Tag: Death

To Be Remembered…

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My grandfather stands on the front porch
watching the dogs come back, reassembled

from hair and grit and eyeteeth. Now
the twin mares browse by the fence

in their coats of dust. Nobody asks
what they mean, appearing so suddenly

when nobody needed them, or called.
In the back yard, the buried people —

great-grandmothers in spectator pumps,
the great-grandfather who died of sneezing,

the first baby, never named —
stay buried. It’s not their overshoes

lost in the grass behind the smokehouse,
not their faces alive in anyone’s

memory. But my mother waits
in the pecan tree’s fingered shadow,

holding a broken milk jug full
of daylilies, waiting as if

she wanted someone to tell her again
it’s all right to be born now,

now is as good a time as any.
In a month we’ll find my grandfather’s glasses

in their case under the front seat
of his car. “Oh goodness,” my aunt will say,

as if it were a matter of his
forgetting them. As if we could

give them back. We’re all convinced
we’ve missed the moment. We forget

that pause while a soul undoes
its buttons, the world falls away,

and one by one we step out
into this death, to be remembered.
~Sally Thomas “Reunion”

The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there,
but I did…
I saw that, for me, this country would always be populated with presences and absences,
presences of absences,
the living and the dead.
The world as it is would always be a reminder of the world that was, and of the world that is to come.
Wendell Berry in Jayber Crow

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened
or full of argument.

I don’t want to end up simply having visited this world.
~Mary Oliver from “When Death Comes”

God is at home.
It is we who have gone out for a walk.
~Meister Eckhart

And He awaits for our return.
He keeps the light on,
so we can find our way back,
when we are weary, or fearful or hungry
or simply longing for reunion,
to be remembered.

I think of those who wait for me on the other side,
including our baby lost before birth over 42 years ago.

I know God watches over all these reunions;
He knows the moment when our fractured hearts
heal whole once again.

I will see you soon enough, sweet ones. Soon enough.

Lamenting Leaves Scattered in Ruin

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October’s bellowing anger breaks and cleaves
The bronzed battalions of the stricken wood
In whose lament I hear a voice that grieves
For battle’s fruitless harvest, and the feud
Of outraged men. Their lives are like the leaves
Scattered in flocks of ruin, tossed and blown
Along the westering furnace flaring red.
O martyred youth and manhood overthrown,
The burden of your wrongs is on my head.
~Siegfried Sassoon “Autumn” (about his time in the trenches in WWI)

Over more than a century,
we have learned little
about how to resolve
the bellows of outraged men.

The fruitless harvest of battle,
counting up each violent death,
as warships gather
for unsanctioned war games.

Lament the tossing and blowing of lives
like October leaves, in a show of force
as transient and arbitrary as the wind,
merely to make a fruitless point…

to what end are the feuds of angry men?

One Old Dog Has Gone Away

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Two old dogs out doing chores.
One on two legs, one on four.
Side by side, they water and feed.
Caring for others daily need.

Two old dogs make their rounds
Well worn paths on familiar ground.
To greet the day or say goodnight
Side by side, their friendship tight.

Two old dogs with dish and pail.
Singing songs and wagging tail.
Slower now, than in the past
But that just makes the good time last.

Two old dogs, both muzzles grey.
Aging joints sometimes curb play.
Companionship a simple joy.
His old dad; Dad’s old boy.

Two old dogs, and then one day
One old dog has gone away.
The other left to carry on
Two legs to barn and field and pond.

One old dog, eyes full of tears
Can still feel his old friend walking near
A reminder in the morning dew.
Just one path, instead of two.

When one old dog has no more chores
And walks through heaven’s golden doors
He’ll see that face he can’t forget.
A kindred spirit, not just a pet.

So many old dogs, made whole; anew
Reunion of a loyal crew.
Never again to be apart.
Many souls. But just one heart.
~Jeff Pillars “Two Old Dogs”

I knew this day was coming. Samwise Gamgee, approaching age 14, had been hinting that he was getting ready to leave for the past couple weeks. He was much slower following me for chores, his appetite wasn’t quite as robust as usual, and his hearing was fading.

Life had become an effort when it had been a lark for 13+ years.

But yesterday morning, he perked up enough to do his usual rounds on the farm, poke around the stalls in the barn, check the cat dishes for morsels, and bark when a strange car drove in the driveway.
Then last night he ignored his supper, laid down and closed his eyes, having used up all his reserves.

This morning, he was gone, leaving only a furry shell with big ears behind.

He had joined us on the farm as company for our aged Cardigan Corgi Dylan Thomas, who died two years after Samwise arrived. Then Sam himself needed company, so another Cardigan corgi, Homer, arrived.
They became a happy Corgi team on the farm.

Sam had a great dog life, with the exception of getting lost once and one overnight visit to the emergency vet hospital for treatment from poisoning from ivermectin, the horse worming medicine he somehow managed to lap up quickly off the barn floor when a horse dripped the paste from her mouth. After that he promised to never need a vet again.

His peaceful passing is a reminder of our temporary stay on his soil.
He’s smelling the flowers and watching the sunrises and sunsets from the other side now.

I honor Samwise’s long life with the photos I have compiled over the years.

