Category: Seasons

An Acceptance of Decline

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In the evening there were flocks of nighthawks
passing southward over the valley. The tall
sunflowers stood, burning on their stalks
to cold seed, by the still river. And high
up the birds rose into sight against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.
And in my mind, where had stood a garden
straining to the light, there grew
an acceptance of decline. Having worked,
I would sleep, my leaves all dissolved in flight.
~Wendell Berry “September 2”

And when I rise, let me rise
Like a bird, joyfully.
And when I fall, let me fall,
Like a leaf, gracefully, without regret.
And when I stand, let me stand,
Like a tree, strong and tall.
And when I lie, let me lie,
Like a lake, peacefully, calm and still.
And when I work, let me work,
Like a bee, wholeheartedly.
And when I play, let me play,
Like a breeze, fresh and cool, light and clear.
~adapted from Wendell Berry’s “When I Rise” in The Mad Farmer Poems

The thistles, rooted out, throng in again;
The single regal rose is mobbed by weeds;
The plums, the pears, the ripening apples, rain
In the sun; and past summer plants new seeds.

Here, or there, these common yearly things
Repeat, repeat, and gardens do not range:
Yet thistles, roses, fruit trees, birds, and stings
Come to an end, and the church bells sound a change.

These many soft declensions of the day,
So hard to take to heart, bear life away.
~Dunstan Thompson from “Passage” from Here At Last Is Love

This end-of-summer winding down,
a descent into shorter days and longer nights,
this preparation for autumn austerity,
reminds me to accept my own slow decline ~
an emptying husk
once so full of fruit and seed,
now clinging to what is left of me ~
still filled with the joys, the tears, the eyes
of a brimming-over heart.

Each is Nothing Without the Others

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Theirs is a perfection of pure form.
Nobody but has his proper place and knows it.
Everything they do is functional.
Each foray in a zigzag line
Each prodigious lifting
Of thirty-two times their own weight
Each excavation into the earth’s core
Each erection
Of a crumbly parapetted tower —

None of these feats is a private pleasure,
None of them done
For the sake of the skill alone —

They’ve got a going concern down there,
A full egg-hatchery
A wet-nursery of aphids
A trained troop of maintenance engineers
Sanitation experts
A corps of hunters
And butchers
An army

A queen
Each
Is nothing without the others, each being a part
Of something greater than all of them put together
A purpose which none of them knows
Since each is only
The one thing that he does. There is
A true consistency
Toward which their actions tend.
The ants have bred and inbred to perfection.
The strains of their genes that survive survive.
Every possible contingency
Has been foreseen and written into the plan.

Nothing they do will be wrong.
~Daniel Hoffman “Ants” from Beyond Silence

The ant in the shadow of this blade of grass
Is indifferent to my presence, to the action
Of the day, to the creaking of the limbs
Of the sycamore, to the sun lowering itself
Slowly from the scaffolding of the sky…

The ant has not moved.  It is deep in meditation.

…Ants understand
The principle of undefiled silence.  My ant glows
Like charcoal now in the lengthening rays of the sun.
I kneel and whisper, “Look up at me.  I’m here.”
~John Gilgun from “The Ant in the Shadow of This Blade of Grass”

Today, when I could do nothing,
I saved an ant...

Small black ant, alone,
crossing a navy cushion,
moving steadily because that is what it could do.

Set outside in the sun,
it could not have found again its nest.
What then did I save?

It did not move as if it was frightened,
even while walking my hand,
which moved it through swiftness and air.

Ant, alone, without companions,
whose ant-heart I could not fathom—
how is your life, I wanted to ask.

I lifted it, took it outside.

This first day when I could do nothing,
contribute nothing…

…I did this.
~Jane Hirshfield from “Today When I Could Do Nothing”

The other day, as I sat down in the grass to take pictures, I felt a tickle at the nape of my neck. I reached up, felt something, and when I looked to see what it was, I found a tiny ant crushed in my fingers.

