Browsing and Chewing Sweet Hay

To Bring the Horse Home…

after Philip Larkin

Is all I’ve wanted past wanting
since I was six and delirious with fever,
an infinitive forged from a night
when giant ladybugs with toothpick
antennae patrolled my wicker nightstand.
Yes, I’ve been with horses since, 
travelled illegally with them in trailers,
known certain landscapes only framed
by alert ears, and with one in particular,
spent whole afternoons with her big jaw
heavy on my shoulder. Still, I hatched
plots to bring a horse to the house, to ride 
to school, to pasture one or even three
in the garden, shaded by that decorative
willow, which could have used a purpose.
But there were city bylaws in two languages,
and over the years, a dog, stray cats,
turtles, and many fish. They lived, they died.
It wasn’t the same. Fast-forward, I brought
the baby home in a molded bucket seat, but she
lacked difference, attuned as I was, checking
her twenty-four-seven. Now that she’s 
grown, I’m reduced to walking city parks
with this corrosive envy of mounted police,
though I’m too old for the ropes test,
wouldn’t know what to do with a gun.
If there’s a second act, let me live
like the racetrack rat in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.

~Julie Bruck “To Bring the Horse Home”

photo by Breanna Randall

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from six stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me,  and then the next, like each chew of sweet hay. I try to live in each moment fully, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on, so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured. It brings me home to that doubting center of myself that needs reminding that pain is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so grand.

The Honesty of Horses

It was dragging my hands along its belly,
loosing the bit and wiping the spit
from its mouth that made me
a snatch of grass in the thing’s maw,
a fly tasting its ear. It was
touching my nose to his that made me know
the clover’s bloom, my wet eye to his that
made me know the long field’s secrets.
But it was putting my heart to the horse’s that made me know
the sorrow of horses. Made me
forsake my thumbs for the sheen of unshod hooves.
And in this way drop my torches.
And in this way drop my knives.
Feel the small song in my chest
swell and my coat glisten and twitch.
And my face grow long.
And these words cast off, at last,
for the slow honest tongue of horses.

~Ross Gay “Becoming A Horse”

photo by Emily Vander Haak

Living the dream of nearly every young girl, I grew up with a horse in our back field. The first was a raw-boned old paint who allowed my older sister and toddler me to sit atop him, walk around the barnyard and on the driveway at no more than a walk. He was arthritic and sore, but patient and tolerant to the attention of little girls. When we moved away to another part of the state, he didn’t come with us and I was too young to fully understand where he had been sent.

The horse on our new farm was my sister’s 4H project who was a spiffy chestnut mare with a penchant for a choppy trot and speedy canter. My sister would go miles with friends on horseback down back-country roads. Sadly, my sister soon became allergic (hives and swelling) to any contact with horses. I was barely old enough to start riding by myself in our fields.The little mare missed her adventures with my sister but seemed to adapt to my inexperience and took care of me as best she could – I never fell off. One night, she broke through a fence and ate her fill in a field of growing oat grass. The next day she was euthanized due to terrible colic. I was inconsolable, crying for days when visiting her burial spot on our property.

These first two horses tolerated the inexperience of their handlers and tried to compensate for it. I’ve since owned a few horses who knew exactly how to take advantage of such inexperience. Horses size up people quickly as our feelings and fear can be so transparent; it takes much longer for us to understand the complexity of their equine mind. Many diverse training techniques are marketed as testimony to that mystery.

I have learned that horses appreciate a patient and quiet approach, reflecting their consistency and honesty. They like to be looked in the eye and appreciate a soft breath blown over their whiskers. They want us to find their itchy spots rather than act the part of a pseudo-predator with intent to harm.

That’s not asking too much of us.

In return, we learn how best to communicate what we need from them. They are remarkably willing to work when they understand the job and feel appreciated. In return, we are given a chance to experience the world through their eyes and ears, to comprehend the remarkable sensitivity of a skin able to shiver a fly away.

I’ve spent much of my life learning with horses and hope there are a few years still left to learn more. Whatever sorrow they feel in their hearts is when I’ve failed to be who they need me to be. Their gift to me is an honest willingness to forgive, again and yet again.

To Recover the Lost

The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at the end of a week
of dark and wet and cold
with chores not done yet,
and horses waiting to be fed,
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved in a lock box.

Golden treasure can have
four hooves, a tail, with a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

Only then I remember where my home is
and how easy it is to wander from the path
that somehow always leads me back here.

