To Dwell in Sovereign Barns

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photo by Nate Gibson

 

The grass so little has to do,—    
A sphere of simple green,   
With only butterflies to brood,
And bees to entertain, 
    
And stir all day to pretty tunes        
The breezes fetch along,
And hold the sunshine in its lap   
And bow to everything; 
    
And thread the dews all night, like pearls,
And make itself so fine,—            
A duchess were too common 
For such a noticing.   
    
And even when it dies, to pass    
In odors so divine,    
As lowly spices gone to sleep,        
Or amulets of pine.    
    
And then to dwell in sovereign barns,    
And dream the days away,— 
The grass so little has to do,
I wish I were a hay!
~Emily Dickinson

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This is the week of the year our barn is at its emptiest, right before it fills up again. There is something very lonely about a barn completely empty of its hay stores.

Its hollow interior echoes with a century of farmers’ voices:
soothing an upset cow during a difficult milking,
uncovering a litter of kittens high in a hay loft,
shouting orders to a steady workhorse,
singing a soft hymn while cleaning stalls,
startling out loud as a barn owl or bat flies low overhead.

The dust motes lazily drift by in the twilight, seemingly forever suspended above the straw covered wood floor, floating protected from the cooling evening breezes.

There is no heart beat left in an empty barn. It is in full arrest, all life blood drained out, vital signs flat lined. I can hardly bear to go inside.

The weather is cooperating so the grass was cut two days ago.  Today it will be tossed about on the field to dry in a process called “tedding”, then tomorrow raked into windrows and baled for pick up by our “family and friends” hay crew.

Suddenly, the barn is shocked back to a pulse, with the throb of voices, music blaring, dust and pollen flying chaotically, the rattle of the electric “elevator” hauling bales from wagon to loft, the grunts and groans of the crew as they heft and heave the bales into place in the stack. This often goes on late into the night, the barn ablaze with lights, the barnyard buzzing with excitement and activity. It almost looks as if it is on fire.

Vital signs measurable, rhythm restored, volume depletion reversed, prognosis good for another year.

A healthy rhythm is elusive in this modern age of full time jobs off the farm, necessitating careful coordination with the schedule of the farmer who cuts and bales for many neighbors all within the same window of good weather. The farmer races his equipment from field to field, swooping around with a goliath tractor taking 12 foot swaths, raising dust clouds, and then on to the next job. It is so unlike the rhythm of a century ago when a horse drawn mower cut the tall grass in a gentle four foot swath, with a pulsing shh shh shh shh shh shh tempo that could be heard stretching across the fields. It is an unfamiliar sound today, the almost-silence of no motor at all, just the jingle of the harness and the mower blades slicing back and forth as the team pulls the equipment down the field. We’ve lost the peacefulness of a team of horses at work, necessitating a slower pace and the need to stop at the end of a row for a breather.

The old barn will be resuscitated once again. Its floor will creak with the weight of the hay bales, the walls will groan with the pressure of stacks. The missing shingles on the roof will be replaced and the doors locked tight against the winter winds. But it will be breathing on its own, having needed only a short rest these last few weeks.

Inside, once again, filled to the brim, life is held tight by twine, just waiting to be released.

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Photo of Aaron Janicki raking hay with his Oberlander team in Skagit County courtesy of Tayler Rae

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Melted and Flowed

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Light and wind are running
over the headed grass
as though the hill had
melted and now flowed.
~Wendell Berry “June Wind”

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It will soon be haying time, as soon as a stretch of clear days appear on the horizon.  Today was to be cloudless but ended up drizzly and windy — not good hay cutting weather.

The headed grass is growing heavier, falling over, lodged before it can be cut, with the undulations of moist breezes flowing over the hill.   It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand.  It is melting, pulled back to the soil.  We must work fast to save it.