Suddenly it felt like things were crawling everywhere on me, especially my scalp. I shook out my hair and clothes and found there weren’t any more ants. It was only one unfortunate, defenseless victim who chose the wrong place and time to inhabit me.

As a child, I was fascinated by the ant hills in the woods and fields of our small farm. I would track yards and yards of ant trails from the busy mounded colonies to tree trunks and other sources of food, watching the single-file, single-minded insects heading through all sorts of terrain to sustain their community. Having ants crawling on me wasn’t a problem then – they were part of my exploration of creation … sometimes they explored me. So I’m sympathetic to a solitary ant’s curiosity.

When we share the same few square inches of landscape, we want to ask one another: How is your life? hoping to fathom each other’s heart. We are each of us a part of something greater than all of us put together.

In this small corner of the internet, I share words or pictures I hope might bring a smile, a nod of recognition, or a moistened eye, wanting to find common ground with people I likely will never meet in the chaos of existence.

So I ask you every now and again
because I want to know:
how is your life?

Though I may do nothing else of import
in this scatter-mess of life’s anthill, I can do this:
I’m here, exploring and caring,
listening for your comments, feedback and messages.
Nothing you say will be wrong…

Going First Through the Dark Doorway

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In gratitude to the writing and wisdom of farmer Wendell Berry who, at age 92, passed through his porch’s dark doorway yesterday 8/31/26

All day he’s shoveled green pine sawdust
out of the trailer truck into the chute.
From time to time he’s clambered down to even
the pile. Now his hair is frosted with sawdust.
Little rivers of sawdust pour out of his boots.

I hope in the afterlife there’s none of this stuff
he says, while I broom off his jeans, his sweater flocked
with granules, his immersed-in-sawdust socks.
I hope there’s no bedding, no stalls, no barn

no more repairs to the paddock gate the horses
burst through when snow avalanches off the roof.
Although the old broodmare, our first foal, is his,
horses, he’s fond of saying, make divorces.

…he says
let’s walk up to the field and catch the sunset
and off we go, a couple of aging fools.

I hope, he says, on the other side there’s a lot
less work, but just in case I’m bringing tools.
~Maxine Kumin from “Chores”

photo by Emily Vander Haak

They sit together on the porch, the dark
Almost fallen, the house behind them dark.
Their supper done with, they have washed and dried
The dishes–only two plates now, two glasses,
Two knives, two forks, two spoons–small work for two.
She sits with her hands folded in her lap,
At rest. He smokes his pipe. They do not speak,
And when they speak at last it is to say
What each one knows the other knows. They have
One mind between them, now, that finally
For all its knowing will not exactly know
Which one goes first through the dark doorway, bidding
Goodnight, and which sits on a while alone.
~Wendell Berry “They Sit Together on the Porch”

If just for a moment,
when this world is tilting so far
we just might fall off,
we pause to look at where we’ve been
and get our feet back under us.

The porch is a good place to start:
a bridge to what is beyond
without leaving the familiar.

Outside, looking square at the unknown,
yet still hearing and smelling and tasting
the affection that dwells just inside these walls.

What could we want more
than to be missed when we step away?

Our voice, our words, our heart, our touch
never to be replaced,
its absence a hole impossible to fill…

When we are called back inside
where Love made us who we are,
may the “in between” of
time spent on the porch,
be even more treasured,
because two aging fools sat together there a spell.

front porch

The Mundane Becomes Miraculous

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Last night
we were laying in bed
when my husband
rolled over and said,
“Do you hear birds?”
I said I heard
the laundry
dragging itself along
the inside of the dryer
as it turned.

My grandparents’ neighbor,
Doris, once said she heard
birds in the chimney.
Her in-home helper confessed
they weren’t birds—
she’d had a baby in the night
without knowing
she was pregnant.

