How did I come to be this particular version of me, and not some other, this morning of purple delphiniums blooming like royalty, destined to meet these three dogs asleep at my feet, and not others— this soft summer morning, sitting on her screened porch become ours, our wind chime singing of wind and time, yellow-white digitalis feeding bees and filling me— and more abundance to come: basil, tomatoes, zucchini. What luck or fate, instinct, or grace brought me here— in shade, beneath hidden stars, a soft, summer morning, seeing with my whole being, love made visible. ~Laura Foley “The Once Invisible Garden” from Sledding in the Valley of the Shadow
Suddenly it is August again, so hot, breathless heat. I sit on the ground in the garden of Carmel, picking ripe cherry tomatoes and eating them. They are so ripe that the skin is split, so warm and sweet from the attentions of the sun, the juice bursts in my mouth, an ecstatic taste, and I feel that I am in the mouth of summer, sloshing in the saliva of August. Hummingbirds halo me there, in the great green silence, and my own bursting heart splits me with life. ~Anne Higgins “Cherry Tomatoes” from At the Year’s Elbow
Such still air. Soon the mid-morning breeze will float in like tepid water, then hot.
How do I start this day, I who am unsure of how my life has happened or how to proceed amid this warm and steady sweetness? ~Albert Garcia from “August Morning” from Skunk Talk
Write it in your heart that every day is the best day of the year. Live in the sunshine, swim in the sea, breathe the wild air. Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense. ~Ralph Waldo Emerson from Collected Poems and Translations
She has done what she could… ~Mark 14:8
How do I start this gift of a new August summer day?
When sleep is elusive, the air too still and warm at midnight When even a cloud-strewn sky looks dry When wildfire smoke drifts in on waves from north and east, obscuring, rounding out the sharp edges
Yet I taste the sweetness offered this tepid summer morning, unencumbered by my old over-thinking nonsense.
I’m here, present and accounted for, blessed by all I see. I am doing what I can. Let the day begin.
Even After All this time The sun never says to the earth,
“You owe Me.”
Look What happens With a love like that, It lights the Whole Sky. ~Daniel Ladinsky, from “The Gift”
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How easily happiness begins by dicing onions. A lump of sweet butter slithers and swirls across the floor of the sauté pan, especially if its errant path crosses a tiny slick of olive oil. Then a tumble of onions.
This could mean soup or risotto or chutney (from the Sanskrit chatni, to lick). Slowly the onions go limp and then nacreous and then what cookbooks call clear, though if they were eyes you could see
clearly the cataracts in them. It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent, like the nuggets of nightmare
and rage and murmury animal comfort that infant humans secrete. This is the best domestic perfume. You sit down to eat with a rumor of onions still on your twice-washed hands and lift to your mouth a hint
of a story about loam and usual endurance. It’s there when you clean up and rinse the wine glasses and make a joke, and you leave the minutest whiff of it on the light switch, later, when you climb the stairs. ~William Matthews “Onions”
I don’t mean to make you cry. I mean nothing, but this has not kept you From peeling away my body, layer by layer,
The tears clouding your eyes as the table fills With husks, cut flesh, all the debris of pursuit. Poor deluded human: you seek my heart.
Hunt all you want. Beneath each skin of mine Lies another skin: I am pure onion–pure union Of outside and in, surface and secret core.
…It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent… ~William Matthews from “Onions”
…I would never scold the onion for causing tears. It is right that tears fall for something small and forgotten. How at meal, we sit to eat, commenting on texture of meat or herbal aroma but never on the translucence of onion, now limp, now divided, or its traditionally honorable career: For the sake of others, disappear. ~Naomi Shihab Nye from “The Traveling Onion” from Words Under the Words: Selected Poems.
Onion, luminous flask, your beauty formed petal by petal, crystal scales expanded you and in the secrecy of the dark earth your belly grew round with dew. Under the earth the miracle happened and when your clumsy green stem appeared, and your leaves were born like swords in the garden, the earth heaped up her power showing your naked transparency…
…You make us cry without hurting us. I have praised everything that exists, but to me, onion, you are more beautiful than a bird of dazzling feathers, heavenly globe, platinum goblet, unmoving dance of the snowy anemone
and the fragrance of the earth lives in your crystalline nature. ~Pablo Neruda from “Ode to the Onion”
Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.
