Each Day a Haiku

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There are some people who write haiku poetry to make a living.
You know what I think?
We should make our living become haiku poetry.
You might toil in a clattering factory
or on a tossing fishing boat
or be battling to make a living in a dingy shop.
There are people who have written inspiring haiku poems in such unpoetic situations.
And we, if we really want to,
can make any occupation,
and twenty-four hours of each day,
into a poem.
Of course, first we have to create a heart
that is both serious and light!
We have to gaze below the surface of things,
search out the hidden beauty that is everywhere
and discover the glorious things all around us.
Then each day becomes a haiku poem.

~Dr. Takashi Nagai, survivor of the Nagasaki atomic bomb

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closed my eyelids to
finality of sunlight’s
reach, and glowed within

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To See the Field and the Grass Blade

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How often do we miss the fainter note
Or fail to see the more exquisite hue,
Blind to the tiny streamlet at our feet,
Eyes fixed upon some other, further view.
What chimes of harmonies escape our ears,
How many rainbows must elude our sight,
We see a field but do not see the grass,
Each blade a miracle of shade and light.
How then to keep the greater end in eye
And watch the sunlight on the distant peak,
And yet not tread on any leaf of love,
Nor miss a word the eager children speak?
Ah, what demand upon the narrow heart,
To seek the whole, yet not ignore the part.
~Philip Britts “Sonnet 1”

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О Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening.
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
О Light Invisible, we worship Thee!
~T.S. Eliot from “O Light Invisible”

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photo by Nate Gibson

We are given the eyes to see the part in the whole
or not
We are given the ears to hear the note within the chord
or not
We are given voice to rejoice alone or in a chorus
or not
We are given a rain-bowed promise to witness it all
or not.

So why ever not?

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A Fling of Slim Thread

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Perhaps imagination’s only a fling
of slim thread, so that Mind can walk
its own tightrope, also the heart—
in Chinese the word for mind
and the word for heart is the same.
~Margaret Gibson from “Middle Distance, Morning”

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Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.
~Walt Whitman from “A Noiseless Patient Spider”

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The spider, dropping down from twig,
Unfolds a plan of her devising,
A thin premeditated rig
To use in rising.

And all that journey down through space,
In cool descent and loyal hearted,
She spins a ladder to the place
From where she started.

Thus I, gone forth as spiders do
In spider’s web a truth discerning,
Attach one silken thread to you
For my returning.
~E.B. White “Natural History”

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Attached in ways I can not always see
but surely feel,
I still tend to go astray,
wander afar,
lose my way,
yet the thread remains
to return me
to where I belong.
A silken umbilical cord
continues to pump
what I need to stay alive,
anchoring me,
releasing me without letting go.
My soul hangs
by this gossamer thread~
this silken connection
to eternity.
~EPG
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Never Full Enough

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God empties himself
into the earth like a cloud.
God takes the substance, contours
of a man, and keeps them,
dying, rising, walking,
and still walking
wherever there is motion.
~Annie Dillard from “Feast Days”

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And the days are not full enough
And the nights are not full enough
And life slips by like a field mouse
      Not shaking the grass
~Ezra Pound

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What happens when people open their hearts? They get better.
~Haruki Murakami from Norwegian Wood

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I yearn
to be filled,
thirsting and hungry
day and night;
all that satisfies
is within reach,
offered up
by an emptying God
if only I open up,
no longer content
being hollow.
~EPG

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Contentment Beyond Telling

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“Last Light” photo of Twin Sisters at dusk by Joel DeWaard

How wonderful it was to love something
without the compromise of language.
~Jim Harrison

To plunge headlong into
the heart of a blossom, its amber eyes
inscrutably focusing on your own,
magnified by a lens of dew.
Whose scent, invisible,
drowns you in opulence, and for which
you can find nothing adequate to say.

Words stumble, cheapen, like when you try
and fail to describe to someone what
yesterday’s shadows looked like, racing
over the five layers of far hills, or how
the mountain stream muttered its way
between valley stones.

You sense that you are loved wholly,
yet are quite unable to understand why.
But then, you lift your face,
creased with the ordinary, to a heaven
that is breaking into blue,
and find your contentment utterly beyond
telling, unspeakable, uncontained.~Luci Shaw “Speechless” from her new collection Sea Glass

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Although it doesn’t always take words to know
how deeply we love,
and are loved,
the Word is love
personified,
embodied,
bloodied,
unforgettable.

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A Surprise No Longer

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About living in the country?
…peace can deafen one, beauty surprise
No longer.  There is only the thud
Of the slow foot up the long lane
At morning and back at night.
~R.S. Thomas “The Country”

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I must not forget my
astonishment
at the beauty around me
even on the grayest of days,
trudging the barnyard path
on dark nights to exhausted chores.
If ever I fail to see
what is right in front of me,
this grace-given gift
to my eyes and ears,
I do not deserve to put on boots
or hold a pitchfork.