Poems are like that,
insisting on being born,
heard, making themselves
known
as soon as we’re quiet
and still. We hear
birdsong in the ordinary,
and it sings us awake
in the dark
until the mundane becomes
miraculous.
~Elizabeth Wickland “Do You Hear Birds?”

Like people or dogs, each day is unique
and has its own personality quirks
which can easily be seen if you look closely.
But there are so few days as compared to people,
not to mention dogs, that it would be surprising
if a day were not a hundred times more interesting than most people.

But usually they just pass, mostly unnoticed,
unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle.

For some reason we like to see days pass,
even though most of us claim
we don’t want to reach our last one for a long time.

We examine each day before us with barely a glance
and say, no, this isn’t one I’ve been looking for,
and wait in a bored sort of way for the next,
when we are convinced,
our lives will start for real.

Meanwhile, this day is going by perfectly well-adjusted,
as some days are,
with the right amounts of sunlight and shade,
and a light breeze scented with a perfume made
from the mixture of fallen apples,
corn stubble, dry oak leaves,
and the faint odor of last night’s meandering skunk.
~Tom Hennen  “The Life of a Day”

Age concentrates the mind.
The moment you realize you will no longer do something
you’ve done all your life.
The moment you realize that you will now need to do something you’ve never had to do before.
The moment you realize that what used to be will never be the same.

Some of this could lend itself to melancholy.
But there is also a bigness to such moments that allows for wonder.
A sense that you can’t quite comprehend it all.

Like any life, mine has had its pain,
yet from the outset it seems to have been graced
by unbelievable people and events.

An anthology of miracles.
~Roger Rosenblatt from “The World is a Room with a Piano Waiting to be Played”

I am ashamed to admit I squander time shamelessly,
blind and deaf to what is happening around me,
waiting for that particularly special day
I always dreamed of,
tossing off mundane yet irreplaceable moments
as somehow not measuring up nor exciting enough.

The shock is:
there have been nearly 40 years
of such ordinary days on this farm,
one passing by after another,
emerging fresh each morning
from the mundane duff and stuff of life,
and wouldn’t you know…
every single one has ended up being exactly what I’m looking for.

The Roar of Sunset

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I go to nature not because
its flowers and sunsets speak
to me (though they do) or
listen to me inquire but

because I have filled it with
unintentionality, so that I
can miss anything personal in
the roar of sunset, so that

I can in beds of flowers hold
my head up too.
~A.R. Ammons from The Ridge Farm from Complete Poems

Take the tangle instead of the trouble it causes.
Take the world inside
as seriously as any other.
Take your elderly mother and father
at face value as they have to.
Take the mirror of the sky
mirrored in the bay.
Take the swell of new-mown hay
and the river conversing
where the valley opens its mouth
and the land begins to creak less
as the evening steals light away—
Take the wick in the far hills
and take the sun and the wind
and the look of nothing for granted.
Take a little less, all right
and try not to take fright.
Take the end in mind
instead of the end in sight.
~Brian Turner “Take This” from Taking Off

God speaks to each of us as he makes us,
then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like a flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.
~Rainer Maria Rilke from The Book of Hours

Each of us,
intentionally made by our Creator
in His image,
yet we discover the beauty and terror of living
in His shadow.

So much happens which we don’t intend
but there is nothing unintentional with God.

Books and lectures tell us to live intentionally
while each day contains something that
brings us to our knees.

I tell myself:
even though I don’t know what tomorrow will be,
I will not take fright
Like a flower, I’ll hold my head up
I’ll just keep going
while taking His Hand and following
wherever He intends to take me.

The Winds and Sea Obey…

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rialto1

And when he got into the boat, his disciples followed him. A gale arose on the lake, so great that the boat was being swamped by the waves; but he was asleep. And they went and woke him up, saying, ‘Lord, save us! We are perishing!’

And he said to them, ‘Why are you afraid, you of little faith?’ Then he got up and rebuked the winds and the sea; and there was a dead calm.