This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.
It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:
I weep over the headlines.
I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.
I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.
We tend to hide our hearts out of fear of being hurt, crying out in pain.
Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.
We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.
So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.
No, I don’t mean to make you cry as you peel my layers away, gently, one by one, each more tender until you reach my heart. Chop away at me if you must but weep the good tears, the ones that mean we weep for the sake of our meal together: you eating and drinking, and me – consumed.
Lyrics: When the dark wood fell before me And all the paths were overgrown When the priests of pride say there is no other way I tilled the sorrows of stone
I did not believe because I could not see Though you came to me in the night When the dawn seemed forever lost You showed me your love in the light of the stars
Chorus: Cast your eyes on the ocean Cast your soul to the sea When the dark night seems endless Please remember me
Then the mountain rose before me By the deep well of desire From the fountain of forgiveness Beyond the ice and fire
Though we share this humble path, alone How fragile is the heart Oh, give these clay feet wings to fly To touch the face of the stars
Breathe life into this feeble heart Lift this mortal veil of fear Take these crumbled hopes, etched with tears We’ll rise above these earthly cares
Lyrics: Light after darkness, gain after loss Strength after weakness, crown after cross; Sweet after bitter, hope after fears Home after wandering, praise after tears
Alpha and Omega Beginning and the end He is making all things new Springs of living water Shall wash away each tear He is making all things new Sight after mystery, sun after rain Joy after sorrow, peace after pain; Near after distant, gleam after gloom Love aftеr wandering, life after tomb
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Light splashed this morning on the shell-pink anemones swaying on their tall stems; down blue-spiked veronica light flowed in rivulets over the humps of the honeybees; this morning I saw light kiss the silk of the roses in their second flowering, my late bloomers flushed with their brandy. A curious gladness shook me. So I have shut the doors of my house, so I have trudged downstairs to my cell, so I am sitting in semi-dark hunched over my desk with nothing for a view to tempt me but a bloated compost heap, steamy old stinkpile, under my window; and I pick my notebook up and I start to read aloud and still-wet words I scribbled on the blotted page: “Light splashed…”
It is too easy to be ground to a pulp by the various irritations of the day – aggravations are too easily expressed, worries never seem to wane – all of it sucks gladness out of me.
When my feelings become four-dimensional and surround and drown me, I lose all perspective on what got me out of bed to begin the day.
God is in these intricate details, whether the splash of light on a petal or the smell of rotting compost; it is my job to notice this. It is tempting to look past His ubiquitous presence in all things, to seek out only the elegant grandeur of creation and bypass the plain and smelly and homely.
Yet even what lacks beauty from my limited perspective is worthy of His divine attention. He knows the value and purpose of each thing He created, including me and the things that aggravate me no end – like mosquitos.
The time has come to be refreshed and renewed even when surrounded by decay. His care is revealed in the tiniest way. He is worthy of my attention because I am constantly worthy of His.
If I rise early enough, I can see each new day’s light splash everything awake. By the time I come in to sit down to record my words and photos, I’m thoroughly washed by a fresh dawn. I can scarcely wait to take on what this day will bring.
I can scarcely wait till tomorrow when a new life begins for me, as it does each day, as it does each day.
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I have never been fishing on the Susquehanna or on any river for that matter to be perfectly honest.
Not in July or any month have I had the pleasure — if it is a pleasure — of fishing on the Susquehanna.
I am more likely to be found in a quiet room like this one — a painting of a woman on the wall, a bowl of tangerines on the table — trying to manufacture the sensation of fishing on the Susquehanna.
There is little doubt that others have been fishing on the Susquehanna,
rowing upstream in a wooden boat, sliding the oars under the water then raising them to drip in the light. But the nearest I have ever come to fishing on the Susquehanna was one afternoon in a museum in Philadelphia,
when I balanced a little egg of time in front of a painting in which that river curled around a bend
under a blue cloud-ruffled sky, dense trees along the banks, and a fellow with a red bandana
sitting in a small, green flat-bottom boat holding the thin whip of a pole.
That is something I am unlikely ever to do, I remember saying to myself and the person next to me.
