A dishwater sky mutes sun’s rays to gray, the hills leading to the pass forested in haze, drained of green. Though a steady bluster, the wind musters nothing but silence. The plodding sound of melt drip, drip, drips from the askew rusted rain gutter outside my purview. Perhaps, I have all my life been too much in love with sadness. ~Lana Hectman Ayers from “Window in Late January” from Autobiography of Rain
A silence slipping around like death, Yet chased by a whisper, a sigh, a breath, One group of trees, lean, naked and cold, Inking their crest ‘gainst a sky green-gold, One path that knows where the corn flowers were; Lonely, apart, unyielding, one fir; And over it softly leaning down, One star that I loved ere the fields went brown. ~Angelina Weld Grimke “A Winter Twilight”
I am astonished by my thirst for clinging to sadness when a gray day asks so little of me.
Good thing I’m shaken from my melancholy by such simple moments as a twilight shimmering gold, a burst of unexpected evening birdsong, a steadfast fir standing unyielding on our hilltop, where it glimpses the edge of tomorrow as today’s dusky horizon fades away.
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I miss the friendship with the pine tree and the birds that I had when I was ten. And it has been forever since I pushed my head under the wild silk skirt of the waterfall.
The big rock on the shore was the skull of a dead king whose name we could almost remember. Under the rooty bank you could dimly see the bunk beds of the turtles.
Nobody I know mentions these things anymore. It’s as if their memories have been seized, erased, and relocated among flowcharts and complex dinner-party calendars.
Now I want to turn and run back the other way, barefoot into the underbrush, getting raked by thorns, being slapped in the face by branches.
Down to the muddy bed of the little stream where my cupped hands make a house, and
I grew up on a small farm with several acres of woodland. It was my retreat until I left for college; I walked among twittering birds, skittering wild bunnies, squirrels and chipmunks, busy ant hills and trails, blowing leaves, swimming tadpoles, falling nuts, waving wildflowers, large firs, pines, cottonwoods, maples and alder trees.
I had a favorite “secret” spot sitting perched on a stump where a large rock provided a favorite sunning spot for salamanders. They and I would make eye contact, pondering our common Creator.
At college I longed for a place as private, as serene, but nothing could match the woods and creatures of my childhood home. After living a decade in the city, I nearly forgot what a familiar woods felt like.
On this farm we’ve stewarded for nearly forty years, I’ve longed for a similar sanctuary, yet my distractions are so much greater than when I was a child. Filled with greater worries, I can’t empty my head and heart as completely to receive the varied gifts to be found around me.
In my ever-shortening timeline to accomplish what I’ve been placed here to do, I need to study the faces of creation, knowing those eyes reflect the face of God.
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I dwell in Possibility – A fairer House than Prose – More numerous of Windows – Superior – for Doors –
Of Chambers as the Cedars – Impregnable of eye – And for an everlasting Roof The Gambrels of the Sky –
Of Visitors – the fairest – For Occupation – This – The spreading wide my narrow Hands To gather Paradise – ~Emily Dickinson
When I dwell in Emily D’s poetic possibilities, full of mysterious capitalizations, inscrutable dashes and sideways rhymes, I feel blinded, get easily lost, stumbling over this and that, and end up wondering where she is leading me and how far I’m willing to go.
Yet she tells me
– This – to get my attention, hold it fast, to look up and out, beyond, and into forever.
-This- is what I must do when I read her carefully chosen words and dashes
-This- is what I ask of a reader who opens my own words here
-This- is dwelling in possibility for a moment or an eternity, all eyes and windows and doors wide open to grasp a glimpse of Paradise.
-This- is our hands holding the seeds of potential for the future, to gather, to embrace, to pray, to prepare us for Whatever it is which Comes Next…
-This- we do it together…
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Some people see scars, and it is wounding they remember. To me they are proof of the fact that there is healing. ~ Linda Hoganfrom Solar Storms
Wet stones from the middle path. A shard of green heartwood ripped by the big storm from the oak’s broken, heavy limb. And we all have scar stories.
Which say more than wound stories. Wound stories tell how we were injured. Scar stories tell how we heal. ~Liza Hyatt,”What I Carry Home With Me” from Wayfaring
between the rosebuds and the thorns the pine tree branches with their needles and kitty claws
my hands are always bleeding
and turning up scars that cry, “I’m alive, I feel it. I feel it all” and then falling back into whispers while my body heals itself one more time ~Juniper Klatt, I was raised in a house of water
…see how the flesh grows back across a wound, with a great vehemence, more strong than the simple, untested surface before.