They were amazed, saying, ‘What sort of man is this, that even the winds and the sea obey him?’
Matthew 8:23-27

rialto2

Sweet Jesus, talking 
   his melancholy madness, 
     stood up in the boat 
       and the sea lay down,

silky and sorry. 
   So everybody was saved 
      that night… 
       
         Nobody knows what the soul is.

It comes and goes 
   like the wind over the water — 
      sometimes, for days, 
        you don’t think of it.

 Maybe, after the sermon, 
   after the multitude was fed, 
     one or two of them felt 
       the soul slip forth

like a tremor of pure sunlight 
   before exhaustion, 
      that wants to swallow everything, 
         gripped their bones and left them

miserable and sleepy, 
    as they are now, forgetting 
       how the wind tore at the sails 
          before he rose and talked to it —

tender and luminous and demanding 
   as he always was — 
      a thousand times more frightening 
         than the killer storm.
~Mary Oliver from “Maybe”

rialto3

We sleep through our diminishing days
even more than we sleep through the nights,
unfocused on each passing moment
which never is to come again. 

Those moments crash to shore,
then pull back to be lost forever.

There is a blindness in us all
about what is inevitably coming,
how we tumble through the years like waves,
overcome by their passage,
helpless to stop them.

Yet He is tender and luminous and demanding 
He speaks to us with the same words
as He addresses the relentless stormy destructive sea.

Peace be still!

And so we obey in our helplessness,
forgiven, saved by grace,
so silky and sorry.

A Time Less Bold

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Would you believe I’ve been looking
for rain, here, with few days remaining
in this fleeting season of summer?
Our days are numbered that we might
share with the sun in a clear blue sky
and the hours growing warmer,
and I have kept an eye out for the clouds.
Only I wish for the conditions and doubt
that might send us all deep inside
our dark homes to sleep and read and pray
in preparation for the coming colder days.
Would you believe that the sight
of slate gray spanning horizon to zenith
and down is one I am quite taken with?
~David K. Wheeler “The Cold Season” from Contingency Plans

My mother, who hates thunder storms,
Holds up each summer day and shakes
It out suspiciously, lest swarms
Of grape-dark clouds are lurking there;
But when the August weather breaks
And rains begin, and brittle frost
Sharpens the bird-abandoned air,
Her worried summer look is lost,

And I her son, though summer-born
And summer-loving, none the less
Am easier when the leaves are gone
Too often summer days appear
Emblems of perfect happiness
I can’t confront: I must await
A time less bold, less rich, less clear:
An autumn more appropriate.
~Philip Larkin “Mother, Summer, I”

Summer grass aches and whispers.

It wants something; it calls and sings; it pours
       out wishes to the overhead stars.

The rain hears; the rain answers; the rain is slow 
        coming; the rain wets the face of the grass.
~Carl Sandberg “Summer Grass”

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor “August”

The endless clear skies of August
now broken with exuberant clouds,
rain falling in warm gusts,
leaves landing on browned ground.

This summer ended up being simply too much –
an excess of everything bright and beautiful,
meant to make us joyful,
yet bold and exhausting in its riches.

From endless hours of daylight,
to high rising temperatures and wildfires,
to palettes of smoke-filled landscapes
to fruitfulness and abundant blooms.

While summer always fills a void
after enduring cold spare dark days
the rest of the year,
I still depend on autumn returning.

I welcome darkening times back,
knowing how much I miss
those drear twilight months of longing
for the overwhelming fullness of summer.

No Furrow on the Glow

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morning820183

Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

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cattails1

“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

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Saying Fair Well…

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The Northwest Washington Fair in Lynden is underway this week and for the fourteenth year in a row, our Haflinger horses aren’t there on display, but who is counting?

I guess I am. 

I feel wistful as I wake up too early on a foggy summer morning, remembering the twenty years when I would gather up our sleepy children and their friends and head into the fairgrounds to clean stalls, walk the horses to exercise them and prepare for the day. 