Of Perfect Sloth

Broad August burns in milky skies,
The world is blanched with hazy heat;
The vast green pasture, even, lies
Too hot and bright for eyes and feet.

Amid the grassy levels rears
The sycamore against the sun
The dark boughs of a hundred years,
The emerald foliage of one.

Lulled in a dream of shade and sheen,
Within the clement twilight thrown
By that great cloud of floating green,
A horse is standing, still as stone.

He stirs nor head nor hoof, although
The grass is fresh beneath the branch;
His tail alone swings to and fro
In graceful curves from haunch to haunch.

He stands quite lost, indifferent
To rack or pasture, trace or rein;
He feels the vaguely sweet content
Of perfect sloth in limb and brain.
~William Canton “Standing Still”

I flunked sloth long ago.  Perhaps I was born driven.  My older sister, never a morning person, was thoroughly annoyed to share a bedroom with a toddler who awoke chirpy and cheerful, singing “Twinkle Twinkle” for all to hear and ready to conquer the day.

Since retiring, I admit I am becoming accustomed now to sloth-dom. I am still too cheerful in the early morning. It is a distinct character flaw.

Even so, I’m not immune to the attractions of a hot hazy day of doing absolutely nothing but standing still switching at flies. I envy our retired ponies in the pasture who spend the day grazing, moseying, and lazing because … I have worked hard to make that life possible for them.

I want to use my days well yet I know August was invented for lulling about. Maybe there is a reason to be here beyond just warning the flies away but I’m not working hard to find out what it might be. So perhaps I’ll get a passing grade in sloth after all.

Be Winged

O! for a horse with wings! 
~William Shakespeare from Cymbeline

photo by Bette Vander Haak
photo by Bette Vander Haak

Be winged. Be the father of all flying horses.
~C.S. Lewis from The Magician’s Nephew

photo by Bette Vander Haak
photo by Bette Vander Haak

One reason why birds and horses are happy is because they are not trying to impress other birds and horses. 
~Dale Carnegie

photo by Bette Vander Haak
photo by Bette Vander Haak

When I bestride him, I soar, I am a hawk:
he trots the air; the earth sings when he touches it;
~William Shakespeare from Henry V

We all need someone along for the ride with us, blessing us with their company — a precious friend who has our back and scratches it wonderfully – helping to keep the biting flies away by gobbling them up.

It is symbiosis at its best: a relationship built on mutual trust and helpfulness. In exchange for relief from annoying insects that a tail can’t flick off, a Haflinger horse serves up bugs on a smorgasbord landing platform located safely above farm cats and marauding coyotes.

Thanks to their perpetual full meal deals, these cowbirds do leave generous “deposits” behind that need to be brushed off at the end of the day. Like any good friendship, cleaning up the little messes left behind is a small price to pay for the bliss of companionable comradeship.

We’re buds after all – best forever friends, trotting the air while the earth sings along.

And this is exactly what friends are for: one provides the feast while the other provides the wings, even when things get messy.

Be winged. Be fed. Together.

The Dignity of Being

Two horses were put together in the same paddock.
Night and day. In the night and in the day
wet from heat and the chill of the wind
on it. Muzzle to water, snorting, head swinging
and the taste of bay in the shadowed air.
The dignity of being. They slept that way,
knowing each other always.

Withers quivering for a moment,
fetlock and the proud rise at the base of the tail,
width of back. The volume of them, and each other’s weight.
Fences were nothing compared to that.
People were nothing. They slept standing,
their throats curved against the other’s rump.
They breathed against each other,
whinnied and stomped.
There are things they did that I do not know.
The privacy of them had a river in it.
Had our universe in it. And the way
its border looks back at us with its light.
This was finally their freedom.
The freedom an oak tree knows.
That is built at night by stars.
~Linda Gregg, “The Weight” from All of It Singing: New and Selected Poems

When the pasture gate opens
after a long winter, they are let out on grass
to a world vast and green and lush
beyond their wildest imaginings.

They run leaping and bounding,
hair flying in the wind, heels kicked up
in a new freedom to re-form together
their binding trust of companionship.

They share feasting and grooming with one another,
as grace grows like grass
stretching to eternity yet bounded
safely within fence rows.

When cold rains come, as miserable times will,
and this spring day feels far removed,
when covered in the mud or frost or drought of life,
they still have warm memories of one another.

Even though fences lean and break, as they will,
the ponies are reminded where home is,
whistled back to the barn if they lose your way,
pointing them back to the gate to night’s rest and quiet.