The light and wind works its magic on our hill.  The blades of the mower will come soon to lay it to the ground in green streams that flow up and down the slopes.  It will lie comfortless in its stoneless cemetery rows, until tossed about by the tedder into random piles to dry, then raked back into a semblance of order in mounded lines flowing over the landscape.

It will be crushed and bound together for transport to the barn, no longer bending but bent, no longer flowing but flown, no longer growing but grown and salvaged.

It becomes fodder for the beasts of the farm during the cold nights when the wind beats at the doors.   It melts in their mouths, as it was meant to.

Truly.

 

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photo by Nate Gibson

Turn Aside and Look: Cleaning Up the Mess

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It is not only prayer that gives God glory,
but work.
Smiting on an anvil, sawing a beam,
whitewashing a wall, driving horses,
sweeping, scouring,
everything gives God some glory
if being in his grace you do it as your duty.
To lift up the hands in prayer gives God glory,
but a man with a dungfork in his hand,
a woman with a slop pail,
give Him glory, too.
God is so great
that all things give Him glory
if you mean that they should.
~Gerard Manley Hopkins

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Thanks in large part to how messy we humans are, this world is a grimy place.   As an act of worship, we keep cleaning up after ourselves.  The hands that clean the toilets, scrub the floors, carry the bedpans, pick up the garbage might as well be clasped in prayer–it is in such mundane tasks God is glorified.

I spend an hour every day carrying dirty buckets and wielding a pitchfork because it is my way of restoring order to the disorder inherent in human life.  It is with gratitude that I’m able to pick up one little corner of my world, making stall beds tidier for our farm animals by mucking up their messes and in so doing, I’m cleaning up a piece of me at the same time.

I never want to forget the mess I’m in and the mess I am.  I never want to forget to clean up after myself.  I never want to feel it is a mere and mundane chore to worship with dungfork and slop pail in hand.

It is my privilege to work.  It is His gift to me.

It is Grace who has come alongside me, pitching the muck and carrying the slop when I am too weary, and most amazing of all, cleans me up as well.

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Farmer with a pitchfork by Winslow Homer
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Photo of Aaron Janicki haying with his Oberlander team in Skagit County courtesy of Tayler Rae

 

The Farmer’s Duct Tape

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My hands are torn
by baling twine, not nails, and my side is pierced
by my ulcer, not a lance.
~Hayden Carruth from “Emergency Haying”

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Miles of baling twine encircle
tons of hay in our barn,
twice daily cut loose,
freed of grasses
and hung up to reuse again
in myriad ways:

~~tighten a sagging fence
latch a swinging gate
tie shut a gaping door
replace a broken handle
hang a water bucket
suspend a sagging overalls
fix a broken halter
entertain a bored barn cat
snug a horse blanket belt~~

It is the duct tape of the barn
whenever duct tape won’t work;
a fix-all handy in every farmer’s pocket
made beautiful
by a morning fog’s weeping.

 

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Preparing the Heart: Restless and Longing

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Everlasting God,
in whom we live and move and have our being:
You have made us for yourself,
so that our hearts are restless
until they rest in you.
—Augustine of Hippo

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Advent is a time when I feel an “inconsolable longing, almost like a heartbreak”, as C.S. Lewis writes in his memoir. He describes “the stab, the pang” accompanying the experience of Joy. I feel it too, in a powerfully visceral way, within my chest, within the rhythm of my heart.The restlessness drives me to seek rest, taking me right where I belong in the still sanctuary of a manger of hay, quieted and swaddled alongside the Son of God.

 

Jesus, Jesus, rest your head.
You have got a manger bed.
All the evil folk on earth,
Sleep in feathers at their birth.

(But) Jesus, Jesus, rest your head.
You have got a manger bed.

Have you heard about our Jesus?
Have you heard about his fate?
How his mother came to the stable,
On that Christmas Eve so late?
Winds were blowing.
Cows were lowing.
Stars were glowing, glowing, glowing.

Jesus, Jesus, rest your head.
You have got a manger bed.

