifeblood of this farm,
its fruit picked for farmers’ market
an early dawn hour’s wagon ride to town;
now broken down, forgotten
until this week of fruitful surrender.

Already, but not yet finished,
roots still reaching deep for one more season;
a faithful cycle blooming forth
with budding life from gnarled knots
to soon yield glorious from weary dying branches.

Hundreds of glistening amber globes of rosy sheen
cling clustered on crooked lichened limbs,
to be gathered heaping into bowls of gold,
awaiting ecstatic burst of savored perfection,
fulfilling an old promise of sweet abandon.

Who Can Know?

I do not like to think about my life,
one lived too often without original fire.


I would rather walk among the serious trees,
hooded by important weather, by immense silences.


I’d rather unravel the wind’s calligraphies,
letter by letter, and spell myself into the world,


a glittering altar of atoms, all aswirl.
Who can know what will happen to each of us,


as time’s currents bend and assail us,
as gravity pulls us further into ourselves?


Better to be buoyed skyward, to modestly reach out
to the palaver of raindrops, to the silky leaves,


so that the air’s amazement stirs an answering
ripple among my own heavy branches.


Let me lose myself in the star’s mute company,
among the steady wanderers of night


whose eyes ignite a cupola of yearnings.
Crown me with a wreath of stars unmoored


from desire, untampered by this ache
for a blaze beyond the tremor of my fingertips.

~Maurya Simon, “A Thousand Acres of Light” from Cartographies 

I take myself too seriously,
thinking everything in my life must be planned
so I am prepared for what could happen next –

Of course it is impossible
as who can know?

Each day the unexpected happens
if I am willing to recognize it:
the rush of the wind, the drenching of raindrops,
the tingle of the winter sun on my face.

In that moment I might find endless perfection.

Even the thriving among us may lie down this night
and fail to wake tomorrow,
atoms toppled over, leaves shriveled, roots exposed,
no longer needing to breathe
much sooner than planned.

Let me lose myself in that thought:
what is lost here is more than replaced by
the joy of beholding the Face of the Eternal God.

Faire is the heav’n, where happy souls have place,
In full enjoyment of felicitie,
Whence they doe still behold the glorious face
Of the divine, eternall Majestie…

Yet farre more faire be those bright Cherubins
Which all with golden wings are overdight,
And those eternall burning Seraphins,
Which from their faces dart out fierie light;
Yer fairer than they both, and much more bright,
Be th’ Angels and Archangels which attend
On God’s owne person, without rest or end.

These then is faire each other farre excelling
As to the Highest they approach more neare,
Yet is that Highest farre beyond all telling
Fairer than all the rest which there appeare,
Though all their beauties joynd together were:
How then can mortall tongue hope to expresse
The image of such endlesse perfectnesse?
~Edmund Spenser

Light That Almost Speaks

A Light exists in Spring
Not present on the year
At any other period –
When March is scarcely here


A Color stands abroad
On Solitary Hills
That Science cannot overtake,
But Human Nature feels.


It waits upon the Lawn;
It shows the furthest Tree
Upon the furthest Slope we know;
It almost speaks to you.


Then as Horizons step,
Or Noons report away,
Without the Formula of sound,
It passes, and we stay:


A quality of loss
Affecting our Content,
As Trade had suddenly encroached
Upon a Sacrament.
~Emily Dickinson – 85- Part two: Nature

Maybe it is the particular tilt of the globe on its axis,
or the suffusion of clouds mixing
with the perpetually damp atmosphere
or perhaps the knowledge
darkness no longer claims us

but the lighting of March melting into April
has its own sacred whispering voice.

We are immersed in it but it belongs
framed on gallery walls for perpetuity
to be admired at any time of the year,
whenever we need the soft cushion of golden pastels.

Surrounded by sacrament without and within,
our life in the Lord
gently glows.

The Edge of Morning

Horse Team by Edvard Munch
The glittering roofs are still with frost; each worn
Black chimney builds into the quiet sky
Its curling pile to crumble silently.
Far out to the westward on the edge of morn,
The slender misty city towers up-borne
Glimmer faint rose against the pallid blue;
And yonder on those northern hills, the hue
Of amethyst, hang fleeces dull as horn.

And here behind me come the woodmen’s sleighs
With shouts and clamorous squeakings; might and main
Up the steep slope the horses stamp and strain,
Urged on by hoarse-tongued drivers–cheeks ablaze,
Iced beards and frozen eyelids–team by team,
With frost-fringed flanks, and nostrils jetting steam.

~Archibald Lampman “A January Morning”
photo by Josh Scholten

The vast majority of the world no longer depends on horse power on hooves to bring us the things we need to live every day.

Few of us depend on wood heat in our homes during these chilly January nights. Chimneys have become obsolete or merely decorative.

We live in a farm house that depended solely on wood heat to keep its original family warm through decades of brisk Pacific Northwest winters – in our remodel twenty plus years ago, we removed two wood stoves and installed a propane furnace and gas stove instead – now dependent on fossil fuels but trying to keep the air clean around us.