Then I blinked and moved on to other American scenes of haystacks, water whitening over rocks,
even one of a brown hare who seemed so wired with alertness I imagined him springing right out of the frame. ~Billy Collins Fishing On The Susquehanna In July
The difficulty to think at the end of day, When the shapeless shadow covers the sun And nothing is left except light on your fur—
….and August the most peaceful month.
To be, in the grass, in the peacefullest time, And to feel that the light is a rabbit-light In which everything is meant for you And nothing need be explained;
I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m simply content to just imagine others doing.
I’m not a rock climber or a zip liner nor willing to jump out of an airplane. I won’t ride a horse over a four foot jump nor race one around a track. Not for me waterskis or unicycles or motorcycles.
I’m grateful there are adventurers who seek out the extremes of life so the rest of us can admire their courage and applaud their explorations.
My imagination is powerful enough, thanks to the words and pictures of others – sometimes too vivid.
I contentedly explore the corners of my quiet places, both inside and outside, to see what I can build from what’s here.
When the light is just right, what I see in my mind seems ready to spring right out of the frame.
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At dusk, everything blurs and softens. From here out over the long valley, the fields and hills pull up the first slight sheets of evening, as, over the next hour, heavier, darker ones will follow.
Quieted roads, predictable deer browsing in a neighbor’s field, another’s herd of heifers, the kitchen lights starting in many windows. On horseback I take it in, neither visitor nor intruder, but kin passing, closer and closer to night, its cold streams rising in the sugarbush and hollow.
Half-aloud, I say to the horse, or myself, or whoever: let fire not come to this house, nor that barn, nor lightning strike the cattle. Let dogs not gain the gravid doe, let the lights of the rooms convey what they seem to.
And who is to say it is useless or foolish to ride out in the falling light alone, wishing, or praying, for particular good to particular beings, on one small road in a huge world?
The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. For up, out of the inscrutable earth, have come my body and the separate body of the mare: flawed and aching and wronged. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~ Linda McCarriston, “Riding Out at Evening” fromTalking Soft Dutch
photo by Emily Vander Haak
On this, my 72nd birthday, I pray for this troubled world, reminding myself: be well, be glad…
I’m still here by the grace of God who carries not just me on His back through each day, but all earthly burdens.
I pray like a bird embracing the air which lifts its wings, tenderly holding to its breast a soaring freedom to transcend the weeping world.
I have seen so much goodness over 72 years, sometimes through tears of sorrow. I know there will be more joy and sadness before I’m done.
I am grateful, so very grateful to have lived all these years seeing tears shed, then dried, learning how love heals, knowing the only thing to last forever is God’s covenant promise to always carry us home.
photo by Brandon Dielemanphoto by Brandon Dieleman
video by Peter Tamminga
Whilst the world is weeping, let us do our bit. We have the time to sympathise, to listen and to sit. No needless thoughts, of the things we cannot do. But appreciate all the good bits and look at them anew.
The warmth and comfort of our homes, the food we have to eat. The family and friends we have, although we cannot meet. The village that we live in, and the community we share. So precious to us right now, so sit and think and care.
Whilst the world is full of sadness, anxiety and pain, It’s hard to imagine our lives ever carefree again. But nothing lasts forever, the clouds will always clear. Let’s heal the world with love, so the sunshine can appear. ~Sandra Rickman
Lyrics: Drop, drop, slow tears, and bathe those beauteous feet, which brought from heaven the news and Prince of Peace. Cease not, wet eyes, his mercies to entreat; to cry for vengeance sin doth never cease. In your deep floods drown all my faults and fears; nor let his eye see sin, but through my tears.
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Whence comes Solace?—Not from seeing What is doing, suffering, being, Not from noting Life’s conditions, Nor from heeding Time’s monitions; But in cleaving to the Dream, And in gazing at the gleam Whereby gray things golden seem.
II
Thus do I this heyday, holding Shadows but as lights unfolding, As no specious show this moment With its irised embowment; But as nothing other than Part of a benignant plan; Proof that earth was made for man. ~Thomas Hardy “On a Fine Morning”
Whence comes Solace? Cleaving to the dream, gazing at the gleam…
nothing other than Part of a benignant plan; Proof that earth was made for man.