Once there they long again for the gift of pasture freedom:
how blessed is this opened gate, these fences,
and most of all their dignity of being together
as they feast with joy on the richness of spring.

Never Enough Light in November

Taken from our farm–cornfield stubble and feeding swans

That country where it is always turning late in the year.
That country where the hills are fog and the rivers are mist;
where noons go quickly,
dusks and twilights linger,
and midnights stay.
That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun.
That country whose people are autumn people,
thinking only autumn thoughts.
Whose people passing at night on the empty walks sound like rain.

~Ray Bradbury from The October Country

Just as a painter needs light
in order to put the finishing touches to his picture,
so I need an inner light,
which I feel I never have enough of in the autumn.
~Leo Tolstoy

A few days of heavy rain in November transforms our farm to mush. Puddles are everywhere, the ground is saturated and mushrooms are sprouting in the most unlikely places. It’s ideal weather for the trumpeter swans and snow geese who glean in the nearby harvested cornfields, filling up on dropped corn kernels. They fly overhead to head out to the fields, noisily honking, their wings swooshing the air as they pass over.

The wet weather means chores are more challenging on our farm. Some of the stalls in the barn have started to get moist from the rising ground water, so the Haflingers appreciate diving into fresh shavings for a good roll and shake. I can appreciate the relief they feel as I like getting back to solid footing too at the end of the day. Much of my day also seems to be spent navigating slippery slopes and muddy terrain, both real and figurative.

It isn’t always apparent what ground is treacherous from appearance alone. The grassy slope heading down to the barn from the house looks pretty benign until I start navigating in a driving rainstorm in the dark, and suddenly the turf becomes a skating rink and I’m finding I’m picking my way carefully with a flashlight. The path I seek is to find the patches of moss, which happily soak up the water like a sponge carpet-like, so not slick to walk on. Even if moss ordinarily is not a welcome addition to lawn or pasture–I appreciate it this time of year.

Another challenge is pushing a wheelbarrow with two 60 pound bales of hay back up that slope to the stalls for the day’s feeding. There is no traction underneath to help my feet stick to the ground for the push uphill. I can feel particularly foolish at this futile effort–my feet sometimes slide out beneath me, landing me on my knees down on the ground, soaked and humiliated, and the wheelbarrow goes skidding right back down to the barn door where it started.

Trusting the footing underneath my feet is crucial day to day. If I am to get work done most efficiently and make progress, I must have solid ground to tread. But the stuff of real life, like our farm’s ground, doesn’t come made to order that way. Some days are slick and treacherous, unpredictable and ready to throw me to my knees, while other days are simple, easy, and smooth sailing. Waking in the morning, I cannot know what I will face that day–whether I need my highest hip boots to wade through the muck or whether I can dash about in comfy house slippers. My attitude has something to do with it too–sometimes my “internal” footing is loose and slippery, tripping up those around me as well as myself. That is when I need most to plant myself in the solid foundation that I know will support me during those treacherous times. I need my faith, my need to forgive and experience forgiveness, my family holding me as I fall, and to help pick them up when they are down. Without those footings every day, I’m nothing more than a muddy soiled mess lying face down on the ground wondering if I’ll ever walk again.

There is good reason I end up on my knees at times. It is the best reminder of where I would be full time if it were not for stronger Hands that lift me up, clean me up and guide my footsteps all my days.

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And It Was Autumn…

it rained in my sleep
and in the morning the fields were wet
I dreamed of artillery
of the thunder of horses

in the morning the fields were strewn
with twigs and leaves
as if after a battle
or a sudden journey
I went to sleep in the summer
I dreamed of rain
in the morning the fields were wet
and it was autumn
~Linda Pastan “September” from Carnival Evening

photo by Harry Rodenberger

The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.

The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.

At evening a breeze dries and crumbles
the sky and the clouds float like undershirts
and cotton dresses on a clothesline. Horses
rock to their feet and race or graze.
Parents open their shutters and call
the lonely, happy child home.
The child who hates silences talks and talks
of cicadas and the manes of horses.
~Carol Frost – lines from “All Summer Long” from Love and Scorn: New and Collected Poems.

I was one of those lonely but happy youngsters who dreamt of horses all summer long, immersed in my own made-up stories of forest rides on hidden trails, of spending hours decorating long manes and tails of golden horses, of performing daring rescues and races, of battles and bravery I didn’t experience in real life. The imaginings took me beyond the mundane into the fanciful where I could be completely lost until I was called to come in for dinner or return to the confines of a school classroom.

