Heart Strung on Tethers

webyard3

 

A weaver, this spider, she plays her eight thin
black legs and their needle-nail toes across
the threads faster, more precisely, than a harpist
at concert can pluck the strings in pizzicato.

Although blind at night, she nevertheless
fastens a thread to a branch of chokecherry
on one side of the path, links it to a limb
of shining sumac opposite, latches the scaffold
to ground stone and brace of rooted grasses.
And the structure takes dimension.

Skittering upside down across and around,
she hooks the hooks, knots the widening
spirals, the tightened radii, orbs and hubs,
bridges and bridgeheads. We can never hear
the music she makes as she plucks her silk
strings with all the toes and spurs and tarsal
tufts of her eight legs at once. She performs
the reading of her soul.

She expands the sky, her completed grid
a gamble, a ploy played on the night. The silk
is still, translucent and aerial, hanging in a glint
of half-moon. The work is her heart strung
on its tethers, ravenous, abiding.
~Pattiann Rogers from  “Hail, Spirit”

 

silentweb

 

I too often feel stretched between several points as well.

I attach to important touch points and I weave between them, sometimes not sure where I’ll land or what I’ll connect with or what I’ll leave behind.

Sometimes what I create is beautifully delicate and functional.
Sometimes it is blurry and out of focus.
The center doesn’t always hold.  The tethers loosen.  The periphery frays.

But it was once something.  That’s all that matters.

 

 

webyard2

 

IMG_1225

 

A Threshold Between Earth and Heaven

qal731181

 

sprinklermagic

 

I know for a while again,
the health of self-forgetfulness,
looking out at the sky through
a notch in the valley side,
the black woods wintry on
the hills, small clouds at sunset
passing across. And I know
that this is one of the thresholds
between Earth and Heaven,
from which I may even step
forth from myself and be free.
~ Wendell Berry, Sabbaths 2000

 

 

baker8118

 

 

I was told once by someone I respected that my writing reflected “sacramental” living —  touching and tasting the holiness of everyday moments, as if they are the cup and bread that sustains us daily.

I have allowed that feedback to sit warmly beside me, like a welcome companion during the many hours I struggle with what to share here.

It is now apparent to me it is all too tempting to emphasize sacrament over the sacrifice it represents.  As much as I love the world and the beauty in the moments I find here, my search should be for the entrance to the “thin places” between heaven and earth, by forgetting self and stepping forth through a holy threshold into something far greater.

There is a scary freedom in the sacrificial life, a wonderful terrifying illuminating freedom, still far beyond my grasp.

I may even step
forth from myself and be free.

 

 

dandy731181

To Turn Suffering Into Beauty

 

 

(Poetry) matters because it’s beautiful. It matters because it tells the truth, the human truth about the complexity of life. . .
It tells the entire truth about what it is to be alive, about the way of the world, about life and death.
Art embodies that complexity and makes it more understandable, less frightening, less bewildering.
It matters because it is consolation in times of trouble.
Even when a poem addresses a painful subject, it still manages to be consoling, somehow, if it’s a good poem.
Poetry has an unearthly ability to turn suffering into beauty.

Be a good steward of your gifts.
Protect your time.
Feed your inner life.
Avoid too much noise.
Read good books,
have good sentences in your ears.
Be by yourself as often as you can.
Walk.
Take the phone off the hook.
Work regular hours.

~Jane Kenyon from A Hundred White Daffodils

 

 

There’s nothing “regular” about the hours I work and I’m my own worst enemy when it comes to obsessive commitment of my time.  My phone is attached to me day and night for good reason.  I don’t read enough, don’t particularly enjoy being alone, don’t spend enough time walking nowhere in particular and am immersed full time in the noise of life.

Yet I recognize beauty when I hear it, see it and read it.  Sometimes I actually write it.

In the meantime,  I cleave to good sentences in my heart and the cadence of good phrases in my ears.  It’s what a good steward and harvester of words must do.

 

 

Scattering Souls Like Spores

 

 

Most lie low, flourishing with damp,
harvesting sunlight, no commotion, moss
mouse-silent, even through wind and hail,
stoic through motors roaring fumes,
through fat-clawed bears grubbing.

They can soothe the knife-edges of stones
with frothy leaf by leaf of gray-green life,
and burned-ground mosses cover destruction,
charred stumps, trees felled and blackened.
Cosmopolitan mosses likewise salve
sidewalk cracks, crumbling walls.