~Appalachian Carol

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Seeking Sanctuary

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Today… in a world that’s both astonishingly beautiful and horrifically cruel, “sanctuary” is as vital as breathing to me. Sometimes I find it in churches, monasteries, and other sites designated as sacred. But more often I find it in places sacred to my soul: in the natural world, in the company of a trustworthy friend, in solitary or shared silence, in the ambience of a good poem or good music.

Sanctuary is wherever I find safe space to regain my bearings, reclaim my soul, heal my wounds, and return to the world as a wounded healer. It’s not merely about finding shelter from the storm: it’s about spiritual survival.

Fed by the taproot some call the soul, we need neither to flee from the world, nor exploit it. Instead, we can love the world with all of its (and our) flaws by trying to live in a way that models life’s finest possibilities.

That kind of love is possible, I believe, only if we know when and where to seek sanctuary, reclaiming our souls in order to engage the world in life-giving ways.
~Parker Palmer from “Seeking Sanctuary in our own Sacred Spaces”

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When I go to our 100+ year old hay barn to fetch a couple of bales for the horses, I stop to marvel at the continual miracle of this barn that I call my sanctuary.  It is breaking down along its roof crest, yes.  It is sorely in need of another coat of paint, yes.  It has leaks where the winter winds have blown shingles off so the rain and snow come straight indoors, yes.

Yet these old growth beams and rafters, recycled from a nearby dismantled saw mill over a century ago, continue to do their job of holding up the world encased within.  This home of pigeons, swallows, bats, barn owls, mice, rats, raccoons, skunks and possum remains a steadfast sanctuary for the harvest of our hill.  For decades it has remained steep and silent, serene and solace-filled.

Every cubic inch of this place, its streams of light and its shadowy dark, inside and out, is wonder-full, even when it is empty in the late spring and especially when packed to the rafters, as it is now, with this summer’s hay crop.  The miraculous is grown, cut, dried, raked, baled, hauled, stacked and piece by piece, stem by stem, as it sustains living creatures through three seasons of the year.

As it sustains me…

I have the privilege of entering here every day and witnessing the miracle year after year.
I know nothing else but miracles, despite my own sagging, my weakening foundation and some *occasional* inopportune leaking of my own.

I know where and to whom I belong.

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Late Summer Hay Fields

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A second crop of hay lies cut   
and turned. Five gleaming crows   
search and peck between the rows.
They make a low, companionable squawk,   
and like midwives and undertakers   

possess a weird authority.

Cloud shadows rush over drying hay,   
fences, dusty lane, and railroad ravine.   
The first yellowing fronds of goldenrod   
brighten the margins of the woods.
Schoolbooks, carpools, pleated skirts;   
water, silver-still, and a vee of geese.
~Jane Kenyon from “Three Songs at the End of Summer”
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rows

By now the fields have survived
A first, and even second cutting
Mowed and tedded
Raked and baled, scalped clean then
Rained upon in spurts and spells.

The grass blades rise again, reluctant-Certain of the cuts to come;
No longer brazen, reaching to the sky
With the blinding bright enthusiasm of May and June endless days,
But shorter, gentle growth of late summer golden sunsets.The third cutting sparse and short as thinning hair
Tender baby soft forage, light in the hands and on the wagon
Precious cargo carried back to the barn;
Fragrant treasure for vesper manger meals
A special Thanksgiving and Christmas Eve gift.

Once again the fields are bare, aching for cover
Which comes as leaves rain and swirl in release,
Winds buffet, offering respite of deepening winter
Snowdrifts, blanketing in silent relief and rest
Until patiently stirred by melting soaking warmth
To rouse again, reaching toward the light.
~EPG

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Making Hay and Raising Tomatoes

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There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage.

I won’t have it.