There’s a name for it on horses, when it comes back darker and raised: proud flesh, as all flesh is proud of its wounds, wears them as honors given out after battle, small triumphs pinned to the chest –
And when two people have loved each other, see how it is like a scar between their bodies, stronger, darker, and proud; how the black cord makes of them a single fabric that nothing can tear or mend. ~Jane Hirshfield from “For What Binds Us”
I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show. ~Andrew Wyeth, artist
photo by Nate Gibson
In winter, we are stripped naked as the bare trees right now; our skin and bones reveal the scars, broken branches, and healed fractures of previous winter windstorms. We no longer have anything to hide behind or among, as our defects are plain to see.
Our whole story is a mystery untold, impossible to conceal.
Scars come in various sizes and shapes, some hidden, some quite obvious to all. How they are inflicted also varies–some accidental, others therapeutic, and too many intentional.
The most insidious are the ones so internal, no one can see or know they are there. Sometimes we aren’t aware of them ourselves – only something unreachable is still hurting at times.
Most often, they are simply the scars of living in a hazardous world – on farm animals, healing into a tough scar of leathery “proud flesh”.
Yet, none of them are as deep and wide as scars accepted on our behalf, nor as wondrous as the Love that oozed from them, nor as amazing as the Grace that abounds to this day because of the promise they represent. These are scars from the Word made Flesh, a proud flesh that won’t give way, lasting forever.
Though I am abundantly flawed with pocks and scars, I am reminded each winter of my renewal. There are hints of new growth to come when the frost abates and the sap thaws.
Indeed, I am prepared to wait an eternity, if necessary, to understand the rest of the story.
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A year has come to us as though out of hiding It has arrived from an unknown distance From beyond the visions of the old Everyone waited for it by the wrong roads And it is hard for us now to be sure it is here… ~W. S. Merwin from “Early January” from The Lice
When once the New Year came to earth, To claim his realm by right of birth, A forest knight, the gallant oak, Upon the pathway threw his cloak. The garment green, now turned to brown, Upon the bare earth fluttered down And o’er the velvet to his throne The New Year walked unto his own.
Then gave the New Year a decree To every bush and forest tree That every growing, blooming thing Should hail the mighty oak as king. Yea, more, he made the king of trees A ruler of the running seas, In ships to bear from shore to shore The earth’s discovered treasures o’er.
Then called he Springtime to his side, Old Winter’s pink-limbed, blushing bride, And bade her weave a regal cloak To cover new the gallant oak. And so she wove a gown of green, The richest earth had ever seen, And garbed anew the mighty tree With emblem of his majesty. ~Douglas Malloch “The Gallant Oak”
I was cold and leaned against the big oak tree as if it were my mother wearing a rough apron of bark, her upraised arms warning of danger. Through those boughs and leaves I saw dark patches of sky. I thought a brooding witch waited to catch me up from under branches and take me, careening on her broom, to her home in the jaundiced moon. I looked to the roof of mom and dad’s house and wondered if the paisley couch patterns would change during the day. My brother peeked from a window and waved. When the bus came, I pawed away from the trunk, fumbled, and took my first step toward not returning. ~Dante Di Stefano “With a Coat”
With what stillness at last you appear in the valley your first sunlight reaching down to touch the tips of a few high leaves that do not stir as though they had not noticed and did not know you at all then the voice of a dove calls from far away in itself to the hush of the morning
so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible ~W.S. Merwin “To the New Year”, from Collected Poems 1996-2011
My hopes for this new year, such as they are, are uneasy- untouched, yet still possible.
I wonder if I am walking down the wrong pathway. I wonder if what I thought would be new, remains in hiding.
“we’ve wandered many the weary footsince long, long ago.“ (Auld Lang Syne)
I have taken the first step this past week, and then another and another, along this unknown road to the future. Perhaps I’ll find you walking along this way; you too may be feeling a bit lost.