They root in thin alpine air, on sedentary
sand dunes, cling to cliff seeps beneath
spilling springs. For rest, they make mats
on streamside banks, for pleasure produce silky
tufts, wavy brooms of themselves in woodlands
for beauty, red roof moss for whim, elf
cap, hair cap, sphagnum for nurturing.

No fossil record of note, no bone
history, so lenient they possess only
those memories remembered.

I believe they could comfort the world
with their ministries. That is my hope,
even though this world be a jagged rock,
even though this rock be an icy berg of blue
or a mirage of summer misunderstood
(moss balm for misunderstanding),
even though this world be blind and awry
and adrift, scattering souls like spores
through the deep of a starlit sea.
~Pattiann Rogers “The Moss Method”

 

 

 

Moss completely carpets our front lawn –
only a few blades of grass persist within spongy moisture-retaining greenery.
When the rains stop and the sun turns up the temperature,
the faux-grass mat withers to shades of brown and sits dormant,
waiting patiently for fall rains to thrive luxurious again.

A messy mossy forgiveness.

Just so,
the words I write
are like doormats of moss,
lying thick as a carpet across the page,
piled one upon another,
some more beautiful,
some so plain as not to be noticed,
some dry out quickly when the heat turns on,
some with just the right curve and form
to make a difference,
cushioning my fall
with a gentle grace.

 

 

Thunder Made of Whispers

webs7

 

webdesign2

 

A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.
~Charles Ghigna

 

webdesign14

 

webdesign10

 

I wander the barnyard
studying the complexities of web design,
marveling at a tiny creature’s creation
of connection by the slenderest thread.

Through words and pictures I whisper
from my own corner of the web
and wait patiently for the shimmer of connection:
my rumbling thunder has been heard.

 

webdesign7

 

webdew2

Beyond the Reach of Meaning

danglingleaf1

 

sunset125181

 

At sundown when a day’s words
have gathered at the feet of the trees
lining up in silence
to enter the long corridors
of the roots into which they 
pass one by one thinking
they remember the place
as they feel themselves climbing
away from their only sound
while they are being forgotten
by their bright circumstances
they rise through all the rings
listening again 
afterward as they
listened once and they come
to where the leaves used to live
during their lives but have gone now
and they too take the next step
beyond the reach of meaning
~ W. S. Merwin “To a Leaf Falling in Winter”

 

 

hidenseeksisters

 

“Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying.
~Annie Dillard from Pilgrim at Tinker Creek

 

suspendedleaf1

 

winterpoplars6

 

…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.

~Henri Nouwen

 

holyleaf

 

leafjanuary

 

For too much of my life I have focused on the future, bypassing the present in my headlong rush to what lies ahead.  There is always a goal to achieve,  a conclusion becoming commencement of the next phase, a sunset turning right around in a few hours to become sunrise.

Yet the most precious times occur when the present is so overwhelming, so riveting, so tenderly full of life that I see a brief glimpse of God.  I must grab hold with all my strength to try and secret it away and keep it forever.  Of course the present still slips away from me, elusive and evasive, torn to bits by the unrelenting movement of time.

Even if I was able to take a photo to lock it to a page or screen, it is not enough.  No matter how I choose to preserve the canvas of the present, it is passed, ebbing away never to return.

I must wonder at the present by focusing less on the foreshortening future.

So I write to harvest those times to make them last a little bit longer.  Maybe not forever; they will inevitably be lost downstream into the ether of unread words.

Even if unread, I am learning that words, which had power in the Beginning to create life,  bring tenderness and meaning back to my life.   How blessed to live the gift twice: not just in the moment itself but in writing words that preserve and treasure it all up, if only for a moment before they fall, completed.

 

suspendedleaf4

 

holyleaf1

 

 

Writing With Quiet Hands

octleaves173

 

daisybuds

 

I want to make poems that say right out, plainly,
what I mean, that don’t go looking for the
laces of elaboration, puffed sleeves. I want to
keep close and use often words like
heavy, heart, joy, soon, and to cherish
the question mark and her bold sister

the dash. I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

 

octoberfields17

 

Writing and riding with quiet hands –
a wonderful metaphor for moving forward
in gladness and astonishment
without trying to steer unnecessarily.
To feel connected without controlling,
to have faith in the unknowable
yet understand without a doubt, that it is good.

 

22383992_1840069842688987_8481941918315523726_o
photo by Joel DeWaard

 

quiethands3
photo by Brandon Dieleman

 

leamarlee20132
photo by Emily Dieleman

 

Support for the Barnstorming Blog

Your financial support keeps this blog a daily offering and ad-free. A one-time contribution helps greatly.

$10.00