I had to look up “benignant” – it is like being told a concerning tumor is “benign” – granting gracious kindness and beneficence in the midst of deep-seated worry.
A new lease on life.
We forget our original task of caring for the Garden. Having soiled our own nest, we can’t abandon earth for another greener, brighter, happier planet. Of all the planetary options in this infinite universe, we were placed right here for good reason, and here we remain.
Our solace: all that ordinarily seems gray gleams golden illuminated by the Light shining down on our shadowy selves.
Even when the news headlines are dismal, when our individual struggles are great, when human history seems to keep repeating itself, our Creation is purposeful, eternally preserved through divine sacrifice.
The solace of gray shadows melts to gold: as part of the overall “benignant plan” we have been given our life back.
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And on those hot afternoons in July, when my father was out on the tractor cultivating rows of corn, my mother would send us out with a Mason jar filled with ice and water, a dish towel wrapped around it for insulation.
Like a rocket launched to an orbiting planet, we would cut across the fields in a trajectory calculated to intercept— or, perhaps, even—surprise him in his absorption with the row and the turning always over earth beneath the blade.
He would look up and see us, throttle down, stop, and step from the tractor with the grace of a cowboy dismounting his horse, and receive gratefully the jar of water, ice cubes now melted into tiny shards, drinking it down in a single gulp, while we watched, mission accomplished. ~Joyce Sutphen“Carrying Water to the Field”
It was my special responsibility to carry cold water out to my dad when he was on the tractor doing field work.
Yes, he could have carried a thermos along but then he would not have seen his kid walking carefully from the house over the fresh-turned dirt, he would not have an excuse for a short break to wipe the sweat from his face with his bright red kerchief, nor sit and survey the straightness of his furrows.
He would not have lifted her up to sit beside him on the tractor, allowing her to “drive,” steering down the rows, curving around the killdeer nests so their young are spared.
Indeed – it is a a special responsibility to nurture someone at work who doesn’t stop to refill themselves. It happens rarely any more – whether in the field or factory or home or even – creating a daily blog like this.
What wondrous love to carry water to those who thirst. What wondrous grace then fills our furrowed lives.
Thank you, faithful readers and supporters, for you who carry water to me when I am dry and thirsty convince me my work here is not in vain: mission accomplished.
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It’s the immemorial feelings I like the best: hunger, thirst, their satisfaction; work-weariness, earned rest; the falling again from loneliness to love; the green growth the mind takes from the pastures in March; the gayety in the stride of a good team of Belgian mares that seems to shudder from me through all my ancestry. ~Wendell Berry “Goods”
photo by Joel De Waardphoto by Joel De Waard
The plow has savaged this sweet field Misshapen clods of earth kicked up Rocks and twisted roots exposed to view Last year’s growth demolished by the blade.
I have plowed my life this way Turned over a whole history Looking for the roots of what went wrong Until my face is ravaged, furrowed, scarred.
Enough. The job is done. Whatever’s been uprooted, let it be Seedbed for the growing that’s to come. I plowed to unearth last year’s reasons—
The farmer plows to plant a greening season. ~Parker Palmer “Harrowing”
photo by Joel De Waardphoto by Joel De Waard
It’s not likely anyone would say I didn’t work hard enough.
After all, I come from a long line of human work-horses who knew it takes sweat and tears, and sometimes bleeding.
Even so, all those years I know I could have plowed more deeply than I did.
I could have thrown myself more fully into the pull on the tugs, shared the load more effectively, shouldered the yoke with greater enthusiasm, bent my neck down low with unbroken determination.
You could say somewhere I lost the gayety in my stride, and you would be right — toward the end, I was trudging through the furrow, bruised from turning up too many submerged rocks, bumping into immoveable tree stumps, tripping on hidden roots, stuck in the deep mud of long and lonely post-midnight hours.
You might even say the knowledge of a job well-done lay at a depth my plow could ever reach.
I had seen others die in the harness, never able to rest easy.
A few years ago I knew the time had come to shrug off the yoke, shake off the bridle and bit, shudder free of the harness.
On this side of the ground, I find myself wondering and wandering, the blinkers no longer impeding my vision, feeling the morning sun on my unyoked withers.