As we are no long “doing” the fair as a farm, I indulge in a little sadness each August as I walk past the stalls we used at the fair.

Our farm, BriarCroft, had been a consistent presence for two decades, promoting the Haflinger breed in a well-decorated outdoor display, providing 24 hours-a-day coverage for the horses for the 6 days of the fair. We petitioned the Fair Board for 5 years in the late 1980s to allow us to display at the fair, and they finally said “okay, here’s the space, build it yourself,” so we did. We were not there for classes, competition, or ribbons. We were there because people enjoyed our Haflingers and we enjoyed the people.

But, as eventually happens in real life, our children grew up and moved away, so we no longer had help to “man” the horse stalls.
Over two decades, several dozen “kids” were recruited to help beyond just our family: their cousins, school friends, church kids, neighbors.
Now many of them have children of their own.

Between 1992 and 2012, we were there, sometimes sharing space and duties with other Haflinger farms (Rodenbergers and McKees), along with several brave young women (Kelsy Smith, Chesna Klimek and Emily Vander Haak) who did Haflinger “trick riding” as part of the fair’s daily Grandstand show. The older kids watched the younger kids, the in-between kids did most of the horse stall cleaning duty, and we adults sat and shot the breeze.

Our display created good will for the fair visitors who depended on us every year to be there with horses that they and their children could actually pet (and sit on), who enjoyed our braiding demonstrations, and our various Haflinger trivia contests with prizes.

Our golden horses came to represent what dreams are made of.

Countless times a day there would be a bright eyed child who approached our stalls, climbed up on the step stools and reached up to pet a Haflinger nose or neck and looked deep into those big brown Haflinger eyes, losing their heart forever to the breed. They will not forget that moment when a horse they had never met before loved them back. Haflingers are magic with children and we saw that over and over again.

So on this misty late summer morning, instead of heading to the fairgrounds to clean stalls, I’m going down to the barn to turn three aged dusty, unbathed Haflingers out in the field as usual. They don’t know all the excitement they are missing.

I do hope the fair-goers still remember the friendly golden horses with the big brown eyes, who helped make dreams come true.

Each passing year is a reminder – we all fared well at the fair.

1993 front page Bellingham Herald article featuring my braid job at the fair on our gelding, Milky Way
Trillium as a yearling with me at the fair 1993 – she passed away on our farm at age 30

Thank you to Lea Gibson Lozano, Emily Vander Haak, Kelsy Smith, and Chesna Klimek for their photos in this collection.

Feeling the Twinges of this World

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Under a canopy of leaves,
the irises, bountiful,
the calico butterfly flashing

and this one golden head
of a dazzling sunflower grasping
its cowled neck,

outweighing its stalk

in order to turn,
full bonneted,
to the absolute light.

What wonders these are:
things struggling
filament by filament,

birds twittering in a laughter
that could be weeping,
barely feeling the twinges of this world,

where the weak get stronger
or snailish with cracks

a day at a time.
~Judith Harris “Recovery”

Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue.

Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything.

Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

Be patient and without bitterness, and realize that the least we can do is to make coming into existence no more difficult for Him than the earth does for spring when it wants to come.
~Rainier Marie Rilke from Letters to a Young Poet

We feel the twinges of struggling to live broken in difficult times; indeed, all our days are difficult times.

We won’t get out of this predicament alive, yet we are loved.

Whether we care or not about what happens
after our last breath does not alter the fact
Christ dwells alongside us;
our heavy heads bow as we turn to face
the compelling Light.

Like Mary, we must say:  “Let it be,” – not “no, not me, not now.”

We are transformed by accepting He has come on our behalf:
an oh-so-difficult faith connecting us like a slender filament to heaven:
like the bird greeting the morning with songs that weep,
like the butterfly emerging from its cracked chrysalis to try its wings,
like the cracked snail shell abandoned
because we no longer fit inside its broken confinement.