Till we meet again, old friend.

photo by Nate Gibson

The Singers of Life, Not Death

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The rain falls and falls
cool, bottomless, and prehistoric
falls like night —
not an ablution
not a baptism
just a small reason
to remember
all we know of Heaven
to remember
we are still here
with our love songs and our wars…

Here too
in the wet grass
half a shell
of a robin’s egg
shimmers
blue as a newborn star
fragile as a world.
~Maria Popova from “Spell Against Indifference”

…I had sat down to rest with my back against a stump. Through accident I was concealed from the glade, although I could see into it perfectly.

The sun was warm there, and the murmurs of forest life blurred softly away into my sleep. When I awoke, dimly aware of some commotion and outcry in the clearing, the light was slanting down through the pines in such a way that the glade was lit like some vast cathedral. I could see the dust motes of wood pollen in the long shaft of light, and there on the extended branch sat an enormous raven with a red and squirming nestling in his beak.

The sound that awoke me was the outraged cries of the nestling’s parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment, and sat still. Up to that point the little tragedy had followed the usual pattern.

But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents.

No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death.

And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable.

The sighing died. It was then I saw the judgment. It was the judgment of life against death. I will never see it again so forcefully presented. I will never hear it again in notes so tragically prolonged.

For in the midst of protest, they forgot the violence.

There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing.

They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death.
~Loren Eiseley from The Star Thrower

Each of us at times are as vulnerable as a nestling, just hatched.
The world is full of those who would eat us for lunch and do.

The world is also full of those who grieve and lament the violence that surrounds us, the tragedy of lives lost, the unending wars, the bullies and the bullied.

But the bird of death does not have the final word. He will soon be forgotten, forever sidelined as we reject what he and others like him represent.

Our cries of lament, our protests of violence transform into a celebration of life – we do not abandon all we have lost, but no longer allow any more to be stolen from us.

Only then may grief’s shadow be overwhelmed by joy.

Living a Life to Die For

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The sound of quiet. The sky
indigo, steeping
deeper from the top, like tea.
In the absence
of anything else, my own
breathing became obscene.
I heard the beating
of bats’ wings before
the air troubled above
my head, turned to look
and saw them gone.
On the surface of the black
lake, a swan and the moon
stayed perfectly
still. I knew this was
a perfect moment.
Which would only hurt me
to remember and never
live again. My God. How lucky to have lived
a life I would die for.
~Leila Chatti “I Went Out to Hear” from Wildness Before Something Sublime  

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
~Mary Oliver “In Blackwater Woods” from Devotions

(thinking today of God’s gift to the world of Jane Goodall,
whose life was about keeping promises)

When the earth and all that is in it glows indigo
in the angled light of October;
opening my eyes as witness to beauty
takes my breath away.

I can’t imagine letting go this life,
yet the other side of ashes and loss is salvation.

My God.
I am so finite.
I hold this close to my bones
with miles to go before I sleep.

My life depends on realizing
I’m living a life I would die for.

photo by Josh Scholten

The Reason for October

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I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows
and the wren laughs in the early shade now
come again shining glance in your good time
naked air late morning
my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun
~W.S. Merwin from “The Love of October” from Migration: New & Selected Poems, 2005

Each leaf is beautifully unique,
one of a kind, each shaped and hued differently —
except those more tattered than others,
bespeaking the harshness of
their short existence when
all life surrounding them
seems at risk of being destroyed.

At the end of their allotted life span
they return to the earth from which they came.
And the Creator-God is pleased.
His creations have served the purpose
for which He created them.
Now, they will enrich the soil,
each leaving its own special contribution
toward the next generation
where differences no longer matter.
The unseen birthing and dying mystery continues….
~Alice La Chapelle, in a comment

The wind gusts through shedding branches
stripping them bare,
carrying the leaves
far away, piling up a diverse gathering
they have never known before –
chestnut, cherry, birch, walnut, apple, katsura,
maple, parrotia, pear, oak, poplar, dogwood –
suddenly all sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

In My Own Voice

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After nourishment, shelter and companionship,
stories are the thing we need most in the world.
Philip Pullman

You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born.
~Anne Lamott in a TED Talk

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies. 

So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.

We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.

Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind. 

Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no moment or picture or word to waste.

Calling from the Wind Phone

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The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012

If You Have Wings…

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It’s not like losing a child
where you just sit there
and the child just sits there
but you’re the only one
doing the talking.
It’s more like a placenta
out of sticks and mud
in the driveway,
a former home where
something was born
and left, or maybe was
born and never got to
leave or was swept
away by the wind
that came through
here last night, maybe
more like having a house
burn to the ground,
no big deal if you have
wings to take you
somewhere else.
~Casey Killingsworth “A Nest Blew Down” from Freak Show

Every one of us knows loss.
At times, lost things are replaceable;
most are not.

When what we love is swept away,
so are we.
Who we were is no longer who we become
in that instant of loss.

All things change;
we become strangers in a new land,
toppled over, empty, and gasping.

Wings won’t carry us away from ourselves.
No matter where our wings take us,
we depend on a God who refills
our hollowed-out hearts.

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The Healing Crack in the Coil

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Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.

One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

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