Yet when I see an untilled field, something in me even now still tries to hold on to the plow —
photo by Joel De Waardphoto by Joel De Waardphoto by Joel De Waard
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In truth I am puzzled most in life by nine horses.
Two are on one side of the fence and seven on the other side.
They stare at one another from the same places hours and hours each day.
This is another unanswerable question to haunt us with the ordinary.
We live far out in the country where I hear creature voices night and day.
Like us they are talking about their lives on this brief visit to earth.
In truth each day is a universe in which we are tangled in the light of stars.
Stop a moment. Think about these horses in their sweet-smelling silence. ~Jim Harrison from “Horses”
What is this life is, full of care We have no time to stand and stare. No time to stand beneath the boughs And stare as long as sheep or cows. No time to see, when woods we pass, Where squirrels hide their nuts in grass. No time to see, in broad daylight, Streams full of stars, like skies at night. No time to turn at Beauty’s glance, And watch her feet, how they can dance. No time to wait till her mouth can Enrich that smile her eyes began. A poor life this if, full of care, We have no time to stand and stare. ~William Henry Davies “Leisure”
Fingers of twilight shadow begin to reach over the hill crawling down through the field up unto the bank of blackberries covering fences along the alder grove.
Our horses chew their last clover leafs before coming to the barn for night, eyelids heavy, relaxed and full, drowsy with summer evening peace at hand and hoof.
A sudden change in the air forces their heads up and ears forward; they form a line, standing and staring at the hilltop above them, riveted to the spot, alert to an incoming intruder, unfamiliar and foreign.
The roar is intermittent, like a warm wind rattling a barn roof, but inconstant; then peaking over the crest of the hill a rounded top of technicolor glory:
The hot air balloon rises.
The horses riveted, baffled, fascinated; no wild instinct prepares their response to this wizard’s act from Oz in their own backyard.
The basket riders wave and laugh at the equine audience below standing in formation with golden noses in the air and white manes blowing in the breeze.
The balloon summits the hill, dipping low, almost touchable before moving back up to race the sunset, and search out other pastures, other valleys and hills.
The horses released from the spell of “stand and stare” leap in response, snowy tails high, noses flared-
To race up the hill to capture impending darkness, our night-mares cavort, float suspended until their air is let out, gently, in softening snorts, to settle down in a straw bed in the barn where night, becomes blissfully ordinary again.
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I spent seven hours yesterday at my daughter’s house helping her expand their garden by at least ten times. We dug up sod by the shovelful, shook off the dirt as best we could; sod into the wheelbarrow and off to the pile at the edge of the yard. Then all that over and over again. Five hours total work-time, with time out for lunch and supper. By the time I got home I knew all too well that seventy-two is not thirty-five; I could barely move.
I got to quit earlier than Nadine. She told me I’d done enough and that I should go get a beer and lie down on the chaise lounge and cheer her on, which is what I did.
All this made me remember my father forty years ago helping me with my garden. My father’s dead now, and has been dead for many years, which is how I’ll be one of these days too. And then Nadine will help her child, who is not yet here, with her garden. Old Nadine, aching and sore, will be in my empty shoes, cheering on her own.
So it goes. The wheel turns, generation after generation, around and around. We ride for a little while, get off and somebody else gets on. Over and over, again and again. ~David Budbill “Seventy-Two Is Not Thirty-Five” from Tumbling toward the End
The wheel turns, we cycle around again, get on and eventually get off. This is a week of July birthdays in our family, for both old and young.
This hit me when we celebrated our grandson’s third birthday a few days ago in a suburban backyard where my daughter has continued the Gibson/Polis gardening tradition, using the compost we hauled in our truck from our farm several hours away.
Her peas were full and ripe and juicy, her greens lush and tasty – simple perfection thanks to her careful tending.
Meanwhile, our son gardens with his three boys in a very small urban backyard in Denver, teaching them what is weed and what will become a future meal.
I couldn’t help but get weepy, enjoying that special birthday feast.
…and knowing someday, our grandsons will plant and weed and harvest from the soil just as we and their parents did, over and over, again and again.
And this is why my eyes are closed It’s just as well for all I’ve seen And so it goes, and so it goes And you’re the only one who knows ~Billy Joel
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