A Faithless Tree

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Each year I mark one lone outstanding tree,
Clad in its robings of the summer past,
Dry, wan, and shivering in the wintry blast.
It will not pay the season’s rightful fee,—
It will not set its frost-burnt leafage free;
But like some palsied miser all aghast,
Who hoards his sordid treasure to the last,
It sighs, it moans, it sings in eldritch glee.
A foolish tree, to dote on summers gone;
A faithless tree, that never feels how spring
Creeps up the world to make a leafy dawn,
And recompense for all despoilment bring!
Oh, let me not, heyday and youth withdrawn,
With failing hands to their vain semblance cling!
~Edith Matilda Thomas “Winter Leafage”

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Decades ago, while I worked as a nurses’ aide in a nursing home, I cared for a little slip of a lady almost 100 years of age who would not go down the hall to breakfast without her make up on.  Wearing makeup was more important than putting on clothing to her, so our daily morning routine was prolonged considerably as she meticulously penciled over her invisible eyebrows, caked on powder on her forehead, nose and cheeks to cover the wrinkles, and tremulously applied a wavery thick border of red lipstick on her thin lips.  I tried to tell her how lovely she was without a mask on, how her weathered skin deserved to be seen and admired, how her eyes shone more brightly without the crumbling mascara on non-existent eyelashes.  She would have none of it.  She had never appeared in public without her makeup since her teenage years, and she was not about to start now.

She clung to the fading leaves of her youth, holding on with all her might to what she believed kept her beautiful, so we continued to preserve her “frost-burnt leafage”,  covering up her thin bones and her wrinkled face.

She died quietly in her sleep one night so my morning duty was to prepare her body for the coming mortician.  I washed her lovely face clean for the last time, admiring her without the cover, appreciating each wrinkle’s fold and crevice, knowing she now was made new in a leafy dawn I could only imagine.

The mortician would do what was needed to dress her up to her specifications.  But only I had seen the beauty underneath.

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These Melancholy Days

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The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sear.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit’s tread.
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light, and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race, of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
Calls not from out the gloomy earth the lovely ones again.
~William Cullen Bryant from “The Death of the Flowers”

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These dark and sodden days are scarcely recalled while basking in the lightness of June when the sun shines 19 hours a day.  There is no way to cope with such overwhelming darkness except by adding in a few minutes more a day over six months, otherwise the shock of leaving behind the light would be too great.  The howling wind knocks and batters, the rain beats mercilessly at the window panes, the puddles stand deeper than they appear, the mud sucks off boots, the leaves thoroughly shaken from embarrassed branches.

We have no remnant of summer civility and frivolity left; we must adapt or cry trying, only adding to a pervasive sogginess.

Nevertheless, these melancholy days have their usefulness — there are times of joyful respite from frenetic activity while reading, snuggled deep under quilts, safe and warm.  Without such stark contrast, the light and bright time of year would become merely routine, yet just another sunny day.

That never happens here in the north.

We can now celebrate the emerging light with real thanksgiving and acknowledging this darkness makes gratitude more genuine.

We are privileged to live within a paradox:  there is, after all, a gladness in our sadness.

 

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The Fall of the Leaf

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Know’st thou not at the fall of the leaf
How the heart feels a languid grief
         Laid on it for a covering,
         And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

Know’st thou not at the fall of the leaf
How the soul feels like a dried sheaf
         Bound up at length for harvesting,
         And how death seems a comely thing
In Autumn at the fall of the leaf?
~Dante Gabriel Rossetti from “Autumn Song”
Now with darkness draping our morning commute
and darkness enveloping our return home,
we too are like the settling of the falling leaves:
our hearts of grief in the letting go,
our souls bound up dried for harvest.
We sing out loud,
in colors that glow in the dark,
while autumn moves us closer to our sleep.
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Seized of Quiet

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Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.
Like sticks half-drowned the trees
lean so my eyes snap some into
lightning shapes, bent & bent.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

There’s no turning around now
that the clock has fallen back.
We commit our stumbling feet to the path
that trudges toward winter,
silenced and seized
by a relentless momentum of doorless darkness.
There is no escape hatch:
we choose to live in gladness,
knowing that promises of a lighter day
are always kept.

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Trees Are Undressing

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The trees are undressing, and fling in many places—
On the gray road, the roof, the window-sill—
Their radiant robes and ribbons and yellow laces;
A leaf each second so is flung at will,
Here, there, another and another, still and still.

A spider’s web has caught one while downcoming,
That stays there dangling when the rest pass on;
Like a suspended criminal hangs he, mumming
In golden garb, while one yet green, high yon,
Trembles, as fearing such a fate for himself anon.
~Thomas Hardy “Last Week in October”

So we too will be flung into the unknown,
trembling in the chill wind,
unready to let go of what sustains us,
fated to land wherever the storm blows.

If caught up by a silken thread,
left to dangle suspended by faith
to await the hope of rescue, alone and together,
another and another, still and still.

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Begin the Hours Slow

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O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes’ sake along the wall.
~Robert Frost “October”
I long to be beguiled by slower days;
each leaf of mine dropped
one at a time, sorely missed
until there is none of me left.
Slow me down slowly,
hushed and enchanted.
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Making the Cosmos New

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Grace does not remain outside
or above
or beside nature
but rather permeates
and wholly renews it.
And thus nature,
reborn by grace,
will be brought to its highest revelation.
That situation will again return in which
we serve God freely and happily,
without compulsion or fear,
simply out of love,
and in harmony with our true nature.
Christianity does not introduce
a single substantial foreign element
into the creation.
It creates no new cosmos
but rather makes the cosmos new.
It restores what was corrupted by sin.
It atones the guilty
and cures what is sick;
the wounded it heals.
~Herman Bavinck from “Common Grace”
As we wither, our colors changing
as we die,
we are cured,
our nature reborn
by transforming amazing grace.
Renewed,
we respond
in love.
Let it be with me
as You have said.
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Copper into Brass

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The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.

The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
~Elinor Wylie from “Wild Peaches”
Amber stretches from sky to ground.
The clouds key-holed in the chill
and below, the leaves suffer their own keyholes
as they slowly melt away.
I’m feeling holey myself,
punched and transparent,
pondering where holiness is found
when life wholly shows its holes.
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A Reason None of Us Knows

 

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…I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows…

my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun
~W. S. Merwin from “The Love of October” from Migration

 

This warm wind gusts through shedding branches
stripping them bare
and carrying the leaves yards
far away, to a diverse gathering
they have never known:
chestnut, cherry, birch, walnut, apple,
maple, parrotia, pear, oak, poplar
suddenly sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

 

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