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Autumn Was certainly not winter, scholars say, When holy habitation broke the chill Of hearth-felt separation, icy still, The love of life in man that Christmas day. Was autumn, rather, if seasons speak true; When green retreats from sight’s still ling’ring gaze, And creeping cold numbs sense in sundry ways, While settling silence speaks of solitude. Hope happens when conditions are as these; Comes finally lock-armed with death and sin, When deep’ning dark demands its full display. Then fallen nature driven to her knees Flames russet, auburn, orange fierce from within, And brush burns brighter for the growing grey. ~David Baird “Autumn”
We have become so accustomed to the idea of divine love and of God’s coming at Christmas that we no longer feel the shiver of fear that God’s coming should arouse in us.
We are indifferent to the message, taking only the pleasant and agreeable out of it and forgetting the serious aspect, that the God of the world draws near to the people of our little earth and lays claim to us.
The coming of God is truly not only glad tidings, but first of all frightening news for everyone who has a conscience. ~Dietrich Bonhoeffer from Watch for the Light
The shepherds were sore afraid. So why aren’t we?
The scholars say Christ was most likely born in the autumn of the year ~ so fitting, as our reds and oranges fade fast to grey as we descend into this wintering world on the threshold of dying, crying out for resuscitation.
Murderous frosts and falling snow have wilted down all that was flush with life and we become desperate for hope for renewal.
And so this babe has come like a refiner’s fire to lay claim to us and we feel the heat of His embrace – in the middle of the chill, in the middle of our dying – no matter what time of year.
He finds us in our liminal moment of transition.
Hope happens when conditions are as these…
My 2025 Advent theme: On the threshold between day and night
On that day there will be neither sunlight nor cold, frosty darkness. It will be a unique day—a day known only to the Lord— with no distinction between day and night. When evening comes, there will be light. Zechariah 14:6-7
So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid. ~Annie Dillard in Teaching a Stone to Talk
1. Father, enthroned on high—―Holy, holy! Ancient eternal Light—hear our prayer.
REFRAIN Come, O Redeemer, come; grant us mercy. Come, O Redeemer, come; grant us peace.
2. Lord, save us from the dark of our striving, faithless, troubled hearts weighed down. REFRAIN
3. Look now upon our need; Lord, be with us. Heal us and make us free from our sin. REFRAIN
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It’s when we face for a moment the worst our kind can do, and shudder to know the taint in our own selves, that awe cracks the mind’s shell and enters the heart: not to a flower, not to a dolphin, to no innocent form but to this creature vainly sure it and no other is god-like, God (out of compassion for our ugly failure to evolve) entrusts, as guest, as brother, the Word. ~Denise Levertov “The Mystery of the Incarnation”
In the Christmas story, God … takes the risk of incarnation. The flesh God chooses is not that of a warrior but of a vulnerable baby, a claim that brought me tears of wonderment when I was young. But my adult knowledge of that infant’s fate — a fate shared by so many who have devoted their lives to love, truth, and justice — brings tears of anger and grief, along with a primal fear of what might happen if I followed suit.
…I know I’m called to share in the risk of incarnation. Amid the world’s dangers, I’m asked to embody my values and beliefs, my identity and integrity, to allow good words to take flesh in me. Constrained by fear, I often fall short — yet I still aspire to incarnate words of life, however imperfectly.
What good words wait to be born in us, and how can we love one another in ways that midwife their incarnation? ~Parker Palmer from “The Risk of Incarnation”
I, like you, am entrusted to care for the Word in its earthly incarnation: born into impoverished, humble, and homeless circumstances, He has no where to dwell in this world except within me and within you.
And that is no small price for Him to pay, as my human heart can be inhospitable, hardened, cold and cracked.
I, like you, am capable of the worst our kind can do.
So it is up to me to embody the Word in what I say and do, even if it means being rejected just as He was rejected, knowing that is the risk I must take.
For me, it feels as vulnerable as if I were a bare tree standing naked in the chill winter wind. I’m fearful I could break or topple over. Yet if I’m created to welcome, harbor and spread the incarnated Word, I must reach my roots deep, stand tall and find others who will stand alongside me.
This Advent, Iet us midwife the Word here on earth, delivering it over the threshold from heaven, straight to receptive, warm, and loving hearts.
My 2025 Advent theme: On the threshold between heaven and earth
On that day there will be neither sunlight nor cold, frosty darkness. It will be a unique day—a day known only to the Lord— with no distinction between day and night. When evening comes, there will be light. Zechariah 14:6-7
So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid. ~Annie Dillard in Teaching a Stone to Talk
Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all strife: Such a Life, as killeth death.