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The Humblest Things

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The power of finding beauty in the humblest things makes home happy and life lovely.
~Louisa May Alcott

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And as you sit on the hillside, or lie prone under the trees of the forest, or sprawl wet-legged on the shingly beach of a mountain stream, the great door, that does not look like a door, opens.
~Stephen Graham from The Gentle Art of Tramping

That great door opens on the present, illuminates it as with a multitude of flashing torches.
~Annie Dillard (in response to the above quote) from Pilgrim at Tinker Creek

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Ever since I started noticing
how beautiful are the most humble things
and the most humble people,
I realized the great door opened to me
is the door of my own home
and my own happiness.
I need go no further than my own back yard.

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Infinity in the Palm of My Hand

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To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the Palm of your Hand,
and Eternity in an Hour.

When the Soul Slept in Beams of Light 
God Appears & God is Light
To those poor Souls who dwell in Night 
But does a Human Form Display
To those who Dwell in Realms of day

~William Blake from “Auguries of Innocence”

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To fall head long into the depths
of a dandelion puff ball,
captured in its intricacy,
a seeded symmetry
lined with delicate dewdrop drizzle.

To know the cosmos is contained
within the commonplace,
the God of Light and Living Water
no further away
than my back yard
and the palm of my hand.

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Slants of Light

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I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed.  It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance.  The lights of the fire abated, but I’m still spending the power.  Gradually the lights went out in the cedar, the colors died, the cells unflamed and disappeared.  I was still ringing.  I had my whole life been a bell, and never knew it until at that moment I was lifted and struck.
~Annie Dillard from Pilgrim at Tinker Creek

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I like the slants of light; I’m a collector. That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

 

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Ever since reading about the “The Tree of Lights” in Pilgrim at Tinker Creek in 1975, I’ve been keeping a look-out  for special slants of light. Like Dillard, I want to be “lifted and struck”, to resonate in a new awareness, no longer blinded, to see everything in a sharper focus.

It can happen unexpectedly.  The first time was in an art class in 1980.  My artistic ability was limited to stick figures so a doctor friend and I decided to take her high school art teacher husband’s evening “Drawing from the Right Side of the Brain” class at Lakeside School in Seattle.  Robert Fulghum was an unorthodox teacher—not just an artist, but a Unitarian pastor, a story teller, and a musician.  He was, in his entertaining and inimitable way,  able to teach us how to look at the world in terms of shadow and light, solid and air, space and density, patterns and plain.  He put a drawing of an old cowboy boot, hung upside down in front of the class, and asked us to draw it that way.  We were not to think “boot”, but to think of it as lines and shadow, empty space and full shape,  dark against light.

I drew by focusing on the small detail rather than my expectation creating a recognizable “whole”.  At the end of class, Fulghum asked us to turn our drawing right side up, and as I turned the paper around, I was astonished that I had created a distinctly recognizable cowboy boot, my first real drawing.  It stayed on my refrigerator for four years.  I was so proud that I had been taught a new way to “see”.

Not long after, Fulghum wrote a little meditation on what he had learned in kindergarten for his church’s weekly Sunday bulletin.  That bulletin somehow found its way to the desk of Washington State Senator Dan Evans, who read it into the Congressional Record.  From there it was reprinted, passed around and eventually made it home in the school backpack of a publishing editor’s son.  That mother, going over the school papers, sat down to read “All I Need to Know, I Learned in Kindergarten” by Robert Fulghum and set out, in pre-Internet days, to track down the author — not an easy task.  He soon received a call from her, and the first thing she asked was “do you have anything else like this you’ve written?”   The answer was an emphatic “yes” from a pastor with years of sermons and church bulletins in his files.  His first book of collected essays was published a year later.   His life was never the same, turned upside down just like his flipped cowboy boot drawing.

I keep looking to collect a new “slant of light” but they are elusive because I’m blinded to them most of the time.

Maybe, just maybe,  I could see more clearly with the world upside down…

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Nothing Else But Miracles

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Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I …
…wade with naked feet along the beach just in the edge of the
water,
Or stand under trees in the woods,

Or watch honey-bees busy around the hive of a summer
forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so
quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the
same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
ships with men in them,
What stranger miracles are there?
~Walt Whitman “Miracles”

 

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The miraculous is not extraordinary, but the common mode of existence. It is our daily bread. Whoever really has considered the lilies of the field or the birds of the air, and pondered the improbability of their existence in this warm world within the cold and empty stellar distances, will hardly balk at the turning of water into wine – which was, after all, a very small miracle. We forget the greater and still continuing miracle by which water (with soil and sunlight) is turned into grapes.
~Wendell Berry

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A lily shivered
at His passing,
supposing Him to be
the Gardener.
~Margaret D. Smith “Easter morning, yesterday”
from A Widening Light -Poems of the Incarnation

 

So ordinary, so much like one of us~
in the manger or later in the garden,
just another baby
just another man
but more, much more
than we ever could have imagined.
The fields of our hearts, bare and dead,
spring back to life again.

 

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