Some dreams do come true when you want them badly enough: I’ve now had decades gazing out at fields of grass with those thundering hooves, back-dropped by endless skies of ever-changing clouds. I’ve also found that fairy tales can have broken fences and growing manure piles.

It has been worth it for a kid whose own story bloomed when I became a wife, a mother, a physician and a horse farmer. As this summer yet again has transitioned to autumn, so does my story: it is full of aging horses and tired fields, yet still I find myself dreaming like a kid as I comb out those long flowing manes.

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Middle Age Gals Stick Together

I’m deep into my sixties now and some days I’m reminded how deep more than others. Though I’m well past the hot flashes of my fifties, I now deal with the typical aches and pains of my seventh decade on earth. Every once in awhile, I compare notes with our aging Haflinger mares (now all well into their twenties) on our farm and watch how well they too are coping with their advancing years.

For instance:

These mares still have a lot of life left. They sometimes run like the wind when turned loose, their manes and tails flying in the wind. They can buck, kick and fart with the best of them. And then limp around for the rest of the day, regretting their momentary indiscretion.

These mares know who they are. There is no identity crisis here. They are mothers who have finished their mothering years, and are well into the grandmothering years. Even so, they still like to flirt – although they aren’t sure they remember why they want to attract attention from a certain fella in the neighboring field.

These mares aren’t thrilled about work anymore. They are a bit out of shape with a tendency toward the fluffy side of fitness, so require a moment to catch their breath once in awhile. Their muscles hurt the next day. They break out in sweat easily. They appreciate a break for a mid-day nap – or two – or three.

These mares are opinionated. There is no question they know their own minds, what they want and how they are going to get it and they keep no one around them guessing. They want to make sure everyone else knows how right they are even if they (so very rarely) are wrong.

These mares are stubborn. Once they’ve decided something, it takes more than soft sweet persuasion, like a whack on the behind, to change course. Once they’ve decided they don’t like another horse, the only way to change that opinion is for the other horse to adopt an attitude of complete servitude and submission, giving way whenever approached and grooming the boss mare whenever asked.

These mares are hungry. Always. See “fluffy” above although chewing isn’t as easy as it used to be. Grazing is now classified as “work.”

These mares don’t sleep all that much, but wish they could sleep more.  Even though they might look like they are napping (see “mid-day naps” above), they are actually meditating, with their eyes closed, on the next plan of action.

These mares’ feet and joints hurt at times – sometimes dealing with broken and cracked nails, trouble walking over uneven surfaces, and being impatient and touchy about manicures.

These mares are not as fussy about their appearance as they used to be. Their fur coats are no longer as sleek and smooth – their hair can stick out at weird angles, their beards grow long and their eyes aren’t quite as clear. Their four foot manes have been rubbed down to two foot manes and have a few more tangles in them. Their tails have stains (don’t ask why). They stride through mud puddles without a second thought, whereas when they were younger, there was no way one hoof was going to set foot in such mucky stuff.

These mares don’t keep as tidy a bedroom as they used to. Why bother? Life is too short for making neat piles in pristine surroundings.

These mares know how to be the best of friends. If their best forever friend is not turned out with them in the field, they will stand at the gate, and call nonstop for an hour asking where she is. And when they are reunited, they mutually groom for a long time, until their mouths are so full of hair they can’t stand each other – until tomorrow, that is.

These mares know how to give great kisses and hugs. Especially if you are hiding a carrot on your person, you’ll be mugged.

Yes, we “deep-in-the-middle ages” gals, human and equine, do seem to have a lot in common.

I do appreciate knowing we can always stick together, through thick and …well, thick.

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Hollowed

The barn roof sags like an ancient mare’s back.
The field, overgrown, parts of it a marsh
where the pond spills over. No hay or sacks
of grain are stacked for the cold. In the harsh
winters of my youth, Mama, with an axe,
trudged tirelessly each day through deep snow,
balanced on the steep bank, swung down to crack
the ice so horses could drink. With each blow
I feared she would fall, but she never slipped.
Now Mama’s bent and withered, vacant gray
eyes fixed on something I can’t see. I dip
my head when she calls me Mom. What’s to say?
The time we have’s still too short to master
love, and then, the hollow that comes after.
~Kitty Carpenter “Farm Sonnet”

Vigil at my mother’s bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.
Hollowed.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

photo by Andrea Nipges

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