The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus.
~Annie Dillard from Pilgrim at Tinker Creek

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Other than a few exceptional circumstances in my life, I have always played it safe: a down-home, don’t rock the boat, work hard and live-a-quiet-life kind of person. My grandparents lived that way, my parents lived that way so I feel like it is bound in the twists and turns of my DNA.

Even so, I do know a thing or two about sulking on the edge of rage, lost in a morass of seething bitterness about the state of the world.  Yet if I were honest about it, my discontent is all about me, always about me. I fail to measure up.

But then that is the rub: I can never deserve unmerited grace.  It is pure Gift, borne out of radical sacrifice.

And because of that Gift, I can live a life of radical gratitude, even if a little quietly.

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Dancing in Dust Motes

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ready
emptied and ready

They put up hay loose there, the old way,
forking it into the loft from the wagon rack
while the sweaty horses snorted and switched off flies
and the littlest kids were commanded to trample it flat
in between loads until the entire bay
was alight with its radiant sun-dried manna….
It was paradise up there with dusty sun motes
you could write your name in as they skirled and drifted down.
There were ropes we swung on and dropped from and shinnied up
and the smell of the place was heaven, hurling me back
to some unknown plateau, tears standing up in my eyes
and an ancient hunger in my throat, a hunger….
~Maxine Kumin from “Hay”

filling
filling up

haybarnfull

My parents knew that ancient hunger, both born on farms with teams of horses that brought in hay the old way while the children tramped and stamped the loose piles firm.

I’ve known that ancient hunger, having grown up on a farm that brought in to the barn loose hay the old way by tractor and wagon, having danced in the dusty sun motes on the top of the hay on a bright afternoon, the light cut in stripes over the sweet smelling grass.

We’ve made sure our three children knew that ancient hunger, born to a farm that brought in hay bales stacked to the rafters through community effort, those same dusty sun motes swirling about their heads as they learned their jobs, from bale rolling to lifting to tossing and stacking.

And now the next generation of neighborhood children arrive with shouts on haying days to clamor up and down the bale mountains, answering to the same hunger, blowing the same dusty snot and thrilling to the adventure of tractors, wagons and trucks, celebrating the gathering in of sun-dried manna together.

Surely this is what heaven will be like: we are all together, dancing in the light of the sun motes, our hunger filled to the brim by manna provided from above.

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‘Tis Hay Time

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Tis haytime & the red complexioned sun
Was scarcely up ere blackbirds had begun
Along the meadow hedges here & there
To sing loud songs to the sweet smelling air
Where breath of flowers & grass & happy cow
Fling oer ones senses streams of fragrance now
While in some pleasant nook the swain & maid
Lean oer their rakes & loiter in the shade
Or bend a minute oer the bridge & throw
Crumbs in their leisure to the fish below
—Hark at that happy shout—& song between
Tis pleasures birthday in her meadow scene
What joy seems half so rich from pleasure won
As the loud laugh of maidens in the sun.
~John Clare “Hay Making”

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Every hay crew is the same
Though the names change;
Young men flexing their muscles,
A seasoned farmer defying his age
Tossing four bales high,
Determined girls bucking up on the wagon,
Young children rolling bales closer,
Add a school teacher, pastor,
Professor, lawyer and doctor
Getting sweaty and dusty
United in being farmers
If only for an evening.

Stacking
Basket weave
Interlocking
Cut side up
Steadying the load
Riding over hills
Through valleys
In slow motion
Eagles over head
Searching the bare fields
Evening alpen glow
Of snowbound
Eastern peaks

Friends and neighbors
Walking the dotted pastures,
Piling on the wagons,
Driving the truck,
Riding the top of hay stack
In the evening breeze,
Filling empty barn space to the rafters,
Making gallons of lemonade in the kitchen.
A hearty meal consumed
In celebration
Of summer baled, stored, preserved
For another year.

Hay crew
Remembered on
Frosty autumn mornings before dawn
When bales are broken for feed
And fragrant summer spills forth.
In the dead of winter

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