Come, My Light, my Feast, my Strength: Such a Light, as shows a feast: Such a Feast, as mends in length: Such a Strength, as makes his guest.
Come, my Joy, my Love, my Heart: Such a Joy, as none can move: Such a Love, as none can part: Such a Heart, as joys in love. ~George Herbert “The Call”
1.Let all mortal flesh keep silence, And with fear and trembling stand; Ponder nothing earthly-minded, For with blessing in his hand, Christ our God to earth descendeth, Our full homage to demand.
2.King of kings, yet born of Mary, As of old on earth he stood, Lord of lords, in human vesture, In the body and the blood; He will give to all the faithful His own self for heavenly food.
3.At his feet the six-winged seraph, Cherubim, with sleepless eye, Veil their faces to the presence, As with ceaseless voice they cry: Alleluia, Alleluia, Alleluia, Lord Most High!
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but the whole shadowed earth reaching up, taking hold ~David Baker “Quicker”
Ah, but a man’s reach should exceed his grasp, Or what’s a heaven for? ~Robert Browning from Andrea del Sarto
My branches are bared during this season of letting go.
As starkly revealed as I am, perhaps darkening days are a blessing: less spotlight on my complexity in silhouette – all knobby joints, awkward angles and curves.
One thing I know: in this season when I prefer the shadowland, I still reach up, trying to hold on to the promise beyond me. In fact, so many of us keep grasping at what we know is there but cannot see.
God has come down to grab on to each one of us — and is still hanging on.
We are not too plain or complex or awkward to be lifted, welcomed, cherished as we are, into heaven’s arms.
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For grace to be grace, it must give us things we didn’t know we needed and take us places where we didn’t know we didn’t want to go. ~Kathleen Norris from Cloister Walk
Sap withdraws from the upper reaches of maples; the squirrel digs deeper and deeper in the moss to bury the acorns that fall all around, distracting him.
I’m out here in the dusk… where the wild asters, last blossoms of the season, straggle uphill. Frost flowers, I’ve heard them called. The white ones have yellow centers at first: later they darken to a rosy copper. They’re mostly done. Then the blue ones come on. It’s blue all around me now, though the color has gone with the sun.
There is no one home but me— and I’m not at home; I’m up here on the hill, looking at the dark windows below. Let them be dark…
…The air is damp and cold and by now I am a little hungry… The squirrel is high in the oak, gone to his nest , and night has silenced the last loud rupture of the calm. ~Jane Kenyon from “Frost Flowers”
Even when the load grows too heavy, when misery rolls in like a fog that covers all that was once vibrant,
even then even then
there awaits a nest of nurture, a place of calm where the tired and hungry are fed.
We who are empty will be filled; we who are weary will be restored.
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My mother and I debate: we could sell the black walnut tree to the lumberman, and pay off the mortgage. Likely some storm anyway will churn down its dark boughs, smashing the house. We talk slowly, two women trying in a difficult time to be wise. Roots in the cellar drains, I say, and she replies that the leaves are getting heavier every year, and the fruit harder to gather away. But something brighter than money moves in our blood – an edge sharp and quick as a trowel that wants us to dig and sow. So we talk, but we don’t do anything.
What my mother and I both know is that we’d crawl with shame in the emptiness we’d made in our own and our fathers’ backyard. So the black walnut tree swings through another year of sun and leaping winds, of leaves and bounding fruit, and, month after month, the whip- crack of the mortgage. ~Mary Oliver from “The Black Walnut Tree” from Twelve Moons
photo by Dan Gibson
We bought this old farm thirty-five years ago: the Lawrence family’s “Walnut Hill Farm” – a front yard lined with several tall black walnut trees brought as seedlings in a grandfather’s suitcase from Ohio in the ought-1900’s.
These trees thrived for nearly a century on this hilltop farm overlooking the Canadian mountains to the north, the Nooksack River valley to the west, the Cascade peaks to the east, each prolific in leaves and prodigious in fruit.
The first year we were here, a windstorm took one tree down. A neighbor offered to mill the twisted trunk for shares. The fallen tree became planks of fine grained chocolate-hued lumber.
This old tree is the back facing of our oak door cupboards, a daily reminder of a legacy left behind~ sturdy even if imperfect, still beautiful to the eye and the heart.
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