We also no longer have to wait, as our parents and grandparents did, on teamsters with frosted beards urging on their teams of steaming horses – pulling sleighs and wagons loaded with firewood or other goods. Now, sleek semis back up to the ramps of grocery stores and off-load their cargo into warehouse and freezers so night stockers can ensure the shelves are full for shoppers each morning.

For most of us living in a time of modern and immediate conveniences, we have little connection to the original source of the daily supplies we need and how they get to us. As descendants of subsistence farmers, my husband and I feel a relationship to the land we live on, fortunate to be able to store much of our garden and orchard produce right here in our pantry, root cellar and freezer.

And what of the horses who were so critical to the economy up until a century ago? Their role has been reduced to recreation and novelty rather than providing the essential horse power that supplied the goods we needed to live and moved us where we needed to go.

No fossil fuel necessary back then.
No exhaust other than steaming nostrils
and a pile of manure here or there.

We are the aging bridge generation between the end of horse power on hooves giving way to universal horse power on wheels. I remind myself of this each day as I do the chores in the barn. I’m a fortunate farmer, working alongside these animals on the edge of a frosty morning, knowing few people will remember how essential they were or have the privilege to continue to care for them as they deserve.

Beyond Communion

I stop the car along the pasture edge,
gather up bags of corncobs from the back,
and get out.
Two whistles, one for each,
and familiar sounds draw close in darkness—
cadence of hoof on hardened bottomland,
twinned blowing of air through nostrils curious, flared.
They come deepened and muscular movements
conjured out of sleep: each small noise and scent
heavy with earth, simple beyond communion,
beyond the stretched-out hand from which they calmly
take corncobs, pulling away as I hold
until the mid-points snap.
They are careful of my fingers,
offering that animal-knowledge,
the respect which is due to strangers;
and in the night, their mares’ eyes shine, reflecting stars,
the entire, outer light of the world here.
~Jane Hirshfield “After Work”from Of Gravity and Angels.

I’ve been picking up windfall apples to haul down to the barn for a special treat each night for the Haflingers. These are apples that we humans wouldn’t take a second glance at in all our satiety and fussiness, but the Haflingers certainly don’t mind a bruise, or a worm hole or slug trails over apple skin.

I’ve found over the years that our horses must be taught to eat apples–if they have no experience with them, they will bypass them lying in the field and not give them a second look. There simply is not enough odor to make them interesting or appealing–until they are cut in slices that is. Then they become irresistible and no apple is left alone from that point forward.

When I offer a whole apple to a young Haflinger who has never tasted one before, they will sniff it, perhaps roll it on my hand a bit with their lips, but I’ve yet to have one simply bite in and try. If I take the time to cut the apple up, they’ll pick up a section very gingerly, kind of hold it on their tongue and nod their head up and down trying to decide as they taste and test it if they should drop it or chew it, and finally, as they really bite in and the sweetness pours over their tongue, they get this look in their eye that is at once surprised and supremely pleased. The only parallel experience I’ve seen in humans is when you offer a five month old baby his first taste of ice cream on a spoon and at first he tightens his lips against its coldness, but once you slip a little into his mouth, his face screws up a bit and then his eyes get big and sparkly and his mouth rolls the taste around his tongue, savoring that sweet cold creaminess. His mouth immediately pops open for more.

It is the same with apples and horses. Once they have that first taste, they are our slaves forever in search of the next apple.

The Haflinger veteran apple eaters can see me coming with my sweat shirt front pocket stuffed with apples, a “pregnant” belly of fruit, as it were. They offer low nickers when I come up to their stalls and each horse has a different approach to their apple offering.

There is the “bite a little bit at a time” approach, which makes the apple last longer, and tends to be less messy in the long run. There is the “bite it in half” technique which leaves half the apple in your hand as they navigate the other half around their teeth, dripping and frothing sweet apple slobber. Lastly there is the greedy “take the whole thing at once” horse, which is the most challenging way to eat an apple, as it has to be moved back to the molars, and crunched, and then moved around the mouth to chew up the large pieces, and usually half the apple ends up falling to the ground, with all the foam that the juice and saliva create. No matter the technique used, the smell of an apple as it is being chewed by a horse is one of the best smells in the world. I can almost taste the sweetness too when I smell that smell.

What do we do when offered such a sublime gift from someone’s hand? If it is something we have never experienced before, we possibly walk right by, not recognizing that it is a gift at all, missing the whole point and joy of experiencing what is being offered. How many wonderful opportunities are right under our noses, but we fail to notice, and bypass them because they are unfamiliar?

Perhaps if the giver really cares enough to “teach” us to accept this communion meal, by preparing it and making it irresistible to us, then we are overwhelmed with the magnitude of the generosity and are transformed by the simple act of receiving.

We must learn to take little bites, savoring each piece one at a time, making it last rather than greedily grab hold of the whole thing, struggling to control it, thereby losing some in the process. Either way, it is a gracious gift, and it is how we receive it that makes all the difference.